Intellectual property recent publications

Intellectual property recent publications

Höppner, T., Kretschmer, M. and Xalabarder, R. (2017) CREATe public lectures on the proposed EU right for press publishers. European Intellectual Property Review, 39(10), pp. 607-622.

Kretschmer, M. , Margoni, T. and Oruc, P. (2021) D3.6 Interim study on the state of harmonisation of the rights of reproduction and adaptation and connected exceptions. Project Report. ReCreating Europe. (doi:10.5281/zenodo.5069507).

Cooper, E. (2021) Reverting to reversion rights? Reflections on the Copyright Act 1911. European Intellectual Property Review, 43(5), pp. 292-297.

Iljadica, M. (2017) Painting on walls: street art without copyright? In: Darling, K. and Perzanowski, A. (eds.) Creativity Without Law: Challenging the Assumptions of Intellectual Property. New York University Press: New York, pp. 118-141. ISBN 9781479841936

Cooper, E. (2018) Copyright in periodicals in the nineteenth century: Genre and balancing the rights of contributors and publishers. Victorian Periodicals Review, 51(4), pp. 661-678. (doi: 10.1353/vpr.2018.0048)

Eben, M. (2021) Personal data as price in market definition: a brief assessment. CPI Antitrust Chronicle, 2021(Sep II),

Deazley, R. and Meletti, B. (2018) The Game is On! – Episode 6: The Adventure of the Photographer’s Stratagem [video]. [Audio]

Kretschmer, M. , Gavaldon, A. A., Miettinen, J. and Singh, S. (2019) UK Authors’ Earnings and Contracts 2018: A Survey of 50,000 Writers. Documentation. CREATe, Glasgow. (doi:10.5281/zenodo.2649059).

Iljadica, M. (2020) Classifying art in diverse legal regimes: the function-aesthetic divide and the public interest. In: McCutcheon, J. and McGaughey, F. (eds.) Research Handbook on Art and Law. Edward Elgar: Cheltenham, pp. 209-223. ISBN 9781788971461 (doi:10.4337/9781788971478.00025)

Kretschmer, M. (2020) New empirical research on intellectual property litigation and platform regulation. [Website]

Porangaba, L. H. (2018) Actavis v Eli Lilly – Has Equivalence Lost Its Purpose? Paper presented at Oxford Intellectual Property Discussion Group, 24 April 2018.

Furgal, U. (2019) Author MIA. Place of Journalists in the Post-Press Publishers' Right World. TILTing Perspectives 2019: 'Regulating a world in transition', Tilburg University, Tilburg, Netherlands, 15-17 May 2019.

Porangaba, L. H. (2017) Product Design and Trade Mark Use. Paper presented at Indiana University Maurer School of Law, March 2017.

Furgal, U. (2017) Ancillary Right for Publishers: an Alternative Answer to the Linking Conundrum? Católica Graduate Legal Research Conference, Universidade Católica Portuguesa, Lisbon, Portugal, 21-22 Sep 2017.

Furgal, U. (2020) Making Google and Facebook pay? Comparing the EU press publishers’ right and Australian Draft Media Bargaining Code. [Website]

Deazley, R. and Meletti, B. (2017) The Game is On! - Episode 3: The Adventure of the Forger’s Apprentice [video]. [Audio]

Iljadica, M. (2020) User generated content and its authors. In: Aplin, T. (ed.) Research Handbook on Intellectual Property and Digital Technologies. Series: Research handbooks in intellectual property. Edward Elgar: Cheltenham, UK, pp. 163-185. ISBN 9781785368332 (doi:10.4337/9781785368349.00015)

Porangaba, L. H. (2019) Acquired distinctiveness in the European Union: when nontraditional marks meet a (fragmented) single market. Trademark Reporter, 109(3), pp. 619-670.

Furgal, U. (2018) Ancillary right for press publishers: an alternative answer to the linking conundrum? Journal of Intellectual Property Law and Practice, 13(9), pp. 700-710. (doi: 10.1093/jiplp/jpy003)

Deazley, R. and Meletti, B. (2018) The Game is On! – Episode 5: The Adventure of the Unreliable Narrator [video]. [Audio]

Brown, A., Kheria, S., Cornwell, J. and Iljadica, M. (2019) Contemporary Intellectual Property: Law and Policy. Oxford University Press: Oxford. ISBN 9780198799801

Deazley, R. and Meletti, B. (2018) The Game is On! - Episode 4 – The Adventure of the Missing Note [video]. [Audio]

Meletti, B. and Deazley, R. (2019) The Game is On! Copyright and creativity with Sherlock Holmes. [Website]

Meletti, B. (2018) Lawful Creativity or Creative Lawfulness: CopyrightUser.org at the EYE International Conference 2018. [Website]

Husovec, M. and Kretschmer, M. (2019) European copyright roundtables: implementing the digital single market directive. [Website]

Cooper, E. and Burrow, S. (2019) Know your rights: what can you do when your copyright is infringed? RPS Journal, 159(5),

Furgal, U. , Kretschmer, M. and Thomas, A. (2020) Memes and Parasites: a discourse analysis of the Copyright in the Digital Single Market Directive. Working Paper. UK Copyright and Creative Economy Centre, Glasgow. (doi:10.5281/zenodo.4085050).

Bently, L., Kretschmer, M. , Dudenbostel, T., Calatrava Moreno, M. d. C. and Radauer, A. (2017) Strengthening the Position of Press Publishers and Authors and Performers in the Copyright Directive. Project Report. European Parliament, Brussels.

Kretschmer, M. (2020) Regulatory divergence post Brexit: copyright law as an indicator for what is to come. [Website]

Kretschmer, M. , Meletti, B., Singh, S., Green, B. and Chitty, A. (2018) IP & Collaborative Agreements in the Creative Industries: Interim Report. Other. Arts and Humanities Research Council, Swindon.

Cooper, E. and Iljadica, M. (2021) Architectural copyright, painters and public space in mid-nineteenth century Britain. In: Delamaire, M.-S. and Slauter, W. (eds.) Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. OpenBook Publishers: Cambridge. ISBN 9781800641471 (In Press)

Eben, M. and Brook, O. (2021) Abuse of power without dominance. In: Research Handbook on Abuse of Dominance and Monopolization. Edward Elgar. (Accepted for Publication)

Schlesinger, P. and Kretschmer, M. (2020) The changing shape of platform regulation. [Website]

Erickson, K. , Kretschmer, M. and Mendis, D. (2019) An empirical approach to the public domain. In: Drexl, J. and Kamperman Sanders, A. (eds.) The Innovation Society and Intellectual Property. Series: European intellectual property institutes network series. Edward Elgar Publishing: Cheltenham, UK ; Northampton, MA, USA, pp. 87-116. ISBN 9781789902341 (doi:10.4337/9781789902358.00014)

Eben, M. (2018) Market definition and free online services: the prospect of personal data as price. I/S: A Journal of Law and Policy for the Information Society, 14(2), pp. 227-281.

Cooper, E. and Burrow, S. (2019) Photographic copyright and the Intellectual Property Enterprise Court in historical perspective. Legal Studies, 39(1), pp. 143-165. (doi: 10.1017/lst.2018.10)

Iljadica, M. and Scott, P. F. (2017) Intellectual property and national security. Journal of Intellectual Property Law and Practice, 12(1), pp. 49-61. (doi: 10.1093/jiplp/jpw178)

Thomas, A. (2020) A question of (e)Sports: an answer from copyright. Journal of Intellectual Property Law and Practice, 15(12), pp. 960-975. (doi: 10.1093/jiplp/jpaa157)

Meletti, B. (2020) Report – CREATe Public Lecture by Professor Lionel Bently on Copyright and Quotation: Beyond the Textual Paradigm. [Website]

Furgal, U. (2020) Reversion rights in the European Union Member States. Working Paper. UK Copyright and Creative Economy Centre, Glasgow. (doi:10.5281/zenodo.4281035).

Kretschmer, M. , Furgał, U. and Schlesinger, P. (2021) Policy Brief: The regulation of online platforms: Mapping an emergent regulatory field. Other. Creative Industries Policy and Evidence Centre.

Kretschmer, M. (2018) Data mining: why the EU’s proposed copyright measures get it wrong. Conversation, 24 May.

Iljadica, M. (2019) Works and walls: graffiti writing and street art at the intersection of copyright and land law. In: Bonadio, E. (ed.) The Cambridge Handbook of Copyright in Street Art and Graffiti. Series: Cambridge law handbooks. Cambridge University Press: Cambridge, pp. 81-102. ISBN 9781108482332

Kretschmer, M. and Hurtz, S. (2019) Interview with Süddeutsche Zeitung: "Das Urheberrecht verteilt Vermögen von den Lebenden zu den Toten". [Website]

Kretschmer, M. and Giblin, R. (2021) Getting creators paid: one more chance for copyright law. European Intellectual Property Review, 43(5), pp. 279-282.

Kretschmer, M. , Furgał, U. and Schlesinger, P. (2021) The emergence of platform regulation in the UK: an empirical-legal study. Discussion Paper. Creative Industries Policy and Evidence Centre.

Kretschmer, M. (2020) UK sovereignty: A challenge for the creative industries. [Website]

Cooper, E. (2018) Art and Modern Copyright: The Contested Image. Series: Cambridge intellectual property and information law. Cambridge University Press: Cambridge. ISBN 9781107179721 (doi:10.1017/9781316840993)

Erickson, K. and Kretschmer, M. (2020) Empirical approaches to intermediary liability. In: Frosio, G. (ed.) The Oxford Handbook of Intermediary Liability Online. Oxford University Press. (doi:10.1093/oxfordhb/9780198837138.013.5)

Porangaba, L. H. (2018) A contextual account of the trade mark functions theory. Intellectual Property Quarterly, 3, pp. 230-252.

Eben, M. (2018) Fining Google: a missed opportunity for legal certainty? European Competition Journal, 14(1), pp. 129-151. (doi: 10.1080/17441056.2018.1460973)

Leung, R., Kretschmer, M. and Meletti, B. (2020) ‘Streaming Culture’, AHRC Creative Industries Evidence & Policy Centre Research Report. Documentation. Nesta, London.

Meletti, B. (2020) Report: CREATe researchers present on copyright exceptions for education and research at SCURL conference (Part 1). [Website]

Kretschmer, M. and Schlesinger, P. (2019) Regulating a platform economy. [Website]

Eben, M. (2021) Gating the Gatekeepers (2): Competition 2.0? [Website]

Kretschmer, M. and Steinhau, H. (2019) Interview with iRights: “The EU would lose little if it simply rejected the directive”. [Website]

Hugenholtz, P. B. and Kretschmer, M. (2018) Reconstructing rights: project synthesis and recommendations. In: Hugenholtz, P. B. (ed.) Copyright Reconstructed: Rethinking Copyright’s Economic Rights in a Time of Highly Dynamic Technological and Economic Change. Series: Information law series (41). Wolters Kluwer: Alphen aan den Rijn, The Netherlands, pp. 1-10. ISBN 9789041191038

Cooper, E. (2017) R v. Johnstone. In: Bellido, J. (ed.) Landmark Cases in Intellectual Property Law. Series: Landmark cases. Hart Publishing: Oxford ; London. ISBN 9781509904662

Kretschmer, M. (2019) Eine Lobby Geschichte: Reflexionen zur Entwicklung des Urheberrechts. In: Brion, L. and Diederichsen, D. (eds.) 100 Jahre Copyright. Series: HKW - 100 Jahre Gegenwart (11). Matthes & Seitz: Berlin, pp. 74-99. ISBN 9783957575753

Deazley, R. and Meletti, B. (2017) Copying & Creativity [video]. [Audio]

Kretschmer, M. and Erickson, K. (2018) How much do we know about notice-and-takedown? New study tracks YouTube removals. Project Report. Kluwer Copyright Blog.

Cooper, E. (2021) The ‘Visual Turn’ in copyright history and its relevance to art history. Burlington Magazine, (Accepted for Publication)

Favale, M., Kretschmer, M. and Torremans, P. (2020) Who is steering the jurisprudence of the European Court of Justice? The influence of Member State submissions on copyright law. Modern Law Review, 83(4), pp. 831-860. (doi: 10.1111/1468-2230.12527)

Iljadica, M. (2020) Street art and the properties of resistance. In: Finchett-Maddock, L. and Lekakis, E. (eds.) Art, Law, Power: Perspectives on Legality and Resistance in Contemporary Aesthetics. Counterpress: Oxford, pp. 198-219. ISBN 9781910761076

Iljadica, M. (2017) Copyright and the right to the city. Northern Ireland Legal Quarterly, 68(1), pp. 59-78.

Erickson, K. and Kretschmer, M. (2018) “This video is unavailable”: analyzing copyright takedown of user-generated content on YouTube. Journal of Intellectual Property, Information Technology and E-Commerce Law, 9(1), pp. 75-89.