Dr Eva Moreda Rodriguez

  • Reader (Music)

telephone: 01413302613
email: Eva.MoredaRodriguez@glasgow.ac.uk

School of Culture and Creative, Arts: Subject of Music, 14 University Gardens

ORCID iDhttps://orcid.org/0000-0003-4512-1992

Research interests

My research interests cover the following areas:

 

Early history of recording technologies

I research early recordings both as cultural artefacts and documents for historical performance practice. In which concerns the former, I am interested in how national and local contexts shaped earlier phonographic practices as well as discourses and imaginaries. In which concerns the later, I am mostly interested in recordings of vocal music and particularly of Spanish zarzuela. I am particularly fascinated by how these two approaches can be brought together: how our interpretation of the performance practices we hear in early recordings can be informed by a multidimensional understanding of the context in which they were made.

 

Music and politics in Francoist Spain

I started my research career as a historian of music and politics in Francoist Spain, covering both Spain itself and exile, and I still regularly publish on the topic. I am particularly interested in how the discovery exiled composers or others who were neglected in their lifetime can inform the historiography of Spanish music.

 

Digital Musicology

My interests in Digital Musicology revolve mostly around visualization and GIS, and stem from a keen interest to communicate my research widely. I have maintained the digital mapping project Spanish Music in Exile since 2014, and in 2019 I introduced the first postgraduate module in Digital Musicology at the University of Glasgow. In 2018-2019, I gained two Diplomas de Experto Universitario (equivalent to a PGDip) through the Spanish Open University (UNED) - one in Digital Humanities and one in Programming for Digital Humanities.

 

Singing bodies in the Middle Ages

I am currently in the early stages of a project exploring the configuration of the singing body in the Middle Ages, and more specifically in Aquitanian versus. The project contains a practice-based element, drawing upon my experience as a singer and portative organ player.

Publications

List by: Type | Date

Jump to: 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2008
Number of items: 49.

2022

Moreda Rodriguez, E. (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

2021

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Moreda Rodríguez, E. (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, E. A. and Moreda Rodríguez, E. (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodríguez, E. (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodríguez, E. (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, E. (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, R. (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

Zubillaga, I. C. and Moreda Rodriguez, E. (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War & Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

2020

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

2019

Moreda Rodriguez, E. (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodríguez, E. (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, C. (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, E. (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, N. and Ferreiro Carballo, D. (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

2018

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

2017

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Writing about music in the 21st Century. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodríguez, E. (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodríguez, E. (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, D. and Barlow, H. (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

2016

Moreda Rodriguez, E. (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, E. (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

2015

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

2014

Moreda Rodríguez, E. (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, E. (2014) Hispanic-German music festivals during the Second World War. In: Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

2013

Moreda Rodriguez, E. (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda-Rodríguez, E. (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, P. (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

2012

Moreda Rodriguez, E. (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

2011

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

2008

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

This list was generated on Sun Aug 14 02:23:12 2022 BST.
Number of items: 49.

Articles

Moreda Rodriguez, E. (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Zubillaga, I. C. and Moreda Rodriguez, E. (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War & Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

Moreda Rodriguez, E. (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

Moreda Rodriguez, E. (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

Books

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Book Sections

Moreda Rodríguez, E. (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, E. A. and Moreda Rodríguez, E. (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, E. (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, R. (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

Moreda Rodríguez, E. (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, C. (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, E. (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, N. and Ferreiro Carballo, D. (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, E. (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Writing about music in the 21st Century. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodríguez, E. (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, D. and Barlow, H. (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

Moreda Rodriguez, E. (2014) Hispanic-German music festivals during the Second World War. In: Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda-Rodríguez, E. (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, P. (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Book Reviews

Moreda Rodríguez, E. (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, E. (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

Moreda Rodriguez, E. (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

Moreda Rodríguez, E. (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodriguez, E. (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, E. (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

Moreda Rodríguez, E. (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, E. (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

Edited Books

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

This list was generated on Sun Aug 14 02:23:12 2022 BST.

Grants

 Current

  • AHRC Research Network funding for the project 'Rethinking Early Recordings as Sources of Music and Performance History' (£40,960). Visit the web of the project here

 

Past

  • British Academy-Leverhulme Trust Small Grant for the project 'Recording zarzuela in Spain, 1896-1958: Performance practice, canon(s) and national identity' (£7,547.57)
  • AHRC Leadership Fellowship for the project 'Early recording cultures in Spain (1877-1905). Towards a transnational history', 2018-9 (£175,689). 
  • Carnegie Trust for the Universities Scotland Research Incentive Grant for the project 'Making sense of Spanish music historiography: Josep Valls and Simon Tapia Colman', 2017 (£4,445).
  • Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Rodolfo Halffter and the Franco regime - music, exile and collaboration', 2014 (£920).
  • Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Writing the exiles back into the history of Spanish music: Salvador Bacarisse and Roberto Gerhard’, 2013 (£2440).

In the past I also received smaller grants from the Music & Letters Trust Award, The John Robertson Bequest and The Lilly Library at the University of Indiana.

Supervision

I have supervised two PhD thesis to completion, and currently work with four other students. I welcome enquiries for students interested in working on topics that fall within my research expertise. This could be topics related to the cultural and political history of Spanish classical music from the late 19th century to the end of the Franco regime, but I'd also be keen to hear about projects focusing on other geographical areas, eras or music genres which could conceivably benefit from my expertise in exile and displacement, music and politics, the history of recording technologies, the history of music criticism, etc.

  • Holdsworth Quinn, Ashley
    The Critical Reception of Russian and Musicians in Scotland 1914 - 1924
  • Hong, Ju-Lee
    Musical diplomacy: Isang Yun’s music in the context of the Cold War
  • Pattie, Ruairidh
    Private and Public: Lieder in Clara Schumann’s circle
  • STYLIANIDES, TIMOTHEOS
    The guitar performance practice during the second and third decades of twentieth century in Spain, focusing at the musical output of Generacion del '27

Teaching

In 2021/22 I am convening the following courses:

  • Listening through Analysis, level 1, semester 2
  • Musical Techniques Intermediate, level 2/Honours, all year
  • Genders, Honours/Postgraduate, semester 1
  • Research Skills and Digital Musicology, Postgraduate, semester 1

Additional information

I currently undertake the following roles within Music:

I am also the co-editor of the journal Royal Musical Association Research Chronicle