Postgraduate research students
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- Adams Christopher (Music)
Content and creation: The globally local role of the unsigned act. - Ahmad Normahfuzah (Media and Cultural Policy)
24-hour News Stations and Multifarious Challenges: Balancing Quality Journalism vs Audience Needs in Contemporary Media Milieu. - Al Abri Abdul Nasser Ahmed Abdullah (Media and Cultural Policy)
War reporting and military media management strategies in modern warfare. - Al-Ali Wafa Khalfan Rashid Burenqain (Media and Cultural Policy)
Local News Management in the Digital Era - Asomatos Christos (History ofArt)
ART IN THE NEW DEMOCRATIC PARADIGM: AUTONOMY, TECHNIQUE, PARTICIPATION - Atkinson Justine (Film & TV Studies)
Representation Matters: On- and off-screen diversity within African cinema exhibition in the UK - Bailey Lucy (History ofArt)
Walter Fawkes 1769-1825: A Patron of the Arts - Bambrough Mark (History ofArt)
Henry Gyles, glass painter and the development of the glass transfer print - Barron Richard (Music)
Setting Scots Poetry - Bayley Christopher (Music)
- Beshr Hany (Film & TV Studies)
Foreign policy in British political docudrama filmmaking (1991-2011) - Bin Mohamad Affendi Muhammad Amin (Film & TV Studies)
Nationalism and multiculturalism in Malaysian Cinema - Bols Ingrid (Music)
Programming choices and national culture. The case of French and British symphony orchestras. - Brennan Mhairi (Film & TV Studies)
Archiving the Referendum: The Scottish Independence Referendum 2014 and the BBC Scotland Television Archive - Buddle Tessa (Theatre Studies)
Utopia on Tour: exploring a contingent dramaturgy of utopia in contemporary touring theatre - Bull Andrew (Music)
The Music of the Scottish Church in the 13th and 14th Centuries - Butucea Vlad (Theatre Studies)
Theatrical Technologies: Challenging Gender and Sexuality in Theatre - Carey Richard (Music)
Circling the Square: A practice-based interrogation of the phenomenological language of audiovisual music - Castle Kerr (Film & TV Studies)
Comfort TV - theorising the everyday use of TV as an apparatus for therapeutic reward, the restoration of identity, and other affects. - Cattigan Stephanie (Media and Cultural Policy)
The Leverhulme Trust Collections Scholarships: Promoting the Nation: Scotland's Industrial Films - Chandler Alex (Film & TV Studies)
Testing the limits of the ‘hard man’ in film: masculinity and male health behaviour in Scotland’s public health films 1934-2000 - Chavale Areti (History ofArt)
Artists' Resale Right and the Art Market: Evidence from British Art Auctions - Che Hassan Abdul Hadi Bin (Media and Cultural Policy)
The influence of mobile communications and second screen phenomena on Malaysian society. - Cleaver Jonathan (History ofArt)
Technical innovation and the development of carpet design in the Stoddard Templeton archives. - Clive Rachel (Theatre Studies)
Geodiversity and human difference: disability, landscape form and process - Colta Alexandra (Film & TV Studies)
Human Rights Film Festivals: Politics, Programmes and Practices - Costantini Rosa (History ofArt)
From the Golden Age to the Digital Age: Modelling and Monitoring Historic Tapestries - Daniels-Yeomans Finn (Film & TV Studies)
Beyond Representation: Documenting Traumas of the World Ecology - Dodds Joshua (Theatre Studies)
Dreamland '64: A Music Theatre Reappraisal of the Socio-Poli - Dowle Luke (History ofArt)
The evolution of the Sketching Society (1799-1851) and its influence within early 19th Century British Art. - Dyson-moss Gillian Elizabeth (Theatre Studies)
Is there a contemporary feminist uncanny? An investigation into the relationship between object and performer in solo performance art. - Findlay Jack (Music)
John Field and the influence Russian music culture had on his compositions. - Flynn Adam (History ofArt)
Convincing Fictions: Visual Representations of Monstrosity in Late Medieval and Early Modern Northern European Art - Fung Helena (History ofArt)
From East to West and Back Again: A critical review of the cross-cultural consumption, collecting and historiography of Chinese ‘classic’ furniture from the Ming and early Qing dynasties. - Fyfe Andrew (Music)
Adaptive Tools in Immersive Digital Music Performance - Gabriel Robert (Film & TV Studies)
Socio-Economic Ideology in Contemporary ‘Tween’ Television Programming - Gates Samuel (Theatre Studies)
Shakespeare, Johnson and The Tempest: The Significance of the Ariel Songs - Gilbert Ruth (Film & TV Studies)
Representing Minor Histories: Contemporary Womens Filmmaking and the Archive. - Gillies Olga (History ofArt)
Cultural identity through economic expansion: the effect of a contemporary art market on a national cultural capital - Gron Helene (Theatre Studies)
Migration and Home/lessness: Playwriting in a Globalised World - Haag Manon (Film & TV Studies)
Screen Tourism as Heritage Tourism - Hart Katie (Theatre Studies)
Politics, Theatre and National Identity: Scottish Women 1997-2017 - Hill Katrina (History ofArt)
Complicated Objects: Chinese Imperial Artefacts in Victorian Britain - Holton Simon (Theatre Studies)
Artist Collectives and Collective Art Practices in UK Live Art in the Years of Austerity Politics (2010-2018) - Hong Ju-Lee (Music)
Musical diplomacy: Isang Yun’s music in the context of the Cold War - Hu Qiao (History ofArt)
Materiality, Visuality, and Spatiality of Incense Culture in Ming Dynasty China - Hughes Alicia (History ofArt)
Dissecting and Drawing: Picturing the Body in William Hunter’s collection of Anatomical Illustrations - Irretier Juliette (Film & TV Studies)
Going to a Better Place - A Transnational Analysis of Film-Induced Travel from Germany to Scotland - Jan Oli (Music)
Experimental Music Theatre and Embodied Cognition - Jardine Dylan (Music)
The Work-Concept Revisited - Jarvis Andrew (Film & TV Studies)
British Cinema, Neoliberalism and the Poetics of Crisis - Jenkins Abigail (Film & TV Studies)
The Big Picture: Fat Women in Film and Television - Kamleitner Katharina (Film & TV Studies)
Negotiating Women’s Film Festivals on the Festival Circuit – Theory and Practice - Kamza Assel (Media and Cultural Policy)
Nation Branding: a Kazakhstan case study - Karmy Bolton Eileen Andrea (Music)
The working lives of the organised musicians in Valparaiso (Chile). - Kealy Oisin (Film & TV Studies)
Human Rights Film Festivals in the Global South - Kielich Gabrielle (Culture & Creative Arts)
The Social Worlds and Workplace Culture of Roadies (working title) - King Rose (History ofArt)
Women in Venetian Renaissance Painting from Giorgione to Tintoretto: Gender, Archetypes, Tradition and Style - Kirton Jon-Luke (Music)
Investigating the other and the self, a phenomenological approach to pianist's lived experience of techniques in George Crumb's Makrokosmos I&II for amplified piano - Knotts Jennifer (Theatre Studies)
Play/writing histories: Navigating the Personal, Public and Institutional stories of theatre space: An Architextural study of the Citizens Theatre. - Kovacs Nicole (Theatre Studies)
“The phenomenal moment: A study in the phenomenological interaction between actor, audience imagination, and space; explored through a methodology of Meisner technique and reinterpreting Kabuki theatre aesthetics” - Kubicka Hanna Karolina (Film & TV Studies)
Seeing Yourself in Film and Television Characters: Identification as Fiction’s Connection to Real Life - Lee David George (Music)
Works in Progress: Vocation, Labour, The Act of Musical Composition and Early Modern Lutheranism - Leomo Kevin (Music)
Portfolio of Compositions: A practice-based investigation of cross-cultural composition - LI SIQI (Media and Cultural Policy)
Value of British Chinese-language Media in Social Media - Linster Lisi (History ofArt)
Receiving the Body: How is the reception of twenty-first century encounters with the human form shaped by intervisual references to medieval representations of the exposed body? - Lyon Carter Elizabeth (History ofArt)
Theory and practice of Spanish Golden Age art in Sir William Stirling Maxwells collection and scholarship: A case study Carduchos Self Portrait and Dialogos de la Pintura - Lyon Rachel (History ofArt)
'Imitatio as method: reading, writing and the un-becoming of the mystic self' - Mailley-Watt Karen (History ofArt)
Glasgow Girls Revisited: Designing, Making and Exhibiting Women's Industrial Design of the Gilded Age - MANGO CAROLYN (Film & TV Studies)
Presence of African Women in the Screen Industry. A Case Study of Kenyan Women in the Screen Industry. - Mann Bill (Music)
Arrival of Italian opera in London early 18C - Markey John (Music)
The use of music in the construction of sectarian identities in west-central Scotland - Marschall Anika (Theatre Studies)
Performing Human Rights - Massie Daniel (Film & TV Studies)
Understanding Support: Supporting female film performances, The Academy Awards, and Audio-Visual essays - Maxwell Christopher (History ofArt)
A Delicate Legacy: Understanding World War II Era Provenance at the Corning Museum of Glass - Maxwell Hailey (History ofArt)
Paris Between the Wars: Radical Art, Community and the Sacred - McBride Leah (History ofArt)
Figuring the Atrocious: Trauma Representation in Contemporary Art Practice - McCartney-Moore Alex (Music)
The Italian early 17thC toccata form and its developers G.G. Kapsberger and G. Frescobaldi. - McCluskey Ann (Media and Cultural Policy)
Where Cultural Nationalism Meet Broadcasting Politics: Scottish Arts Programming and the Values of the Public Sphere. - McGregor Aaron (Music)
The violin in Scotland from its beginnings to 1750. - McIntyre John (Film & TV Studies)
Posthuman Authorship: Authorial Agency, Machine Creativity, and the Role of Technology in Digital Media Production - Milliken Conner (Theatre Studies)
Queer History-Making in Performance: Interrogating Scotland’s Narrative of Liberalisation - Millwood Sasha (Music)
The Music of Thea Musgrave: an analysis based on the archival sources - Muryn Wiktoria (History ofArt)
Inside and beyond the Visitation – community, motherhood and devotion in late medieval German convents - Neilson Toby (Film & TV Studies)
Ecological Imaginaries: Contemporary Science Fiction Cinema in the Anthropocene - Ngai Kate (Media and Cultural Policy)
Embracing the Small Screen: How individuals become involved, engaged and immersed in fiction television series - O'Neill Erica (History ofArt)
Tristan Tzara: Avant-Garde Performance and Exhibition Practice and the Emergence of the Performance/Theatre Dialectic. - Orleans Elzbieta (Music)
Apparition: The Adaptation of Archival Image and The Doctrine of Moral Rights in a Post-Digital Aesthetic - Ouyang Jingmei (Film & TV Studies)
Representations of China in Transnational Documentary Cinema - Peng Yun (Film & TV Studies)
Role of Gender: how does the eSports culture influence females' participation in eSports - Persson Disa (History ofArt)
'Documents and the Social: A Contextualisation of a Critical Text' - Pinna Daniele (History ofArt)
Venetian Art and Counter-Reformation - Pollick Johanna (History ofArt)
The motif of the wound as a well in art, literature and devotional practice in late medieval England - Quercetti Ferruccio (Music)
The Great Italian Mistake First wave punk in Italy between 1977 and 1980 - Rao Qinghong (History ofArt)
Rivers and Mountains: a Research about British and Chinese Landscape Painting - Rawlings Angela Marie (Theatre Studies)
Performing Geochronology in the Anthropocene: Siting Depths and Temporality along the North Atlantic Drift. - Ren Baihua (History ofArt)
The Water Mill – Authentication of Jiehua - Rickson Raphael (Music)
Libidinal Discourse, Cognition, and Musical Structure - Ritchie Andrea (Music)
The Relationship between the Music of Film and Filmic Representations of Reality - Rossi Maria (History ofArt)
. - Rozsa Laszlo (Music)
The Art of Musical Conversation: Behavioural Attitudes in the Performance Practice of Italian Music from c. 1580-1640. - Sánchez Villavicencio Daniel (History ofArt)
Understanding Flexible Painted Textiles through the Characterisation of Glasgow Museums’ George Kenning’s Banners - Scott Calum Collinson (Music)
Computer mediated physicality in Sound Art practice - Shutt Helen (Theatre Studies)
Play/writing Participation: Textual techniques employed by the playwright to create space for audience participation and co-authorship in performance - Sillitoe Hugh (Theatre Studies)
A comparative ethnography of contemporary absurdist performance practices amongst theatre practitioners and socio-political activitists. - Singh Kathryn (Theatre Studies)
‘Silent Voices Speak’ Exploring the experiences of South Asian women in Scotland through community engagement and playwriting. - Stutter Joshua (Music)
Notational discrepancies in W1 as evidence for an oral transmission of thirteenth-century polyphony to Scotland - STYLIANIDES TIMOTHEOS (Music)
The guitar performance practice during the second and third decades of twentieth century in Spain, focusing at the musical output of Generacion del '27 - Stynes Jayne (Media and Cultural Policy)
Negotiation of support networks: Women in music - Tuka Peter (History ofArt)
Avant-Garde and Post-War Totalitarianism: Július Koller and Conceptual Art under Communism - Tyler Matthew (History ofArt)
Aspects of manufacture and trade of the pigment smalt. - Vile Gareth (Theatre Studies)
Comics and Dramaturgy - Visser Tess (History ofArt)
An examination and comparison of the materials and techniques used by the Glasgow Boys and Matthijs Maris in late nineteenth-century Britain. - Vlcek Schurr Jennifer (History ofArt)
The Art and Patronage of Abbess Cunegund's Passional: Discovering Traits and Identities - Wagner Alessio (Music)
Ekphrastic Responses to Nature in Systematic Composition - Wang Linfeng (Music)
Exploring the Localisation of Jazz Music in Mainland China: From the Perspectives - Wang Xiaodi (Media and Cultural Policy)
Implications of Digital Convergence for Television - Wei Xing (Media and Cultural Policy)
The Convergence of Traditional TV Media and Social Media: An Empirical Case Study in China - Wilkinson Tom (Music)
Is J. S. Bach a compositional theorist? - Wilson Francis Marion Moseley (Theatre Studies)
(Un)Sanitizing Death as Process: Bodies and Boundaries through Performing Taxidermy - Wu Jun (Media and Cultural Policy)
Multiplatform Strategies in China - WU YUE (Media and Cultural Policy)
Second screen in China: football viewing experience and Sina Weibo - Zhao Haoyang (History ofArt)
Collecting objects from the Summer Palace in the mid-late 19th century British collections, the transformation of identities, receptions and outcomes. - Zhou Yu (Film & TV Studies)
Reminding the history of pain: A comparative study between films about the Nanking Massacre and the Holocaust - Zhu Yanling (Media and Cultural Policy)
Managing Local Cultural Programmes during Economic and Policy Changes - Ziegler Molly (Theatre Studies)
Staging Madness: representations of madness on the early modern English stage
