Professor Kirsteen McCue

  • Professor of Scottish Literature and Song Culture (Scottish Literature)
  • Senate Assessor (Court) (Senate Office)

telephone: 01413308442
email: Kirsteen.McCue@glasgow.ac.uk

Research interests

Research interests

  • 18th & Early 19th Century Scottish Literature
  • Scottish Literature and its connections with Scottish music
  • Scottish song of all periods
  • Robert Burns
  • James Hogg
  • Women writers in 18th and 19th centuries and beyond
  • Lyrical poetry in the 20th Century Scottish Renaissance
  • Scottish Children’s writers and illustrator
  • Textual editing
  • British Romantic Song Culture

Biography

Kirsteen McCue is a graduate of the Universities of Glasgow and Oxford, having won the prestigious Herkless Prize for top woman graduate in the then Faculty of Arts at Glasgow and the Snell Exhibition to Balliol College, Oxford in 1989. Her D.Phil thesis focussed on the song editor George Thomson (1757-1851) and his collections of National Airs, a project which involved his collaborating with some of the most famous writers and musicians of the day, notably Robert Burns and Joseph Haydn. In 1993 she spent a post-doctoral year working closely with the great Burns scholar the late Professor Donald A. Low at the Centre for Scottish Literature and Culture at the University of Stirling.

In 1994 she was appointed General Manager of the Scottish Music Information Centre, a unique archive of music by Scottish composers of all periods, and an organisation at the forefront of international promotion of Scottish music (now The Scottish Music Centre: www.scottishmusiccentre.com). She worked for several years as a freelance writer and broadcaster for the BBC in Scotland, presenting and producing a wide variety of music programmes for both BBC Radio 3 and BBC Radio Scotland. During this time she worked regularly for the Edinburgh International Festival, writing and presenting a number of lecture series for their continuing education programme.

Kirsteen joined Scottish Literature at the University of Glasgow in 2002. She teaches across the subject from the 16th century to the present day.  Her research work continues to focus closely on Romantic song culture (see ‘Grants’).

With Professor Gerard Carruthers, Kirsteen is co-director of the University’s Centre for Robert Burns Studies see: http://www.gla.ac.uk/departments/robertburnsstudies/). She is a member of the key editorial team for the new Oxford University Press edition of the Works of Robert Burns. She has completed the first major edition of Burns’s songs for Thomson, due to appear in late 2019. In 2014 she was the first woman ever to attend and speak at the Tarbolton Bachelor’s Club Burns Supper (https://www.thetimes.co.uk/article/woman-academic-to-toast-and-defend-burns-at-bachelors-club-kfggdh32nsj).

Prior to her close involvement with the AHRC funded ‘Editing Robert Burns for the 21st Century’ project (https://burnsc21.glasgow.ac.uk/) Kirsteen was a Co-Investigator on the AHRC funded James Hogg Songs project with the late Professor Emeritus Douglas Mack of the University of Stirling (n https://www.jameshogg.stir.ac.uk/projects/the-songs-of-james-hogg/). She edited Hogg’s Songs by the Ettrick Shepherd and an accompanying volume of Hogg’s Contributions to Musical Collections and Miscellaneous Songs for the acclaimed Stirling/South Carolina Research Edition of The Collected Works of James Hogg published by Edinburgh University Press in 2014.

In 2016 Kirsteen co-edited Anne Grant’s Letters from the Mountains (1807) and Elizabeth Isabella Spence’s Letters from the North Highlands (1816) with her colleague Dr Pam Perkins of the University of Manitoba as the four-volume Women’s Travel Writings in Scotland for Taylor and Francis. She is currently working on a new edition, for Birlinn, of George Mackay Brown’s An Orkney Tapestry (1969) with her colleague Dr Linden Bicket at the University of Edinburgh.

In 2019 she will complete a two-year Royal Society of Edinburgh funded network, the Romantic National Song Network, which has brought together historians, musicologists, literary scholars and collections specialists to examine National song production in the British Isles from 1750-1850 (https://rnsn.glasgow.ac.uk/).

Outside the University of Glasgow Kirsteen serves on the advisory board of the Bibliography of Scottish Literature in Translation and is on the advisory board for the new Edinburgh Edition of the Poetry of Walter Scott. She serves on the Board of Directors of the award-winning Dunedin Consort (https://www.dunedin-consort.org.uk/. Since 2017 she has been Chair of the Universities Committee for Scottish Literature.


Grants

  • Collaborator on Folksong settings of Joseph Haydn for George Thomson directed by Professor Emeritus Marjorie Rycroft. Professor Rycroft edited all of the folksong settings of Joseph Haydn for George Thomson’s collections (published as part of the Haydn Gesamtausgabe in 2001 and 2004) and these were recorded for general release on the Brilliant label see: http://www.brilliantclassics.com).
  • Co-Investigator on The James Hogg Songs project, with P-I the late Professor Emeritus Douglas Mack at the University of Stirling on a major research grant of just over £150,000 from the AHRC (2005-2008): see (https://www.gla.ac.uk/schools/critical/research/fundedresearchprojects/hogg/ and also on https://www.jameshogg.stir.ac.uk/projects/the-songs-of-james-hogg/ ).
  • Principal Investigator on George Mackay Brown: A Literary Executor’s Archive funded by a British Academy small grant (£7500) in 2011-12 for a project on the materials belonging to the Literary Executor of the major 20th century Scottish writer George Mackay Brown.  This project RA was Dr Linden Bicket: https://www.gla.ac.uk/schools/critical/research/fundedresearchprojects/georgemackaybrownproject/
  • Prinicipal Investigator on Choral settings of Robert Burns: Schumann to MacMillan, with the Glasgow University Chapel Choir funded by the Chancellor’s Fund in 2013: see https://www.burnschoral.glasgow.ac.uk/
  • Co-Investigator on AHRC funded Editing Robert Burns for the 21st Century. This project, directed by Prof Carruthers, was awarded a major research grant of £1 million from 2011-2016.  Responsible for working on the new edition of Burns’s songs for Thomson’s national song collections. Closely involved in the production of several key online resources on the project website, related to performances of music and song linked to Burns, including directing a period performance project with young performers, and directing the first ever recorded performance of the 1818 musical setting of Burns’s cantata The Jolly Beggars by the London theatre composer Henry Bishop: see https://burnsc21.glasgow.ac.uk/
  • Principal Investigator on The Romantic National Song Network, bringing together historians, musicologists, literary scholars and collections specialists to examine National song production in the British Isles from 1750-1850.  This network is supported by the Royal Society of Edinburgh and is running from spring 2017 to spring 2019: see https://rnsn.glasgow.ac.uk/
  • Principal Investigator on 200 years of The Jolly Beggars funded by the Chancellor’s Fund 2018to host a public lecture and performance of Burns’s cantata at the British Library in collaboration with the Burns Club of London’s 150th anniversary celebrations in October 2018: https://www.bl.uk/events/robert-burns-the-jolly-beggars

Supervision

Kirsteen currently supervises (or co-supervises) MPhil and PhD theses on Robert Burns and John Steinbeck (Shaw Masters Scholar John Mackenzie), on James Hogg and his Victorian Reception (College of Arts PhD scholar and Hunterian Associate Hannah Pyle) and on the writings of Willa Muir (Emily Pickard). She is also co-supervisor on one of the recent AHRC-funded Creative Industries PhDs, focussing on artists residences (Morag Iles).  

She has previously supervised a wide range of postgraduate projects on Twentieth Century Scottish Poetry in Translation, on Robert Burns and American Romanticism, on the archive of  Scottish children’s writer Jane Duncan, on the early journalism of George Mackay Brown, on the poetry of Edwin Muir, on Robert Burns and Modernism, on James Hogg and the Brontës, on Scottish Victorian Literature for Children, on George Mackay Brown as Catholic writer, on James Hogg and Robert McNish and physician writers in Romantic period Scotland and on Creative Writing. 


Teaching

Kirsteen teaches on Levels 1 and 2 Scottish Literature, covering topics including Poetry and Place, Twentieth Century Drama, James Hogg, 19th century Short stories, Song and Ballad and the 16th century play Ane Satyre of the Thrie Estaites

In Honours she teaches on the following courses:

Textual Editing

Scottish Journeys

Modern Scottish Poetry

Robert Burns

Dissertation


Additional Information

 

  • Co-Director of the Centre for Robert Burns Studies
  • Senate Assessor on the University of Glasgow Court (from 2017): as Senate Assessor she serves on the University’s Court and also on its HR committee, Student Finance Committee and on the Organisational Change Governance Group.
  • College of Arts International Lead (2014)
  • Head of Scottish Literature, School of Critical Studies (2011-14)
  • PG Convener, School of Critical Studies (2010-11)
  • Chair of the Universities Committee for Scottish Literature (UCSL) (from 2017)
  • Member of the Advisory Board for the Bibliography of Scottish Literature in Translation (BOSLIT: https://www.nls.uk/catalogues/boslit)
  • Director of the Dunedin Concerts Trust - supporting Scotland's premiere Baroque ensemble (https://www.dunedin-consort.org.uk/)
  • External Examiner in English and Scottish Literature: University of Edinburgh (2012-2015)
  • External Examiner for the MLitt in Modern Scottish Literature: University of Stirling (2013-2016)
  • Ormiston Roy Visiting Fellow to the University of South Carolina in 2006.

 

 


Publications

List by: Type | Date

Jump to: 2017 | 2016 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2007 | 2006 | 2005 | 2004 | 2003 | 2001 | 1997 | 1995 | 1993
Number of items: 40.

2017

McGuinness, D., Mcgregor, A. and McGillivray, A. (2017) Burns and the fiddle. [Audio]

McCue, K. (2017) ‘Difficult to imitate and impossible to equal’: Byron, Burns, Moore and the packaging of national song. Byron Journal, 45(2), pp. 113-126. (doi:10.3828/bj.2017.18)

2016

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the North Highlands (vol. IV). [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland. Vol. 1: Letters from the Mountains Vol I. [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the Mountains (vol. III). [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the Mountains, Vol. II. [Scholarly Editions]

2014

McCue, K.(Ed.) (2014) Contributions to Musical Collections and Miscellaneous Songs, by James Hogg. [Scholarly Editions]

Hogg, J. (2014) Songs by the Ettrick Shepherd. [Scholarly Editions]

McCue, K. and Rycroft, M. (2014) The reception of Robert Burns in music. In: Pittock, M. (ed.) The Reception of Robert Burns in Europe. Series: The reception of British and Irish authors in Europe. Bloomsbury Academic: London, pp. 267-291. ISBN 9781441170316

2013

McCue, K. (2013) Musick for Allan Ramsay's 71 Scots Songs An Introductory Essay. University of South Carolina Library Digital Collections,

Purdie, D., McCue, K. and Carruthers, G. (Eds.) (2013) Maurice Lindsay's The Burns Encylopedia. Robert Hale: London, UK. ISBN 9780709091943

McCue, K. and Campbell, K. (2013) Lowland song culture in the eighteenth century. In: Dunnigan, S. and Gilbert, S. (eds.) The Edinburgh Companion to Scottish Traditional Literatures. Series: Edinburgh Companions to Scottish Literature. Edinburgh University Press: Edinburgh, pp. 94-104. ISBN 9780748645398

2012

McCue, K. (2012) Napoleon and Me. [Audio]

McCue, K. (2012) 'Magnetic Attraction': the transatlantic songs of Robert Burns and Serge Hovey. In: Alker, S., Davis, L. and Nelson, H. F. (eds.) Robert Burns and Transatlantic Culture. Ashgate: Farnham, pp. 233-246. ISBN 9781409405764

McCue, K.C. (2012) Hogg and music. In: Duncan, I. and Mack, D.S. (eds.) Edinburgh Companion to James Hogg. Series: Edinburgh companions to Scottish literature. Edinburgh University Press: Edinburgh, UK, pp. 90-96. ISBN 9780748641246

McCue, K.C. (2012) "O my luve's like a red, red, rose': does Burns's melody really matter? In: Scott, P. and Simpson, K. (eds.) Robert Burns and Friends: Essays by W.Ormiston Roy Fellows presented to G. Ross Roy. University of South Carolina Libraries: Columbia, South Carolina, pp. 68-82. ISBN 9781439270974

2011

McCue, K. (2011) Posing as the ultimate Scottish Songster: James Hogg’s Songs by the Ettrick Shepherd or Hogg GOLD! Bottle Imp(9), pp. 1-2.

McCue, K. (2011) Scottish song, lyric poetry and the Romantic composer. In: Pittock, M. (ed.) The Edinburgh Companion to Scottish Romanticism. Series: Edinburgh Companions to Scottish Literature. Edinburgh University Press: Edinburgh, pp. 39-48. ISBN 9780748638468

2010

McCue, K.C. (2010) The Legacy of Donald A. Low. Burns Chronicle(Winter), pp. 9-12.

2009

Brown, R.L. and McCue, K.C. (2009) Burns 'The outré being' and 'The beautiful nymph of Ballochmyle'. In: Rodgers, J. and Carruthers, G. (eds.) Fickle Man : Robert Burns in the 21st Century. Sandstone: Dingwall, pp. 215-233. ISBN 9781905207275

McCue, K. (2009) Burns's songs and poetic craft. In: Carruthers, G. (ed.) The Edinburgh Companion to Robert Burns. Series: Edinburgh companions to Scottish literature. Edinburgh University Press, pp. 74-85. ISBN 9780748636495

McCue, K. (2009) From the songs of Albyn to German Hebrew melodies: the musical adventures of James Hogg. Studies in Hogg and His World, 20, pp. 67-83.

McCue, K. (2009) Singing 'more songs than ever ploughman could': The songs of James Hogg and Robert Burns in the musical marketplace. In: Alker, S. and Nelson, H.F. (eds.) James Hogg and the Literary Marketplace : Scottish Romanticism and the Working-Class Author. Ashgate, pp. 123-137. ISBN 9780754665694

McCue, K. (2009) 'The Skylark': Hogg's 'Bird of the Wilderness'. Other. University of Stirling.

McCue, K. (2009) 'An individual flowering on a common stem': melody, performance and national song. In: Connell, P. and Leask, N. (eds.) Romanticism and Popular Culture in Britain and Ireland. Cambridge University Press, pp. 88-106. ISBN 9780521880121

Rycroft, M., McCue, K. and Friesenhagen, A. (2009) Scottish and Welsh songs [CDROM] in Complete Recording 429 Folksong Arrangements, Joseph Haydn. [Audio]

2007

McCue, K., Hamilton, D. and Wellington, S. (2007) I'll Sing Ye A Wee Bit Sang: Selected Songs of James Hogg. [Audio]

2006

McCue, K.C. (2006) Schottische Lieder ohne Wörter?: what happened to the words for the Scots song arrangements by Beethoven and Weber? In: Hubbard, T. and Jack, R.D.S. (eds.) Scotland in Europe. Series: Scottish cultural review of language and literature (7). Rodopi: Amsterdam, pp. 119-136. ISBN 9789042021006

2005

McCue, K.C. (2005) Scots songs, scotticisms and the sons and daughters of taste. In: Munro, G., Campbell, S., Hair, G.-M., MacKay, M.A., Moohan, E. and Hair, G. (eds.) Notis musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Musica Scotica Trust, pp. 251-268. ISBN 9780954886509

2004

McCue, K.C. (2004) Thomson's collections in their Scottish cultural context. Haydn-Studien, 8(4), pp. 305-324.

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2004) Volkslied-Bearbeitungen Nr. 269-364: Schottische und Walisische Lieder für George Thomson. [Scholarly Editions]

McCue, K.C. (2004) Thomson, George (1757-1851), music collector and publisher. In: Matthew, H.C.G. and Harrison, B.H. (eds.) Oxford Dictionary of National Biography: In Association with the British Academy: From the Earliest Times to the Year 2000. Oxford University Press: Oxford, UK, pp. 505-506. ISBN 9780198614111

2003

McCue, K.C. (2003) 'The most intricate bibliographical enigma': understanding George Thomson (1757-1851) and his collections of national airs. In: Turbet, R.B. (ed.) Music Librarianship in the United Kingdom. Ashgate, pp. 99-119. ISBN 9780754605720

McCue, K. (2003) A survey of work on Scottish women's writing from 1995. Women's Writing, 10(3), pp. 527-533.

2001

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2001) Volkslied-Bearbeitungen Nr. 151-268: Schottische Lieder für George Thomson. [Scholarly Editions]

McCue, K.C. (2001) Thomson, John (1805-1841). In: Sadie, S. and Tyrrell, J. (eds.) The New Grove Dictionary of Music and Musicians. Grove: New York, USA. ISBN 9781561592395

1997

McCue, K.C. (1997) Burns, women and song. In: Crawford, R. (ed.) Robert Burns and Cultural Authority. Edinburgh University Press, pp. 40-57. ISBN 0748607404

McCue, K.C. (1997) Women and song 1750-1850. In: Gifford, D.M. and McMillan, D. (eds.) A History of Scottish Women's Writing. Edinburgh University Press, pp. 58-70. ISBN 9780748609161

1995

McCue, K. and Marshalsay, K. (Eds.) (1995) Scottish Music Handbook 1996. Scottish Music Information Centre: Glasgow. ISBN 9780952548909

1993

McCue, K. (1993) Weber's Ten Scottish Folksongs. In: Allroggen, G. and Veit, J. (eds.) Weber-Studien. Schott: Mainz, pp. 163-173. ISBN 3795702801

This list was generated on Thu Jan 17 18:08:40 2019 GMT.
Number of items: 40.

Articles

McCue, K. (2017) ‘Difficult to imitate and impossible to equal’: Byron, Burns, Moore and the packaging of national song. Byron Journal, 45(2), pp. 113-126. (doi:10.3828/bj.2017.18)

McCue, K. (2013) Musick for Allan Ramsay's 71 Scots Songs An Introductory Essay. University of South Carolina Library Digital Collections,

McCue, K. (2011) Posing as the ultimate Scottish Songster: James Hogg’s Songs by the Ettrick Shepherd or Hogg GOLD! Bottle Imp(9), pp. 1-2.

McCue, K.C. (2010) The Legacy of Donald A. Low. Burns Chronicle(Winter), pp. 9-12.

McCue, K. (2009) From the songs of Albyn to German Hebrew melodies: the musical adventures of James Hogg. Studies in Hogg and His World, 20, pp. 67-83.

McCue, K.C. (2004) Thomson's collections in their Scottish cultural context. Haydn-Studien, 8(4), pp. 305-324.

McCue, K. (2003) A survey of work on Scottish women's writing from 1995. Women's Writing, 10(3), pp. 527-533.

Book Sections

McCue, K. and Rycroft, M. (2014) The reception of Robert Burns in music. In: Pittock, M. (ed.) The Reception of Robert Burns in Europe. Series: The reception of British and Irish authors in Europe. Bloomsbury Academic: London, pp. 267-291. ISBN 9781441170316

McCue, K. and Campbell, K. (2013) Lowland song culture in the eighteenth century. In: Dunnigan, S. and Gilbert, S. (eds.) The Edinburgh Companion to Scottish Traditional Literatures. Series: Edinburgh Companions to Scottish Literature. Edinburgh University Press: Edinburgh, pp. 94-104. ISBN 9780748645398

McCue, K. (2012) 'Magnetic Attraction': the transatlantic songs of Robert Burns and Serge Hovey. In: Alker, S., Davis, L. and Nelson, H. F. (eds.) Robert Burns and Transatlantic Culture. Ashgate: Farnham, pp. 233-246. ISBN 9781409405764

McCue, K.C. (2012) Hogg and music. In: Duncan, I. and Mack, D.S. (eds.) Edinburgh Companion to James Hogg. Series: Edinburgh companions to Scottish literature. Edinburgh University Press: Edinburgh, UK, pp. 90-96. ISBN 9780748641246

McCue, K.C. (2012) "O my luve's like a red, red, rose': does Burns's melody really matter? In: Scott, P. and Simpson, K. (eds.) Robert Burns and Friends: Essays by W.Ormiston Roy Fellows presented to G. Ross Roy. University of South Carolina Libraries: Columbia, South Carolina, pp. 68-82. ISBN 9781439270974

McCue, K. (2011) Scottish song, lyric poetry and the Romantic composer. In: Pittock, M. (ed.) The Edinburgh Companion to Scottish Romanticism. Series: Edinburgh Companions to Scottish Literature. Edinburgh University Press: Edinburgh, pp. 39-48. ISBN 9780748638468

Brown, R.L. and McCue, K.C. (2009) Burns 'The outré being' and 'The beautiful nymph of Ballochmyle'. In: Rodgers, J. and Carruthers, G. (eds.) Fickle Man : Robert Burns in the 21st Century. Sandstone: Dingwall, pp. 215-233. ISBN 9781905207275

McCue, K. (2009) Burns's songs and poetic craft. In: Carruthers, G. (ed.) The Edinburgh Companion to Robert Burns. Series: Edinburgh companions to Scottish literature. Edinburgh University Press, pp. 74-85. ISBN 9780748636495

McCue, K. (2009) Singing 'more songs than ever ploughman could': The songs of James Hogg and Robert Burns in the musical marketplace. In: Alker, S. and Nelson, H.F. (eds.) James Hogg and the Literary Marketplace : Scottish Romanticism and the Working-Class Author. Ashgate, pp. 123-137. ISBN 9780754665694

McCue, K. (2009) 'An individual flowering on a common stem': melody, performance and national song. In: Connell, P. and Leask, N. (eds.) Romanticism and Popular Culture in Britain and Ireland. Cambridge University Press, pp. 88-106. ISBN 9780521880121

McCue, K.C. (2006) Schottische Lieder ohne Wörter?: what happened to the words for the Scots song arrangements by Beethoven and Weber? In: Hubbard, T. and Jack, R.D.S. (eds.) Scotland in Europe. Series: Scottish cultural review of language and literature (7). Rodopi: Amsterdam, pp. 119-136. ISBN 9789042021006

McCue, K.C. (2005) Scots songs, scotticisms and the sons and daughters of taste. In: Munro, G., Campbell, S., Hair, G.-M., MacKay, M.A., Moohan, E. and Hair, G. (eds.) Notis musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Musica Scotica Trust, pp. 251-268. ISBN 9780954886509

McCue, K.C. (2004) Thomson, George (1757-1851), music collector and publisher. In: Matthew, H.C.G. and Harrison, B.H. (eds.) Oxford Dictionary of National Biography: In Association with the British Academy: From the Earliest Times to the Year 2000. Oxford University Press: Oxford, UK, pp. 505-506. ISBN 9780198614111

McCue, K.C. (2003) 'The most intricate bibliographical enigma': understanding George Thomson (1757-1851) and his collections of national airs. In: Turbet, R.B. (ed.) Music Librarianship in the United Kingdom. Ashgate, pp. 99-119. ISBN 9780754605720

McCue, K.C. (2001) Thomson, John (1805-1841). In: Sadie, S. and Tyrrell, J. (eds.) The New Grove Dictionary of Music and Musicians. Grove: New York, USA. ISBN 9781561592395

McCue, K.C. (1997) Burns, women and song. In: Crawford, R. (ed.) Robert Burns and Cultural Authority. Edinburgh University Press, pp. 40-57. ISBN 0748607404

McCue, K.C. (1997) Women and song 1750-1850. In: Gifford, D.M. and McMillan, D. (eds.) A History of Scottish Women's Writing. Edinburgh University Press, pp. 58-70. ISBN 9780748609161

McCue, K. (1993) Weber's Ten Scottish Folksongs. In: Allroggen, G. and Veit, J. (eds.) Weber-Studien. Schott: Mainz, pp. 163-173. ISBN 3795702801

Edited Books

Purdie, D., McCue, K. and Carruthers, G. (Eds.) (2013) Maurice Lindsay's The Burns Encylopedia. Robert Hale: London, UK. ISBN 9780709091943

McCue, K. and Marshalsay, K. (Eds.) (1995) Scottish Music Handbook 1996. Scottish Music Information Centre: Glasgow. ISBN 9780952548909

Scholarly Editions

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the North Highlands (vol. IV). [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland. Vol. 1: Letters from the Mountains Vol I. [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the Mountains (vol. III). [Scholarly Editions]

McCue, K. and Perkins, P.(Eds.) (2016) Women's Travel Writings in Scotland: Letters from the Mountains, Vol. II. [Scholarly Editions]

McCue, K.(Ed.) (2014) Contributions to Musical Collections and Miscellaneous Songs, by James Hogg. [Scholarly Editions]

Hogg, J. (2014) Songs by the Ettrick Shepherd. [Scholarly Editions]

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2004) Volkslied-Bearbeitungen Nr. 269-364: Schottische und Walisische Lieder für George Thomson. [Scholarly Editions]

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2001) Volkslied-Bearbeitungen Nr. 151-268: Schottische Lieder für George Thomson. [Scholarly Editions]

Research Reports or Papers

McCue, K. (2009) 'The Skylark': Hogg's 'Bird of the Wilderness'. Other. University of Stirling.

Audio

McGuinness, D., Mcgregor, A. and McGillivray, A. (2017) Burns and the fiddle. [Audio]

McCue, K. (2012) Napoleon and Me. [Audio]

Rycroft, M., McCue, K. and Friesenhagen, A. (2009) Scottish and Welsh songs [CDROM] in Complete Recording 429 Folksong Arrangements, Joseph Haydn. [Audio]

McCue, K., Hamilton, D. and Wellington, S. (2007) I'll Sing Ye A Wee Bit Sang: Selected Songs of James Hogg. [Audio]

This list was generated on Thu Jan 17 18:08:40 2019 GMT.