Professor Bjorn Heile

  • Professor of Music (post-1900) (Music)

telephone: +44 (0)141 330 5288
email: Bjorn.Heile@glasgow.ac.uk

Research interests

Deputy Head of School

Head of Subject Area (Music)

Office Hours: Tuesdays and Fridays, 11am to 12noon

Research Interests

New music; experimental music theatre; music and cosmopolitanism; performance practice of experimental music; music and modernism; integrative music history; jazz studies, in particular jazz performance on screen.

Biography

I have come to Glasgow from the University of Sussex, where I spent eight years, more than three of which as Head of Department. Before that, I was at the University of Southampton, where I got my PhD and where I spent another year as Leverhulme Special Research Fellow. My first degree is from Technische Universität Berlin (MA in Musicology and English and American Literature).

I am the author of The Music of Mauricio Kagel (Aldershot: Ashgate, 2006) and the editor of The Modernist Legacy: Essays on New Music (Aldershot: Ashgate, 2009) as well as the co-editor (with Martin Iddon) of Mauricio Kagel bei den Darmstädter Ferienkursen für Neue Musik: Eine Dokumentation (Hofheim: Wolke, 2009). I am mostly interested in music of the twentieth and twenty-first centuries and I am increasingly drawn to integrative appraoches, whereby different forms of music - popular, classical, traditional, jazz, western and non-western - are not studied in isolation from one another but comparatively. It is fair to say that my expertise is greatest in avant-garde and experimental music (notably that of Mauricio Kagel) and jazz.

Research Projects

I have directed an AHRC-funded research project on ‘The Use of Audiovisual Resources in Jazz Historiography and Scholarship: Performance, Embodiment and Mediatised Representations’ (as part of the ‘Beyond Text’ scheme, 2010-11). A colected volume arising from the project, Watching Jazz: Encounters with Jazz Performance on Screen, is due to appear at OUP in 2015.

Together with Martin Cloonan, I hold an AHRC Collaborative Doctoral Award, '25 Years of the Glasgow International Jazz Festival' (Alison Eales, 2011-14).

I currently direct a British Academy-funded project on 'Mauricio Kagel: Estate and Legacy' (2013-14), and I am currently working on an application for a larger follow-up, entitled 'Mauricio Kagel's Experimental Music: Text and Performance, Process and Product', for submission to the AHRC.


Grants

British Academy/Leverhulme Small Grant, ‘Mauricio Kagel: Estate and Legacy’, £9850 (August 2013 – July 2014)

Carnegie Trust for the Universities of Scotland Grant, ‘Three Modernist Composers Collected by the Paul Sacher Foundation Basel’, £1560 (July 2012)

AHRC Collaborative Doctoral Award (with Professor Martin Cloonan), ’25 Years Glasgow International Jazz Festival’, Partner: Glasgow International Jazz Festival, 2011-2014, £52,000

‘The Use of Audiovisual Resources in Jazz Historiography and Scholarship: Performance, Embodiment and Mediatised Representations’, Principal Investigator, £111,942.49, AHRC Beyond Text, Small Grant, 2010-2011.

British Academy Overseas Conference Grant (2006): £300

British Academy Conference Grant (for Fourth Biennial International Conference on Twentieth-century Music, Summer 2005): £500

Music and Letters Trust (for Fourth Biennial International Conference on Twentieth-century Music, Summer 2005): £250

Leverhulme Special Research Fellowship (October 2001-September 2003): ~£25000

Paul Sacher Foundation Basel (Switzerland) for studying the Mauricio Kagel collection (sketches and manuscripts), grant for three months’ research (2000): full stipend, ~7000,-SFr

In preparation

‘Mauricio Kagel’s Experimental Music: Text and Performance, Process and Product’, AHRC large grant, collaborative


Supervision

    Suzanne Wilkins, University of Sussex (2009-2012), ‘Aesthetic Experience in Music: Case Studies in Composition, Performance and Listening’

    Current

    • Kirton, Jon-Luke
      Investigating the other and the self, a phenomenological approach to pianist's lived experience of techniques in George Crumb's Makrokosmos I&II for amplified piano
    • Leomo, Kevin
      Portfolio of Compositions: A practice-based investigation of cross-cultural composition

Teaching

  • Musical Culture in the Long Nineteenth Century
  • Musical Techniques, Intermediate
  • Analysis, Intermediate
  • Analysis, Higher
  • Opera
  • Listening and Repertory

Additional Information

Knowledge Exchange, Impact, Public Engagement

Public Lecture, ‘Jazz on Screen’, Glasgow International Jazz Festival, 26 June 2014

Artistic Director, Performance of Mauricio Kagel’s Eine Brise (‘A Breeze’) with members of the public, cultural programme of the Commonwealth Games, Glasgow, 15 June 2014

Interview on BBC Scotland, ‘Classics Unwrapped’ on performance of Eine Brise, 3 June 2014

Collaborative Doctoral Award with Glasgow International Jazz Festival, ’25 Years of the GIJF’, together with Professor Martin Cloonan, award holder: Alison Eales (see above under PhD supervision)

Interview on the death of Mauricio Kagel, BBC Radio 3, ‘Music Matters’, 20 September 2009

Interview on Mauricio Kagel’s work of the 1960s on ‘Studiozeit-Musikjournal’, Deutschlandfunk (German National Radio), 16 January 2006

Live discussion on ‘Live Festival Radio’, BBC Southern Counties Radio, 11 May 2003

‘Tras los pasos porteños de Kagel’ [report on my research], La Nación (Buenos Aires), 19 April 2003

Interview on ‘Los pasos perdidos’, Radio Nacional Argentina, May 2003 (exact date unknown)

Administration

Research Convenor, Music Subject Area, 2010-14

REF Champion, Music Subject Area, 2010-13

Postgraduate Advisor, School of Humanities

Advisor of Studies, MA, College of Arts

Member of College Appeals Panel; Investigating Officer on Complaints

Office Hours: Tues 11am, Fri 11am (term-time only)

External Responsibilities

Royal Musical Association, Member of Council (2009-2012), Member of External Affairs (2008-) and Membership and Finance Committees (2009-12)

Member of Advisory Board, RMA Music and Philosophy Research Group

Member of Editorial Board, Divergence Press, <http://tinthenet.com/Home.aspx>

External Examining

External Examiner, BMus programme, Department of Music, University of Aberdeen, from 2013/14

External Examiner, BMus and MMus programmes, Department of Music and Sound Recording, University of Surrey (2009-2012) – not renewed due to change in conditions


Publications

List by: Type | Date

Jump to: 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1996
Number of items: 70.

2017

Heile, B. (2017) Musical modernism, global: comparative observations. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409 (Accepted for Publication)

Heile, B. and Wilson, C. (2017) The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409 (In Press)

2016

Heile, B. (2016) Music, performance, theatre: Christopher Fox's stage works. In: Dodd, R. (ed.) Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge: London, pp. 1-16. ISBN 9781472428240

Heile, B. (2016) Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'. In: Kaduri, Y. (ed.) The Oxford Handbook of Sound and Image in Western Art. Series: The Oxford Handbooks series. Oxford University Press: Oxford, pp. 335-355. ISBN 9780199841547 (doi:10.1093/oxfordhb/9780199841547.013.001)

Heile, B. (2016) Play it again, Duke: jazz performance, improvisation, and the construction of spontaneity. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 238-266. ISBN 9780199347650

Heile, B. (2016) The New Jazz Films (and Their Old Models). [Website]

Heile, B. (2016) Globalisierung. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 252-256. ISBN 9783476023261

Heile, B. (2016) Instrumentales theater. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 289-290. ISBN 9783476023261

Doctor, J., Elsdon, P. and Heile, B. (2016) Introduction. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 1-33. ISBN 978019934767

Heile, B. (2016) "Es klingt nach Kagel, erinnert jedoch an Schubert": Mauricio Kagel und das Apokryphe - ein Versuch zur Krypto-Ontologie des musikalischen Stils. In: Torkewitz, D. (ed.) Zwischen Bearbeitung und Recycling: Zur Situation der Neuen Musik, im Kontext der postmodernen Diskussion über Kunst und Ästhetik der Kunst. Series: Wiener Veröffentlichungen zur Theorie und Interpretation der Musik (3). Praesens: Vienna, pp. 133-144. ISBN 9783706908559

Heile, B. (2016) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Théâtre Musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo. L'harmattan: Paris, pp. 145-160. ISBN 9782336303871

Heile, B., Elsdon, P. and Doctor, J. (Eds.) (2016) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, NY. ISBN 9780199347650

Heile, B. (2016) Miles ahead: a film that remains (mostly) true to jazz legend Miles Davis. Conversation, 2016, 27 Apr.

2015

Heile, B. (2015) Erik Bergman, cosmopolitanism and the transformation of musical geography. In: Guldbrandsen, E. E. and Johnson, J. (eds.) Transformations of Musical Modernism. Series: Music since 1900. University of Cambridge Press: Cambridge, pp. 74-96. ISBN 9781107127210

Heile, B. (2015) Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’. In: Rahmatian, A. (ed.) Concepts of Music and Copyright: How music perceives itself and how copyright perceives music. Edward Elgar, pp. 123-142. ISBN 9781783478187

2014

Heile, B. (2014) Supplement to the Music of Mauricio Kagel. UNSPECIFIED: Glasgow.

2013

Heile, B. (2013) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Theatre de Luciano Berio: Un re in Sscolto, Venice, Italy, 28 Sep 2012,

Heile, B. (2013) Review of: K. Gloag, Postmodernism in Music. Notes, 70(1), pp. 116-119. (doi:10.1353/not.2013.0098) [Book Review]

2012

Heile, B. (2012) Review of: Klangperspektiven by Lucas Haselböck. Music and Letters, 93(4), pp. 626-629. (doi:10.1093/ml/gcs078) [Book Review]

Heile, B. (2012) „Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici. In: Altenburg, D. and Bayreuther, R. (eds.) Musik und kulturelle Identit. Bärenreiter. ISBN 9783761818374

Heile, B. (2012) Review of: Mauricio Kagel. Zwei-Mann-Orchester. Essays und Dokumente. Hrsg. von Matthias Kassel. Basel: Schwabe Verlag, 2011. Mauricio Kagel. Zwei-Mann-Orchester.Basler Fassung 2011. Basel: point de vue, 2011 [DVD]. Fontes Artis Musicae, 59(2), pp. 208-210. [Book Review]

Heile, B. (2012) Editorial. Twentieth-Century Music, 9(1-2), pp. 3-10. (doi:10.1017/S1478572212000175)

Heile, B. (2012) Sam Hayden's Presence/Absence [CD liner notes]. Sam Hayden: Presence/Absence [CD],

2011

Heile, B. (2011) Musical modernism, sanitized. Modernism/Modernity, 18(3), pp. 631-637. (doi:10.1353/mod.2011.0055) [Book Review]

Heile, B. (2011) Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0. Popular Music, 30(3), pp. 485-487. (doi:10.1017/S026114301100033X) [Book Review]

2010

Heile, B. (2010) Review of: M. Kunkel and M. Papiro, eds., Der Schall: Mauricio Kagels Instrumentarium. Notes: Quarterly Journal of the Music Library Association, 67(1), pp. 131-133. (doi:10.1353/not.2010.0003) [Book Review]

Heile, B. (2010) Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review]. Twentieth-Century Music, 7(1), pp. 130-135. (doi:10.1017/S1478572211000107) [Book Review]

Heile, B. (2010) Review of: F. Hentschel, Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik. Music and Letters, 91(1), pp. 132-135. (doi:10.1093/ml/gcp042) [Book Review]

Heile, B. (2010) Cook, Nicholas (John). In: Macy, L.W. (ed.) Oxford Music Online: Grove Music Online. Oxford University Press: Oxford, UK.

Heile, B. (2010) On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light. In: Levi, E. and Scheding, F. (eds.) Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond. Series: Europea (10). Scarecrow Press: Lanham, Md., USA, pp. 105-116. ISBN 9780810863798

2009

Heile, B. (2009) Review of: R. Maconie, Other Planets: The Music of Karlheinz Stockhausen. Music and Letters, 90(1), pp. 123-126. (doi:10.1093/ml/gcn085) [Book Review]

Heile, B. and Iddon, M. (Eds.) (2009) Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag: Hofheim. ISBN 9783936000412

Heile, B. (Ed.) (2009) The Modernist Legacy: Essays on New Music. Ashgate: Farnham. ISBN 9780754662600

Heile, B. (2009) Introduction: new music and the modernist legacy. In: Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Ashgate: Farnham, pp. 1-11. ISBN 9780754662600

Heile, B. (2009) Kagel in Darmstadt: texte und kontexte. In: Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel. Series: Neue Zeitschrift für Musik (214). Schott: Mainz, Germany, pp. 123-133. ISBN 9783795706869

Heile, B. (2009) Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt. MusikTexte, 120, pp. 56-60.

Heile, B. (2009) Weltmusik and the globalization of new music. In: The Modernist Legacy: Essays on New Music. Ashgate: Farnham, UK, pp. 101-121. ISBN 9780754662600

2008

Heile, B. (2008) Review of: Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Music and Letters, 89(4), pp. 686-687. (doi:10.1093/ml/gcn008) [Book Review]

Heile, B. (2008) "Composition with film": Mauricio Kagel as filmmaker. In: Stilwell, R.J. and Powrie, P. (eds.) Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda. Indiana University Press: Bloomington, IN, USA, pp. 106-121. ISBN 9780253349767

Heile, B. (2008) Homo ludens? Spiel und spielen im werk von Mauricio Kagel. In: Klüppelholz, W. (ed.) Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel. Wolke Verlag: Hofheim, Germany, pp. 109-127. ISBN 9783936000467

Heile, B. (2008) Review of: M. Rebstock, Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965. Forum Modernes Theater, 23(1), pp. 76-77. [Book Review]

2007

Heile, B. (2007) Uri Caine's Mahler: jazz, tradition and identity. Twentieth-Century Music, 4(2), pp. 229-255. (doi:10.1017/S1478572208000522)

Heile, B. (2007) Review of: B. Vennefrohne, Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes. Music and Letters, 88(3), pp. 545-547. (doi:10.1093/ml/gcl145) [Book Review]

Heile, B. (2007) Review of: M. Cooke, ed., The Cambridge Companion to Twentieth-Century Opera. Music and Letters, 88(2), pp. 347-353. (doi:10.1093/ml/gcl107) [Book Review]

Heile, B. (2007) Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren. In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.) Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968. Series: Musicolonia, 1. Dohr: Cologne, pp. 81-91. ISBN 9783936655483

Heile, B. (2007) Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions. In: La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006. Series: Collection Arts (8). L'Harmattan: Paris, pp. 183-192. ISBN 9782296044920

Heile, B. (2007) W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work]
.
Res Facta: Teksty o Muzyce Wspolczesnej, 9(18), pp. 11-19.

Heile, B. (2007) Review of: Werner Klüppelholz, Über Mauricio Kagel, Schriften 1985-2002; Lese-Welten. Mauricio Kagel und die Literatur. Eine Ausstellung des Heinrich-Heine-Instituts der Landeshauptstadt Düsseldorf im Rahmen der jüdischen Kulturtage. Konzipiert und realisiert von Werner Klüppelholz. Die Musikforschung, 60(1), pp. 71-72. [Book Review]

2006

Heile, B. (2006) Recent approaches to experimental music theatre and contemporary opera [review article]. Music and Letters, 87(1), pp. 72-81. (doi:10.1093/ml/gci179) [Book Review]

Heile, B. (2006) The Music of Mauricio Kagel. Ashgate. ISBN 9780754635239

2005

Heile, B. (2005) Review of: R. Fearn, The Music of Luigi Dallapiccola. Music and Letters, 86(1), pp. 152-154. (doi:10.1093/ml/gci022) [Book Review]

2004

Heile, B. (2004) Review of: D. Metzer, Quotation and Cultural Meaning in Twentieth-Century Music. Music and Letters, 85(3), pp. 492-494. (doi:10.1093/ml/85.3.492) [Book Review]

Heile, B. (2004) ”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester. Music Analysis, 23(1), pp. 57-85. (doi:10.1111/j.0262-5245.2004.00195.x)

Heile, B. (2004) Darmstadt as other: British and American responses to musical modernism. Twentieth-Century Music, 1(2), pp. 161-178. (doi:10.1017/S1478572205000162)

Heile, B. (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte, 114, pp. 83-95.

Heile, B. (2004) Personalia entries in appendix. In: Cook, N. and Pople, A. (eds.) The Cambridge History of Twentieth-Century Music. Series: The Cambridge history of music. Cambridge University Press: Cambridge, UK. ISBN 9780521662567

Heile, B. (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001. Wissner: Augsburg. ISBN 9783896393869

2003

Heile, B. (2003) Review of: K. Schmidt-Wistoff, Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens. Music and Letters, 84(1), pp. 147-149. (doi:10.1093/ml/84.1.147) [Book Review]

Heile, B. (2003) Review of: M.J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Music and Letters, 84(1), pp. 132-136. (doi:10.1093/ml/84.1.132) [Book Review]

Heile, B. (2003) Muziek voor open ogen: het instrumentaal theater van Mauricio Kagel. Kunsttijdschrift Vlaanderen, 52(297), pp. 228-232.

2002

Heile, B. (2002) Schamanismus und Serialit. Mitteilungen der Paul Sacher Stiftung, 15, pp. 47-51.

Heile, B. (2002) Collage vs. compositional control, the interdependency of modernist and postmodernist approaches in the work of Mauricio Kagel. In: Lochhead, J.I. and Auner, J.H. (eds.) Postmodern Music/Postmodern Thought. Series: Studies in contemporary music and culture (4). Routledge: New York, USA, pp. 287-299. ISBN 9780815338192

2001

Heile, B. (2001) Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen. Neue Zeitschrift für Musik, 162, pp. 10-15.

Heile, B. (2001) Musik an der Grenze der Empfindsamkeit: Björn Heile im Gespräch mit Mauricio Kagel [interview with Mauricio Kagel]. Neue Zeitschrift für Musik, 162, pp. 16-20.

2000

Heile, B. (2000) Review of: Analysieren lernen durch praktischen Nachvollzug. Nicolas Cook's Analysis through Composition. Musik und Aesthetik, 4(4), pp. 116-118. [Book Review]

1999

Heile, B. (1999) Review of: W. Reich, Mauricio Kagel: Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. Die Musikforschung, 52, pp. 267-268. [Book Review]

1998

Heile, B. (1998) Neutralising history: Mauricio Kagel's String Quartet No. 3. British Postgraduate Musicology, 2, pp. 16-23.

Heile, B. (1998) Auseinandersetzung mit einem mythos: Mauricio Kagels streichquartette. Positionen, 34, pp. 15-19.

1996

Heile, B. (1996) Mauricio Kagel. In: De la Motte-Haber, H. (ed.) Klangkunst. Prestel: Munich, Germany, p. 80. ISBN 9783791316994

Heile, B. (1996) Semantisierung des instruments: das klavier in den werken Mauricio Kagels. MusikTexte, 66, pp. 22-30.

This list was generated on Wed Oct 18 00:46:54 2017 BST.
Number of items: 70.

Articles

Heile, B. (2016) Miles ahead: a film that remains (mostly) true to jazz legend Miles Davis. Conversation, 2016, 27 Apr.

Heile, B. (2012) Editorial. Twentieth-Century Music, 9(1-2), pp. 3-10. (doi:10.1017/S1478572212000175)

Heile, B. (2012) Sam Hayden's Presence/Absence [CD liner notes]. Sam Hayden: Presence/Absence [CD],

Heile, B. (2009) Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt. MusikTexte, 120, pp. 56-60.

Heile, B. (2007) Uri Caine's Mahler: jazz, tradition and identity. Twentieth-Century Music, 4(2), pp. 229-255. (doi:10.1017/S1478572208000522)

Heile, B. (2007) W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work]
.
Res Facta: Teksty o Muzyce Wspolczesnej, 9(18), pp. 11-19.

Heile, B. (2004) ”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester. Music Analysis, 23(1), pp. 57-85. (doi:10.1111/j.0262-5245.2004.00195.x)

Heile, B. (2004) Darmstadt as other: British and American responses to musical modernism. Twentieth-Century Music, 1(2), pp. 161-178. (doi:10.1017/S1478572205000162)

Heile, B. (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte, 114, pp. 83-95.

Heile, B. (2003) Muziek voor open ogen: het instrumentaal theater van Mauricio Kagel. Kunsttijdschrift Vlaanderen, 52(297), pp. 228-232.

Heile, B. (2002) Schamanismus und Serialit. Mitteilungen der Paul Sacher Stiftung, 15, pp. 47-51.

Heile, B. (2001) Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen. Neue Zeitschrift für Musik, 162, pp. 10-15.

Heile, B. (2001) Musik an der Grenze der Empfindsamkeit: Björn Heile im Gespräch mit Mauricio Kagel [interview with Mauricio Kagel]. Neue Zeitschrift für Musik, 162, pp. 16-20.

Heile, B. (1998) Neutralising history: Mauricio Kagel's String Quartet No. 3. British Postgraduate Musicology, 2, pp. 16-23.

Heile, B. (1998) Auseinandersetzung mit einem mythos: Mauricio Kagels streichquartette. Positionen, 34, pp. 15-19.

Heile, B. (1996) Semantisierung des instruments: das klavier in den werken Mauricio Kagels. MusikTexte, 66, pp. 22-30.

Books

Heile, B. and Wilson, C. (2017) The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409 (In Press)

Heile, B. (2014) Supplement to the Music of Mauricio Kagel. UNSPECIFIED: Glasgow.

Heile, B. (2006) The Music of Mauricio Kagel. Ashgate. ISBN 9780754635239

Book Sections

Heile, B. (2017) Musical modernism, global: comparative observations. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409 (Accepted for Publication)

Heile, B. (2016) Music, performance, theatre: Christopher Fox's stage works. In: Dodd, R. (ed.) Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge: London, pp. 1-16. ISBN 9781472428240

Heile, B. (2016) Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'. In: Kaduri, Y. (ed.) The Oxford Handbook of Sound and Image in Western Art. Series: The Oxford Handbooks series. Oxford University Press: Oxford, pp. 335-355. ISBN 9780199841547 (doi:10.1093/oxfordhb/9780199841547.013.001)

Heile, B. (2016) Play it again, Duke: jazz performance, improvisation, and the construction of spontaneity. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 238-266. ISBN 9780199347650

Heile, B. (2016) Globalisierung. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 252-256. ISBN 9783476023261

Heile, B. (2016) Instrumentales theater. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 289-290. ISBN 9783476023261

Doctor, J., Elsdon, P. and Heile, B. (2016) Introduction. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 1-33. ISBN 978019934767

Heile, B. (2016) "Es klingt nach Kagel, erinnert jedoch an Schubert": Mauricio Kagel und das Apokryphe - ein Versuch zur Krypto-Ontologie des musikalischen Stils. In: Torkewitz, D. (ed.) Zwischen Bearbeitung und Recycling: Zur Situation der Neuen Musik, im Kontext der postmodernen Diskussion über Kunst und Ästhetik der Kunst. Series: Wiener Veröffentlichungen zur Theorie und Interpretation der Musik (3). Praesens: Vienna, pp. 133-144. ISBN 9783706908559

Heile, B. (2016) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Théâtre Musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo. L'harmattan: Paris, pp. 145-160. ISBN 9782336303871

Heile, B. (2015) Erik Bergman, cosmopolitanism and the transformation of musical geography. In: Guldbrandsen, E. E. and Johnson, J. (eds.) Transformations of Musical Modernism. Series: Music since 1900. University of Cambridge Press: Cambridge, pp. 74-96. ISBN 9781107127210

Heile, B. (2015) Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’. In: Rahmatian, A. (ed.) Concepts of Music and Copyright: How music perceives itself and how copyright perceives music. Edward Elgar, pp. 123-142. ISBN 9781783478187

Heile, B. (2012) „Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici. In: Altenburg, D. and Bayreuther, R. (eds.) Musik und kulturelle Identit. Bärenreiter. ISBN 9783761818374

Heile, B. (2010) Cook, Nicholas (John). In: Macy, L.W. (ed.) Oxford Music Online: Grove Music Online. Oxford University Press: Oxford, UK.

Heile, B. (2010) On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light. In: Levi, E. and Scheding, F. (eds.) Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond. Series: Europea (10). Scarecrow Press: Lanham, Md., USA, pp. 105-116. ISBN 9780810863798

Heile, B. (2009) Introduction: new music and the modernist legacy. In: Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Ashgate: Farnham, pp. 1-11. ISBN 9780754662600

Heile, B. (2009) Kagel in Darmstadt: texte und kontexte. In: Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel. Series: Neue Zeitschrift für Musik (214). Schott: Mainz, Germany, pp. 123-133. ISBN 9783795706869

Heile, B. (2009) Weltmusik and the globalization of new music. In: The Modernist Legacy: Essays on New Music. Ashgate: Farnham, UK, pp. 101-121. ISBN 9780754662600

Heile, B. (2008) "Composition with film": Mauricio Kagel as filmmaker. In: Stilwell, R.J. and Powrie, P. (eds.) Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda. Indiana University Press: Bloomington, IN, USA, pp. 106-121. ISBN 9780253349767

Heile, B. (2008) Homo ludens? Spiel und spielen im werk von Mauricio Kagel. In: Klüppelholz, W. (ed.) Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel. Wolke Verlag: Hofheim, Germany, pp. 109-127. ISBN 9783936000467

Heile, B. (2007) Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren. In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.) Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968. Series: Musicolonia, 1. Dohr: Cologne, pp. 81-91. ISBN 9783936655483

Heile, B. (2007) Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions. In: La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006. Series: Collection Arts (8). L'Harmattan: Paris, pp. 183-192. ISBN 9782296044920

Heile, B. (2004) Personalia entries in appendix. In: Cook, N. and Pople, A. (eds.) The Cambridge History of Twentieth-Century Music. Series: The Cambridge history of music. Cambridge University Press: Cambridge, UK. ISBN 9780521662567

Heile, B. (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001. Wissner: Augsburg. ISBN 9783896393869

Heile, B. (2002) Collage vs. compositional control, the interdependency of modernist and postmodernist approaches in the work of Mauricio Kagel. In: Lochhead, J.I. and Auner, J.H. (eds.) Postmodern Music/Postmodern Thought. Series: Studies in contemporary music and culture (4). Routledge: New York, USA, pp. 287-299. ISBN 9780815338192

Heile, B. (1996) Mauricio Kagel. In: De la Motte-Haber, H. (ed.) Klangkunst. Prestel: Munich, Germany, p. 80. ISBN 9783791316994

Book Reviews

Heile, B. (2013) Review of: K. Gloag, Postmodernism in Music. Notes, 70(1), pp. 116-119. (doi:10.1353/not.2013.0098) [Book Review]

Heile, B. (2012) Review of: Klangperspektiven by Lucas Haselböck. Music and Letters, 93(4), pp. 626-629. (doi:10.1093/ml/gcs078) [Book Review]

Heile, B. (2012) Review of: Mauricio Kagel. Zwei-Mann-Orchester. Essays und Dokumente. Hrsg. von Matthias Kassel. Basel: Schwabe Verlag, 2011. Mauricio Kagel. Zwei-Mann-Orchester.Basler Fassung 2011. Basel: point de vue, 2011 [DVD]. Fontes Artis Musicae, 59(2), pp. 208-210. [Book Review]

Heile, B. (2011) Musical modernism, sanitized. Modernism/Modernity, 18(3), pp. 631-637. (doi:10.1353/mod.2011.0055) [Book Review]

Heile, B. (2011) Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0. Popular Music, 30(3), pp. 485-487. (doi:10.1017/S026114301100033X) [Book Review]

Heile, B. (2010) Review of: M. Kunkel and M. Papiro, eds., Der Schall: Mauricio Kagels Instrumentarium. Notes: Quarterly Journal of the Music Library Association, 67(1), pp. 131-133. (doi:10.1353/not.2010.0003) [Book Review]

Heile, B. (2010) Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review]. Twentieth-Century Music, 7(1), pp. 130-135. (doi:10.1017/S1478572211000107) [Book Review]

Heile, B. (2010) Review of: F. Hentschel, Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik. Music and Letters, 91(1), pp. 132-135. (doi:10.1093/ml/gcp042) [Book Review]

Heile, B. (2009) Review of: R. Maconie, Other Planets: The Music of Karlheinz Stockhausen. Music and Letters, 90(1), pp. 123-126. (doi:10.1093/ml/gcn085) [Book Review]

Heile, B. (2008) Review of: Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Music and Letters, 89(4), pp. 686-687. (doi:10.1093/ml/gcn008) [Book Review]

Heile, B. (2008) Review of: M. Rebstock, Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965. Forum Modernes Theater, 23(1), pp. 76-77. [Book Review]

Heile, B. (2007) Review of: B. Vennefrohne, Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes. Music and Letters, 88(3), pp. 545-547. (doi:10.1093/ml/gcl145) [Book Review]

Heile, B. (2007) Review of: M. Cooke, ed., The Cambridge Companion to Twentieth-Century Opera. Music and Letters, 88(2), pp. 347-353. (doi:10.1093/ml/gcl107) [Book Review]

Heile, B. (2007) Review of: Werner Klüppelholz, Über Mauricio Kagel, Schriften 1985-2002; Lese-Welten. Mauricio Kagel und die Literatur. Eine Ausstellung des Heinrich-Heine-Instituts der Landeshauptstadt Düsseldorf im Rahmen der jüdischen Kulturtage. Konzipiert und realisiert von Werner Klüppelholz. Die Musikforschung, 60(1), pp. 71-72. [Book Review]

Heile, B. (2006) Recent approaches to experimental music theatre and contemporary opera [review article]. Music and Letters, 87(1), pp. 72-81. (doi:10.1093/ml/gci179) [Book Review]

Heile, B. (2005) Review of: R. Fearn, The Music of Luigi Dallapiccola. Music and Letters, 86(1), pp. 152-154. (doi:10.1093/ml/gci022) [Book Review]

Heile, B. (2004) Review of: D. Metzer, Quotation and Cultural Meaning in Twentieth-Century Music. Music and Letters, 85(3), pp. 492-494. (doi:10.1093/ml/85.3.492) [Book Review]

Heile, B. (2003) Review of: K. Schmidt-Wistoff, Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens. Music and Letters, 84(1), pp. 147-149. (doi:10.1093/ml/84.1.147) [Book Review]

Heile, B. (2003) Review of: M.J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Music and Letters, 84(1), pp. 132-136. (doi:10.1093/ml/84.1.132) [Book Review]

Heile, B. (2000) Review of: Analysieren lernen durch praktischen Nachvollzug. Nicolas Cook's Analysis through Composition. Musik und Aesthetik, 4(4), pp. 116-118. [Book Review]

Heile, B. (1999) Review of: W. Reich, Mauricio Kagel: Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. Die Musikforschung, 52, pp. 267-268. [Book Review]

Edited Books

Heile, B., Elsdon, P. and Doctor, J. (Eds.) (2016) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, NY. ISBN 9780199347650

Heile, B. and Iddon, M. (Eds.) (2009) Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag: Hofheim. ISBN 9783936000412

Heile, B. (Ed.) (2009) The Modernist Legacy: Essays on New Music. Ashgate: Farnham. ISBN 9780754662600

Conference Proceedings

Heile, B. (2013) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Theatre de Luciano Berio: Un re in Sscolto, Venice, Italy, 28 Sep 2012,

Website

Heile, B. (2016) The New Jazz Films (and Their Old Models). [Website]

This list was generated on Wed Oct 18 00:46:54 2017 BST.