Number of items: 42.
2024
Pearce, N.
(2024)
Collecting patterns for Chinese art: 1600-1935.
In: Robertson, I., Chong, D. and Afonso, L. U. (eds.)
Global Art Markets: History and Current Trends.
Series: Routledge research into the creative and cultural industries.
Routledge: Abindon, pp. 53-64.
ISBN 9781032510453
(In Press)
2023
Pearce, N.
(2023)
Private passion, public benefit: Brenda Zara Seligman and the Seligman Collection of Chinese Art.
In: Lu, L.-e. and Peyton, A. B. (eds.)
Women across Asian Art: Selected Essays in Art and Material Culture.
Series: David A. Cofrin Asian art manuscript series.
University of Florida Press, pp. 155-180.
ISBN 9781683403586
Pearce, N.
(2023)
John Thomson's China: 1868-1872.
In: Yao, B. and Chakrabongse, N. (eds.)
Siam and China Through the Lens of John Thomson.
River Books: Bangkok, pp. 85-91.
ISBN 9786164510692
2021
Pearce, N.
(2021)
Beyond the 'Ten Complete Military Victories': Images of battle in the late-Qing period.
In: Potter, M. C. (ed.)
Representing the Past in the Art of the Long Nineteenth Century: Historicism, Postmodernism and Internationalism.
Series: Routledge research in art history.
Routledge: New York and London, pp. 164-179.
ISBN 9781138544352
(doi: 10.4324/9781351004183-8)
Pearce, N.
(2021)
"Twice as valuable as that of Eumorphopulos and twice as famous..." (Vita Sackville-West, All Passion Spent, 1931) - The real and imaginary world of the Chinese art collector.
Journal for Art Market Studies, 5(1),
(doi: 10.23690/jams.v5i1.107)
Pearce, N.
(2021)
'I shall set at once about the work': some agents in China.
In: Turpin, A. and Bracken, S. (eds.)
Art Markets, Agents and Collectors: Collecting Strategies in Europe and the United States, 1550-1950.
Series: Contextualizing art markets.
Bloomsbury Visual Arts: New York, pp. 241-251.
ISBN 9781501348877
(doi: 10.5040/9781501348907.0029)
2020
Hofmann, A., Howald, C. and Pearce, N. (Eds.)
(2020)
Journal for Art Market Studies [Edited issue].
Forum Kunst und Markt.
Pearce, N.
(2020)
A Nestorian misadventure: Frits Holm and the Chinese Nestorian Stele.
Journal for Art Market Studies, 4(2),
pp. 1-15.
(doi: 10.23690/jams.v4i2.126)
Pearce, N.
(2020)
From the Summer Palace 1860: Provenance and Politics.
In: Tythacott, L. (ed.)
Collecting and Displaying China's “Summer Palace” in the West: The Yuanmingyuan in Britain and France.
Series: The histories of material culture and collecting, 1700-1950.
Routledge.
ISBN 9780367432782
Pearce, N.
(2020)
New viewpoints, new knowledge: John Dudgeon, John Thomson and photographic practice in nineteenth-century China.
In:
Studies in Photography: Proceedings of the National Trust for Scotland Symposium: The Camera, Colonialism and Social Networks.
Scottish Society for the History of Photography/NTS, pp. 38-49.
2019
Milosch, J. and Pearce, N. (Eds.)
(2019)
Collecting and Provenance: A Multidisciplinary Approach.
Rowman and Littlefield: Lanham, MD.
ISBN 9781538127568
2018
Pearce, N.
(2018)
From the Summer Palace 1860: provenance and politics.
In: Tythacott, L. (ed.)
Collecting and Displaying China's “Summer Palace” in the West: The Yuanmingyuan in Britain and France.
Series: The histories of material culture and collecting, 1700-1950.
Routledge, pp. 38-50.
ISBN 9781138080553
2017
Pearce, N.
(2017)
Qianlong’s Western Campaign engravings.
In: Knothe, F. (ed.)
Imagining Qianlong, Louis XV’s Chinese Emperor Tapestries and Battle Scene Prints at the Imperial court in Beijing.
University Museum and Art Gallery, University of Hong Kong, pp. 41-54.
ISBN 9789881902498
2015
Hancock, E. G., Pearce, N. and Campbell, M. (Eds.)
(2015)
William Hunter's World: The Art and Science of Eighteenth-Century Collecting.
Series: The histories of material culture and collecting, 1700–1950.
Ashgate: Farnham, Surrey.
ISBN 9781409447740
Pearce, N.
(2015)
'At last in Dr Hunter's library': William Hunter's Chinese collections.
In: Pearce, N., Hancock, E. G. and Campbell, M. (eds.)
William Hunter's World. The Art and Science of Eighteenth-Century Collecting.
Series: The histories of material culture and collecting, 1700-1950.
Ashgate, pp. 263-281.
ISBN 9781409447740
Pearce, N.
(2015)
China.
In: MacGregor, A. (ed.)
The Cobbe Cabinet of Curiosities: An Anglo-Irish Country House Museum.
Series: Paul Mellon centre for studies in British art.
Yale University Press and the Paul Mellon Centre for Studies in British Art: New Haven, pp. 348-373.
ISBN 9780300204353
2014
Pearce, N.
(2014)
From relic to relic: a brief history of the skull of Confucius.
Journal of the History of Collections, 26(2),
pp. 207-222.
(doi: 10.1093/jhc/fht032)
Pearce, N.
(2014)
'CARP-ON': Further thoughts on Chinese art provenance research.
In: Steuber, J. and Lai, G. (eds.)
Collectors, Collections and Collecting the Arts of China: Histories and Challenges.
University Press of Florida, pp. 295-312.
ISBN 9780813049144
2013
Pearce, N.
(2013)
A casualty of war: Laurence Binyon, Raphael Petrucci and Chinese painting.
In: Sandrock, K. and Wright, O. (eds.)
Locating Italy: East and West in British-Italian Transactions.
Series: Internationale forschungen zur allgemeinen und vergleichenden literaturwissenschaft.
Rodopi: Amsterdam, The Netherlands.
ISBN 9789042036352
Han, J., Quye, A. , Chung, Y. and Pearce, N.
(2013)
Dyes and Dyeing in the Ming and Qing Dynasties (1368-1820?) in China: Preliminary Evidence Based on Primary Chinese Sources.
In: 32nd Annual meeting of Dyes in History and Archaeology, La Rochelle, France, 2-5 Oct 2013,
Pearce, N.
(2013)
'Directness, quaintness and squalor'. Aspects of translation and transformation in Franco Leoni's Opera L'Oracolo.
In: Yarrington, A., Villani, S. and Kelly, J. (eds.)
Travels and Translations: Anglo-Italian Cultural Transactions.
Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 167.
Rodopi: Amsterdam, The Netherlands, pp. 337-352.
ISBN 9789042037670
2012
Pearce, N. and Steuber, J. (Eds.)
(2012)
Original Intentions: Essays on Production, Reproduction and Interpretation in the Arts of China.
University Press of Florida.
ISBN 9780813039725
Pearce, N.
(2012)
A flash in the pan: the 'Bushell Bowl' controversy revisited.
In: Pearce, N. and Steuber, J. (eds.)
Original Intentions: Essays on Production, Reproduction and Interpretation in the Arts of China.
University Press of Florida: Gainesville, FL, pp. 6-37.
ISBN 9780813039725
2011
Pearce, N.
(2011)
In a perfect world: Jade landscape carvings.
Orientations, 42(6),
pp. 64-70.
Pearce, N.
(2011)
A novel experiment: John Thomson's Illustrations of China and its People and the beginnings of photographic publishing.
National Palace Museum Bulletin, 44,
pp. 49-65.
Pearce, N.
(2011)
Mapping the world: a copy of Verbiest's Kunyu Quantu in Glasgow University's collection.
In: Van Overmeire, D. and Ackerman, P. (eds.)
About Books, Maps, Songs and Steles: The Wording and Teaching of the Christian Faith in China.
Series: Leuven Chinese studies (21).
Ferdinand Verbiest Institute: Leuven, Belgium, pp. 51-78.
ISBN 9789081436540
Pearce, N.
(2011)
Shanghai 1908: A.W. Bahr and China’s first art exhibition.
West 86th, 18(1),
pp. 2-25.
(doi: 10.1086/659382)
2010
Pearce, N.
(2010)
John Thomson's China: 1868-1872.
In:
China: Through the Lens of John Thomson, 1868-1872.
River Books: Bangkok, pp. 6-9.
ISBN 9786167339009
2009
Creasy, H., Metcalf, H. and Pearce, N.
(2009)
History and conservation of Kunyu Quantu (A map of the whole world) by Ferdinand Verbiest, 1674.
In: Colbourne, J. and Snyder, R.F. (eds.)
Printed on Paper: The Techniques, History, and Conservation of Printed Media.
Arts and Social Sciences Academic Press, Northumbria University: Newcastle, UK, pp. 33-41.
ISBN 9780956120632
Pearce, N.
(2009)
Gorer v Lever: Edgar Gorer and William Hesketh Lever.
On-Line Catalogue of the Chinese Works of Art in the Lady Lever Art Gallery,
2008
Pearce, N.
(2008)
More sight than sound: extra-musical qualities of the Qin.
Orientations, 39,
pp. 40-46.
Pearce, N.
(2008)
Chinese export porcelain to europe: some aspects of design and consumption.
University of Hong Kong Museum Journal, 2,
2007
Pearce, N.
(2007)
A life in Peking: the Peabody albums.
History of Photography, 31(3),
pp. 276-293.
2005
Pearce, N.
(2005)
Collecting, connoisseurship and commerce: an examination of the life and career of Stephen Wootton Bushell (1844-1908).
Transactions of the Oriental Ceramic Society, 70,
pp. 17-25.
Pearce, N.
(2005)
Photographs of Peking, China 1861-1908 : an inventory and description of the Yetts collection at the University of Durham ; Through Peking with a camera.
Edwin Mellen Press: Lewiston, NY.
ISBN 077346090X
Pearce, N. and Beat, J.
(2005)
Themes and variations: A discussion of some parallels between Western music and Chinese scroll painting.
In:
Notis musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott.
Musica Scotica: Glasgow, pp. 317-330.
2003
Pearce, N.
(2003)
Images of Guanxiu's Sixteen Luohan in 18th Century China.
Apollo, 158(501),
pp. 25-31.
2001
Pearce, N.
(2001)
Soldiers, doctors, engineers: Chinese art and British collecting, 1860-1935.
Journal of the Scottish Society for Art History, 6,
pp. 45-52.
2000
Pearce, N.
(2000)
In a Space of Time Past: Victor Segalen’s: ‘The Great Statuary of China’.
In: Forsdick, C. and Marsden, S. (eds.)
Reading Diversity.
University of Glasgow French and German Publications: Glasgow, pp. 67-88.
ISBN 0852616597
1996
Pearce, N. and Wilkinson, J.
(1996)
Harmony and Contrast: A Journey Through East Asian Art.
National Museums of Scotland: Edinburgh.
ISBN 9780700704613
1991
Pearce, N.
(1991)
The rise of the Mingei movement.
In:
Japan Folk Crafts Museum, Mingei - The Living Tradition in Japanese Arts.
Kodansha International: Tokyo, pp. 19-24.
ISBN 4770015828
1987
Pearce, N.
(1987)
Ceramics made to special order.
In: Clunas, C. (ed.)
Chinese Export Art a Design.
Victoria & Albert Museum: London, pp. 58-79.
ISBN I851770003
This list was generated on Sun Dec 8 22:59:53 2024 GMT.