Dr Dominic Paterson
- Senior Lecturer (History of Art)
telephone:
01413306333
email:
Dominic.Paterson@glasgow.ac.uk
R203 Level 2, History of Art, 8 University Gardens, Glasgow G12 8QH
Research interests
Office Hour: Monday 4-5pm
Research Interests
- Methodological, historiographic, and aesthetic issues raised by the application of Michel Foucault’s work to the discipline of art history
- The appropriation, citation and reanimation of avant-garde / neo-avant-garde strategies and objects within contemporary artartistic and theoretical interventions within ‘the politics of the body’post-war American art
Working closely with Glasgow International Festival of Visual Art 2010, Dr Paterson organised and introduced a series of talks and film screening events which expanded upon the Festival's theme of ‘past, present, future’. Participating artists included Susan Phillipsz, Gerard Byrne and Jimmie Durham, and films by Byrne, Kate Davis, Marjolijn Dijkman, Johan Grimonprez, Marine Hugonnier, Jeremy Millar, and Hito Steyerl were screened.
Dr Paterson is a selector for Axisweb ‘Open Frequency’ and an Honorary Associate Member of Glasgow Sculpture Studios.
Research groups
- Modernities
Publications
2024
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2024)
'Paris-Berlin et le monde entier': Ulrike Ottinger's points of departure.
In: McRobbie, Angela (ed.)
Ulrike Ottinger: Film, Art and the Ethnographic Imagination.
Intellect: London, pp. 173-186.
ISBN 9781789389364
(In Press)
2023
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Mills, Andrew
ORCID: https://orcid.org/0000-0002-1739-1349, Diawara, Manthia and Geis, Terri
(2023)
The Trembling Museum.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2023)
Unravelling Times: Three films by Lis Rhodes, with works by Anne-Marie Copestake, Francis McKee and Iman Tajik.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Price, Elizabeth
(2023)
UNDERFOOT.
[Exhibitions]
2022
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2022)
‘“Still Glowing”: a New York childhood around 1980, or, Ilana Halperin’s excavations.
In: McAra, Catriona (ed.)
Ilana Halperin: Felt Events.
Strange Attractor Press: London ; Cambridge, MA.
ISBN 9781913689346
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2022)
Workaround.
[Exhibitions]
Paterson, Dominic, McConnell, Ned, Seita, Sophie, Barokka, Khairani and Pearce, Naomi (2022) Flesh Arranges Itself Differently. The Hunterian & Roberts Institute of Art. ISBN 9780904254917
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and McConnell, Ned
(2022)
Flesh Arranges Itself Differently.
[Exhibitions]
2021
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Dislocations: territories, landscapes and other spaces.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Castriota, Brian
ORCID: https://orcid.org/0000-0002-8495-8907, Quabeck, Nina, Hermens, Erma, Heydenreich, Gunnar and Miller, Zoe (Eds.)
(2021)
Special Issue: Expanding Notions of ‘Making’ for Contemporary Artworks.
Artmatters International Journal for Technical Art History.
[Edited Journal]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Jimmy Robert: Tobacco Flower.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Survey and surveil.
In:
Fellow Traveller by Neil Clements.
The Hunterian, University of Glasgow: Glasgow.
ISBN 9780904254909
2019
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Alex Impey: -gnostic cautery.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Edinburgh Art Festival.
Burlington Contemporary,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Ilana Halperin: Minerals of New York.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
'A community in motion' - approximate notes on the work of Anne-Marie Copestake [Exhibition Essay].
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Possessions : Scott Myles et l’invocation-évocation artistique de l’Internationale situationniste.
Théâtre/Public(231),
2018
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Strange Foreign Bodies.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE.
Burlington Magazine, 160(1385),
pp. 666-669.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
'Artists A-Z' and 'Temporary Projects'.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Ten years of artist commissions.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh, pp. 29-138.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Feeley, Claire
(2018)
Ten years of artist projects.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh, pp. 139-186.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Points of Departure: exhibition text.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Still Moving: the films and photographs of Ulrike Ottinger.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
A Synchronology: the contemporary and other times.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Weighing the work of love: on Kate Davis's re-visioned iconoclasm.
ARTis On, 1(5),
pp. 143-158.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Definitions in The Edinburgh Dictionary of Modernism.
In: Kolocotroni, Vassiliki and Taxidou, Olga (eds.)
The Edinburgh Dictionary of Modernism.
Edinburgh University Press: Edinburgh.
ISBN 9780748637027
2017
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2017)
Making up mothers: Georgina Starr's channelling of the maternal.
Performance Research, 22(4),
pp. 44-52.
(doi: 10.1080/13528165.2017.1374700)
2016
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Simon Starling.
Burlington Magazine, 158(1364),
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Anne Hardy: twin fields.
Commentaries, 22,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Thomas Demand: daily show.
Commentaries, 23,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
'Callings: the artist-as-spiritualist'.
&labels, 5,
pp. 3-10.
2015
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Myles, Scott
(2015)
Spiral Bound.
Meyer Riegger Gallery: Berlin.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
Ruins recast: appropriated and fabricated ruins in the work of Scott Myles.
Performance Research, 20(3),
pp. 145-153.
(doi: 10.1080/13528165.2015.1049048)
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
Interview: Dominic Paterson talks to Georgina Starr.
MAP Magazine,
18 Mar.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
A Picture Show.
[Exhibitions]
2014
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Charlie Hammond.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 74-75.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Claire Barclay.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 14-15.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
The form of my intent...
Vigdis Storsveen,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Hayley Tompkins.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 168-169.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Lorna Macintyre.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 96-97.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Mary Redmond.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 136-137.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Michael Fullerton.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 68-69.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Sara Barker.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 16-17.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Scott Myles.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 116-117.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Mummies: exhibition text.
[Exhibitions]
2013
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2013)
Denkmal, film by Kate Davis.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Dear, Romany
(2013)
‘Rehearsing WAR and performing memory…’.
[Performance]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Impey, Alex
(2013)
Alex Impey: in conversation with Dominic Paterson.
MAP Magazine,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2013)
Mr Sludge, 'The Medium' / Herr Schlamm >>Das Medium<<.
In: Hogarth, Rosemary and Helbig, Jonas (eds.)
Die Schlampe Malerei.
D21 Kunstraum Leipzig / Thomas Verlag: Leipzig.
ISBN 9783000414916
2012
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Houses in motion...
In: Domke, Graham and Myles, Scott (eds.)
Scott Myles: This Production.
Dundee Contemporary Arts: Dundee, pp. 39-45.
ISBN 9780955876967
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Adaptation [The Collective Gallery, Edinburgh, 12th Oct 2012 - 25th Nov 2012].
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
'Not Just the Perfect Moments'.
Drawing Room,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
What We Have Done, What We Are About To Do [Centre for Contemporary Art, Glasgow, 18th Aug - 15th Sep 2012].
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
‘Container for the Contained’.
How to Turn the World by Hand,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Impey, Alex
(2012)
blanking (insert).
[Artefact]
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Moving poses / arresting feeling: Jimmy Robert's L'Education Sentimentale.
In: Badiou, A., Kirschner, A. and Crone, B. (eds.)
The Sensible Stage: Staging and the Moving Image.
Picture This, with Plenty Projects: Bristol, UK, pp. 109-123.
ISBN 9780955496127
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
'And Under That...'.
2011
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Clements, Neil
(2011)
Signature model (excerpt).
In: Ng, Keh and Stock, Matthew (eds.)
What is an Art Book?
The Modern Language Experiment: London.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Bodies of Knowledge.
In:
Christine Borland: File Note.
Camden Arts Centre.
ISBN 9781907208171
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Siting Lucy Gunning's Quarry.
Picture This,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Katri Walker: North West.
North West,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Tacita Dean.
Commentaries,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Drifting: some journeys followed.
In: Leaver-Yap, Isla (ed.)
8 Metaphors (Because the Moving Image is Not a Book).
LUX: London, pp. 136-145.
ISBN 9780956794130
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Slow Action, Ben Rivers.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Utopia is Elsewhere: mapping 'The Obsidian Isle'.
In: Chong-Kwan, Gayle (ed.)
The Obsidian Isle.
Gayle Chong-Kwan / Ricefield / Street Level Photoworks.
ISBN 978095652003
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
"You seem the same as always, -".
Commentaries,
2010
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
Chapter one: Martin Soto Climent.
MAP, 22,
pp. 44-49.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Barclay, Claire and Barker, Ruth
(2010)
Overlap.
Overlap,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
'Which light kills you' by Mircea Cantor.
Commentaries,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
Open frequency: Anne-Marie Copestake.
Axisweb,
2009
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2009)
'the tiniest piece of mirror is always the whole mirror', by Roni Horn.
Commentaries,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2009)
Duchamp under the hammer: iconoclasm, vandalism and authenticity.
In: Hermens, E. and Fiske, T. (eds.)
Art, Conservation and Authenticities: Material, Concept, Context.
Archetype, pp. 183-189.
ISBN 9781904982517
2008
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2008)
Nearly Nothing.
In:
ReViewfinder2.
Viewfinder Gallery, London: London.
2006
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2006)
Escapism and masculinity: Harry Houdini and Matthew Barney’s Cremaster Cycle.
Edinburgh Review(116),
2004
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2004)
Everything in its right place: Foucault and the ‘Ideology of the Aesthetic’.
Postgraduate Journal of Aesthetics, 1(3),
pp. 111-123.
2002
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2002)
Christine Borland: To Be Set and Sown in the Garden.
[Exhibitions]
2000
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Hooker, Richard and Stirton, Paul
(2000)
Bourdieu and the art historians.
In: Fowler, Bridget (ed.)
Reading Bourdieu on Society and Culture.
Series: Sociological review monographs.
Blackwells / The Sociological Review: Oxford, pp. 212-228.
ISBN 9780631221869
Articles
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Edinburgh Art Festival.
Burlington Contemporary,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Possessions : Scott Myles et l’invocation-évocation artistique de l’Internationale situationniste.
Théâtre/Public(231),
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE.
Burlington Magazine, 160(1385),
pp. 666-669.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Weighing the work of love: on Kate Davis's re-visioned iconoclasm.
ARTis On, 1(5),
pp. 143-158.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2017)
Making up mothers: Georgina Starr's channelling of the maternal.
Performance Research, 22(4),
pp. 44-52.
(doi: 10.1080/13528165.2017.1374700)
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Simon Starling.
Burlington Magazine, 158(1364),
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Anne Hardy: twin fields.
Commentaries, 22,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
Thomas Demand: daily show.
Commentaries, 23,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2016)
'Callings: the artist-as-spiritualist'.
&labels, 5,
pp. 3-10.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
Ruins recast: appropriated and fabricated ruins in the work of Scott Myles.
Performance Research, 20(3),
pp. 145-153.
(doi: 10.1080/13528165.2015.1049048)
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
Interview: Dominic Paterson talks to Georgina Starr.
MAP Magazine,
18 Mar.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
The form of my intent...
Vigdis Storsveen,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2013)
Denkmal, film by Kate Davis.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Impey, Alex
(2013)
Alex Impey: in conversation with Dominic Paterson.
MAP Magazine,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
'Not Just the Perfect Moments'.
Drawing Room,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
‘Container for the Contained’.
How to Turn the World by Hand,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
'And Under That...'.
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Siting Lucy Gunning's Quarry.
Picture This,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Katri Walker: North West.
North West,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Tacita Dean.
Commentaries,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Slow Action, Ben Rivers.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
"You seem the same as always, -".
Commentaries,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
Chapter one: Martin Soto Climent.
MAP, 22,
pp. 44-49.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Barclay, Claire and Barker, Ruth
(2010)
Overlap.
Overlap,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
'Which light kills you' by Mircea Cantor.
Commentaries,
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2010)
Open frequency: Anne-Marie Copestake.
Axisweb,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2009)
'the tiniest piece of mirror is always the whole mirror', by Roni Horn.
Commentaries,
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2006)
Escapism and masculinity: Harry Houdini and Matthew Barney’s Cremaster Cycle.
Edinburgh Review(116),
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2004)
Everything in its right place: Foucault and the ‘Ideology of the Aesthetic’.
Postgraduate Journal of Aesthetics, 1(3),
pp. 111-123.
Books
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Myles, Scott
(2015)
Spiral Bound.
Meyer Riegger Gallery: Berlin.
Book Sections
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2024)
'Paris-Berlin et le monde entier': Ulrike Ottinger's points of departure.
In: McRobbie, Angela (ed.)
Ulrike Ottinger: Film, Art and the Ethnographic Imagination.
Intellect: London, pp. 173-186.
ISBN 9781789389364
(In Press)
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2022)
‘“Still Glowing”: a New York childhood around 1980, or, Ilana Halperin’s excavations.
In: McAra, Catriona (ed.)
Ilana Halperin: Felt Events.
Strange Attractor Press: London ; Cambridge, MA.
ISBN 9781913689346
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Survey and surveil.
In:
Fellow Traveller by Neil Clements.
The Hunterian, University of Glasgow: Glasgow.
ISBN 9780904254909
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
'Artists A-Z' and 'Temporary Projects'.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Ten years of artist commissions.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh, pp. 29-138.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Feeley, Claire
(2018)
Ten years of artist projects.
In: Le Feuvre, Lisa (ed.)
The Generous Landscape: Ten Years of Jupiter Artland.
Jupiter Artland Foundation: Edinburgh, pp. 139-186.
ISBN 9780995783010
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Definitions in The Edinburgh Dictionary of Modernism.
In: Kolocotroni, Vassiliki and Taxidou, Olga (eds.)
The Edinburgh Dictionary of Modernism.
Edinburgh University Press: Edinburgh.
ISBN 9780748637027
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Charlie Hammond.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 74-75.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Claire Barclay.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 14-15.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Hayley Tompkins.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 168-169.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Lorna Macintyre.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 96-97.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Mary Redmond.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 136-137.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Michael Fullerton.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 68-69.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Sara Barker.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 16-17.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Scott Myles.
In: Jeffrey, Moira (ed.)
Generation: 25 Years of Contemporary Art in Scotland: Guide.
National Galleries of Scotland and Glasgow Life: Edinburgh ; Glasgow, pp. 116-117.
ISBN 9781906270711
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2013)
Mr Sludge, 'The Medium' / Herr Schlamm >>Das Medium<<.
In: Hogarth, Rosemary and Helbig, Jonas (eds.)
Die Schlampe Malerei.
D21 Kunstraum Leipzig / Thomas Verlag: Leipzig.
ISBN 9783000414916
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Houses in motion...
In: Domke, Graham and Myles, Scott (eds.)
Scott Myles: This Production.
Dundee Contemporary Arts: Dundee, pp. 39-45.
ISBN 9780955876967
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Moving poses / arresting feeling: Jimmy Robert's L'Education Sentimentale.
In: Badiou, A., Kirschner, A. and Crone, B. (eds.)
The Sensible Stage: Staging and the Moving Image.
Picture This, with Plenty Projects: Bristol, UK, pp. 109-123.
ISBN 9780955496127
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Clements, Neil
(2011)
Signature model (excerpt).
In: Ng, Keh and Stock, Matthew (eds.)
What is an Art Book?
The Modern Language Experiment: London.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Bodies of Knowledge.
In:
Christine Borland: File Note.
Camden Arts Centre.
ISBN 9781907208171
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Drifting: some journeys followed.
In: Leaver-Yap, Isla (ed.)
8 Metaphors (Because the Moving Image is Not a Book).
LUX: London, pp. 136-145.
ISBN 9780956794130
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2011)
Utopia is Elsewhere: mapping 'The Obsidian Isle'.
In: Chong-Kwan, Gayle (ed.)
The Obsidian Isle.
Gayle Chong-Kwan / Ricefield / Street Level Photoworks.
ISBN 978095652003
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2009)
Duchamp under the hammer: iconoclasm, vandalism and authenticity.
In: Hermens, E. and Fiske, T. (eds.)
Art, Conservation and Authenticities: Material, Concept, Context.
Archetype, pp. 183-189.
ISBN 9781904982517
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2008)
Nearly Nothing.
In:
ReViewfinder2.
Viewfinder Gallery, London: London.
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Hooker, Richard and Stirton, Paul
(2000)
Bourdieu and the art historians.
In: Fowler, Bridget (ed.)
Reading Bourdieu on Society and Culture.
Series: Sociological review monographs.
Blackwells / The Sociological Review: Oxford, pp. 212-228.
ISBN 9780631221869
Edited Books
Paterson, Dominic, McConnell, Ned, Seita, Sophie, Barokka, Khairani and Pearce, Naomi (2022) Flesh Arranges Itself Differently. The Hunterian & Roberts Institute of Art. ISBN 9780904254917
Edited Journals
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Castriota, Brian
ORCID: https://orcid.org/0000-0002-8495-8907, Quabeck, Nina, Hermens, Erma, Heydenreich, Gunnar and Miller, Zoe (Eds.)
(2021)
Special Issue: Expanding Notions of ‘Making’ for Contemporary Artworks.
Artmatters International Journal for Technical Art History.
[Edited Journal]
Artefact
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Impey, Alex
(2012)
blanking (insert).
[Artefact]
Exhibitions
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340, Mills, Andrew
ORCID: https://orcid.org/0000-0002-1739-1349, Diawara, Manthia and Geis, Terri
(2023)
The Trembling Museum.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2023)
Unravelling Times: Three films by Lis Rhodes, with works by Anne-Marie Copestake, Francis McKee and Iman Tajik.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Price, Elizabeth
(2023)
UNDERFOOT.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2022)
Workaround.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and McConnell, Ned
(2022)
Flesh Arranges Itself Differently.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Dislocations: territories, landscapes and other spaces.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2021)
Jimmy Robert: Tobacco Flower.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Alex Impey: -gnostic cautery.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
Ilana Halperin: Minerals of New York.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2019)
'A community in motion' - approximate notes on the work of Anne-Marie Copestake [Exhibition Essay].
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Strange Foreign Bodies.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Points of Departure: exhibition text.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
Still Moving: the films and photographs of Ulrike Ottinger.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2018)
A Synchronology: the contemporary and other times.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2015)
A Picture Show.
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2014)
Mummies: exhibition text.
[Exhibitions]
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
Adaptation [The Collective Gallery, Edinburgh, 12th Oct 2012 - 25th Nov 2012].
[Exhibitions]
Paterson, D. ORCID: https://orcid.org/0000-0003-3895-9340
(2012)
What We Have Done, What We Are About To Do [Centre for Contemporary Art, Glasgow, 18th Aug - 15th Sep 2012].
[Exhibitions]
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340
(2002)
Christine Borland: To Be Set and Sown in the Garden.
[Exhibitions]
Performance
Paterson, Dominic ORCID: https://orcid.org/0000-0003-3895-9340 and Dear, Romany
(2013)
‘Rehearsing WAR and performing memory…’.
[Performance]
Supervision
- Mackay, Andrew
A study of the collection and interpretation of native North American objects within Scottish Institutions from the 1700s to the Present Day - Myers, Christiana
Curating COVID-19: Epidemiological Metaphor in Contemporary Societal and Museological Shifts - Vale, Francesca
Re-figuring Disfigurement: A Cultural Analysis of Mastectomy in Art Using a Curatorial Approach
Teaching
- Body art; American art c.1945-present (Undergraduate)
- The changing relationship between medium and meaning in 20th-century artistic practice (Undergraduate)
- Art, Embodiment, Transgression (MLitt Art, Politics, Transgression: 20th Century Avant-Gardes)
- Art in the Making: Modern and Avant-Garde Techniques (MLitt Making & Meaning: Approaches in Technical Art History)
Additional information
Administration
- Convenor, Honours Dissertation
- Chair, Steering committee, AAH 2010 Conference (08-09, 09-10)
External Responsibilities
- Honorary Associate Member, Glasgow Sculpture Studios
Exhibition and book reviews
‘Mircea Cantor,’ MAP, (No. 21, Spring 2010)
The Enlightenments, MAP, (No. 20, Winter 2009/10)
‘Phil Collins/Bruce Nauman,’ MAP, (No. 19, Autumn 2009)
‘Claire Barclay,’ MAP, (No. 18, Summer 2009).
‘Gest: Laboratory of Synthesis,’ MAP, (No. 17, Spring 2009).
‘David Bellingham,’ MAP, (No. 16, Winter 2008/2009).
‘Michael Stumpf,’ MAP, (No. 15, Autumn 2008).
‘Lucy Skaer,’ MAP, (No. 15, Autumn 2008).
‘Group: Claire Barclay/Neil Clements/Sally Osborn/Jonathan Owen/Sara Barker/Albrecht Schäfer,’ exhibition review, MAP, (No. 14, Summer 2008).
Selected Conference Papers, Guest Lectures
I have given papers at the University of Edinburgh, UCC Cork, NCAD Dublin, The Hungarian University of Fine Arts, amongst others.
‘Johan Grimonprez’s Double Take: If You Meet Your Double You Should Kill Him,’ dialogue with Dr Fabien Hillfisch, Fruitmarket Gallery, 9 June 2010
Keynote lecture on Jimmy Robert, 'Art, Performance, Film' postgraduate conference, University of Glasgow,21 May 2010
‘The excuse of a fiction…’ Lecture on Gayle Chong Kwan’s 'Obsidian Isle', Ricefield Arts/Trongate 103, Glasgow, 7 April 2010
‘Mircea Cantor: Which Light Kills You,’ The Common Guild, Glasgow, 23 January 2010
‘Roni Horn: The Tiniest Piece of Mirror is Always the Whole Mirror,’ The Common Guild, Glasgow, 27 June 2009
‘Negotiating Autonomy: directions in recent Scottish Art’ Doctorate School, Hungarian University of Fine Arts, Budapest, 21 April 2009
‘Body Images and Imagined Bodies: thoughts on feminist art practice,’ Deveron Arts, Huntly, 28 March 2009
(Chair) ‘Claire Barclay: Dysfunctional Objects,’ symposium, Fruitmarket Gallery, Edinburgh, 20 March 2009
‘ “Great works wait”: postproduction, repetition and citation in contemporary art,’ Doctorate School, Hungarian University of Fine Arts, Budapest, 14 May 2008
‘Selected Details: matter and memory in Barney, Parker and Starling’, National College of Art and Design, Dublin, 6 December 2007