Number of items: 98.
2024
Heile, B.
(2024)
Musical Modernism in Global Perspective: Entangled Histories on a Shared Planet.
Cambridge University Press.
ISBN 9781009491716
Heile, B.
(2024)
Migration, the dodecaphonic diaspora and the transnational network of musical modernism: The varied career of Hans-Joachim Koellreutter.
Twentieth-Century Music,
(Accepted for Publication)
2023
Skeldon, K. et al.
(2023)
Research Firsts Exhibition.
[Exhibitions]
Campbell, E., De Souza, J., Heile, B. , Jan, C.-Y. O. and Moran, N.
(2023)
What is it like to be a tree? Sonic layers, doubleness, and ecology in Martin Iddon’s Sapindales.
Tempo,
(Accepted for Publication)
Heile, B. and Iddon, M.
(2023)
Introduction: theory and practice of somatic music.
Tempo,
(Accepted for Publication)
Heile, B. and Moran, N.
(2023)
The music of Proxima Centauri b: Three Singers on Planet M by Oli Jan.
Tempo,
(Accepted for Publication)
Heile, B.
(2023)
The Way of the Moderns: Six Perspectives on Modernism in Music. Edited by Antoni Piza.
Music and Letters, 104(3),
pp. 514-518.
(doi: 10.1093/ml/gcad041)[Book Review]
Heile, B.
(2023)
Improvising the Score: Rethinking Modern Film Music through Jazz. By Gretchen L. Carlson. Jackson, MI: University Press of Mississippi, 2022. 224 pp. ISBN: 978-1-496-84084-4.
Popular Music,
(doi: 10.1017/S0261143023000120)[Book Review]
(Early Online Publication)
Heile, B.
(2023)
Trio.
[Compositions]
(Unpublished)
Heile, B.
(2023)
Caine, Uri.
In:
MGG Online.
Bärenreiter.
Heile, B.
(2023)
Serialism in Latin America.
In: Iddon, M. (ed.)
Cambridge Companion to Serialism.
Series: Cambridge Companions to Music.
Cambridge University Press.
ISBN 9781108716864
2021
Heile, B.
(2021)
3x10 Musical Actions for Three Socially Distanced Performers.
[Compositions]
Heile, B.
(2021)
Así electrizó Miles Davis el jazz.
[Website]
Heile, B.
(2021)
How Miles Davis electrified jazz.
[Website]
Heile, B.
(2021)
Snobbery in the UK?: Musik(wissenschaft) und Klasse in Großbritannien.
[Website]
Heile, B.
(2021)
Postmodernity’s Musical Pasts. Ed. by Tina Frühauf. Pp. 325. (Boydell Press, Woodbridge and Rochester, NY, 2020. ISBN 978-1-78327-496-3, £70.).
Music and Letters, 102(2),
pp. 391-394.
(doi: 10.1093/ml/gcab042)[Book Review]
Heile, B.
(2021)
Jennifer Walshe, Ireland: a dataset National Concert Hall, Dublin, 26 September 2020, broadcast online (Imagining Ireland Livestream Series).
Sound Stage Screen, 1(2),
pp. 219-223.
(doi: 10.54103/sss16656)
2020
Heile, B.
(2020)
A theatre of sound and movement. Experimental music theatre and theories of embodied cognition.
European Drama and Performance Studies, 15(2),
pp. 217-237.
Heile, B.
(2020)
Writing on living composers and the problem of advocacy: failure and the experimental work of Mauricio Kagel.
In: Aguilar, A., Cole, R., Pritchard, M. and Clarke, E. (eds.)
Remixing Music Studies: Essays in Honour of Nicholas Cook.
Routledge: London, pp. 164-179.
ISBN 9781138359925
(doi: 10.4324/9780429433405-13)
Heile, B.
(2020)
Between ‘the disease of admiration’ and the ‘hermeneutics of suspicion’: working on living composers and musicians.
In: Pace, I. and Wiley, C. (eds.)
Writing about Contemporary Musicians: Promotion, Advocacy, Disinterest, Censure.
Routledge.
(Accepted for Publication)
2019
Heile, B.
(2019)
Mapping musical modernism.
In: Belina, A., Kilpiö, K. and Scott, D. B. (eds.)
Music History and Cosmopolitanism.
Routledge: Abingdon, Oxon ; New York, NY, pp. 90-105.
ISBN 9781138481138
(doi: 10.4324/9781351060950-7)
Heile, B.
(2019)
New music theatre and theories of embodied cognition.
In: Adlington, R. (ed.)
New Music Theatre in Europe: Transformations Between 1955-1975.
Series: Musical cultures of the twentieth century.
Routledge: Abingdon, Oxon ; New York, NY, pp. 273-293.
ISBN 9781138323018
(doi: 10.4324/9780429451669-13)
2018
Heile, B.
(2018)
Renaissance or afterlife? Nostalgia in the new jazz films.
In: Gebhardt, N., Rustin-Paschal, N. and Whyton, T. (eds.)
The Routledge Companion to Jazz Studies.
Series: Routledge music companions.
Routledge: New York, NY, pp. 423-431.
ISBN 9781138231160
Heile, B. and Wilson, C. (Eds.)
(2018)
The Routledge Research Companion to Modernism in Music.
Routledge: Abingdon, Oxon ; New York, NY.
ISBN 9781472470409
Heile, B.
(2018)
Musical modernism, global: comparative observations.
In: Heile, B. and Wilson, C. (eds.)
The Routledge Research Companion to Modernism in Music.
Routledge: Abingdon, Oxon ; New York, NY, pp. 175-198.
ISBN 9781472470409
Heile, B. and Wilson, C.
(2018)
Introduction.
In: Heile, B. and Wilson, C. (eds.)
The Routledge Research Companion to Modernism in Music.
Routledge: Abingdon, Oxon ; New York, NY, pp. 1-30.
ISBN 9781472470409
Heile, B.
(2018)
Mapping Musical Modernism.
[Website]
2017
Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.)
(2017)
Higher Education in Music in the Twenty-First Century.
Routledge: Abingdon, Oxon ; New York, NY.
ISBN 9781472467324
Heile, B.
(2017)
Integrative music history: rethinking music since 1900.
In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.)
Higher Education in Music in the Twenty-First Century.
Routledge: Abingdon, Oxon ; New York, NY, pp. 55-76.
ISBN 9781472467324
Heile, B. and Moreda Rodriguez, E.
(2017)
Introduction.
In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.)
Higher Education in Music in the Twenty-First Century.
Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10.
ISBN 9781472467324
2016
Heile, B.
(2016)
Music, performance, theatre: Christopher Fox's stage works.
In: Dodd, R. (ed.)
Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times.
Routledge: London, pp. 1-16.
ISBN 9781472428240
Heile, B.
(2016)
Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'.
In: Kaduri, Y. (ed.)
The Oxford Handbook of Sound and Image in Western Art.
Series: The Oxford Handbooks series.
Oxford University Press: Oxford, pp. 335-355.
ISBN 9780199841547
(doi: 10.1093/oxfordhb/9780199841547.013.001)
Heile, B.
(2016)
The New Jazz Films (and Their Old Models).
[Website]
Heile, B.
(2016)
Globalisierung.
In: Hiekel, J. P. and Utz, C. (eds.)
Lexikon Neue Musik.
Metzler & Bärenreiter: Stuttgart, pp. 252-256.
ISBN 9783476023261
Heile, B.
(2016)
Instrumentales theater.
In: Hiekel, J. P. and Utz, C. (eds.)
Lexikon Neue Musik.
Metzler & Bärenreiter: Stuttgart, pp. 289-290.
ISBN 9783476023261
Doctor, J., Elsdon, P. and Heile, B.
(2016)
Introduction.
In: Heile, B., Elsdon, P. and Doctor, J. (eds.)
Watching Jazz: Encounters with Jazz Performance on Screen.
Oxford University Press: New York, pp. 1-33.
ISBN 978019934767
(doi: 10.1093/acprof:oso/9780199347650.003.0001)
Heile, B.
(2016)
"Es klingt nach Kagel, erinnert jedoch an Schubert": Mauricio Kagel und das Apokryphe - ein Versuch zur Krypto-Ontologie des musikalischen Stils.
In: Torkewitz, D. (ed.)
Zwischen Bearbeitung und Recycling: Zur Situation der Neuen Musik, im Kontext der postmodernen Diskussion über Kunst und Ästhetik der Kunst.
Series: Wiener Veröffentlichungen zur Theorie und Interpretation der Musik (3).
Praesens: Vienna, pp. 133-144.
ISBN 9783706908559
Heile, B.
(2016)
Prospero's death: modernism, anti-humanism and Un re in ascolto.
In:
Le Théâtre Musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo.
L'harmattan: Paris, pp. 145-160.
ISBN 9782336303871
Heile, B. , Elsdon, P. and Doctor, J. (Eds.)
(2016)
Watching Jazz: Encounters with Jazz Performance on Screen.
Oxford University Press: New York, NY.
ISBN 9780199347650
Heile, B.
(2016)
Miles ahead: a film that remains (mostly) true to jazz legend Miles Davis.
Conversation, 2016,
27 Apr.
2015
Heile, B.
(2015)
Erik Bergman, cosmopolitanism and the transformation of musical geography.
In: Guldbrandsen, E. E. and Johnson, J. (eds.)
Transformations of Musical Modernism.
Series: Music since 1900.
University of Cambridge Press: Cambridge, pp. 74-96.
ISBN 9781107127210
Heile, B.
(2015)
Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’.
In: Rahmatian, A. (ed.)
Concepts of Music and Copyright: How music perceives itself and how copyright perceives music.
Edward Elgar, pp. 123-142.
ISBN 9781783478187
Heile, B.
(2015)
Play it again, Duke: jazz performance, improvisation, and the construction of spontaneity.
In: Heile, B., Elsdon, P. and Doctor, J. (eds.)
Watching Jazz: Encounters with Jazz Performance on Screen.
Oxford University Press: New York, pp. 238-266.
ISBN 9780199347650
(doi: 10.1093/acprof:oso/9780199347650.001.0001)
2014
Heile, B.
(2014)
Supplement to the Music of Mauricio Kagel.
UNSPECIFIED: Glasgow.
2013
Heile, B.
(2013)
Prospero's death: modernism, anti-humanism and Un re in ascolto.
In: Le Theatre de Luciano Berio: Un re in Sscolto, Venice, Italy, 28 Sep 2012,
Heile, B.
(2013)
Review of: K. Gloag, Postmodernism in Music.
Notes, 70(1),
pp. 116-119.
(doi: 10.1353/not.2013.0098)[Book Review]
2012
Heile, B.
(2012)
Review of: Klangperspektiven by Lucas Haselböck.
Music and Letters, 93(4),
pp. 626-629.
(doi: 10.1093/ml/gcs078)[Book Review]
Heile, B.
(2012)
„Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici.
In: Altenburg, D. and Bayreuther, R. (eds.)
Musik und kulturelle Identit.
Bärenreiter.
ISBN 9783761818374
Heile, B.
(2012)
Review of: Mauricio Kagel. Zwei-Mann-Orchester.
Essays und Dokumente. Hrsg. von
Matthias Kassel. Basel: Schwabe Verlag, 2011. Mauricio Kagel. Zwei-Mann-Orchester.Basler Fassung 2011. Basel: point de vue, 2011 [DVD].
Fontes Artis Musicae, 59(2),
pp. 208-210.
[Book Review]
Heile, B.
(2012)
Editorial.
Twentieth-Century Music, 9(1-2),
pp. 3-10.
(doi: 10.1017/S1478572212000175)
Heile, B.
(2012)
Sam Hayden's Presence/Absence [CD liner notes].
Sam Hayden: Presence/Absence [CD],
2011
Heile, B.
(2011)
Musical modernism, sanitized.
Modernism/Modernity, 18(3),
pp. 631-637.
(doi: 10.1353/mod.2011.0055)[Book Review]
Heile, B.
(2011)
Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0.
Popular Music, 30(3),
pp. 485-487.
(doi: 10.1017/S026114301100033X)[Book Review]
2010
Heile, B.
(2010)
Review of: M. Kunkel and M. Papiro, eds., Der Schall: Mauricio Kagels Instrumentarium.
Notes: Quarterly Journal of the Music Library Association, 67(1),
pp. 131-133.
(doi: 10.1353/not.2010.0003)[Book Review]
Heile, B.
(2010)
Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York:
Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review].
Twentieth-Century Music, 7(1),
pp. 130-135.
(doi: 10.1017/S1478572211000107)[Book Review]
Heile, B.
(2010)
Review of: F. Hentschel, Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik.
Music and Letters, 91(1),
pp. 132-135.
(doi: 10.1093/ml/gcp042)[Book Review]
Heile, B.
(2010)
Cook, Nicholas (John).
In: Macy, L.W. (ed.)
Oxford Music Online: Grove Music Online.
Oxford University Press: Oxford, UK.
Heile, B.
(2010)
On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light.
In: Levi, E. and Scheding, F. (eds.)
Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond.
Series: Europea (10).
Scarecrow Press: Lanham, Md., USA, pp. 105-116.
ISBN 9780810863798
2009
Heile, B.
(2009)
Review of: R. Maconie, Other Planets: The Music of Karlheinz Stockhausen.
Music and Letters, 90(1),
pp. 123-126.
(doi: 10.1093/ml/gcn085)[Book Review]
Heile, B. and Iddon, M. (Eds.)
(2009)
Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation.
Wolke Verlag: Hofheim.
ISBN 9783936000412
Heile, B. (Ed.)
(2009)
The Modernist Legacy: Essays on New Music.
Ashgate: Farnham.
ISBN 9780754662600
Heile, B.
(2009)
Introduction: new music and the modernist legacy.
In: Heile, B. (ed.)
The Modernist Legacy: Essays on New Music.
Ashgate: Farnham, pp. 1-11.
ISBN 9780754662600
Heile, B.
(2009)
Kagel in Darmstadt: texte und kontexte.
In:
Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel.
Series: Neue Zeitschrift für Musik (214).
Schott: Mainz, Germany, pp. 123-133.
ISBN 9783795706869
Heile, B.
(2009)
Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt.
MusikTexte, 120,
pp. 56-60.
Heile, B.
(2009)
Weltmusik and the globalization of new music.
In:
The Modernist Legacy: Essays on New Music.
Ashgate: Farnham, UK, pp. 101-121.
ISBN 9780754662600
2008
Heile, B.
(2008)
Review of: Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification.
Music and Letters, 89(4),
pp. 686-687.
(doi: 10.1093/ml/gcn008)[Book Review]
Heile, B.
(2008)
"Composition with film": Mauricio Kagel as filmmaker.
In: Stilwell, R.J. and Powrie, P. (eds.)
Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda.
Indiana University Press: Bloomington, IN, USA, pp. 106-121.
ISBN 9780253349767
Heile, B.
(2008)
Homo ludens? Spiel und spielen im werk von Mauricio Kagel.
In: Klüppelholz, W. (ed.)
Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel.
Wolke Verlag: Hofheim, Germany, pp. 109-127.
ISBN 9783936000467
Heile, B.
(2008)
Review of: M. Rebstock, Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965.
Forum Modernes Theater, 23(1),
pp. 76-77.
[Book Review]
2007
Heile, B.
(2007)
Uri Caine's Mahler: jazz, tradition and identity.
Twentieth-Century Music, 4(2),
pp. 229-255.
(doi: 10.1017/S1478572208000522)
Heile, B.
(2007)
Review of: B. Vennefrohne, Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes.
Music and Letters, 88(3),
pp. 545-547.
(doi: 10.1093/ml/gcl145)[Book Review]
Heile, B.
(2007)
Review of: M. Cooke, ed., The Cambridge Companion to Twentieth-Century Opera.
Music and Letters, 88(2),
pp. 347-353.
(doi: 10.1093/ml/gcl107)[Book Review]
Heile, B.
(2007)
Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren.
In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.)
Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968.
Series: Musicolonia, 1.
Dohr: Cologne, pp. 81-91.
ISBN 9783936655483
Heile, B.
(2007)
Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions.
In:
La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006.
Series: Collection Arts (8).
L'Harmattan: Paris, pp. 183-192.
ISBN 9782296044920
Heile, B.
(2007)
W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work].
Res Facta: Teksty o Muzyce Wspolczesnej, 9(18),
pp. 11-19.
Heile, B.
(2007)
Review of: Werner Klüppelholz, Über Mauricio Kagel, Schriften 1985-2002; Lese-Welten. Mauricio Kagel und die Literatur. Eine Ausstellung des Heinrich-Heine-Instituts der Landeshauptstadt Düsseldorf im Rahmen der jüdischen Kulturtage. Konzipiert und realisiert von Werner Klüppelholz.
Die Musikforschung, 60(1),
pp. 71-72.
[Book Review]
2006
Heile, B.
(2006)
Recent approaches to experimental music theatre and contemporary opera [review article].
Music and Letters, 87(1),
pp. 72-81.
(doi: 10.1093/ml/gci179)[Book Review]
Heile, B.
(2006)
The Music of Mauricio Kagel.
Ashgate.
ISBN 9780754635239
2005
Heile, B.
(2005)
Review of: R. Fearn, The Music of Luigi Dallapiccola.
Music and Letters, 86(1),
pp. 152-154.
(doi: 10.1093/ml/gci022)[Book Review]
2004
Heile, B.
(2004)
Review of: D. Metzer, Quotation and Cultural Meaning in Twentieth-Century Music.
Music and Letters, 85(3),
pp. 492-494.
(doi: 10.1093/ml/85.3.492)[Book Review]
Heile, B.
(2004)
”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester.
Music Analysis, 23(1),
pp. 57-85.
(doi: 10.1111/j.0262-5245.2004.00195.x)
Heile, B.
(2004)
Darmstadt as other: British and American responses to
musical modernism.
Twentieth-Century Music, 1(2),
pp. 161-178.
(doi: 10.1017/S1478572205000162)
Heile, B.
(2004)
Imaginäre und imaginierte Musik im Werk von Mauricio Kagel.
Musik-Konzepte, 114,
pp. 83-95.
Heile, B.
(2004)
Personalia entries in appendix.
In: Cook, N. and Pople, A. (eds.)
The Cambridge History of Twentieth-Century Music.
Series: The Cambridge history of music.
Cambridge University Press: Cambridge, UK.
ISBN 9780521662567
Heile, B.
(2004)
Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität.
In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.)
Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001.
Wissner: Augsburg.
ISBN 9783896393869
2003
Heile, B.
(2003)
Review of: K. Schmidt-Wistoff, Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens.
Music and Letters, 84(1),
pp. 147-149.
(doi: 10.1093/ml/84.1.147)[Book Review]
Heile, B.
(2003)
Review of: M.J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe.
Music and Letters, 84(1),
pp. 132-136.
(doi: 10.1093/ml/84.1.132)[Book Review]
Heile, B.
(2003)
Muziek voor open ogen: het instrumentaal theater van Mauricio Kagel.
Kunsttijdschrift Vlaanderen, 52(297),
pp. 228-232.
2002
Heile, B.
(2002)
Schamanismus und Serialit.
Mitteilungen der Paul Sacher Stiftung, 15,
pp. 47-51.
Heile, B.
(2002)
Collage vs. compositional control, the interdependency of modernist and postmodernist approaches in the work of Mauricio Kagel.
In: Lochhead, J.I. and Auner, J.H. (eds.)
Postmodern Music/Postmodern Thought.
Series: Studies in contemporary music and culture (4).
Routledge: New York, USA, pp. 287-299.
ISBN 9780815338192
2001
Heile, B.
(2001)
Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen.
Neue Zeitschrift für Musik, 162,
pp. 10-15.
Heile, B.
(2001)
Musik an der Grenze der Empfindsamkeit: Björn Heile im Gespräch mit Mauricio Kagel [interview with Mauricio Kagel].
Neue Zeitschrift für Musik, 162,
pp. 16-20.
2000
Heile, B.
(2000)
Review of: Analysieren lernen durch praktischen Nachvollzug.
Nicolas Cook's Analysis through Composition.
Musik und Aesthetik, 4(4),
pp. 116-118.
[Book Review]
1999
Heile, B.
(1999)
Review of: W. Reich, Mauricio Kagel: Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven.
Die Musikforschung, 52,
pp. 267-268.
[Book Review]
1998
Heile, B.
(1998)
Neutralising history: Mauricio Kagel's String Quartet No. 3.
British Postgraduate Musicology, 2,
pp. 16-23.
Heile, B.
(1998)
Auseinandersetzung mit einem mythos: Mauricio Kagels streichquartette.
Positionen, 34,
pp. 15-19.
1996
Heile, B.
(1996)
Mauricio Kagel.
In: De la Motte-Haber, H. (ed.)
Klangkunst.
Prestel: Munich, Germany, p. 80.
ISBN 9783791316994
Heile, B.
(1996)
Semantisierung des instruments: das klavier in den werken Mauricio Kagels.
MusikTexte, 66,
pp. 22-30.
This list was generated on Thu Dec 5 05:49:31 2024 GMT.