Professor Faye Hammill
- Professor in English Literature (English Literature)
My research is on literature and print culture in North America and Britain in the early to mid twentieth century. I have specialisms in:
- Periodical Studies
- Modernism and Middlebrow Culture
- Canadian Studies
- Literature and the ocean liner
My current project is on "Ocean Liners and Modern Literature." I'm investigating why the ocean liner was so powerfully symbolic in early to mid-twentieth-century writing, and analysing its contested meanings. I'm also researching the role of the liner in modern cultures of print, reading and communication. I have given several talks on this theme, including at the Charing Cross Rotary Club (on the RMS Queen Mary), at Nottingham Trent University's Periodicals and Print Culture Research Group (Nov 2020; recording available: scroll down), at the King's Maritime History seminar (recording available), at a public event at the V&A, at the International Port and Maritime Studies Network 2020 conference, in the Transatlantic Literary Women series at Glasgow, at the British Association for Modernist Studies 2019 conference, the Scottish Maritime History conference and elsewhere. I am lead supervisor for a PhD project on "Ocean Liners: Cultures of Promotion", funded by a Lord Kelvin Adam Smith studentship. Here is a blogpost I wrote in July 2020 about the RMS Olympic arriving in New York, 100 years earlier. My first article on literature and the ocean liner appeared in Symbiosis: Transatlantic Literary and Cultural Relations 24 (2020).
I have recently completed an edition of a 1928 novel, The Young May Moon, by Canadian-American-Norwegian author Martha Ostenso. The project was funded by a Carnegie Trust Research Incentive Grant, and the edition is forthcoming with Borealis Press (2021). I have also written the Introduction for a new edition of Margaret Kennedy's WWII memoir Where Stands a Wingèd Sentry, published by Handheld Press in March 2021. Here is a video of the book launch. I am a member of the Textual Editing Lab at the University of Glasgow.
In 2016 I published my sixth monograph, Modernism's Print Cultures (Bloomsbury), with Mark Hussey. My previous books include two prize-winning monographs, Sophistication: A Literary and Cultural History (2010), winner of the European Society for the Study of English (ESSE)'s biannual book prize in English Literature, and Literary Culture and Female Authorship in Canada (2003), winner of the International Council for Canadian Studies' Pierre Savard Award.
Middlebrow, Modernist, and Magazines Research
In 2008, I set up the AHRC Middlebrow Network, which now has over 400 members. Several of my later projects developed from the Network: for instance, "Magazines, Travel and Middlebrow Culture in Canada", funded by the AHRC, and involving collaboration with the Canadian Writing Research Collaboratory (CWRC). The book emerging from this project, co-authored with Michelle Smith, appeared in 2015. A related project that I was a CI on is "Modern Magazines Project Canada", led by Hannah McGregor and funded by the Social Sciences and Humanities Research Council of Canada. Hannah and I, with Paul Hjartarson, edited linked special issues of two journals on the topic of "Magazines and/as Media." The issue of English Studies in Canada is now available open-access. I also held a British Academy Mid-Career Fellowship (2015) for a project on "Noël Coward, Print Culture and Popularity", which was centred on themes of cutural hierarchy.
Here's a blogpost that I wrote for Anthem Press on the topic of middlebrow, and one from 2020 for the "Circulating American Magazines" project, on "What is a mass-circulation magazine?" I contributed an entry on Cold Comfort Farm to the Crossed Lines online exhibition on telephones in literature.
I am co-editor of Palgrave's new book series "Material Modernisms", and a member of the University of Glasgow's 'Modernism, Avant-Garde and Twentieth-Century Literature and Culture' research cluster.
Hammill, F. (2007) Women, Celebrity, and Literary Culture Between the Wars. Series: Literary modernism series. University of Texas Press. ISBN 9780292726062
Hammill, F. (2015) The New Yorker, the middlebrow, and the periodical marketplace in 1925. In: Green, F. (ed.) Writing for the New Yorker: Critical Essays on an American Periodical. Edinburgh University Press: Edinburgh, pp. 17-35. ISBN 9780748682492
Hammill, F. and McGregor, H. (2019) Bundling, reprinting, and reframing: Serial practices across borders. Journal of Modern Periodical Studies, 9(1), pp. 76-100. (doi: 10.5325/jmodeperistud.9.1.0076)
Hammill, F. (2016) Noël Coward, Rebecca West, and the modernist scene. Modernist Cultures, 11(3), pp. 351-369. (doi: 10.3366/mod.2016.0145)
Hammill, F. (2015) Noël Coward and the Sitwells: enmity, celebrity, popularity. Journal of Modern Literature, 39(1), pp. 129-148. (doi: 10.2979/jmodelite.39.1.129)
Hammill, F. (2003) Literary Culture and Female Authorship in Canada 1760-2000. Series: Cross/cultures (63). Rodopi: Amsterdam ; New York, NY. ISBN 9789042009158
Hammill, F. and Smith, M. (2015) Magazines, Travel, and Middlebrow Culture: Canadian Periodicals in English and French, 1925-1960. Liverpool University Press: Liverpool. ISBN 9781781381403 (doi: 10.5949/liverpool/9781781381403.001.0001)
I would be happy to discuss potential PhD or masters projects in Canadian or American literature (especially of the early 20th century), modernism and the middlebrow, or periodicals and print culture.
I am currently first supervisor for Alexandra Abletshauser, working on Canadian fiction in the 19th and early 20th centuries. I am lead supervisor for Eamonn Connor's interdisciplinary project on ocean liners and leisure cruising (with Art History and Marketing). I am second supervisor for Kari Sund, working on the Hollywood novel, and Nadia-Terese Laguna Franks, working on post-truth fiction.
I have supervised 8 PhDs to completion as lead supervisor. At the University of Strathclyde, where I worked from 2007 to 2017, I was lead supervisor for David Rush, for a PhD on Nancy Mitford; Rachael Alexander, working on American and Canadian women's magazines of the 1920s; Zhen Liu, with a project on Asian-Canadian Literature; and Sarah Galletly, whose thesis was on work, class and gender in turn-of-the-century Canadian writing.
In my previous positions at Cardiff University and the University of Liverpool, I supervised projects on British women's writing of the 1930s (West, Jameson, Holtby), Canadian historical fiction; the single woman in interwar fiction; and witches in 20th-century literature.
My teaching specialisms include American and Canadian literature, modernist literature, and periodical studies.
I currently teach a course on "Canadian Literature" that is available to Senior Honours or M.Litt students, and a block of seminars on the core course for the "American Modern Literature" masters degree.
At Junior Honours, I contribute to teaching on Modern Literature I: 1890-1945; American Literature I and II; and the "Readers" section of the core course.
I have taught on Pre-Honours courses 2a: Writing and Ideology and 1b: The Novel.
Professional activities & recognition
Prizes, awards & distinctions
- 2004: Pierre Savard Book Award (International Council of Canadian Studies)
- 2012: Book Award for Literatures in the English Language (European Society for the Study of English)
- 2015: British Academy Mid-Career Fellowship
- 2008: Eccles Centre Fellowship, British Library
Grant committees & research advisory boards
- 2018 - 2021: Research Excellence Framework 2021, Panellist, UoA 25 Area Studies
- 2012 - 2014: Research Excellence Framework 2014, Panellist, UoA 27 Area Studies
- 2018 - 2021: Carnegie Trust for the Universities of Scotland, PhD panel
- 2014 - 2015: Carnegie Trust for the Universities of Scotland, Research Incentive Grants panel
- 2004 - 2013: AHRC, Peer Review College member; panellist; panel chair
- 2020 - (ongoing): Modernism / modernity
- 2019 - (ongoing): Journal of Modern Periodical Studies
- 2018 - 2027: Book History
- 2016 - (ongoing): English Studies in Canada
- 2015 - (ongoing): Anthem Series in Book History
- 2009 - (ongoing): Canadian Literature
- 2009 - (ongoing): Journal of Commonwealth Literature
- 2009 - (ongoing): British Journal of Canadian Literature
- 2009 - (ongoing): Imaginations
- 2006 - (ongoing): Studies in Canadian Literature
Professional & learned societies
- 2011 - 2016: Member, Royal Society of Edinburgh Young Academy of Scotland
- 2001 - (ongoing): Fellow, Advance HE (HE Academy)
Selected international presentations
- 2020: Keynote, International PG Port and Maritime Studies Network conference (Belfast)
- 2018: Keynote, "Big Magazines" conference (Aix-Marseille Université, France)
- 2014: Keynote, ACCUTE at Congress of the Humanities and Social Sciences (Brock University, Canada)
- 2013: Keynote, International Rebecca West Society (New York University, US)
- 2012: Keynote, "Literary Fame" conference (University of Wollongong, Australia)
A full CV is available on my academia.edu page.
- Fellowship of Royal Society of Edinburgh, awarded 2021
- University of Glasgow Research Culture Award, 2019
2016-17 - Deputy Associate Principal (Research, KE and Innovation), University of Strathclyde
2011-17 - Professor of English, University of Strathclyde
2007-11 - Senior Lecturer in English, University of Strathclyde
2001-07 - Lecturer/Senior Lecturer in English, Cardiff University
1999-01 - Lecturer in English, University of Liverpool
1995-99 - PhD in Canadian Literature, University of Birmingham
1992-95 - BA (Hons) English with French, University of Birmingham
Roles at University of Glasgow
- Director, Arts Lab (2020-) and Deputy Director (2018-20)
- Deputy REF Champion, English Language and Literature (Sept 2018-)
- University Research Strategy and Policy Committee (2018-2021)
- GCRF Co-ordination Group (2018-2020)
- Scottish Graduate School for Arts and Humanities Panel D representative (2017-18)