Professor Clare Willsdon
- Professor of the History of Western Art (History of Art)
telephone:
01413306331
email:
Clare.Willsdon@glasgow.ac.uk
R307 Level 3, History of Art, 8 University Gardens, Glasgow G12 8QH
Research interests
- European painting 1800-1940, with special interest in art, gardens and the natural environment; Impressionism in Europe and North America; and mural painting;
- Post-Impressionism, Symbolism, the Fin-de-siècle, and Vienna Secession;
- contextual and thematic methodologies.
Key publications include the first survey and critical interpretation of 19th/20th-century mural painting in any country (Mural Painting in Britain 1840-1940, awarded the Historians of British Art prize, 2003), and In the Gardens of Impressionism (nominated for the National Library of Scotland/Saltire Society ‘Research Book 2005’, and ‘Sir Banister Fletcher Best Book in the Arts 2005-6’ awards). Exhibition work includes Academic Adviser for Impressionist Gardens (National Gallery of Scotland and Museo Thyssen-Bornemisza, Madrid, 2010-11) and Country Gardens (Broadway Arts Festival, 2012), and a Curatorial Consultancy for Painting the Modern Garden (Cleveland Museum of Art and Royal Academy of Arts, London, 2015-16). Other exhibitions to which I have contributed include Gartenlust (Belvedere, Vienna, 2007), Renoir (Complesso del Vittoriano, Rome, 2008), Monet (ARoS Kunstmuseum, Aarhus, 2015-16), Whistler and Nature (travelling, Hunterian 2018-19), and Bright Edge Deep (https://www.brightedgedeep.arts.gla.ac.uk, part of the COP26 Virtual Peatlands Pavilion, 2021). I was a member of the international seminar panel established 2008 by the House of Lords Works of Art Committee in connection with the first mural commission for the Houses of Parliament since 1925, and have advised numerous other organisations, including Historic England, Survey of London, Kunsthaus Zürich, Shizuoka Prefectural Museum Japan, etc.
Forthcoming publications include an essay in the Impressionism across Fields conference proceedings, University of Paris (see below), another in New Directions in Whistler Research (Routledge, 2026, see below), a chapter on the murals of the important Austro-Hungarian emigré artist George Mayer-Marton (Liverpool University Press), and a catalogue essay for a major international exhibition on Monet (Munch Museum, Oslo).
I won the University of Glasgow ‘Engaged Researcher of the Year’ Award, 2016, and was shortlisted for the University’s ‘Best Collaboration (Arts & Culture)’ Knowledge Exchange and Public Engagement Award, 2020.
I have given many public lectures (National Gallery, London; Museo Thyssen-Bornemisza, Madrid; Petit Palais, Paris, etc) and have contributed to BBC Radio 4, BBC Radio Scotland, Radio Deutsche Welle and STV programmes on the arts, as well as the ‘Exhibition on Screen’ films ‘Painting the Modern Garden’, 2016 and ‘Van Gogh’s Sunflowers’, 2021. Recent papers include 'Impressionist gardens at Argenteuil and Pontoise as spaces of artistic renewal' at the Impressionism across Fields interdisciplinary conference marking the 150th anniversary of Impressionism (Musée d'Orsay, Paris and University of Paris, 2024; see Impressionism Across Fields. New Interdisciplinary Perspectives. (Day 1)); 'Sounding the Garden with Whistler, Mallarmé and Monet' at the New Directions in Whistler Research conference (Musée des Beaux-Arts, Rouen and University of Rouen, 2024); and 'Mary Cassatt at the Louvre: the living and the dead', at the 'Discovering Degas' symposium (University of Glasgow and Burrell Collection, Glasgow, 2024; see https://www.gla.ac.uk/schools/cca/research/arthistoryresearch/discoveringdegas/studydayaudiorecordings/).
Grants
Grants include: Woburn Abbey Consultancy, 2017-18; three University of Glasgow KE Fund awards (2018-19, and 2024-5); two University of Glasgow ‘Dear Green Bothy’ public engagement awards (2021); a NERC/University of Glasgow 'Discipline-hopping' grant (joint with Prof. N. Whitehouse, Archaeology, 2022-3), and a University of Glasgow Impact Development and Evaluation award (2025).
Supervision
I welcome applications from students interested in postgraduate research in areas relating to my research foci. I am currently co-supervising PhD students working in the fields of French Impressionism, and print-making, and an MPhil (research) student working on aspects of late 19th/early 20th-century transnational Impressionism.
- Gernentz, Mattea Leigh
Flânerie and Flourishing: Impressionism and the New Woman in French Interiors and Exteriors - MacLeod, Jenny
‘Scottish Women Etchers of the Etching Revival, 1880-1930’
These include PhD theses on nineteenth/early twentieth-century art and artists, including William Hole and James McNeill Whistler, and themes including art-literature relationships, and aspects of art education in the nineteenth century.
Teaching
I teach the following specialist option courses (not necessarily all offered each year):
- 'Impressionism: Innovation and Invention, 1874-1926' (MLitt)
- 'Early Impressionism, 1850-1876' (Senior Honours)
- 'Symbolism and Secession' (Junior Honours)
I also normally supervise MLitt and Honours dissertations in areas relevant to my research interests, and contribute to the following team-taught core courses:
- 'Research Methods and Skills’ (MLitt)
- 'Methodology of Art History' (Junior Honours)
- ‘Portfolio’ (Junior Honours’)
- ‘Patrons, Collectors, Museums and Markets’ (Level 2A)
- ‘Imagination, Traditions and Invention’ (Level 2B)
- ‘Art History and its Materials and Techniques’ (Level 1A)
- ‘Art History in Action’ (Level 1B).
I also devised and introduced in 2012 the Junior Hons 'Methodology of Art History with Work Placement' course, and have led or contributed to its delivery since.
I received the 'Outstanding Contribution to Teaching' award at the SRC's 2024-5 Teaching Awards ceremony.
Additional information
AFFILIATIONS:
- Member of the Association for Art History;
- Elected Fellow of the Royal Historical Society, Society of Antiquaries of Scotland, Higher Education Academy and Royal Society of Arts;
- Honorary Curator, Glasgow Life.
ADMINISTRATION:
From 2022-2025 I was Head of History of Art, and in course of my career I have undertaken a wide range of other administrative duties, including the role of Unit 32 REF Champion for REF 2021. I am on research leave during 2024-5, but remain University of Glasgow representative on Glasgow School of Art Annual Programme Monitoring Board, and Glasgow University/Glasgow School of Art Joint Liaison Committee.
