Dr Nicholas Bailey

  • Senior Lecturer (Systems Power and Energy)

telephone: 01413304902
email: Nicholas.Bailey@glasgow.ac.uk

Research interests

Biography
Nick Bailey is a Director of the Centre for Music Technology and is based in the Department of Electronics and Electrical Engineering at The University of Glasgow.

Upon graduating from The University of Durham in 1987, he worked at British Telecom Applied Technology "Comms Division" writing bespoke software for BT's larger customers, and maintaining large databases on alarmingly obsolete mainframe computers. Thus equipped with a working knowledge of the unhappy bedfellows of applied signal processing and corporate computing, he left as soon as etiquette would permit to return to Durham to read for a Ph.D. in The Application of Parallel Computers to the Processing of Musical Signals.

Appointed Lecturer in Electronic Engineering at the University of Leeds, he was a founder member and Deputy Director of their Interdisciplinary Centre for Scientific Research in Music (ICSRiM).

In 2000, he moved to The University of Glasgow to take over the directorship of the Electronic Engineering aspect of the CMT.

Personal  home page

Publications

List by: Type | Date

Jump to: 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2002 | 2001
Number of items: 22.

2015

Bailey, N. and Milligan, K. (2015) A review of software for note onset detection. In: 4th International Scientific Meeting for Sound and Musical Instrument Studies, Tavira, Portugal, 18-20 Dec 2015,

Bailey, N., South, A., Pearson, I. and Nimmo, K. (2015) Developing a Microtonal Clarinet via Wind Controller and 3D Printing. In: ClarinetFest2015: International Clarinet Association, Madrid, Spain, 22-26 July 2015,

2014

Bailey, N., Cremel, T. and South, A. (2014) Using Acoustic Modelling to Design and Print a Microtonal Clarinet. In: 9th International Conference on Interdisciplinary Musicology, Berlin, Germany, 04-06 Dec 2014,

2013

MacRitchie, J., Buck, B. and Bailey, N. J. (2013) Inferring musical structure through bodily gestures. Musicae Scientiae, 17(1), pp. 86-108. (doi:10.1177/1029864912467632)

Buck, B., Macritchie, J. and Bailey, N. (2013) The interpretive shaping of embodied musical structure in piano performance. Empirical Musicology Review, 8(2), pp. 92-119. (doi:10.18061/emr.v8i2.3929)

MacRitchie, J. and Bailey, N. J. (2013) Efficient tracking of pianists’ finger movements. Journal of New Music Research, 42(1), pp. 79-95. (doi:10.1080/09298215.2012.762529)

2012

Tassieri, M., Evans, R.M.L., Warren, R.L., Bailey, N.J. and Cooper, J.M. (2012) Microrheology with optical tweezers: data analysis. New Journal of Physics, 14(11), p. 115032. (doi:10.1088/1367-2630/14/11/115032)

2011

Hall, C., O'Donnell, J. and Bailey, N. (2011) BowScribe: Supporting the violinist's performance model. In: International Symposium on Performance Science (ISPS 2011), Toronto, August 2011, pp. 655-660.

2010

Buck, B., Bailey, N.J., MacRitchie, J. and Parncutt, R. (2010) Performers' body motion and phrase structure: the role of velocity magnitude. In: 3rd International Conference on Music and Gesture, McGill University, Montreal, Canada, 5-6 March 2010,

2009

Buck, B., MacRitchie, J. and Bailey, N. (2009) Perceptual recognition of embodied musical structure. In: Musical Body Conference, Institute for Music Research, IMR, University of London, UK, 2009,

MacRitchie, J., Buck, B. and Bailey, N. (2009) Gestural communication: linking the multi-modal analysis of performance to perception of musical structure. In: International Sympoium of Performance Science, Auckland, New Zealand, 15-18 Dec 2009,

MacRitchie, J., Buck, B. and Bailey, N. (2009) Visualising musical structure through performance gesture. In: 10th International Society for Music Information Retrieval Conference, Kobe, Japan, 26-30 October 2009,

MacRitchie, J., Pullinger, S., Hair, G. and Bailey, N. (2009) Communicating phrasing structure with multi-modal expressive techniques in piano performance. In: 2nd International Conference on Music Communication Science, Sydney, Australia, 3-4 December 2009,

Pullinger, S., Bailey, N., MacRitchie, J. and McAllister, M. (2009) Computer assisted analysis and display of musical and performance data. In: International Symposium on Performance Science, Auckland, New Zealand, 15-18 Dec 2009,

2008

Bailey, N., McGilvray, D. and Hair, G. (2008) Musically significant, automatic localisation of note boundaries for the performance analysis of vocal music. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Bailey, N., McGilvray, D. and Hair, G. (2008) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

Buck, B., Hair, G. and Bailey, N. (2008) One voice or many?: compound melody and auditory streaming. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Pullinger, S., McGilvray, D. and Bailey, N. (2008) Music and gesture file: Performance visualisation, analysis, storage and exchange. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

2007

Hair, G., Pearson, I., Morrison, A., Bailey, N., McGilvray, D. and Parncutt, R. (2007) The rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1(1),

2002

Boehm, C., Bailey, N., Cuomo, S., Kerr, P., Short, B. and Tariffi, F. (2002) Networking opera: a report on a project in progress. In: Proceedings of the International Computer Music Conference, Gothenburg, Sweden, pp. 338-341.

2001

Bailey, N. (2001) Why free software happens: A survey of motivation in the open software community. In: Circus 2001: New synergiesw in digital creativity conference fro content inegrated research in creative user systems, Glasgow, pp. 35-44.

Tee, A., Cooper, D., Bailey, N. and McLernon, D. (2001) Pattern matching for the tracking of melodic development. In: Proceeding of the VIII Brazilian Symposium on Computer Music, Brazil,

This list was generated on Tue Oct 17 02:48:23 2017 BST.
Number of items: 22.

Articles

MacRitchie, J., Buck, B. and Bailey, N. J. (2013) Inferring musical structure through bodily gestures. Musicae Scientiae, 17(1), pp. 86-108. (doi:10.1177/1029864912467632)

Buck, B., Macritchie, J. and Bailey, N. (2013) The interpretive shaping of embodied musical structure in piano performance. Empirical Musicology Review, 8(2), pp. 92-119. (doi:10.18061/emr.v8i2.3929)

MacRitchie, J. and Bailey, N. J. (2013) Efficient tracking of pianists’ finger movements. Journal of New Music Research, 42(1), pp. 79-95. (doi:10.1080/09298215.2012.762529)

Tassieri, M., Evans, R.M.L., Warren, R.L., Bailey, N.J. and Cooper, J.M. (2012) Microrheology with optical tweezers: data analysis. New Journal of Physics, 14(11), p. 115032. (doi:10.1088/1367-2630/14/11/115032)

Hair, G., Pearson, I., Morrison, A., Bailey, N., McGilvray, D. and Parncutt, R. (2007) The rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1(1),

Book Sections

Bailey, N., McGilvray, D. and Hair, G. (2008) Musically significant, automatic localisation of note boundaries for the performance analysis of vocal music. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Buck, B., Hair, G. and Bailey, N. (2008) One voice or many?: compound melody and auditory streaming. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Conference Proceedings

Bailey, N. and Milligan, K. (2015) A review of software for note onset detection. In: 4th International Scientific Meeting for Sound and Musical Instrument Studies, Tavira, Portugal, 18-20 Dec 2015,

Bailey, N., South, A., Pearson, I. and Nimmo, K. (2015) Developing a Microtonal Clarinet via Wind Controller and 3D Printing. In: ClarinetFest2015: International Clarinet Association, Madrid, Spain, 22-26 July 2015,

Bailey, N., Cremel, T. and South, A. (2014) Using Acoustic Modelling to Design and Print a Microtonal Clarinet. In: 9th International Conference on Interdisciplinary Musicology, Berlin, Germany, 04-06 Dec 2014,

Hall, C., O'Donnell, J. and Bailey, N. (2011) BowScribe: Supporting the violinist's performance model. In: International Symposium on Performance Science (ISPS 2011), Toronto, August 2011, pp. 655-660.

Buck, B., Bailey, N.J., MacRitchie, J. and Parncutt, R. (2010) Performers' body motion and phrase structure: the role of velocity magnitude. In: 3rd International Conference on Music and Gesture, McGill University, Montreal, Canada, 5-6 March 2010,

Buck, B., MacRitchie, J. and Bailey, N. (2009) Perceptual recognition of embodied musical structure. In: Musical Body Conference, Institute for Music Research, IMR, University of London, UK, 2009,

MacRitchie, J., Buck, B. and Bailey, N. (2009) Gestural communication: linking the multi-modal analysis of performance to perception of musical structure. In: International Sympoium of Performance Science, Auckland, New Zealand, 15-18 Dec 2009,

MacRitchie, J., Buck, B. and Bailey, N. (2009) Visualising musical structure through performance gesture. In: 10th International Society for Music Information Retrieval Conference, Kobe, Japan, 26-30 October 2009,

MacRitchie, J., Pullinger, S., Hair, G. and Bailey, N. (2009) Communicating phrasing structure with multi-modal expressive techniques in piano performance. In: 2nd International Conference on Music Communication Science, Sydney, Australia, 3-4 December 2009,

Pullinger, S., Bailey, N., MacRitchie, J. and McAllister, M. (2009) Computer assisted analysis and display of musical and performance data. In: International Symposium on Performance Science, Auckland, New Zealand, 15-18 Dec 2009,

Bailey, N., McGilvray, D. and Hair, G. (2008) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

Pullinger, S., McGilvray, D. and Bailey, N. (2008) Music and gesture file: Performance visualisation, analysis, storage and exchange. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

Boehm, C., Bailey, N., Cuomo, S., Kerr, P., Short, B. and Tariffi, F. (2002) Networking opera: a report on a project in progress. In: Proceedings of the International Computer Music Conference, Gothenburg, Sweden, pp. 338-341.

Bailey, N. (2001) Why free software happens: A survey of motivation in the open software community. In: Circus 2001: New synergiesw in digital creativity conference fro content inegrated research in creative user systems, Glasgow, pp. 35-44.

Tee, A., Cooper, D., Bailey, N. and McLernon, D. (2001) Pattern matching for the tracking of melodic development. In: Proceeding of the VIII Brazilian Symposium on Computer Music, Brazil,

This list was generated on Tue Oct 17 02:48:23 2017 BST.