Professor Pamela King

Honorary (School of Critical Studies)

School of Critical Studies, Room 18, 12 University Gardens

Publications

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Number of items: 80.

2021

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2021) The Taill of Rauf CoilȜear and Secunda Pastorum. Notes and Queries, 68(2), pp. 168-169. (doi: 10.1093/notesj/gjab049)

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2021) Dunbar. In: Boffey, Julia and Edwards, A.S.G. (eds.) The Oxford Handbook to Poetry in English. Oxford University Press: Oxford. (In Press)

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2021) Reading Texts for Performance and Performances as Texts. Series: Shifting paradigms in early English drama and performance. Routledge: London. ISBN 9780367441180

2020

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2020) The "Wakefield Master" revisited. In: Boffey, Julia (ed.) Performance, Ceremony and Display in Late Medieval England. Series: Harlaxton medieval studies (XXX). Shaun Tyas: Donington, pp. 110-128. ISBN 9781907730856

2019

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2019) Patronage, performativity, and ideas of Corpus Christi. In: Feingold, Mordechai and Watts, John (eds.) Renaissance College: Corpus Christi College, Oxford, in Context, c.1450-c.1600. Series: History of Universities series (XXXII). Oxford University Press: Oxford, pp. 59-80. ISBN 9780198848523

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2019) The Coventry playbooks. In: Atkin, Tamara and Estill, Laura (eds.) Early British Drama in Manuscript. Series: British manuscripts. Brepols: Turnhout, pp. 33-54. ISBN 9782503575469 (doi: 10.1484/M.BM-EB.5.116443)

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2019) Gavin Douglas, aesthetic organisation, and individual distraction. In: Atkin, Tamara and Rajsic, Jaclyn (eds.) Manuscript and Print in Late Medieval and Early Modern Britain. D.S. Brewer: Woodbridge, Suffolk ; Rochester, NY, pp. 53-72. ISBN 9781843845317

2018

Twycross, Meg (2018) The Materials of Early Theatre: Sources, Images, and Performance: Shifting Paradigms in Early English Drama Studies. Series: Variorum collected studies. Routledge. ISBN 9781472488084

2017

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2017) Biblical drama. In: Echard, Sian and Rouse, Robert (eds.) The Encyclopedia of Medieval Literature in Britain. Wiley Blackwell. ISBN 9781118396988 (doi: 10.1002/9781118396957.wbemlb594)

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2017) York Cycle. In: Echard, S. and Rouse, R. (eds.) The Encyclopaedia of Medieval Literature in Britain. Wiley Blackwell. ISBN 9781118396988 (doi: 10.1002/9781118396957.wbemlb593)

2016

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (Ed.) (2016) The Routledge Research Companion to Early Drama and Performance. Routledge: London. ISBN 9781472421401

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2016) Introduction. In: King, Pamela (ed.) The Routledge Research Companion to Early Drama and Performance. Routledge: London. ISBN 9781472421401

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2016) Manuscripts, antiquarians, editors and critics: the historiography of reception. In: King, Pamela (ed.) The Routledge Research Companion to Early Drama and Performance. Routledge: London. ISBN 9781472421401

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808, Carpenter, Sarah, Walker, Greg and Twycross, Meg (Eds.) (2016) The Best Pairt of Our Play: Essays Presented to John J. McGavin [Volume 2]. Series: Medieval English Theatre. Boydell and Brewer: Cambridge. ISBN 9781843844518

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2016) Poetics and beyond: noisy bodies and aural variations in medieval English outdoor performance. Medieval English Theatre, 38,

2015

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808 (2015) "Medieval" and "renaissance": the problem of events, their records and their players. In: Hutton, Ronald (ed.) Medieval or Early Modern: The Value of a Traditional Historical Division. Cambridge Scholars Publishing: Newcastle-upon-Tyne, pp. 125-145. ISBN 9781443874519

King, Pamela ORCID: https://orcid.org/0000-0003-4521-1808, Carpenter, Sarah, Walker, Greg and Twycross, Meg eds. (2015) The Best Pairt of Our Play: Essays Presented to John J. McGavin [Volume 1]. Series: Medieval English Theatre, 37. Boydell and Brewer: Cambridge. ISBN 9781843844167

2014

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2014) Medieval English religious plays as early fifteenth-century vernacular theology: the case against. In: Kelly, Stephen and Perry, Ryan (eds.) Devotional Culture in late Medieval England and Europe: Diverse Imaginations of Christ's Life. Series: Medieval church studies (31). Brepols: Turnhout, pp. 533-522. ISBN 9782503549354 (doi: 10.1484/M.MCS-EB.6.09070802050003050409030504)

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2014) Rules of exchange in Medieval plays and play manuscripts. In: Sell, Roger D. (ed.) Literature as Dialogue: Invitations Offered and Negotiated. Series: Dialogue studies, 22. John Benjamins Publishing Company: Amsterdam, pp. 177-196. ISBN 9789027210395 (doi: 10.1075/ds.22.09kin)

2013

King, Pamela M. ORCID: https://orcid.org/0000-0003-4521-1808 (2013) The Early English passion play. Yearbook of English Studies, 43, pp. 69-86. (doi: 10.5699/yearenglstud.43.2013.0069)

2012

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2012) The end of the world in medieval English religious drama. Literature and Theology, 26(4), pp. 384-399. (doi: 10.1093/litthe/frs048)

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2012) Texts in plays: the case of Mankynde. Medieval English Theatre, 34, pp. 45-57.

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2012) "They have eyes that they might not see": exploring object, display and gaze in religious drama. In: Jaritz, G. (ed.) Ritual, Images, and Daily Life: The Medieval Perspective. Series: Geschichte. Forschung und Wissenschaft, 39. LIT-Verlag: Berlin, Germany, pp. 191-207. ISBN 9783643901132

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 and Heywood, J. (2012) The play of the weather. In: Betteridge, T. and Walker, G. (eds.) The Oxford Handbook of Tudor Drama. Series: Oxford handbooks. Oxford University Press: Oxford, UK, pp. 207-223. ISBN 9780199566471

2011

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2011) Medieval Literature 1300-1500. Series: Edinburgh critical guides to literature. Edinburgh University Press: Edinburgh. ISBN 9780748634590

2010

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2010) Civic space and gender roles in Lerwick’s Up Helly Aa. In: Cross, M. (ed.) Gender and Fraternal Orders in Europe, 1300-2000. Palgrave Macmillan: Houndmills, UK, pp. 244-259. ISBN 9780230272576

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2010) Confraternities and civic ceremonial: the siena palio. In: Rogerson, M. (ed.) The York Mystery Plays: Performance in the City. York Medieval Press: Woodbridge, UK, pp. 181-204. ISBN 9781903153352

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2010) Drama: sacred and secular. In: Saunders, C. (ed.) Companion to Medieval Poetry. Series: Blackwell companions to literature and culture, 67. Wiley-Blackwell: Chichester, UK, pp. 626-646. ISBN 9781405159630

2009

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2009) Memorials of Ralph Woodford (d.1498) Ashby Folville, Leicestershire: the death of the author? In: Boffey, J. and Davies, V. (eds.) Recording Medieval Lives: Proceedings of the 2005 Harlaxton Symposium. Series: Harlaxton medieval studies (17). Shaun Tyas: Donington, UK, pp. 182-188. ISBN 9781900289955

2008

Butterworth, P., King, P. ORCID: https://orcid.org/0000-0003-4521-1808 and Twycross, M. (Eds.) (2008) According to the Ancient Custom: Essays Presented to David Mills. Series: Medieval English theatre. Lancaster University: Lancaster, UK.

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2008) Losing faith in transformation: protestantism and theatre. Mediaevalia, 29, pp. 79-94.

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2008) The morality plays. In: Beadle, R. and Fletcher, A.J. (eds.) The Cambridge Companion to Medieval English Theatre. Series: Cambridge companions to literature. Cambridge University Press: Cambridge, UK, pp. 235-262. ISBN 9780521864008

2007

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2007) Playing Pentecost: transformations and texts. Medieval English Theatre, 29, pp. 60-74.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2007) The York mystery plays. In: Brown, P. (ed.) A Companion to Medieval English Literature and Culture: c.1350-c.1500. Series: Blackwell companions to literature and culture (42). Blackwell Publishing: Malden, MA, USA, pp. 1350-1500. ISBN 9780631219736

2006

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2006) The York Mystery Cycle and the Worship of the City. Series: Westfield medieval studies, 1. D.S. Brewer: Woodbridge, UK. ISBN 9781843840985

2005

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2005) The renaissance of medieval theatre and the growth of university drama in England. Medieval English Theatre, 27, pp. 105-130.

2004

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2004) Doomsday as hypertext: contexts of Doomsday in Fifteenth-Century northern manuscripts, 2: British Library Add. MS 37049. In: Morgan, N.J. (ed.) Prophecy, Apocalypse and the Day of Doom: Proceedings of the 2000 Harlaxton Symposium. Series: Harlaxton medieval studies (12). Shaun Tyas: Donington, UK, pp. 391-403. ISBN 9781900289689

2003

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2003) 'My image to be made all naked': cadaver tombs and the commemoration of women in fifteenth-century England. Ricardian, 13, pp. 294-314.

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2003) The York Plays in performance: Civitas versus Templum. Medieval English Theatre, 25, pp. 84-97.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2003) Treasurer’s cadaver in York minster reconsidered. In: Dobson, B., Barron, C.M. and Stratford, J. (eds.) Church and Learning in Later Medieval Society: Essays in Honour of R.B. Dobson: Proceedings of the 1999 Harlaxton Symposium. Series: Harlaxton medieval studies (11). Shaun Tyas: Donington, UK, pp. 196-209. ISBN 9781900289528

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2003) The York cycle and instruction on the sacraments. In: Rees-Jones, S. (ed.) Learning and Literacy in Medieval England and Abroad. Series: Utrecht studies in medieval literacy (3). Brepols: Turnhout, Belgium, pp. 155-178. ISBN 9782503510767

2001

Carpenter, S., King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 and Meredith, P. (2001) Porci Ante Margaritam: Essays in Honour of Meg Twycross. Series: Leeds studies in English, new series, 32. University of Leeds: Leeds, UK.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2001) He pleyeth Herodes upon a scaffold hye. Leeds Studies in English, 32, pp. 212-228.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2001) Metaphysical Poets. Series: York notes, advanced. York Press: Harlow, UK. ISBN 9780582431584

2000

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (2000) The York plays and the feast of Corpus Christi: a reconsideration. Medieval English Theatre, 22, pp. 13-32.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2000) Corpus Christi: Valencia. European Medieval Drama, 4, pp. 181-205. (doi: 10.1484/J.EMD.2.300800)

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2000) The Miller's Prologue and Tale, Geoffrey Chaucer: Note. Series: York notes: advanced. York Press: London, UK. ISBN 9780582424616

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (2000) Seeing and hearing: the audience of medieval plays. Early Theatre, 3(1), pp. 155-166.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 and Davidson, C. (2000) The Coventry Corpus Christi Plays. Series: Early drama, art, and music monograph series, 27. Medieval Institute Publications: Michigan, MI, USA. ISBN 9781580440554

1999

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1999) Contemporary cultural models for the trial plays in the York cycle. In: Hindley, A. (ed.) Drama and Community: People and Plays in Medieval Europe. Series: Medieval texts and cultures of Northern Europe (1). Brepols: Turnhout, Belgium, pp. 200-216. ISBN 9782503507675

1998

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1998) Calendar and text: Christ's ministry in the York plays and the liturgy. Medium Aevum, 67(1), pp. 30-59.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1998) Corpus Christi plays and the ‘Bolton hours’ 1: tastes in lay piety and patronage in fifteenth-century York. Medieval English Theatre, 18, pp. 46-62.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808, Twycross, M. and Prescott, A. (1998) The York Doomsday project. In: Carpenter, L., Prescott, A. and Shaw, S. (eds.) Towards the Digital Library: The British Library's Initiatives for Access Programme. British Library: London, UK, pp. 50-57. ISBN 9780712345408

1997

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1997) Coventry Mystery Plays. Series: Coventry and county heritage series, 22. Coventry Branch of the Historical Association: Coventry, UK. ISBN 9781873206225

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1997) The York and Coventry mystery cycles: a comparative model of civic response to growth and recession. Records of Early English Drama Newsletter, 22(1), pp. 20-25.

1996

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1996) The festa d'elx: civic devotion, display and identity. In: Twycross, M. (ed.) Festive Drama: Papers from the Sixth Triennial Colloquium of the International Society for the Study of Medieval Theatre, Lancaster, 13-19 July, 1989. D.S. Brewer: Cambridge, UK, pp. 95-109. ISBN 9780859914963

1995

Boeffy, J. and King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1995) London and Europe in the Later Middle Ages. Series: Westfield publications in medieval studies (9). Centre for Medieval and Renaissance Studies: London, UK. ISBN 9781870059077

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (1995) Records of early English drama: reflections of a hardened user. Medieval English Theatre, 17, pp. 52-57.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1995) York plays, urban piety, and the case of Nicholas Blackburn, Mercer. Archiv fuer das Studium der Neueren Sprachen und Literaturen, 232, pp. 37-50.

1994

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1994) The morality plays. In: Beadle, R. (ed.) The Cambridge Companion to Medieval English Theatre. Series: Cambridge companions to literature. Cambridge University Press: Cambridge, UK, pp. 240-264. ISBN 9780521366700

1993

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (1993) Corpus Christi, Valencia. Medieval English Theatre, 15, pp. 103-110.

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (1993) Minority plays: two interludes for Edward VI. Medieval English Theatre, 15, pp. 87-102.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1993) Minority plays: interludes for children and the fashioning of Edward VI. In: Maslen, E. and Dixon, P. (eds.) Comedy: Essays in Honour of Peter Dixon by Friends and Colleagues. Short Run Press: Exeter, UK, pp. 14-34. ISBN 9780952157700

1992

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 and Salvador-Rabaza, A. (1992) The festa or Misteri of Elx: a modern English translation. Medieval English Theatre, 14, pp. 4-21.

1991

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1991) Algunes reflexions sobre la vinguda de la marededeu: significats i origens. In: Ramos, R., Mas Miralle, A., Gonzalez, J.M. and Otros, Y. (eds.) Festa D'Elx 1991. Departament de Publicacions de l'Excm: Elche, Spain, pp. 171-177.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1991) Chaucer Chaucerians and the theme of poetry. In: Boffey, J. and Cowan, J. (eds.) Chaucer and Fifteenth-Century Poetry. Series: King's College London medieval studies (5). Centre for Late Antique and Medieval Studies: London, UK, pp. 1-14. ISBN 9780951308547

1990

King, P. ORCID: https://orcid.org/0000-0003-4521-1808 (1990) Elche again: the venida and the Semana Santa. Medieval English Theatre, 12(1), pp. 4-20.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1990) The cadaver tomb in England: novel manifestations of an old idea. Church Monuments, 5, pp. 26-38.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1990) Faith, reason and the prophets' dialogue from the Coventry pageant of the Shearmen and Taylors. In: Redmond, J. (ed.) Drama and Philosophy. Series: Themes in drama (12). Cambridge University Press: Cambridge, UK, pp. 37-46. ISBN 9780521383813

Llorenç, A. and King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1990) La Festa D'Elx. Patronato Nacional del Misterio de Elche: San Vicente, Spain.

1989

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1989) La festa d'elx: algunes observacions d'una forastera. In: Festa d'Elx: 41. Departament de Publicacions de l'Excm: Elche, Spain, pp. 165-177.

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1989) Le transi anglais: une nouvelle perception d'une idee ancienne. In: Grégoire, R. (ed.) La Figuration des Morts dans la Chrétienté Médiévale Jusqu'à la Fin du Premier Quart du XIVe Siècle. Series: Cahier de Fontevraud (1). Centre culturel de l'Ouest: Fontevrault, France, pp. 253-269.

1987

King, P.M. ORCID: https://orcid.org/0000-0003-4521-1808 (1987) Spatial semantics and the medieval theatre. In: Redmond, J. (ed.) The Theatrical space. Series: Themes in drama (9). Cambridge University Press: Cambridge, UK, pp. 45-58. ISBN 9780521334716