Reach 10 - New Writing Inspired by the 2016 Homeless World Cup in Glasgow

Sgrìobhadh ùr air a bhrosnachadh le Cupa na Cruinne: Gun Dachaigh, 2016 ann an Glaschu

In 2016, George Square in the centre of Glasgow was turned into a giant street football venue for the Homeless World Cup. National teams played between the 10-16 July, with Mexico emerging victorious in both the women’s and men’s competitions. Over the course of the week the matches were watched by an estimated 80,000 spectators. The Homeless World Cup Foundation is a charity registered in Scotland which aims to empower, inspire and to improve the lives of men and women who have experienced homelessness across the world through football. All of this was made possible by the dedicated team of volunteers, most of whom had also experienced homelessness.

Those volunteers were given the opportunity to participate in free learning activities. Writers and academics Professor Louise Welsh and Senior Lecturer Zoë Strachan collaborated with Glasgow Life to devise a learning strand focused on Creative Writing, to be taught by graduates of the MLitt in Creative Writing at Glasgow. Welsh insists that these workshops were the result of a massive collaborative effort between Glasgow Life, the Mitchell Library and the Aye Write! Festival. As well as attending workshops, learners received dedicated mentoring from current students on the MLitt, and masterclasses from professional writers such as Lin Anderson, Alan Bissett and Robert Douglas. The volunteers and mentors met at the Mitchell and Partick libraries to work on their writing, which Welsh said, ‘In a time of austerity when things are getting cut was wonderful to see.’

The resulting work went into an anthology entitled Home Ground: New Writing inspired by the Homeless World Cup in Glasgow, edited by Welsh and Strachan. The anthology was published by Freight Books, headed up by Adrian Searle, another graduate of the M.Litt. in Creative Writing.  It includes a mixture of new writers who have experienced homelessness, alumni and professional writers. However, there are no biographies, partly because as Welsh highlighted, the contributors were keen to echo the equality which they discovered whilst sitting around the table discussing writing and literature. The writings cover a range of hard-hitting subjects relating to homelessness from sexuality and health to drugs and, of course, death. Nevertheless, Welsh said the ‘texture’ of the writing also revealed the incredible strength, humour and generosity which characterised their lives and voices.

Katrina Brodin from Glasgow Life commented that Welsh and Strachan wrote, ‘an insightful editorial introduction to the book that champions the power of libraries, reading, writing, learning and sharing of stories and the role these all play in equalising us all, enabling empathy and better understanding of each other.’ As for the future, Brodin said that, ‘The project has bonded our partnership approach in ensuring that we continue to support our learners with their next writing goals and ambitions for learning and both Louise and Zoë continue to play a key part in that work.’

Freight Books produced 10,000 copies of Home Ground which were given out for free across Glasgow in libraries and health centres. Strachan said that here at University of Glasgow, copies disappeared like hot cakes from the Library and John Smith’s Bookshop. Free copies were also distributed during the book launch event which opened the Aye Write! Festival on 9th March 2017 at the Mitchell Library. Welsh and Strachan chaired the event, which included readings and interviews with some of the contributors, which they both found quite emotional. Welsh hopes that the book will give readers an insight into the variety of ways that people can become homeless and what it’s like to experience it. Furthermore, Welsh and Strachan firmly believe that literature is the gateway to empathy, and so hopefully readers will reserve their judgements and develop a more empathetic and kind attitude towards the homeless.

Welsh insisted that the publication of Home Ground was only the beginning. The Homeless World Cup might have kicked off the creative writing workshops for those who have experienced homelessness, but the workshops have carried on. The writers who have experienced homeless have so much more to say, and others are yet to find their voices. They don’t want to be defined by miserable images like the damp cardboard box. Welsh and Strachan want these workshops to thrive in Glasgow and help to empower an often ignored and derided community.

The book is also available as a digital download free of charge for a mobile device or for a Kindle compatible download.

If you would like to find out more about the writing workshops or want to get involved, you can contact us at


If you wish to find out more about this article or about how you can progress your ideas (i) as an academic wishing to engage with a non-academic organisation or (ii) as a non-academic organisation interested in engaging with the academic knowledge base, please email the College of Arts KE Team.

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