Dr Graham Eatough

  • Senior Lecturer (Theatre, Film & Television Studies)

telephone: 01413306468
email: Graham.Eatough@glasgow.ac.uk

Theatre, Film & Television Studies, Gilmorehill Centre, 9 University Avenue, Glasgow,, G12 8QQ

Import to contacts

ORCID iDhttps://orcid.org/0000-0003-1037-7111

Research interests

Contemporary theatre and performance practices; directing, dramaturgy, interdisciplinary practice (particularly with visual art), playwriting/writing for performance, site-specific performance, theatre and autism, tragedy.

 

Biography

Graham Eatough is one of Scotland’s leading artists working in theatre, visual art and film. He was Artistic Director of Suspect Culture theatre company from 1996 to 2009 establishing the company as one of the UK’s most innovative groups presenting new work around the world. Since 2007 Graham has worked extensively within the visual arts exploring an interdisciplinary approach to theatricality and performance in collaboration with leading artists such as Graham Fagen, Simon Starling and Stephen Sutcliffe. In theatre, Graham has worked extensively with the National Theatre of Scotland over recent years writing and directing How To Act, a contemporary Greek tragedy set in a theatre masterclass, and creating an adaptation of Naoki Higashida’s book about autism, The Reason I Jump, staged in a specially designed outdoor maze in Glasgow’s West End. In 2015 he directed Lanark: A Life in Three Acts for Edinburgh International Festival and Citizens Theatre which he created with long-time collaborator, the writer David Greig.

Graham’s work has been presented in prestigious venues and festivals throughout the UK and internationally including, most recently, Glasgow International Festival of Visual Art, Manchester International Festival, Ruhrtriennale, Sydney Harbour and La Friche gallery Marseille. He has won a number of awards including, Herald Angel Award 2015, The Contemporary Arts Society Prize 2016 with Stephen Sutcliffe, Critics Award for Theatre in Scotland 2016 and a Scotsman Fringe First 2017.

Publications

List by: Type | Date

Jump to: 2022 | 2021 | 2020 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013
Number of items: 15.

2022

Eatough, G. , Jamieson, D. and Zwamborn, M. (2022) The Seaweed Gatherers. [Performance]

2021

Eatough, G. and Dekker, A. (2021) Erraid Sound: Floating Worlds. Jap Sam Books and The Hunterian: Glasgow. ISBN 9789492852519

Eatough, G. and Dekker, A. (2021) Floating Worlds: Erraid Sound. [Artefact]

2020

Eatough, G. and Sutcliffe, S. (2020) No End to Enderby. LUX: London. ISBN 9780992884062

Eatough, G. and Gilday, K. (2020) Courier Culture. [Artefact]

Eatough, G. (2020) How to Act. [Website]

2018

Eatough, G. , Duffy, C. and Dekker, A. (2018) The Reason I Jump. [Performance]

2017

Eatough, G. (2017) How to Act. [Performance]

Eatough, G. (2017) How to Act. Oberon Books: London. ISBN 9781786822772

Eatough, G. and Sutcliffe, S. (2017) No End To Enderby. [Exhibitions]

2016

Eatough, G. and Starling, S. (2016) At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume). [Performance]

2015

Eatough, G. and Greig, D. (2015) Lanark: A Life in Three Acts. [Performance]

Eatough, G. , Backen, R., Andre, D., Nigel, H. and Jennifer, T. (2015) Nomanslanding. [Performance]

2014

Eatough, G. and Fagen, G. (2014) In Camera. [Exhibitions]

2013

Eatough, G. and Rebellato, D. (2013) The Suspect Culture Book. Oberon Books Ltd.: London. ISBN 9781849430876

This list was generated on Sat Dec 7 05:37:37 2024 GMT.
Number of items: 15.

Books

Eatough, G. and Dekker, A. (2021) Erraid Sound: Floating Worlds. Jap Sam Books and The Hunterian: Glasgow. ISBN 9789492852519

Eatough, G. and Sutcliffe, S. (2020) No End to Enderby. LUX: London. ISBN 9780992884062

Eatough, G. (2017) How to Act. Oberon Books: London. ISBN 9781786822772

Eatough, G. and Rebellato, D. (2013) The Suspect Culture Book. Oberon Books Ltd.: London. ISBN 9781849430876

Artefact

Eatough, G. and Dekker, A. (2021) Floating Worlds: Erraid Sound. [Artefact]

Eatough, G. and Gilday, K. (2020) Courier Culture. [Artefact]

Exhibitions

Eatough, G. and Sutcliffe, S. (2017) No End To Enderby. [Exhibitions]

Eatough, G. and Fagen, G. (2014) In Camera. [Exhibitions]

Performance

Eatough, G. , Jamieson, D. and Zwamborn, M. (2022) The Seaweed Gatherers. [Performance]

Eatough, G. , Duffy, C. and Dekker, A. (2018) The Reason I Jump. [Performance]

Eatough, G. (2017) How to Act. [Performance]

Eatough, G. and Starling, S. (2016) At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume). [Performance]

Eatough, G. and Greig, D. (2015) Lanark: A Life in Three Acts. [Performance]

Eatough, G. , Backen, R., Andre, D., Nigel, H. and Jennifer, T. (2015) Nomanslanding. [Performance]

Website

Eatough, G. (2020) How to Act. [Website]

This list was generated on Sat Dec 7 05:37:37 2024 GMT.

Grants

  • 2018 – National Theatre of Scotland Project Funding
  • 2017 – National Theatre of Scotland Project Funding
  • 2017 - Manchester International Festival Commission
  • 2017 - Glasgow International Festival of Visual Art Director’s Commission
  • 2016 – Contemporary Arts Society Prize
  • 2016 - Creative Scotland Open Fund
  • 2016 - Outset Scotland, Scotland Foundation Circle Award
  • 2015 – Edinburgh International Festival Project Commission
  • 2015 - Scottish Government Expo Fund
  • 2015 - Creative Scotland Open Project Fund
  • 2014 – Sydney Harbour Foreshore Co-commission
  • 2014 - Ruhrtriennale Co-commission
  • 2014 - Glasgow Life Co-commission
  • 2013 – Sextant et Plus/Panorama Gallery Marseille Commission
  • 2012 – Glasgow International Festival of Art Director’s Commission
  • 2012 - Creative Scotland Vital Spark Award
  • 2011 – AHRC PhD Studentship
  • 2010 - Creative Scotland Artist Bursary

Supervision

I welcome PhD applications from students in the area of contemporary performance, interdisciplinary performance and dramaturgy, and particularly from those wishing to carry out their research through practice.

  • Cox, Michelle Alicia
    Excavating the Silences: Using Theatre to Give Voice to Archaeological Findings and Excluded Narratives from the Trans-Atlantic Slave Trade in Barbados
  • Ettinger, Emma
    Staging Neurodiverse Sibling Relationships

Teaching

  • Reading the Stage (Level 1)
  • Modernism to Postmodernism (Level 2)
  • Advanced Directing (Senior Honours)
  • Dissertations (Honours)
  • Work Placement (Senior Honours)
  • Arts Criticism (Honours/MLitt)
  • Shaping Futures (Honours/MLitt)
  • Playwriting 1 (MLitt)
  • Work Placement (MLitt)
  • Research Methods (PGT and PGR)
  • Independent Practice (MLitt)
  • Practice as Research Projects (MLitt)
  • Independent Research Projects (MLitt)

Additional information

Administration

Convenor of Theatre and Performance Practices (MLitt)

External Responsibilities

Member of Limitless steering group - initiative developing drama provision for people with autism in Scotland with National Theatre of Scotland, National Autistic Society and Royal Conservatoire of Scotland