Professor Bryony Randall

  • Professor of Modernist Literature / Dean of Graduate Studies (English Literature)

telephone: 01413306823
email: Bryony.Randall@glasgow.ac.uk

Room 309, 5 University Gardens, Glasgow, G12 8QQ

ORCID iDhttps://orcid.org/0000-0001-5502-1296

Research interests

Biography

Bryony Randall is Professor of Modernist Literature. Her primary research interests are in modernist narrative fiction, editing modernism, and literature and the everyday. She has related interests in literary theory (particularly feminist and materialist approaches), women’s writing, literature and work, and literature and time.

Professor Randall is co-General editor with Jane Goldman and Susan Sellers of the Cambridge University Press edition of the Works of Virginia Woolf, and is also editing the CUP edition of Virginia Woolf's short fiction. She is editing The Trap for the forthcoming Oxford University Press edition of Dorothy Richardson's Pilgrimage. She was PI on the AHRC-funded network on the New Modernist Editing, 2016-17, and the ARHC-funded Imprints of the New Modernist Editing impact and engagement project, and is co-director of the Textual Editing Lab at the University of Glasgow.

Her monograph Modernism, Daily Time and Everyday Life was published by Cambridge University Press (2007); she is co-editor with Jane Goldman of Virginia Woolf in Context (CUP, 2013); and she has published on a range of authors and topics in modernist and protomodernist literature including Virginia Woolf, Dorothy Richardson, Gertrude Stein, H.D., and fin de siècle short fiction. She is co-founder and treasurer of the Scottish Network of Modernist Studies, and is on the editorial board of the journal Pilgrimages: the journal of Dorothy Richardson studies. Other ongoing research interests include the working woman writer 1880-1920, exploring the relationships between work, writing and gender in the early modernist period; and the one-day novel in twentieth and twenty-first century literature.

Publications

Selected publications

Randall, B. (2021) ‘Angles and surfaces declared themselves intimately’: intimate things in Dorothy Richardson’s The Trap. In: Högberg, E. (ed.) Modernist Intimacies. Edinburgh University Press: Edinburgh, UK. ISBN 9781474441834

Randall, B. (2020) Introduction: editing and collaboration. Modernist Cultures, 15(1), pp. 1-11. (doi: 10.3366/mod.2020.0276)

Randall, B. (2018) The day of Orlando. In: Högberg, E. and Bromley, A. (eds.) Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence. Edinburgh University Press: Edinburgh. ISBN 9781474414609 (doi: 10.3366/edinburgh/9781474414609.001.0001)

Randall, B. (2017) New Modernist Editing: Ode written partly in prose on seeing the name of Cutbush above a butcher's shop in Pentonville. [Website]

Randall, B. (2016) A day’s time: the one-day novel and the temporality of the everyday. New Literary History, 47(4), pp. 591-610. (doi: 10.1353/nlh.2016.0031)

Randall, B. (2015) ‘[T]hey would have been the first to correct that sentence’: correcting Virginia Woolf’s short fiction. Textus: English Studies in Italy, 3, pp. 75-94.

Randall, B. and Goldman, J. (Eds.) (2013) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Randall, B. (2010) 'Telling the day' in Beatrice Potter Webb and Dorothy Richardson: the temporality of the working woman. Modernist Cultures, 5(2), pp. 243-266. (doi: 10.3366/mod.2010.0105)

Randall, B. (2007) Modernism, Daily Time and Everyday Life. Cambridge University Press: Cambridge, UK. ISBN 9780521879842

All publications

List by: Type | Date

Jump to: 2022 | 2021 | 2020 | 2018 | 2017 | 2016 | 2015 | 2013 | 2012 | 2010 | 2009 | 2007 | 2006 | 2001
Number of items: 35.

2022

Woolf, V. (2022) Kew Gardens and Other Stories. [Scholarly Editions]

2021

Randall, B. , Hyslop, J. and Pickstone, E. (Eds.) (2021) Imprints of the New Modernist Editing Publication. University of Glasgow.

Randall, B. , Hyslop, J. and Pickstone, E. (2021) Introduction. In: Randall, B., Hyslop, J. and Pickstone, E. (eds.) Imprints of the New Modernist Editing. University of Glasgow.

Randall, B. (2021) ‘Angles and surfaces declared themselves intimately’: intimate things in Dorothy Richardson’s The Trap. In: Högberg, E. (ed.) Modernist Intimacies. Edinburgh University Press: Edinburgh, UK. ISBN 9781474441834

Randall, B. (2021) '"Partly in Prose": Woolf’s humble Cutbush'. Journal of the Short Story in English, (Accepted for Publication)

2020

Project Team:, , Randall, B. , Pickstone, E., Hyslop, J. and Osmond-Williams, P. (2020) Imprints of the New Modernist Editing. [Website]

Randall, B. (2020) Introduction: editing and collaboration. Modernist Cultures, 15(1), pp. 1-11. (doi: 10.3366/mod.2020.0276)

Woolf, V. (2020) Jacob's Room. [Scholarly Editions]

2018

Goldman, J., Sellers, S., Randall, B., Raitt, S. and Blyth, I.(Eds.) (2018) Orlando: a Biography. [Scholarly Editions]

Berman, J., Goldman, J. , Sellers, S., Randall, B. and Detloff, M. (2018) Editing Woolf. In: Wilson, N. and Battershill, C. (eds.) Virginia Woolf and the World of Books. Series: Virginia Woolf Selected Papers Series. Clemson University Press, pp. 241-252. ISBN 9781942954569

Randall, B. (2018) The day of Orlando. In: Högberg, E. and Bromley, A. (eds.) Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence. Edinburgh University Press: Edinburgh. ISBN 9781474414609 (doi: 10.3366/edinburgh/9781474414609.001.0001)

Goldman, J., Susan, S., Randall, B. and Whitworth, M. H.(Eds.) (2018) Night and Day. [Scholarly Editions]

2017

Randall, B. (2017) New Modernist Editing: Ode written partly in prose on seeing the name of Cutbush above a butcher's shop in Pentonville. [Website]

2016

Randall, B. (2016) A day’s time: the one-day novel and the temporality of the everyday. New Literary History, 47(4), pp. 591-610. (doi: 10.1353/nlh.2016.0031)

2015

Randall, B. (2015) ‘[T]hey would have been the first to correct that sentence’: correcting Virginia Woolf’s short fiction. Textus: English Studies in Italy, 3, pp. 75-94.

Randall, B. (2015) Virginia Woolf’s The Waves and the everyday. LIT: Literature, Interpretation, Theory, 26(3), pp. 173-193. (doi: 10.1080/10436928.2015.1061903)

Randall, B. (2015) What time is 'the next time'? Writing, gender and temporality in some short stories by Henry James. Journal of the Short Story in English, 64, pp. 191-206.

2013

Creasy, M. and Randall, B. (2013) Alternative 1910s [Special Issue]. Literature and History, 22(1),

Randall, B. and Goldman, J. (Eds.) (2013) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Randall, B. (2013) Woolf and modernist studies. In: Randall, B. and Goldman, J. (eds.) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Randall, B. (2013) Writing parties: Virginia Woolf's texts as guests. In: The Modernist Party. Edinburgh University Press: Edinburgh, UK, pp. 95-111. ISBN 9780748647316

2012

Randall, B. (2012) 'Everything depend[s] on the fashion of narration': women writing women writers in short stories of the fin-de-siecle. In: Kim, R. and Westall, C. (eds.) Cross-Gendered Literary Voices. Palgrave Macmillan, pp. 36-53. ISBN 9780230299870

Randall, B. and Margree, V. (2012) Fin de Siècle Gothic. In: Smith, A. and Hughes, W. (eds.) Victorian Gothic: An Edinburgh Companion. Edinburgh University Press: Edinburgh, UK. ISBN 9780748642496

2010

Randall, B. (2010) 'Telling the day' in Beatrice Potter Webb and Dorothy Richardson: the temporality of the working woman. Modernist Cultures, 5(2), pp. 243-266. (doi: 10.3366/mod.2010.0105)

Jaffe, A. et al. (2010) Modern literature. Year's Work in English Studies, 89(1), pp. 790-901. (doi: 10.1093/ywes/maq015)

Randall, B. (2010) Modernist literature and the everyday. Literature Compass, 7(9), pp. 824-835. (doi: 10.1111/j.1741-4113.2010.00742.x)

2009

Bentley, N., Creasy, M. , Grover, M., D'Monte, R., Harrison, A., Jaffe, A., Quinn, J., Radford, A. , Randall, B. and Saunders, G. (2009) Modern literature. Year's Work in English Studies, 88(1), pp. 867-989. (doi: 10.1093/ywes/map006)

Randall, B. (2009) Case studies in reading: key theoretical and critical texts. In: Tew, P. and Murray, A. (eds.) The Modernism Handbook. Series: Literature and culture handbooks. Continuum, pp. 90-111. ISBN 9780826488428

Randall, B. (2009) 'Funny, but no hybrid'; H.D., tea and expatriate identity. Symbiosis: A Journal of Anglo-American Literary Relations, 13(2), pp. 189-210.

Randall, B. (2009) George Egerton's 'A Lost Masterpiece': inspiration, gender, and cultural authority at the fin de siècle. In: Purdue, M. and Floyd, S. (eds.) New Woman Writers, Authority and the Body. Cambridge Scholars Publishing, pp. 1-20. ISBN 9781443806138

Randall, B. (2009) "Give him your word": legal and literary interpretation in Stevie Smith's "The Story of a Story". Law and Literature, 21(2), pp. 234-256. (doi: 10.1525/lal.2009.21.2.234)

Randall, B. (2009) Work, writing, vocation and quakers in Dorothy Richardson’s Pilgrimage. Pilgrimages: The Journal of Dorothy Richardson Studies(2),

2007

Randall, B. (2007) Modernism, Daily Time and Everyday Life. Cambridge University Press: Cambridge, UK. ISBN 9780521879842

2006

Randall, B. (2006) John Gould Fletcher’s city aesthetic: London excursion. Literary London: Interdisciplinary Studies in the Representation of London, 4(1),

2001

Randall, B. (2001) Britain: twentieth-century diaries. In: Jolly, M. (ed.) Encyclopedia of Life Writing: Autobiographical and Biographical Forms. Fitzroy Dearborn: London, UK. ISBN 9781579582326

This list was generated on Sun Sep 25 06:06:57 2022 BST.
Jump to: Articles | Books | Book Sections | Edited Books | Scholarly Editions | Website
Number of items: 35.

Articles

Randall, B. (2021) '"Partly in Prose": Woolf’s humble Cutbush'. Journal of the Short Story in English, (Accepted for Publication)

Randall, B. (2020) Introduction: editing and collaboration. Modernist Cultures, 15(1), pp. 1-11. (doi: 10.3366/mod.2020.0276)

Randall, B. (2016) A day’s time: the one-day novel and the temporality of the everyday. New Literary History, 47(4), pp. 591-610. (doi: 10.1353/nlh.2016.0031)

Randall, B. (2015) ‘[T]hey would have been the first to correct that sentence’: correcting Virginia Woolf’s short fiction. Textus: English Studies in Italy, 3, pp. 75-94.

Randall, B. (2015) Virginia Woolf’s The Waves and the everyday. LIT: Literature, Interpretation, Theory, 26(3), pp. 173-193. (doi: 10.1080/10436928.2015.1061903)

Randall, B. (2015) What time is 'the next time'? Writing, gender and temporality in some short stories by Henry James. Journal of the Short Story in English, 64, pp. 191-206.

Creasy, M. and Randall, B. (2013) Alternative 1910s [Special Issue]. Literature and History, 22(1),

Randall, B. (2010) 'Telling the day' in Beatrice Potter Webb and Dorothy Richardson: the temporality of the working woman. Modernist Cultures, 5(2), pp. 243-266. (doi: 10.3366/mod.2010.0105)

Jaffe, A. et al. (2010) Modern literature. Year's Work in English Studies, 89(1), pp. 790-901. (doi: 10.1093/ywes/maq015)

Randall, B. (2010) Modernist literature and the everyday. Literature Compass, 7(9), pp. 824-835. (doi: 10.1111/j.1741-4113.2010.00742.x)

Bentley, N., Creasy, M. , Grover, M., D'Monte, R., Harrison, A., Jaffe, A., Quinn, J., Radford, A. , Randall, B. and Saunders, G. (2009) Modern literature. Year's Work in English Studies, 88(1), pp. 867-989. (doi: 10.1093/ywes/map006)

Randall, B. (2009) 'Funny, but no hybrid'; H.D., tea and expatriate identity. Symbiosis: A Journal of Anglo-American Literary Relations, 13(2), pp. 189-210.

Randall, B. (2009) "Give him your word": legal and literary interpretation in Stevie Smith's "The Story of a Story". Law and Literature, 21(2), pp. 234-256. (doi: 10.1525/lal.2009.21.2.234)

Randall, B. (2009) Work, writing, vocation and quakers in Dorothy Richardson’s Pilgrimage. Pilgrimages: The Journal of Dorothy Richardson Studies(2),

Randall, B. (2006) John Gould Fletcher’s city aesthetic: London excursion. Literary London: Interdisciplinary Studies in the Representation of London, 4(1),

Books

Randall, B. (2007) Modernism, Daily Time and Everyday Life. Cambridge University Press: Cambridge, UK. ISBN 9780521879842

Book Sections

Randall, B. , Hyslop, J. and Pickstone, E. (2021) Introduction. In: Randall, B., Hyslop, J. and Pickstone, E. (eds.) Imprints of the New Modernist Editing. University of Glasgow.

Randall, B. (2021) ‘Angles and surfaces declared themselves intimately’: intimate things in Dorothy Richardson’s The Trap. In: Högberg, E. (ed.) Modernist Intimacies. Edinburgh University Press: Edinburgh, UK. ISBN 9781474441834

Berman, J., Goldman, J. , Sellers, S., Randall, B. and Detloff, M. (2018) Editing Woolf. In: Wilson, N. and Battershill, C. (eds.) Virginia Woolf and the World of Books. Series: Virginia Woolf Selected Papers Series. Clemson University Press, pp. 241-252. ISBN 9781942954569

Randall, B. (2018) The day of Orlando. In: Högberg, E. and Bromley, A. (eds.) Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence. Edinburgh University Press: Edinburgh. ISBN 9781474414609 (doi: 10.3366/edinburgh/9781474414609.001.0001)

Randall, B. (2013) Woolf and modernist studies. In: Randall, B. and Goldman, J. (eds.) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Randall, B. (2013) Writing parties: Virginia Woolf's texts as guests. In: The Modernist Party. Edinburgh University Press: Edinburgh, UK, pp. 95-111. ISBN 9780748647316

Randall, B. (2012) 'Everything depend[s] on the fashion of narration': women writing women writers in short stories of the fin-de-siecle. In: Kim, R. and Westall, C. (eds.) Cross-Gendered Literary Voices. Palgrave Macmillan, pp. 36-53. ISBN 9780230299870

Randall, B. and Margree, V. (2012) Fin de Siècle Gothic. In: Smith, A. and Hughes, W. (eds.) Victorian Gothic: An Edinburgh Companion. Edinburgh University Press: Edinburgh, UK. ISBN 9780748642496

Randall, B. (2009) Case studies in reading: key theoretical and critical texts. In: Tew, P. and Murray, A. (eds.) The Modernism Handbook. Series: Literature and culture handbooks. Continuum, pp. 90-111. ISBN 9780826488428

Randall, B. (2009) George Egerton's 'A Lost Masterpiece': inspiration, gender, and cultural authority at the fin de siècle. In: Purdue, M. and Floyd, S. (eds.) New Woman Writers, Authority and the Body. Cambridge Scholars Publishing, pp. 1-20. ISBN 9781443806138

Randall, B. (2001) Britain: twentieth-century diaries. In: Jolly, M. (ed.) Encyclopedia of Life Writing: Autobiographical and Biographical Forms. Fitzroy Dearborn: London, UK. ISBN 9781579582326

Edited Books

Randall, B. , Hyslop, J. and Pickstone, E. (Eds.) (2021) Imprints of the New Modernist Editing Publication. University of Glasgow.

Randall, B. and Goldman, J. (Eds.) (2013) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Scholarly Editions

Woolf, V. (2022) Kew Gardens and Other Stories. [Scholarly Editions]

Woolf, V. (2020) Jacob's Room. [Scholarly Editions]

Goldman, J., Sellers, S., Randall, B., Raitt, S. and Blyth, I.(Eds.) (2018) Orlando: a Biography. [Scholarly Editions]

Goldman, J., Susan, S., Randall, B. and Whitworth, M. H.(Eds.) (2018) Night and Day. [Scholarly Editions]

Website

Project Team:, , Randall, B. , Pickstone, E., Hyslop, J. and Osmond-Williams, P. (2020) Imprints of the New Modernist Editing. [Website]

Randall, B. (2017) New Modernist Editing: Ode written partly in prose on seeing the name of Cutbush above a butcher's shop in Pentonville. [Website]

This list was generated on Sun Sep 25 06:06:57 2022 BST.

Supervision

Professor Randall welcomes postgraduate research proposals in any of her areas of interest. She is currently co-supervising projects on topics including Virginia Woolf and utopia; the feminist politics of the work of Mina Loy; Sapphic modernisms; and a digital creative writing project on the women's short story cycle. She has also co-supervised projects on Dorothy Richardson's Pilgrimage as double autobiography; the politics of aesthetics in modernist fiction; H.D. and mysticism; contemporary literature and work; and a creative/critical project on realism. She particularly welcomes any students interested in working on modernism and editing, or literature and the everyday.