Dr Ian Goode

  • Senior Lecturer (Theatre, Film & Television Studies)

Research interests

Research Interests

Contemporary Scottish and British film and television, particularly representations of the past, and auto/biographical representation. Developments in non-fiction/documentary television and debates about self-presentation, cultural value, national culture and related film & television institutions. Film exhibition in non-theatrical/makeshift spaces, the idea of rural cinema and related developments in film/cinema history.

Research Projects

Current research includes a project concerned with mapping the history, reception and geography of the cinema in rural Scotland.


Supervision


Publications

List by: Type | Date

Jump to: 2018 | 2017 | 2013 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2003
Number of items: 14.

2018

Goode, I. (2018) UNESCO, mobile cinema, and rural audiences: exhibition histories and instrumental ideologies of the 1940s. In: Gennari, D. T., Hipkins, D. and O'Rawe, C. (eds.) Rural Cinema Exhibition and Audiences in a Global Context. Palgrave Macmillan: Basingstoke, Hampshire, pp. 219-235. ISBN 9783319663432 (doi:10.1007/978-3-319-66344-9_13)

Goode, I. (2018) Island geographies, the Second World War film and the Northern Isles of Scotland. In: Holt, Y., Martin-Jones, D. and Jones, O. (eds.) Visual Culture in the Northern British Archipelago: Imagining Islands. Series: British art: histories and interpretations since 1700. Routledge: London, pp. 51-68. ISBN 9780815374275

2017

Goode, I. (2017) The craft of the rural cinema operator: 16mm exhibition and the Highlands and Islands Film Guild, Scotland (1946-71). In: Crisp, V. and Mennoti, G. (eds.) Practices of Projection. Palgrave. (Accepted for Publication)

2013

Goode, I. (2013) The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland). In: Aveyard, K. and Moran, A. (eds.) Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect: London, UK, pp. 263-278. ISBN 9781841505114

2011

Goode, I. (2011) Cinema in the country: the rural cinema scheme – Orkney (1946-67). Post Script: Essays in Film and the Humanities, 30(2), pp. 17-31.

2010

Goode, I. (2010) Television documentary, pop stardom and auto/biographical narratives. In: Inglis, I. (ed.) Popular Music and Television in Britain. Series: Ashgate popular and folk music series. Ashgate: Farnham, UK, pp. 27-40. ISBN 9780754668640

2009

Goode, I. (2009) Locating the family film: the critics, the competition and the archive. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press: Cambridge, pp. 182-207. ISBN 1443813443; 9781443813440

2008

Goode, I. (2008) Living with fame: Geri and Living with Michael Jackson. Social Semiotics, 18(2), pp. 177-190. (doi:10.1080/10350330802002234)

2007

Goode, I. (2007) CSI: crime scene investigation: quality, the fifth channel and 'America's Finest'. In: Akass, K. and McCabe, J. (eds.) Quality TV: Contemporary American Television and Beyond. Palgrave Macmillan, pp. 118-128. ISBN 9781845115111

Goode, I. (2007) Different trajectories: Europe and Scotland in recent film and television. Portal: Journal of Multidisciplinary International Studies, 4(2),

Goode, I. (2007) Mediating the rural: local hero and the location of Scottish cinema. In: Fish, R. (ed.) Cinematic Countrysides. Manchester University Press, pp. 109-127. ISBN 9780719072666

2006

Goode, I. (2006) The quality of intimacy: revelation and disguise in the dramatic monologue. Journal of Popular British Film and Television, 3(1), pp. 107-114.

2003

Goode, I. (2003) A pattern of inheritances: Alan Bennett, heritage and British film and television. Screen, 44(3), pp. 295-313.

Goode, I. (2003) Value and television aesthetics. Screen, 44(1), pp. 106-109. (doi:10.1093/screen/44.1.106)

This list was generated on Thu Sep 19 12:03:38 2019 BST.
Number of items: 14.

Articles

Goode, I. (2011) Cinema in the country: the rural cinema scheme – Orkney (1946-67). Post Script: Essays in Film and the Humanities, 30(2), pp. 17-31.

Goode, I. (2008) Living with fame: Geri and Living with Michael Jackson. Social Semiotics, 18(2), pp. 177-190. (doi:10.1080/10350330802002234)

Goode, I. (2007) Different trajectories: Europe and Scotland in recent film and television. Portal: Journal of Multidisciplinary International Studies, 4(2),

Goode, I. (2006) The quality of intimacy: revelation and disguise in the dramatic monologue. Journal of Popular British Film and Television, 3(1), pp. 107-114.

Goode, I. (2003) A pattern of inheritances: Alan Bennett, heritage and British film and television. Screen, 44(3), pp. 295-313.

Goode, I. (2003) Value and television aesthetics. Screen, 44(1), pp. 106-109. (doi:10.1093/screen/44.1.106)

Book Sections

Goode, I. (2018) UNESCO, mobile cinema, and rural audiences: exhibition histories and instrumental ideologies of the 1940s. In: Gennari, D. T., Hipkins, D. and O'Rawe, C. (eds.) Rural Cinema Exhibition and Audiences in a Global Context. Palgrave Macmillan: Basingstoke, Hampshire, pp. 219-235. ISBN 9783319663432 (doi:10.1007/978-3-319-66344-9_13)

Goode, I. (2018) Island geographies, the Second World War film and the Northern Isles of Scotland. In: Holt, Y., Martin-Jones, D. and Jones, O. (eds.) Visual Culture in the Northern British Archipelago: Imagining Islands. Series: British art: histories and interpretations since 1700. Routledge: London, pp. 51-68. ISBN 9780815374275

Goode, I. (2017) The craft of the rural cinema operator: 16mm exhibition and the Highlands and Islands Film Guild, Scotland (1946-71). In: Crisp, V. and Mennoti, G. (eds.) Practices of Projection. Palgrave. (Accepted for Publication)

Goode, I. (2013) The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland). In: Aveyard, K. and Moran, A. (eds.) Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect: London, UK, pp. 263-278. ISBN 9781841505114

Goode, I. (2010) Television documentary, pop stardom and auto/biographical narratives. In: Inglis, I. (ed.) Popular Music and Television in Britain. Series: Ashgate popular and folk music series. Ashgate: Farnham, UK, pp. 27-40. ISBN 9780754668640

Goode, I. (2009) Locating the family film: the critics, the competition and the archive. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press: Cambridge, pp. 182-207. ISBN 1443813443; 9781443813440

Goode, I. (2007) CSI: crime scene investigation: quality, the fifth channel and 'America's Finest'. In: Akass, K. and McCabe, J. (eds.) Quality TV: Contemporary American Television and Beyond. Palgrave Macmillan, pp. 118-128. ISBN 9781845115111

Goode, I. (2007) Mediating the rural: local hero and the location of Scottish cinema. In: Fish, R. (ed.) Cinematic Countrysides. Manchester University Press, pp. 109-127. ISBN 9780719072666

This list was generated on Thu Sep 19 12:03:38 2019 BST.