Professor Eva Moreda Rodriguez

Professor of Musicology (Music)

telephone: 01413302613
email: Eva.MoredaRodriguez@glasgow.ac.uk

School of Culture and Creative, Arts: Subject of Music, 14 University Gardens

https://orcid.org/0000-0003-4512-1992

Research interests

Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
Music and fascism/totalitarianism, particularly in Spain; music and politics in the first half of the 20th century
Singing, (art) song, vocal performance practice (particularly in the Middle Ages and at the turn of the 20th century)
Digital mapping; Digital Musicology

For a more extensive narrative of my research interests, read the following - particularly if you are an aspiring PhD student and want to ascertain whether I would be a good fit for you:

Throughout my career, I have been consistently preoccupied not just with studying the music of the past, but also with understanding the journeys through which different musics from the past have arrived at us, how they color our present understanding of them, and how we can challenge and expand such understandings both in academia and in broader society. Over the course of my career, performance (initially under the form of facilitating performance, then researching historical performance, then moving on to performing myself) has become increasingly important in such endeavours.

For example, much of my earlier work was dedicated to Spanish music of the twentieth century, both under Francoism and in exile, which resulted in two monographs. Engaging with the music of the past meant, in this case, deconstructing political narratives around certain works or repertories, as well as (in some cases) finding and researching musical works from the archive that had not been performed for several decades. This led me to collaborate with a range of performers and institutions such as Instituto Cervantes Londres and Fundacion Juan March, to give such works a second opportunity with audiences.

Rather than focusing solely on neglected works, however, I am also interested in bringing in historicized perspectives -both to academics and the general public- to our understanding of how we engage with music and sound, and particularly the music of the past. For example, my work on early recordings of Spanish zarzuela has strived to provide pioneering view on the performance practice of the genre to explain its huge popularity in early twentieth-century Spain, beyond the study of works and composers. At the same time, though, I do not think that the historical interest of early recordings lies solely on their value as documents for performance practice - much of my work (including my 2021 monograph on the topic) has strived to understand how early recording technologies changed how we listen, and hence how we engage with music.

Working on a relatively circumscribed area (Spain), and one existing in the periphery of what is normally understood as Western art music, I have also been intensely preoccupied by how my findings on Spanish music, and on musical peripheries more broadly, might change the ways in which we look at broader narratives - for example the history of recording technologies, music and exile, music and war. Such preoccupations have reflected themselves mostly in my edited books.

As a historian of music, I am also fascinated by moments of change (which are sometimes so difficult to capture and explain in satisfactory ways to a present-day audience!) - how Spanish composers working in the decades before the Franco regime tried to develop styles that conformed to their understanding of modernity; how performers, audiences and businessmen adapted and tried to make the most of recording technologies. My recent forays into medieval repertoires have also been motivated by this - I have recently published on and recorded pieces from the Aquitanian versus repertoire, which signalled a turning point in understanding singing and music.

Public engagement is a passion of mine, and a key part of my efforts to find new ways to engage with the music on the past: I have written non-academic articles and blogs on most of the topics above, delivered public lectures, led medieval music workshops on a range of topics and performed medieval music myself.

Publications

List by: Type | Date

Jump to: 2025 | 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2008

Number of items: 64.

2025

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2025) Reorganizing the nation from afar: the Catalan and Spanish section of the International Society for Contemporary Music in exile. Iberoamericana, (Accepted for Publication)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2025) Performing a 13th-century romance: the Roman de Silence. Performance Research, (Accepted for Publication)

2024

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2024) Alliteration and consonance in Aquitanian versus: putting the body back into singing. Textus et Musica, 7, 2023.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2024) Singing Zarzuela, 1869–1958. Approaching Portamento and Musical Expression through Historical Recordings. Series: Cambridge elements in musical theatre. Cambridge University Press. ISBN 9781009475747 (doi: 10.1017/9781009419239)

2023

Gonzalo Delgado, Sonia and Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2023) La grabación en el contexto iberoamericano: discursos, prácticas y repertorios = Recording in the Ibero-American context: discourses, practices and repertories. Cuadernos de música iberoamericana, 36, pp. 11-15. (doi: 10.5209/cmib.92465)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2023) Expressive tempo modifications in zarzuela performance: the evidence from early recordings. Acta Musicologica, 95(2), pp. 131-150.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2023) Recording zarzuela grande in Spain in the early days of the phonograph and gramophone. In: Machin-Autenrieth, Matthew, El-Shawan Castelo-Branco, Salwa and Llano, Samuel (eds.) Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula. University of Illinois Press: Urbana, Chicago and Springfield, pp. 83-99. ISBN 9780252045325

Contreras Zubillaga, Igor and Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (Eds.) (2023) Spain in Our Ears: International Musical Responses in Support of the Republic During the Spanish Civil War. Routledge. ISBN 9781032502083

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2023) Exile and memory in post-Franco Spain: Julián Orbón’s Libro de cantares (1987). Twentieth-Century Music, (doi: 10.1017/S1478572222000378) (Early Online Publication)

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 and Stanovic, Inja (Eds.) (2023) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781032047515

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2023) From notation to stage to recording in Spanish zarzuela, 1896–1958. In: Moreda Rodríguez, Eva and Stanovic, Inja (eds.) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY, pp. 185-201. ISBN 9781032047515 (doi: 10.4324/9781003194521-13)

2022

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2022) De la tradición a la hibridación: música y literatura en el sistema literario gallego desde el 2000 al presente. Insula, 912, pp. 39-45.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2022) I. Contreras Zubillaga, « Tant que les révolutions ressemblent à cela ». L’avant- garde musicale espagnole sous Franco, 2020. Revue de Musicologie, 108(1), pp. 120-122. [Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

2021

Zubillaga, Igor Contreras and Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War and Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

Roy, Elodie A. and Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, Elodie A. and Moreda Rodríguez, Eva (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, Reinhard (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

2020

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Preface. In: Turina, Joaquín (ed.) La procesión del Rocío (study score). Musikproduktion Jürgen Höflich, pp. 1-4.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

2019

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, Christopher (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, Nicolás and Ferreiro Carballo, David (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

2018

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, Björn and Wilson, Charles (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

2017

Heile, Björn ORCID: https://orcid.org/0000-0002-4215-9031, Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 and Stanley, Jane ORCID: https://orcid.org/0000-0003-2464-441X (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, Björn ORCID: https://orcid.org/0000-0002-4215-9031 and Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2017) Introduction. In: Heile, Björn, Moreda Rodriguez, Eva and Stanley, Jane (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2017) Writing about music in the 21st Century. In: Heile, Björn, Moreda Rodriguez, Eva and Stanley, Jane (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, David and Barlow, Helen (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

2016

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

2015

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

2014

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2014) Hispanic-German music festivals during the Second World War. In: Levi, Erik (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

2013

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda-Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, Pauline (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

2012

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

2011

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

2008

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

This list was generated on Thu Jul 3 11:18:00 2025 BST.

Jump to: Articles | Books | Book Sections | Book Reviews | Edited Books

Number of items: 64.

Articles

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2025) Performing a 13th-century romance: the Roman de Silence. Performance Research, (Accepted for Publication)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2024) Alliteration and consonance in Aquitanian versus: putting the body back into singing. Textus et Musica, 7, 2023.

Moreda Rodríguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. ORCID: https://orcid.org/0000-0003-4512-1992 (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

Books

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Book Sections

Moreda Rodriguez, Eva ORCID: https://orcid.org/0000-0003-4512-1992 (2020) Preface. In: Turina, Joaquín (ed.) La procesión del Rocío (study score). Musikproduktion Jürgen Höflich, pp. 1-4.

Book Reviews

Edited Books

This list was generated on Thu Jul 3 11:18:00 2025 BST.

Grants

British Academy Talent Development Award (2025), 'Multilingual art song: supporting singers to engage with lesser known repertoires' (£9,851).
AHRC Impact Accelerator Account (2024-25), 'Building audiences for private collections of early recorded sound' (£5,875).
AHRC Research Network funding (2021-23), 'Rethinking Early Recordings as Sources of Music and Performance History' (£40,960), 2021-23. Visit the web of the project here.
British Academy-Leverhulme Trust Small Grant (2020), 'Recording zarzuela in Spain, 1896-1958: Performance practice, canon(s) and national identity', 2019-20. (£7,547.57)
AHRC Leadership Fellowship (2018-19), 'Early recording cultures in Spain (1877-1905). Towards a transnational history', 2018-9 (£175,689).
Carnegie Trust for the Universities Scotland Research Incentive Grant (2017), 'Making sense of Spanish music historiography: Josep Valls and Simon Tapia Colman', 2017 (£4,445).
Carnegie Trust for the Universities of Scotland Small Grant (2014), ‘Rodolfo Halffter and the Franco regime - music, exile and collaboration', 2014 (£920).
Carnegie Trust for the Universities of Scotland Small Grant (2013), ‘Writing the exiles back into the history of Spanish music: Salvador Bacarisse and Roberto Gerhard’, 2013 (£2440).

All of the above are as PI. In the past I also received smaller grants from the Music & Letters Trust Award, The John Robertson Bequest and The Lilly Library at the University of Indiana.

Supervision

I welcome enquiries from students interested in working on topics that fall within my research expertise; please see "Research interests" for a more detailed discussion of my specialisms.

Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
The music of the Franco regime and of the Spanish Republican exile; music and fascism/totalitarianism
Singing, (art) song, vocal performance practice, vocality (particularly in the Middle Ages and at the turn of the 20th century)
Digital mapping; Digital Musicology

Holdsworth Quinn, Ashley
Choral Culture in Early Twentieth Century Scotland: Music, Geopolitics, Community
Kitzman, Daniel Robert
(un)Sung: An Investigation into the Impacts of the COVID-19 Pandemic on Opera Singers’ Artistic Identities and Creativity
Li, Wenjing
The Multiple Voices of Contemporary Chinese Mezzo-soprano: From a Handel's Opera Perspective

Additional information

I am currently Head of Music.

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Professor Eva Moreda Rodriguez

Research interests

Research interests

Publications

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2008

Articles

Books

Book Sections

Book Reviews

Edited Books

Grants

Supervision

Additional information