Postgraduate research students
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- Adams Christopher (Music)
Content and creation: The globally local role of the unsigned act. - Al-Ali Wafa Khalfan Rashid Burenqain (Media and Cultural Policy)
Local News Management in the Digital Era - Allan Robert (Music)
Mapping the Scottish Music Industry - Atkinson Justine (Film & TV Studies)
Representation Matters: On- and off-screen diversity within African cinema exhibition in the UK - Bailey Lucy (History ofArt)
Walter Fawkes 1769-1825: A Patron of the Arts - Bale Tiffany (Media and Cultural Pol)
Gender, Participation and Inequality in the UK’s film & TV costume workforce - Bambrough Mark (History ofArt)
Henry Gyles, glass painter and the development of the glass transfer print - Barok Andrea (Theatre Studies)
Physical Theatre and its route to Hungarian theatres - Barron Richard (Music)
Setting Scots Poetry - Beshr Hany (Film & TV Studies)
Foreign policy in British political docudrama filmmaking (1991-2011) - Bin Mohamad Affendi Muhammad Amin (Film & TV Studies)
Nationalism and multiculturalism in Malaysian Cinema - Bols Ingrid (Music)
Programming choices and national culture. The case of French and British symphony orchestras. - Booth David (Media and Cultural Policy)
The New Global Sports Playing Field in the digital era - Broome Cherie (Music)
Notated Ornamentation and Rhetorical Figures and Devices - Bull Andrew (Music)
The Music of the Scottish Church in the 13th and 14th Centuries - Butucea Vlad (Theatre Studies)
Theatrical Technologies: Challenging Gender and Sexuality in Theatre - Cáceres Luz (Theatre Studies)
'Verbatim theatre: Advancing testimonial justice and inclusive deliberation in Mexico, Guatemala and El Salvador' - Cameron Marie-Claire (History ofArt)
Keltie's Kelp in a Post-Brexit Britain - Carey Richard (Music)
Circling the Square: A practice-based interrogation of the phenomenological language of audiovisual music - Cattigan Stephanie (Media and Cultural Policy)
The Leverhulme Trust Collections Scholarships: Promoting the Nation: Scotland's Industrial Films - Chandler Alex (Film & TV Studies)
Testing the limits of the ‘hard man’ in film: masculinity and male health behaviour in Scotland’s public health films 1934-2000 - Chavale Areti (History ofArt)
Artists' Resale Right and the Art Market: Evidence from British Art Auctions - Che Hassan Abdul Hadi Bin (Media and Cultural Policy)
The influence of mobile communications and second screen phenomena on Malaysian society. - Cleaver Jonathan (History ofArt)
Technical innovation and the development of carpet design in the Stoddard Templeton archives. - Clive Rachel (Theatre Studies)
Geodiversity and human difference: disability, landscape form and process - Costantini Rosa (History ofArt)
From the Golden Age to the Digital Age: Modelling and Monitoring Historic Tapestries - Cowan Isla (Theatre Studies)
Ecological Consciousness in Contemporary Scottish Theatre - Daniels-Yeomans Finn (Film & TV Studies)
Beyond Representation: Documenting Traumas of the World Ecology - Ehlinger Arthur (Music)
Live Music Streaming and the Contemporary Music Industries - Findlay Jack (Music)
John Field and the influence Russian music culture had on his compositions. - Flynn Adam (History ofArt)
Convincing Fictions: Visual Representations of Monstrosity in Late Medieval and Early Modern Northern European Art - Fung Helena (History ofArt)
From East to West and Back Again: A critical review of the cross-cultural consumption, collecting and historiography of Chinese ‘classic’ furniture from the Ming and early Qing dynasties. - Fyfe Andrew (Music)
Adaptive Tools in Immersive Digital Music Performance - Fyfe Chloe (History ofArt)
The impact of the freeport system on the art market - Gabriel Robert (Film & TV Studies)
Socio-Economic Ideology in Contemporary ‘Tween’ Television Programming - Gates Samuel (Theatre Studies)
Robert Johnson, William Shakespeare and The Tempest: Song in a Culture of Change - Gilbert Ruth (Film & TV Studies)
'The archive as a transformative force in contemporary non-fiction film' - Gillies Olga (History ofArt)
Analysis of the ethics of discourse used around the restitution of the colonial era objects from the Hancock Museum. - Green Carol (History ofArt)
Collecting Modern Art in the Nazi Germany: An Examination of the Collection of Kurt Feldhäusser 1930-1950 - Gron Helene (Theatre Studies)
Migration and Home/lessness: Playwriting in a Globalised World - Haag Manon (Film & TV Studies)
Screen Tourism as Heritage Tourism - Hadi Aulia (Media and Cultural Policy)
Football as Citizen Media? A Communication Perspective on the Variation of Digital Urban Football Fandom in the Post-New Order Indonesia - Hart Katie (Theatre Studies)
Politics, Theatre and National Identity: Scottish Women 1997-2017 - Henderson Jordan (Music)
An Investigation Towards a Compositional Framework - Hill Katrina (History ofArt)
Complicated Objects: Chinese Imperial Artefacts in Victorian Britain - Holdsworth Quinn Ashley (Music)
The Critical Reception of Russian and Musicians in Scotland 1914 - 1924 - Holton Simon (Theatre Studies)
Artist Collectives and Collective Art Practices in UK Live Art in the Years of Austerity Politics (2010-2018) - Hong Ju-Lee (Music)
Musical diplomacy: Isang Yun’s music in the context of the Cold War - Hope Teddin (Film & TV Studies)
Growing sideways through the screen - Hughes Alicia (History ofArt)
Dissecting and Drawing: Picturing the Body in William Hunter’s collection of Anatomical Illustrations - Irretier Juliette (Film & TV Studies)
Going to a Better Place - A Transnational Analysis of Film-Induced Travel from Germany to Scotland - Jan Oli (Music)
Experimental Music Theatre and Embodied Cognition - Jardine Dylan (Music)
The Work-Concept Revisited - Jarvis Andrew (Film & TV Studies)
British Cinema, Neoliberalism and the Poetics of Crisis - Jenkins Abigail (Film & TV Studies)
The Big Picture: Fat Women in Film and Television - Kamza Assel (Media and Cultural Policy)
Nation Branding: a Kazakhstan case study - Kealy Oisin (Film & TV Studies)
Human Rights Film Festivals in the Global South - King Rose (History ofArt)
Women in Venetian Renaissance Painting from Giorgione to Tintoretto: Gender, Archetypes, Tradition and Style - Kirton Jon-Luke (Music)
Investigating the other and the self, a phenomenological approach to pianist's lived experience of techniques in George Crumb's Makrokosmos I&II for amplified piano - Knotts Jennifer (Theatre Studies)
Play/writing histories: Navigating the Personal, Public and Institutional stories of theatre space: An Architextural study of the Citizens Theatre. - Kovacs Nicole (Theatre Studies)
“The phenomenal moment: A study in the phenomenological interaction between actor, audience imagination, and space; explored through a methodology of Meisner technique and reinterpreting Kabuki theatre aesthetics” - Kubicka Hanna Karolina (Film & TV Studies)
Seeing Yourself in Film and Television Characters: Identification as Fiction’s Connection to Real Life - Leomo Kevin (Music)
Portfolio of Compositions: A practice-based investigation of cross-cultural composition - LI ERJIA (History ofArt)
The Study on Cliff Carving Calligraphy in the Late Northern Dynasties (The Northern Qi Dynasty (550-577) & the Northern Zhou Dynasty (557-581)) - LI SIQI (Media and Cultural Policy)
Value of British Chinese-language Media in Social Media - Linster Lisi (History ofArt)
Receiving the Body: How is the reception of twenty-first century encounters with the human form shaped by intervisual references to medieval representations of the exposed body? - Lyon Carter Elizabeth (History ofArt)
Spanish Golden Age Art Theory in Practice_A case study of Vicente Carducho’s Self Portrait in the collection of Sir William Stirling Maxwell - Lyon Rachel (History ofArt)
'Imitatio as method: reading, writing and the un-becoming of the mystic self' - Macleod Jenny (History of Art)
Scottish Printmakers During the Etching Revival - Mailley-Watt Karen (History ofArt)
Glasgow Girls Revisited: Designing, Making and Exhibiting Women's Industrial Design of the Gilded Age - Mango Carolyn (Film & TV Studies)
Presence of African Women in the Screen Industry. A Case Study of Kenyan Women in the Screen Industry. - Mann Bill (Music)
Arrival of Italian opera in London early 18C - Maxwell Christopher (History ofArt)
A Delicate Legacy: Understanding World War II Era Provenance at the Corning Museum of Glass - McCluskey Ann (Media and Cultural Policy)
Where Cultural Nationalism Meet Broadcasting Politics: Scottish Arts Programming and the Values of the Public Sphere. - McIntyre John (Film & TV Studies)
Posthuman Authorship: Authorial Agency, Machine Creativity, and the Role of Technology in Digital Media Production - Midtgard Julia (Theatre Studies)
Towards neo-mimesis: challenging binaries of mimetic practic - Minu Adriana (Music)
Composing with the senses: Working with musicians to express - Muryn Wiktoria (History of Art)
Inside and beyond the Visitation – community, motherhood and devotion in late medieval German convents - Ngai Kate (Media and Cultural Policy)
Embracing the Small Screen: How individuals become involved, engaged and immersed in fiction television series - O'Neill Erica (History ofArt)
Tristan Tzara: Avant-Garde Performance and Exhibition Practice and the Emergence of the Performance/Theatre Dialectic. - Orleans Elzbieta (Music)
Apparition: The Adaptation of Archival Image and The Doctrine of Moral Rights in a Post-Digital Aesthetic - Ouyang Jingmei (Film & TV Studies)
Representations of China in Transnational Documentary Cinema - Oweis Zein Almaha Rami Wahdan (Media and Cultural Policy)
Facebook social engagement shaping perceptions on disability - Pattie Ruairidh (Music)
Private and Public: Lieder in Clara Schumann’s circle - Peng Yun (Film & TV Studies)
Role of Gender: how does the eSports culture influence females' participation in eSports - Persson Disa (History ofArt)
'The Avant-Garde Journal Documents (1929-1930) and its French Context' - Pinna Daniele (History ofArt)
Venetian Art and Counter-Reformation - Pintado Zurita Mariana (Film & TV Studies)
Film and Television Temporality - Pollick Johanna (History ofArt)
The motif of the wound as a well in art, literature and devotional practice in late medieval England - Quercetti Ferruccio (Music)
The Great Italian Mistake First wave punk in Italy between 1977 and 1980 - Rao Qinghong (History ofArt)
Rivers and Mountains: a Research about British and Chinese Landscape Painting - Ritchie Andrea (Music)
The Relationship between the Music of Film and Filmic Representations of Reality - Rossi Maria (History ofArt)
. - Rozsa Laszlo (Music)
The Art of Musical Conversation: Behavioural Attitudes in the Performance Practice of Italian Music from c. 1580-1640. - Sánchez Villavicencio Daniel (History ofArt)
Understanding Flexible Painted Textiles through the Characterisation of Glasgow Museums’ George Kenning’s Banners - Scott Calum Collinson (Music)
Computer mediated physicality in Sound Art practice - Sharpe Sarah (History of Art)
Raphael’s Impact on Venetian Painting and the Rise of the Empathic image - Shutt Helen (Theatre Studies)
Play/writing Participation: Textual techniques employed by the playwright to create space for audience participation and co-authorship in performance - Stutter Joshua (Music)
A modern study of Thirteenth–century Organa and Motet - STYLIANIDES TIMOTHEOS (Music)
The guitar performance practice during the second and third decades of twentieth century in Spain, focusing at the musical output of Generacion del '27 - Talbot Samantha (Music)
No Fixed Abode: The Album and Beyond - Thomson Joshua (Music)
Music Migration: British jazz - Tuka Peter (History ofArt)
Avant-Garde and Post-War Totalitarianism: Július Koller and Conceptual Art under Communism - Wagner Alessio (Music)
Portfolio of Compositions - Wang Linfeng (Music)
Exploring the Localisation of Jazz Music in Mainland China: From the Perspectives - Wang Xiaodi (Media and Cultural Policy)
Implications of Digital Convergence for Television - Watson Lauren (Film & TV Studies)
Boundaries of an Archive: The Time-Space of Video Game Fan-Preservation and Piracy - Wei Xing (Media and Cultural Policy)
The Convergence of Traditional TV Media and Social Media: An Empirical Case Study in China - White Jonathan (Theatre Studies)
Investigating Concepts of Presence Through Uses of the Recorded Voice Onstage. - Whitehead Simon (Theatre Studies)
Drifting together in the Anthropocene - Wilkinson Tom (Music)
Is J. S. Bach a compositional theorist? - Wilson Francis Marion Moseley (Theatre Studies)
(Un)Sanitizing Death as Process: Bodies and Boundaries through Performing Taxidermy - Wu Jun (Media and Cultural Policy)
Multiplatform Strategies in China - WU YUE (Media and Cultural Policy)
Second screen in China: football viewing experience and Sina Weibo - Wu Yunong (History ofArt)
Global Transformation and Regional Reception: Collecting Practice of Mounted Chinese Porcelain in 19th-Century Britain - Yekti Bharoto (Film & TV Studies)
Redefining Animation through the Perception of Visually Impaired Persons (VIP) - Zeng Jing (Media and Cultural Policy)
Production and Distribution of Original Web Series on Chinese Video Websites: Patterns and Benefits - Zhao Haoyang (History ofArt)
Collecting objects from the Summer Palace in the mid-late 19th century British collections, the transformation of identities, receptions and outcomes. - Zhou Yu (Film & TV Studies)
Reminding the history of pain: A comparative study between films about the Nanking Massacre and the Holocaust - Zhu Yanling (Media and Cultural Policy)
Managing Local Cultural Programmes during Economic and Policy Changes