The Hunterian

Allan Ramsay: Portraits of the Enlightenment

Hunterian Art Gallery, University of Glasgow
13 September 2013 – 5 January 2014
Admission - £6.50 / £5 concession

Elegant and beautiful paintings by one of Britain’s finest portraitists are at the heart of a new exhibition opening at the Hunterian Art Gallery on Friday 13 September 2013.

Allan Ramsay: Portraits of the Enlightenment will cast new light on the work of Allan Ramsay (1713-1784), to mark the tercentenary of his birth.  His elegant style, particularly in his portraits of women, sets him apart from other British portraitists of the time. His paintings reflected his wider engagement in the issues of his day, from politics to matters of taste, archaeology and literature. 

The exhibition will feature a selection of Ramsay’s best works from across his 30 years as a painter, as well as his books, pamphlets and other written material revealing his fascinating place in the intellectual and cultural life of the mid-18th century. It will feature key loans from public and private collections across the UK, including some portraits never shown in Scotland before.

The exhibition and accompanying publication are drawn from significant new research examining the context in which Ramsay painted his most important portraits. Well-travelled and well-connected, it was no accident that he created the defining portraits of two of the most influential figures of the European Enlightenment; Jean Jacques Rousseau and David Hume. New research explores the importance of Ramsay’s Scottish background and his close associations with his influential sitters.

Visitors will see portraits of key figures such as David Hume, Flora MacDonald, and Royal Physician Richard Mead and exquisite portraits of aristocracy, including those of Baroness Stanhope, Caroline Fox and Countess Temple. These go beyond ordinary portraits, reflecting the candour and animation of lively exchanges with friends and equals.

Mungo Campbell, Deputy Director, The Hunterian, says: ‘It is remarkable that Allan Ramsay was remembered at the end of his life more for his erudite writings than his paintings, which shine with empathetic humanity and honesty. It is possibly because he painted for royalty and aristocracy rather than for public exhibition, that many of his finest paintings were scarcely seen outside these circles. We hope that this exhibition will redress the balance.’

The accompanying publication Allan Ramsay: Portraits of the Enlightenment, will be available from The Hunterian shop.

Notes for Editors

The Hunterian
The Hunterian at the University of Glasgow is one of the leading university museums in the UK. Its collections have been Recognised as a Collection of National Significance.

The Hunterian is home to the world’s largest permanent display of the work of James McNeill Whistler, the largest single holding of the work of Charles Rennie Mackintosh and The Mackintosh House, the reassembled interiors from his Glasgow home. The Hunterian Art Gallery re-opened last September following a major refurbishment.

The Hunterian collections also include scientific instruments used by James Watt, Joseph Lister and Lord Kelvin; outstanding Roman artefacts from the Antonine Wall; major natural and life sciences holdings; founder William Hunter’s own extensive anatomical teaching collection; one of the world’s greatest numismatic collections; and impressive ethnographic objects from Captain Cook’s Pacific voyages.

 

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For further information please contact

Nick Wade
Media Relations Officer
Corporate Communications
University of Glasgow
 
Telephone: +44 (0)141 -330-7126 (direct line)
Mobile: +44 (0)7837 097 159
Email: nick.wade@glasgow.ac.uk
 
Susan Ferguson
Head of Marketing and Communication
The Hunterian
University of Glasgow

Telephone: +44(0)141 330 2138
Mobile: +44 (0)7794 292 775
E-mail: susan.ferguson@glasgow.ac.uk

First published: 11 September 2013