2024

Heile, B. (2024) Migration, the dodecaphonic diaspora and the transnational network of musical modernism: The varied career of Hans-Joachim Koellreutter. Twentieth-Century Music, (Accepted for Publication)

2023

Skeldon, K. et al. (2023) Research Firsts Exhibition. [Exhibitions]

Heile, B. (2023) The Way of the Moderns: Six Perspectives on Modernism in Music. Edited by Antoni Piza. Music and Letters, 104(3), pp. 514-518. (doi: 10.1093/ml/gcad041)[Book Review]

Heile, B. (2023) Improvising the Score: Rethinking Modern Film Music through Jazz. By Gretchen L. Carlson. Jackson, MI: University Press of Mississippi, 2022. 224 pp. ISBN: 978-1-496-84084-4. Popular Music, (doi: 10.1017/S0261143023000120)[Book Review] (Early Online Publication)

Heile, B. (2023) Trio. [Compositions] (Unpublished)

Heile, B. (2023) Caine, Uri. In: MGG Online. Bärenreiter.

Heile, B. (2023) Serialism in Latin America. In: Iddon, M. (ed.) Cambridge Companion to Serialism. Series: Cambridge Companions to Music. Cambridge University Press. ISBN 9781108716864

2021

Heile, B. (2021) 3x10 Musical Actions for Three Socially Distanced Performers. [Compositions]

Heile, B. (2021) Así electrizó Miles Davis el jazz. [Website]

Heile, B. (2021) How Miles Davis electrified jazz. [Website]

Heile, B. (2021) Snobbery in the UK?: Musik(wissen­schaft) und Klasse in Groß­britannien. [Website]

Heile, B. (2021) Postmodernity’s Musical Pasts. Ed. by Tina Frühauf. Pp. 325. (Boydell Press, Woodbridge and Rochester, NY, 2020. ISBN 978-1-78327-496-3, £70.). Music and Letters, 102(2), pp. 391-394. (doi: 10.1093/ml/gcab042)[Book Review]

Heile, B. (2021) Jennifer Walshe, Ireland: a dataset National Concert Hall, Dublin, 26 September 2020, broadcast online (Imagining Ireland Livestream Series). Sound Stage Screen, 1(2), pp. 219-223. (doi: 10.54103/sss16656)

2020

Heile, B. (2020) A theatre of sound and movement. Experimental music theatre and theories of embodied cognition. European Drama and Performance Studies, 15(2), pp. 217-237.

Heile, B. (2020) Writing on living composers and the problem of advocacy: failure and the experimental work of Mauricio Kagel. In: Aguilar, A., Cole, R., Pritchard, M. and Clarke, E. (eds.) Remixing Music Studies: Essays in Honour of Nicholas Cook. Routledge: London, pp. 164-179. ISBN 9781138359925 (doi: 10.4324/9780429433405-13)

Heile, B. (2020) Between ‘the disease of admiration’ and the ‘hermeneutics of suspicion’: working on living composers and musicians. In: Pace, I. and Wiley, C. (eds.) Writing about Contemporary Musicians: Promotion, Advocacy, Disinterest, Censure. Routledge. (Accepted for Publication)

2019

Heile, B. (2019) Mapping musical modernism. In: Belina, A., Kilpiö, K. and Scott, D. B. (eds.) Music History and Cosmopolitanism. Routledge: Abingdon, Oxon ; New York, NY, pp. 90-105. ISBN 9781138481138 (doi: 10.4324/9781351060950-7)

Heile, B. (2019) New music theatre and theories of embodied cognition. In: Adlington, R. (ed.) New Music Theatre in Europe: Transformations Between 1955-1975. Series: Musical cultures of the twentieth century. Routledge: Abingdon, Oxon ; New York, NY, pp. 273-293. ISBN 9781138323018 (doi: 10.4324/9780429451669-13)

2018

Heile, B. (2018) Renaissance or afterlife? Nostalgia in the new jazz films. In: Gebhardt, N., Rustin-Paschal, N. and Whyton, T. (eds.) The Routledge Companion to Jazz Studies. Series: Routledge music companions. Routledge: New York, NY, pp. 423-431. ISBN 9781138231160

Heile, B. and Wilson, C. (Eds.) (2018) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472470409

Heile, B. (2018) Musical modernism, global: comparative observations. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 175-198. ISBN 9781472470409

Heile, B. and Wilson, C. (2018) Introduction. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-30. ISBN 9781472470409

Heile, B. (2018) Mapping Musical Modernism. [Website]

2017

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, B. (2017) Integrative music history: rethinking music since 1900. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 55-76. ISBN 9781472467324

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

2016

Heile, B. (2016) Music, performance, theatre: Christopher Fox's stage works. In: Dodd, R. (ed.) Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge: London, pp. 1-16. ISBN 9781472428240

Heile, B. (2016) Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'. In: Kaduri, Y. (ed.) The Oxford Handbook of Sound and Image in Western Art. Series: The Oxford Handbooks series. Oxford University Press: Oxford, pp. 335-355. ISBN 9780199841547 (doi: 10.1093/oxfordhb/9780199841547.013.001)

Heile, B. (2016) The New Jazz Films (and Their Old Models). [Website]

Heile, B. (2016) Globalisierung. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 252-256. ISBN 9783476023261

Heile, B. (2016) Instrumentales theater. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 289-290. ISBN 9783476023261

Doctor, J., Elsdon, P. and Heile, B. (2016) Introduction. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 1-33. ISBN 978019934767 (doi: 10.1093/acprof:oso/9780199347650.003.0001)

Heile, B. (2016) "Es klingt nach Kagel, erinnert jedoch an Schubert": Mauricio Kagel und das Apokryphe - ein Versuch zur Krypto-Ontologie des musikalischen Stils. In: Torkewitz, D. (ed.) Zwischen Bearbeitung und Recycling: Zur Situation der Neuen Musik, im Kontext der postmodernen Diskussion über Kunst und Ästhetik der Kunst. Series: Wiener Veröffentlichungen zur Theorie und Interpretation der Musik (3). Praesens: Vienna, pp. 133-144. ISBN 9783706908559

Heile, B. (2016) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Théâtre Musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo. L'harmattan: Paris, pp. 145-160. ISBN 9782336303871

Heile, B. , Elsdon, P. and Doctor, J. (Eds.) (2016) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, NY. ISBN 9780199347650

Heile, B. (2016) Miles ahead: a film that remains (mostly) true to jazz legend Miles Davis. Conversation, 2016, 27 Apr.

2015

Heile, B. (2015) Erik Bergman, cosmopolitanism and the transformation of musical geography. In: Guldbrandsen, E. E. and Johnson, J. (eds.) Transformations of Musical Modernism. Series: Music since 1900. University of Cambridge Press: Cambridge, pp. 74-96. ISBN 9781107127210

Heile, B. (2015) Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’. In: Rahmatian, A. (ed.) Concepts of Music and Copyright: How music perceives itself and how copyright perceives music. Edward Elgar, pp. 123-142. ISBN 9781783478187

Heile, B. (2015) Play it again, Duke: jazz performance, improvisation, and the construction of spontaneity. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 238-266. ISBN 9780199347650 (doi: 10.1093/acprof:oso/9780199347650.001.0001)

2014

Heile, B. (2014) Supplement to the Music of Mauricio Kagel. UNSPECIFIED: Glasgow.

2013

Heile, B. (2013) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Theatre de Luciano Berio: Un re in Sscolto, Venice, Italy, 28 Sep 2012,

Heile, B. (2013) Review of: K. Gloag, Postmodernism in Music. Notes, 70(1), pp. 116-119. (doi: 10.1353/not.2013.0098)[Book Review]

2012

Heile, B. (2012) Review of: Klangperspektiven by Lucas Haselböck. Music and Letters, 93(4), pp. 626-629. (doi: 10.1093/ml/gcs078)[Book Review]

Heile, B. (2012) „Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici. In: Altenburg, D. and Bayreuther, R. (eds.) Musik und kulturelle Identit. Bärenreiter. ISBN 9783761818374

Heile, B. (2012) Review of: Mauricio Kagel. Zwei-Mann-Orchester. Essays und Dokumente. Hrsg. von Matthias Kassel. Basel: Schwabe Verlag, 2011. Mauricio Kagel. Zwei-Mann-Orchester.Basler Fassung 2011. Basel: point de vue, 2011 [DVD]. Fontes Artis Musicae, 59(2), pp. 208-210. [Book Review]

Heile, B. (2012) Editorial. Twentieth-Century Music, 9(1-2), pp. 3-10. (doi: 10.1017/S1478572212000175)

Heile, B. (2012) Sam Hayden's Presence/Absence [CD liner notes]. Sam Hayden: Presence/Absence [CD],

2011

Heile, B. (2011) Musical modernism, sanitized. Modernism/Modernity, 18(3), pp. 631-637. (doi: 10.1353/mod.2011.0055)[Book Review]

Heile, B. (2011) Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0. Popular Music, 30(3), pp. 485-487. (doi: 10.1017/S026114301100033X)[Book Review]

2010

Heile, B. (2010) Review of: M. Kunkel and M. Papiro, eds., Der Schall: Mauricio Kagels Instrumentarium. Notes: Quarterly Journal of the Music Library Association, 67(1), pp. 131-133. (doi: 10.1353/not.2010.0003)[Book Review]

Heile, B. (2010) Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review]. Twentieth-Century Music, 7(1), pp. 130-135. (doi: 10.1017/S1478572211000107)[Book Review]

Heile, B. (2010) Review of: F. Hentschel, Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik. Music and Letters, 91(1), pp. 132-135. (doi: 10.1093/ml/gcp042)[Book Review]

Heile, B. (2010) Cook, Nicholas (John). In: Macy, L.W. (ed.) Oxford Music Online: Grove Music Online. Oxford University Press: Oxford, UK.

Heile, B. (2010) On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light. In: Levi, E. and Scheding, F. (eds.) Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond. Series: Europea (10). Scarecrow Press: Lanham, Md., USA, pp. 105-116. ISBN 9780810863798

2009

Heile, B. (2009) Review of: R. Maconie, Other Planets: The Music of Karlheinz Stockhausen. Music and Letters, 90(1), pp. 123-126. (doi: 10.1093/ml/gcn085)[Book Review]

Heile, B. and Iddon, M. (Eds.) (2009) Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag: Hofheim. ISBN 9783936000412

Heile, B. (Ed.) (2009) The Modernist Legacy: Essays on New Music. Ashgate: Farnham. ISBN 9780754662600

Heile, B. (2009) Introduction: new music and the modernist legacy. In: Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Ashgate: Farnham, pp. 1-11. ISBN 9780754662600

Heile, B. (2009) Kagel in Darmstadt: texte und kontexte. In: Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel. Series: Neue Zeitschrift für Musik (214). Schott: Mainz, Germany, pp. 123-133. ISBN 9783795706869

Heile, B. (2009) Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt. MusikTexte, 120, pp. 56-60.

Heile, B. (2009) Weltmusik and the globalization of new music. In: The Modernist Legacy: Essays on New Music. Ashgate: Farnham, UK, pp. 101-121. ISBN 9780754662600

2008

Heile, B. (2008) Review of: Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Music and Letters, 89(4), pp. 686-687. (doi: 10.1093/ml/gcn008)[Book Review]

Heile, B. (2008) "Composition with film": Mauricio Kagel as filmmaker. In: Stilwell, R.J. and Powrie, P. (eds.) Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda. Indiana University Press: Bloomington, IN, USA, pp. 106-121. ISBN 9780253349767

Heile, B. (2008) Homo ludens? Spiel und spielen im werk von Mauricio Kagel. In: Klüppelholz, W. (ed.) Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel. Wolke Verlag: Hofheim, Germany, pp. 109-127. ISBN 9783936000467

Heile, B. (2008) Review of: M. Rebstock, Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965. Forum Modernes Theater, 23(1), pp. 76-77. [Book Review]

2007

Heile, B. (2007) Uri Caine's Mahler: jazz, tradition and identity. Twentieth-Century Music, 4(2), pp. 229-255. (doi: 10.1017/S1478572208000522)

Heile, B. (2007) Review of: B. Vennefrohne, Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes. Music and Letters, 88(3), pp. 545-547. (doi: 10.1093/ml/gcl145)[Book Review]

Heile, B. (2007) Review of: M. Cooke, ed., The Cambridge Companion to Twentieth-Century Opera. Music and Letters, 88(2), pp. 347-353. (doi: 10.1093/ml/gcl107)[Book Review]

Heile, B. (2007) Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren. In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.) Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968. Series: Musicolonia, 1. Dohr: Cologne, pp. 81-91. ISBN 9783936655483

Heile, B. (2007) Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions. In: La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006. Series: Collection Arts (8). L'Harmattan: Paris, pp. 183-192. ISBN 9782296044920

Heile, B. (2007) W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work]
. Res Facta: Teksty o Muzyce Wspolczesnej, 9(18), pp. 11-19.

Heile, B. (2007) Review of: Werner Klüppelholz, Über Mauricio Kagel, Schriften 1985-2002; Lese-Welten. Mauricio Kagel und die Literatur. Eine Ausstellung des Heinrich-Heine-Instituts der Landeshauptstadt Düsseldorf im Rahmen der jüdischen Kulturtage. Konzipiert und realisiert von Werner Klüppelholz. Die Musikforschung, 60(1), pp. 71-72. [Book Review]

2006

Heile, B. (2006) Recent approaches to experimental music theatre and contemporary opera [review article]. Music and Letters, 87(1), pp. 72-81. (doi: 10.1093/ml/gci179)[Book Review]

Heile, B. (2006) The Music of Mauricio Kagel. Ashgate. ISBN 9780754635239

2005

Heile, B. (2005) Review of: R. Fearn, The Music of Luigi Dallapiccola. Music and Letters, 86(1), pp. 152-154. (doi: 10.1093/ml/gci022)[Book Review]

2004

Heile, B. (2004) Review of: D. Metzer, Quotation and Cultural Meaning in Twentieth-Century Music. Music and Letters, 85(3), pp. 492-494. (doi: 10.1093/ml/85.3.492)[Book Review]

Heile, B. (2004) ”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester. Music Analysis, 23(1), pp. 57-85. (doi: 10.1111/j.0262-5245.2004.00195.x)

Heile, B. (2004) Darmstadt as other: British and American responses to musical modernism. Twentieth-Century Music, 1(2), pp. 161-178. (doi: 10.1017/S1478572205000162)

Heile, B. (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte, 114, pp. 83-95.

Heile, B. (2004) Personalia entries in appendix. In: Cook, N. and Pople, A. (eds.) The Cambridge History of Twentieth-Century Music. Series: The Cambridge history of music. Cambridge University Press: Cambridge, UK. ISBN 9780521662567

Heile, B. (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001. Wissner: Augsburg. ISBN 9783896393869

2003

Heile, B. (2003) Review of: K. Schmidt-Wistoff, Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens. Music and Letters, 84(1), pp. 147-149. (doi: 10.1093/ml/84.1.147)[Book Review]

Heile, B. (2003) Review of: M.J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Music and Letters, 84(1), pp. 132-136. (doi: 10.1093/ml/84.1.132)[Book Review]

Heile, B. (2003) Muziek voor open ogen: het instrumentaal theater van Mauricio Kagel. Kunsttijdschrift Vlaanderen, 52(297), pp. 228-232.

2002

Heile, B. (2002) Schamanismus und Serialit. Mitteilungen der Paul Sacher Stiftung, 15, pp. 47-51.

Heile, B. (2002) Collage vs. compositional control, the interdependency of modernist and postmodernist approaches in the work of Mauricio Kagel. In: Lochhead, J.I. and Auner, J.H. (eds.) Postmodern Music/Postmodern Thought. Series: Studies in contemporary music and culture (4). Routledge: New York, USA, pp. 287-299. ISBN 9780815338192

2001

Heile, B. (2001) Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen. Neue Zeitschrift für Musik, 162, pp. 10-15.

Heile, B. (2001) Musik an der Grenze der Empfindsamkeit: Björn Heile im Gespräch mit Mauricio Kagel [interview with Mauricio Kagel]. Neue Zeitschrift für Musik, 162, pp. 16-20.

2000

Heile, B. (2000) Review of: Analysieren lernen durch praktischen Nachvollzug. Nicolas Cook's Analysis through Composition. Musik und Aesthetik, 4(4), pp. 116-118. [Book Review]

1999

Heile, B. (1999) Review of: W. Reich, Mauricio Kagel: Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. Die Musikforschung, 52, pp. 267-268. [Book Review]

1998

Heile, B. (1998) Neutralising history: Mauricio Kagel's String Quartet No. 3. British Postgraduate Musicology, 2, pp. 16-23.

Heile, B. (1998) Auseinandersetzung mit einem mythos: Mauricio Kagels streichquartette. Positionen, 34, pp. 15-19.

1996

Heile, B. (1996) Mauricio Kagel. In: De la Motte-Haber, H. (ed.) Klangkunst. Prestel: Munich, Germany, p. 80. ISBN 9783791316994

Heile, B. (1996) Semantisierung des instruments: das klavier in den werken Mauricio Kagels. MusikTexte, 66, pp. 22-30.

Articles

Heile, B. (2024) Migration, the dodecaphonic diaspora and the transnational network of musical modernism: The varied career of Hans-Joachim Koellreutter. Twentieth-Century Music, (Accepted for Publication)

Heile, B. (2021) Jennifer Walshe, Ireland: a dataset National Concert Hall, Dublin, 26 September 2020, broadcast online (Imagining Ireland Livestream Series). Sound Stage Screen, 1(2), pp. 219-223. (doi: 10.54103/sss16656)

Heile, B. (2020) A theatre of sound and movement. Experimental music theatre and theories of embodied cognition. European Drama and Performance Studies, 15(2), pp. 217-237.

Heile, B. (2016) Miles ahead: a film that remains (mostly) true to jazz legend Miles Davis. Conversation, 2016, 27 Apr.

Heile, B. (2012) Editorial. Twentieth-Century Music, 9(1-2), pp. 3-10. (doi: 10.1017/S1478572212000175)

Heile, B. (2012) Sam Hayden's Presence/Absence [CD liner notes]. Sam Hayden: Presence/Absence [CD],

Heile, B. (2009) Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt. MusikTexte, 120, pp. 56-60.

Heile, B. (2007) Uri Caine's Mahler: jazz, tradition and identity. Twentieth-Century Music, 4(2), pp. 229-255. (doi: 10.1017/S1478572208000522)

Heile, B. (2007) W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work]
. Res Facta: Teksty o Muzyce Wspolczesnej, 9(18), pp. 11-19.

Heile, B. (2004) ”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester. Music Analysis, 23(1), pp. 57-85. (doi: 10.1111/j.0262-5245.2004.00195.x)

Heile, B. (2004) Darmstadt as other: British and American responses to musical modernism. Twentieth-Century Music, 1(2), pp. 161-178. (doi: 10.1017/S1478572205000162)

Heile, B. (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte, 114, pp. 83-95.

Heile, B. (2003) Muziek voor open ogen: het instrumentaal theater van Mauricio Kagel. Kunsttijdschrift Vlaanderen, 52(297), pp. 228-232.

Heile, B. (2002) Schamanismus und Serialit. Mitteilungen der Paul Sacher Stiftung, 15, pp. 47-51.

Heile, B. (2001) Kopien ohne Vorbild: Kagel und die Ästhetik des Apokryphen. Neue Zeitschrift für Musik, 162, pp. 10-15.

Heile, B. (2001) Musik an der Grenze der Empfindsamkeit: Björn Heile im Gespräch mit Mauricio Kagel [interview with Mauricio Kagel]. Neue Zeitschrift für Musik, 162, pp. 16-20.

Heile, B. (1998) Neutralising history: Mauricio Kagel's String Quartet No. 3. British Postgraduate Musicology, 2, pp. 16-23.

Heile, B. (1998) Auseinandersetzung mit einem mythos: Mauricio Kagels streichquartette. Positionen, 34, pp. 15-19.

Heile, B. (1996) Semantisierung des instruments: das klavier in den werken Mauricio Kagels. MusikTexte, 66, pp. 22-30.

Books

Heile, B. (2014) Supplement to the Music of Mauricio Kagel. UNSPECIFIED: Glasgow.

Heile, B. (2006) The Music of Mauricio Kagel. Ashgate. ISBN 9780754635239

Book Sections

Heile, B. (2023) Caine, Uri. In: MGG Online. Bärenreiter.

Heile, B. (2023) Serialism in Latin America. In: Iddon, M. (ed.) Cambridge Companion to Serialism. Series: Cambridge Companions to Music. Cambridge University Press. ISBN 9781108716864

Heile, B. (2020) Writing on living composers and the problem of advocacy: failure and the experimental work of Mauricio Kagel. In: Aguilar, A., Cole, R., Pritchard, M. and Clarke, E. (eds.) Remixing Music Studies: Essays in Honour of Nicholas Cook. Routledge: London, pp. 164-179. ISBN 9781138359925 (doi: 10.4324/9780429433405-13)

Heile, B. (2020) Between ‘the disease of admiration’ and the ‘hermeneutics of suspicion’: working on living composers and musicians. In: Pace, I. and Wiley, C. (eds.) Writing about Contemporary Musicians: Promotion, Advocacy, Disinterest, Censure. Routledge. (Accepted for Publication)

Heile, B. (2019) Mapping musical modernism. In: Belina, A., Kilpiö, K. and Scott, D. B. (eds.) Music History and Cosmopolitanism. Routledge: Abingdon, Oxon ; New York, NY, pp. 90-105. ISBN 9781138481138 (doi: 10.4324/9781351060950-7)

Heile, B. (2019) New music theatre and theories of embodied cognition. In: Adlington, R. (ed.) New Music Theatre in Europe: Transformations Between 1955-1975. Series: Musical cultures of the twentieth century. Routledge: Abingdon, Oxon ; New York, NY, pp. 273-293. ISBN 9781138323018 (doi: 10.4324/9780429451669-13)

Heile, B. (2018) Renaissance or afterlife? Nostalgia in the new jazz films. In: Gebhardt, N., Rustin-Paschal, N. and Whyton, T. (eds.) The Routledge Companion to Jazz Studies. Series: Routledge music companions. Routledge: New York, NY, pp. 423-431. ISBN 9781138231160

Heile, B. (2018) Musical modernism, global: comparative observations. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 175-198. ISBN 9781472470409

Heile, B. and Wilson, C. (2018) Introduction. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-30. ISBN 9781472470409

Heile, B. (2017) Integrative music history: rethinking music since 1900. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 55-76. ISBN 9781472467324

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Heile, B. (2016) Music, performance, theatre: Christopher Fox's stage works. In: Dodd, R. (ed.) Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge: London, pp. 1-16. ISBN 9781472428240

Heile, B. (2016) Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'. In: Kaduri, Y. (ed.) The Oxford Handbook of Sound and Image in Western Art. Series: The Oxford Handbooks series. Oxford University Press: Oxford, pp. 335-355. ISBN 9780199841547 (doi: 10.1093/oxfordhb/9780199841547.013.001)

Heile, B. (2016) Globalisierung. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 252-256. ISBN 9783476023261

Heile, B. (2016) Instrumentales theater. In: Hiekel, J. P. and Utz, C. (eds.) Lexikon Neue Musik. Metzler & Bärenreiter: Stuttgart, pp. 289-290. ISBN 9783476023261

Doctor, J., Elsdon, P. and Heile, B. (2016) Introduction. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 1-33. ISBN 978019934767 (doi: 10.1093/acprof:oso/9780199347650.003.0001)

Heile, B. (2016) "Es klingt nach Kagel, erinnert jedoch an Schubert": Mauricio Kagel und das Apokryphe - ein Versuch zur Krypto-Ontologie des musikalischen Stils. In: Torkewitz, D. (ed.) Zwischen Bearbeitung und Recycling: Zur Situation der Neuen Musik, im Kontext der postmodernen Diskussion über Kunst und Ästhetik der Kunst. Series: Wiener Veröffentlichungen zur Theorie und Interpretation der Musik (3). Praesens: Vienna, pp. 133-144. ISBN 9783706908559

Heile, B. (2016) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Théâtre Musical de Luciano Berio: De Un re in ascolto à Cronaca del Luogo. L'harmattan: Paris, pp. 145-160. ISBN 9782336303871

Heile, B. (2015) Erik Bergman, cosmopolitanism and the transformation of musical geography. In: Guldbrandsen, E. E. and Johnson, J. (eds.) Transformations of Musical Modernism. Series: Music since 1900. University of Cambridge Press: Cambridge, pp. 74-96. ISBN 9781107127210

Heile, B. (2015) Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’. In: Rahmatian, A. (ed.) Concepts of Music and Copyright: How music perceives itself and how copyright perceives music. Edward Elgar, pp. 123-142. ISBN 9781783478187

Heile, B. (2015) Play it again, Duke: jazz performance, improvisation, and the construction of spontaneity. In: Heile, B., Elsdon, P. and Doctor, J. (eds.) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, pp. 238-266. ISBN 9780199347650 (doi: 10.1093/acprof:oso/9780199347650.001.0001)

Heile, B. (2012) „Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici. In: Altenburg, D. and Bayreuther, R. (eds.) Musik und kulturelle Identit. Bärenreiter. ISBN 9783761818374

Heile, B. (2010) Cook, Nicholas (John). In: Macy, L.W. (ed.) Oxford Music Online: Grove Music Online. Oxford University Press: Oxford, UK.

Heile, B. (2010) On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light. In: Levi, E. and Scheding, F. (eds.) Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond. Series: Europea (10). Scarecrow Press: Lanham, Md., USA, pp. 105-116. ISBN 9780810863798

Heile, B. (2009) Introduction: new music and the modernist legacy. In: Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Ashgate: Farnham, pp. 1-11. ISBN 9780754662600

Heile, B. (2009) Kagel in Darmstadt: texte und kontexte. In: Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel. Series: Neue Zeitschrift für Musik (214). Schott: Mainz, Germany, pp. 123-133. ISBN 9783795706869

Heile, B. (2009) Weltmusik and the globalization of new music. In: The Modernist Legacy: Essays on New Music. Ashgate: Farnham, UK, pp. 101-121. ISBN 9780754662600

Heile, B. (2008) "Composition with film": Mauricio Kagel as filmmaker. In: Stilwell, R.J. and Powrie, P. (eds.) Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda. Indiana University Press: Bloomington, IN, USA, pp. 106-121. ISBN 9780253349767

Heile, B. (2008) Homo ludens? Spiel und spielen im werk von Mauricio Kagel. In: Klüppelholz, W. (ed.) Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel. Wolke Verlag: Hofheim, Germany, pp. 109-127. ISBN 9783936000467

Heile, B. (2007) Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren. In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.) Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968. Series: Musicolonia, 1. Dohr: Cologne, pp. 81-91. ISBN 9783936655483

Heile, B. (2007) Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions. In: La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006. Series: Collection Arts (8). L'Harmattan: Paris, pp. 183-192. ISBN 9782296044920

Heile, B. (2004) Personalia entries in appendix. In: Cook, N. and Pople, A. (eds.) The Cambridge History of Twentieth-Century Music. Series: The Cambridge history of music. Cambridge University Press: Cambridge, UK. ISBN 9780521662567

Heile, B. (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001. Wissner: Augsburg. ISBN 9783896393869

Heile, B. (2002) Collage vs. compositional control, the interdependency of modernist and postmodernist approaches in the work of Mauricio Kagel. In: Lochhead, J.I. and Auner, J.H. (eds.) Postmodern Music/Postmodern Thought. Series: Studies in contemporary music and culture (4). Routledge: New York, USA, pp. 287-299. ISBN 9780815338192

Heile, B. (1996) Mauricio Kagel. In: De la Motte-Haber, H. (ed.) Klangkunst. Prestel: Munich, Germany, p. 80. ISBN 9783791316994

Book Reviews

Heile, B. (2023) The Way of the Moderns: Six Perspectives on Modernism in Music. Edited by Antoni Piza. Music and Letters, 104(3), pp. 514-518. (doi: 10.1093/ml/gcad041)[Book Review]

Heile, B. (2023) Improvising the Score: Rethinking Modern Film Music through Jazz. By Gretchen L. Carlson. Jackson, MI: University Press of Mississippi, 2022. 224 pp. ISBN: 978-1-496-84084-4. Popular Music, (doi: 10.1017/S0261143023000120)[Book Review] (Early Online Publication)

Heile, B. (2021) Postmodernity’s Musical Pasts. Ed. by Tina Frühauf. Pp. 325. (Boydell Press, Woodbridge and Rochester, NY, 2020. ISBN 978-1-78327-496-3, £70.). Music and Letters, 102(2), pp. 391-394. (doi: 10.1093/ml/gcab042)[Book Review]

Heile, B. (2013) Review of: K. Gloag, Postmodernism in Music. Notes, 70(1), pp. 116-119. (doi: 10.1353/not.2013.0098)[Book Review]

Heile, B. (2012) Review of: Klangperspektiven by Lucas Haselböck. Music and Letters, 93(4), pp. 626-629. (doi: 10.1093/ml/gcs078)[Book Review]

Heile, B. (2012) Review of: Mauricio Kagel. Zwei-Mann-Orchester. Essays und Dokumente. Hrsg. von Matthias Kassel. Basel: Schwabe Verlag, 2011. Mauricio Kagel. Zwei-Mann-Orchester.Basler Fassung 2011. Basel: point de vue, 2011 [DVD]. Fontes Artis Musicae, 59(2), pp. 208-210. [Book Review]

Heile, B. (2011) Musical modernism, sanitized. Modernism/Modernity, 18(3), pp. 631-637. (doi: 10.1353/mod.2011.0055)[Book Review]

Heile, B. (2011) Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0. Popular Music, 30(3), pp. 485-487. (doi: 10.1017/S026114301100033X)[Book Review]

Heile, B. (2010) Review of: M. Kunkel and M. Papiro, eds., Der Schall: Mauricio Kagels Instrumentarium. Notes: Quarterly Journal of the Music Library Association, 67(1), pp. 131-133. (doi: 10.1353/not.2010.0003)[Book Review]

Heile, B. (2010) Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review]. Twentieth-Century Music, 7(1), pp. 130-135. (doi: 10.1017/S1478572211000107)[Book Review]

Heile, B. (2010) Review of: F. Hentschel, Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik. Music and Letters, 91(1), pp. 132-135. (doi: 10.1093/ml/gcp042)[Book Review]

Heile, B. (2009) Review of: R. Maconie, Other Planets: The Music of Karlheinz Stockhausen. Music and Letters, 90(1), pp. 123-126. (doi: 10.1093/ml/gcn085)[Book Review]

Heile, B. (2008) Review of: Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Music and Letters, 89(4), pp. 686-687. (doi: 10.1093/ml/gcn008)[Book Review]

Heile, B. (2008) Review of: M. Rebstock, Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965. Forum Modernes Theater, 23(1), pp. 76-77. [Book Review]

Heile, B. (2007) Review of: B. Vennefrohne, Die Sinfonien Hans Werner Henzes: Entstehungsgeschichtliche und werkanalytische Untersuchungen zu einer Sinfonie-Asthetik Henzes. Music and Letters, 88(3), pp. 545-547. (doi: 10.1093/ml/gcl145)[Book Review]

Heile, B. (2007) Review of: M. Cooke, ed., The Cambridge Companion to Twentieth-Century Opera. Music and Letters, 88(2), pp. 347-353. (doi: 10.1093/ml/gcl107)[Book Review]

Heile, B. (2007) Review of: Werner Klüppelholz, Über Mauricio Kagel, Schriften 1985-2002; Lese-Welten. Mauricio Kagel und die Literatur. Eine Ausstellung des Heinrich-Heine-Instituts der Landeshauptstadt Düsseldorf im Rahmen der jüdischen Kulturtage. Konzipiert und realisiert von Werner Klüppelholz. Die Musikforschung, 60(1), pp. 71-72. [Book Review]

Heile, B. (2006) Recent approaches to experimental music theatre and contemporary opera [review article]. Music and Letters, 87(1), pp. 72-81. (doi: 10.1093/ml/gci179)[Book Review]

Heile, B. (2005) Review of: R. Fearn, The Music of Luigi Dallapiccola. Music and Letters, 86(1), pp. 152-154. (doi: 10.1093/ml/gci022)[Book Review]

Heile, B. (2004) Review of: D. Metzer, Quotation and Cultural Meaning in Twentieth-Century Music. Music and Letters, 85(3), pp. 492-494. (doi: 10.1093/ml/85.3.492)[Book Review]

Heile, B. (2003) Review of: K. Schmidt-Wistoff, Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens. Music and Letters, 84(1), pp. 147-149. (doi: 10.1093/ml/84.1.147)[Book Review]

Heile, B. (2003) Review of: M.J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Music and Letters, 84(1), pp. 132-136. (doi: 10.1093/ml/84.1.132)[Book Review]

Heile, B. (2000) Review of: Analysieren lernen durch praktischen Nachvollzug. Nicolas Cook's Analysis through Composition. Musik und Aesthetik, 4(4), pp. 116-118. [Book Review]

Heile, B. (1999) Review of: W. Reich, Mauricio Kagel: Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. Die Musikforschung, 52, pp. 267-268. [Book Review]

Edited Books

Heile, B. and Wilson, C. (Eds.) (2018) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472470409

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, B. , Elsdon, P. and Doctor, J. (Eds.) (2016) Watching Jazz: Encounters with Jazz Performance on Screen. Oxford University Press: New York, NY. ISBN 9780199347650

Heile, B. and Iddon, M. (Eds.) (2009) Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag: Hofheim. ISBN 9783936000412

Heile, B. (Ed.) (2009) The Modernist Legacy: Essays on New Music. Ashgate: Farnham. ISBN 9780754662600

Conference Proceedings

Heile, B. (2013) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Theatre de Luciano Berio: Un re in Sscolto, Venice, Italy, 28 Sep 2012,

Exhibitions

Skeldon, K. et al. (2023) Research Firsts Exhibition. [Exhibitions]

Compositions

Heile, B. (2023) Trio. [Compositions] (Unpublished)

Heile, B. (2021) 3x10 Musical Actions for Three Socially Distanced Performers. [Compositions]

Website

Heile, B. (2021) Así electrizó Miles Davis el jazz. [Website]

Heile, B. (2021) How Miles Davis electrified jazz. [Website]

Heile, B. (2021) Snobbery in the UK?: Musik(wissen­schaft) und Klasse in Groß­britannien. [Website]

Heile, B. (2018) Mapping Musical Modernism. [Website]

Heile, B. (2016) The New Jazz Films (and Their Old Models). [Website]