Professor Martin Cloonan

Affiliate (School of Culture & Creative Arts)

R406 Level 4, Music, 14 University Gardens, Glasgow G12 8QH

Publications

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Number of items: 208.

2023

Frith, S., Cloonan, M. and Williamson, J. (Eds.) (2023) Made in Scotland: Studies in Popular Music. Series: Routledge global popular music series. Routledge: London. ISBN 9781032161983

2021

Frith, S., Brennan, M., Cloonan, M. and Webster, E. (2021) The History of Live Music in Britain, Volume III: From Live Aid to Live Nation. Series: Ashgate popular and folk music series. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781409425915 (doi: 10.4324/9781315557168)

Behr, A., Brennan, M. , Cloonan, M. and Webster, E. (2021) Stop making census! Some experiential reflections on conducting a live music census. In: Osbourne, R. and Laing, D. (eds.) Music by Numbers: The Use and Abuse of Statistics in the Music Industry. Intellect Books: Bristol, UK ; Chicago, USA, pp. 104-120. ISBN 9781789382532

2020

Behr, A., Brennan, M. and Cloonan, M. (2020) The UK Live Music Census: the value of researching live music in Glasgow, Newcastle, Oxford, and beyond. In: Ballico, C. and Watson, A. (eds.) Music Cities. Series: New directions in cultural policy research. Palgrave Macmillan: Cham, pp. 167-188. ISBN 9783030358716 (doi: 10.1007/978-3-030-35872-3_9)

Webster, E., Brennan, M. , Behr, A., Cloonan, M. and Ansell, J. (2020) Making live music count: The UK Live Music Census. Popular Music and Society, 43(5), pp. 501-522. (doi: 10.1080/03007766.2019.1627658)

2019

Frith, S., Brennan, M., Cloonan, M. and Webster, E. (2019) The History of Live Music in Britain, Volume II: 1968-1984. From Hyde Park to the Hacienda. Series: Ashgate popular and folk music series. Routledge: London. ISBN 9781409425892

2018

Webster, E., Brennan, M. , Behr, A., Cloonan, M. and Ansell, J. (2018) Valuing Live Music: the UK Live Music Census 2018 Report: Executive Summary. Documentation. University of Edinburgh.

2017

Cloonan, M. and Williamson, J. (2017) The music industries: theory, practice and vocations – a polemical intervention. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 112-125. ISBN 9781472467324

Cloonan, M. (2017) A right ding dong: The death of Margaret Thatcher and music censorship in the digital age. In: Kierkegaard, A., Järviluoma-Mäkelä, H., Knudsen, J.S. and Otterbeck, J. (eds.) Researching Music Censorship. Cambridge Scholars Press: Newcastle upon Tyne. ISBN 9781443886178

Cloonan, M. (2017) The Arena Concert: Music, Media and Mass Entertainment. Edited by Robert Edgar , Kirsty Fairclough-Isaacs , Benjamin Halligan and Nicola Spelman . London: Bloomsbury, 2015. 326 pp. ISBN 978-1-6289-2555-5. Popular Music, 36(1), pp. 154-156. (doi: 10.1017/S0261143016000891)[Book Review]

Cloonan, M. (2017) The Sage Handbook of Popular Music. Edited by Andy Bennett and Steve Waksman . London: Sage, 2015. 647 pp. ISBN 978-1-4462-1085-7. Popular Music, 26(1), pp. 116-117. (doi: 10.1017/S0261143016000726)[Book Review]

Cloonan, M. and Williamson, J. (2017) Introduction. Popular Music and Society, 40(5), pp. 493-498. (doi: 10.1080/03007766.2017.1351117)

2016

Williamson, J. and Cloonan, M. (2016) Players' Work Time: A History of the British Musicians' Union, 1893-2013. Manchester University Press. ISBN 9781526113948 (doi: 10.7228/manchester/9781784991326.001.0001)

Cloonan, M. and Williamson, J. (2016) Keeping Music Live: The History of the Musicians' Union. [Exhibitions]

Cloonan, M. (2016) Staying one step ahead?: The self-identity of Japanese concert promoters. In: Hargreaves, D.J., MacDonald, R. and Miell, D. (eds.) Musical Identities [2nd ed.]. Series: The Oxford handbook of music psychology. Oxford University Press. (doi: 10.1093/oxfordhb/9780198722946.001.0001)

Cloonan, M. (2016) Tell Tchaikovsky The News: Rock ‘n’ Roll, the Labor Question, and the Musicians' Union, 1942–1968, By Michael James Roberts. Popular Music, 35(01), pp. 130-132. (doi: 10.1017/S0261143015000641)[Book Review]

Behr, A., Brennan, M. and Cloonan, M. (2016) Cultural value and cultural policy: some evidence from the world of live music. International Journal of Cultural Policy, 22(3), pp. 403-418. (doi: 10.1080/10286632.2014.987668)

Behr, A., Brennan, M., Cloonan, M., Frith, S. and Webster, E. (2016) Live concert performance: an ecological approach. Rock Music Studies, 3(1), pp. 5-23. (doi: 10.1080/19401159.2015.1125633)

Cloonan, M. (2016) Musique, syndicalisme et politique au Royaume-Uni : remarques sur le pragmatisme de la British Musicians’ Union. In: Grassy, E. and Sklower, J. (eds.) Politiques des musiques populaires au XXIe siècle. Éditions Mélanie Seteun: Guichen, pp. 51-76. ISBN 9782913169395

Cloonan, M. (2016) Negotiating needletime: the Musicians' Union, the BBC and the record companies, c. 1920-1990. Social History, 41(4), pp. 353-374. (doi: 10.1080/03071022.2016.1215098)

Cloonan, M. (2016) Thatcherism, Popular Culture and the Music Industries. In: Popular Culture, 1980s to ow Conference, Helsinki, Finland, 3-4 May 2016,

Cloonan, M. and Williamson, J. (2016) Workers or Capitalists? Reflections on Musicians as Employers. In: Working in Music: The Musicians’ Union, Musical Labour and Employment, Glasgow, Scotland, 14-15 Jan 2016,

Forsyth, A., Lennox, J. and Cloonan, M. (2016) ‘I'm there to play music not break up fights': gigging entertainers’ experiences of alcohol-related misbehaviour by audiences and its impact on performance. Popular Music, 35(02), pp. 245-264. (doi: 10.1017/S0261143016000088)

2015

Homan, S., Cloonan, M. and Cattermole, J. (2015) Popular Music Industries and the State: Policy Notes. Routledge: London. ISBN 9780415824514

Homan, S., Cloonan, M. and Cattermole, J. (Eds.) (2015) Popular Music and Cultural Policy. Routledge: London. ISBN 9781138787766

Behr, A. and Cloonan, M. (2015) Establishing a Music Vitality Index for Scotland. Other. Creative Scotland, Edinburgh.

Cloonan, M. (2015) The Grand Ole Opry. In: Molleson, K. (ed.) Dear Green Sounds: Glasgow's Music Through Time and Buildings. Waverley Books Ltd.: Glasgow, pp. 140-146. ISBN 9781849341936

Cloonan, M. (2015) Keeping Out Jazz: The Musician’s Union, “Alien” Musicians And British Jobs For British Workers. In: Cheltenham Jazz Festival, Cheltenham, England, May 2015,

Cloonan, M. (2015) Managing the Zoeys: some reminiscences. In: Beech, N. and Gilmore, C. (eds.) Organising Music. Cambridge University Press: Cambridge, pp. 226-235. ISBN 9781107040953

Cloonan, M. (2015) Musicians As Workers: Some Thoughts on 120 Years of the Musicians’ Union. In: Tolpuddle Martyrs’ Festival, Dorset, England, 17-19 Jul 2015,

Cloonan, M. (2015) Musicians As Workers: Some Reflections On 122 Years Of The Musicians’ Union. In: Arbeitstagung der Gasellschaft für Popularmusikforscgung, Braunschweig, Germany, Nov 2015,

Cloonan, M. (2015) The Musicians' Union In Historical Perspective. In: Markets, Exploitation and Employment in the Music Industry Workshop, Leeds, England, 10 Dec 2015,

Cloonan, M. (2015) Researching live Music in the UK. In: Dansk Live Conference, Svendborg, Denmark, Apr 2015,

Cloonan, M. (2015) The SECC. In: Molleson, K. (ed.) Dear Green Sounds: Glasgow's Music Through Time and Buildings. Waverley: Glasgow, pp. 126-131. ISBN 9781849341936

Cloonan, M. (2015) Thatcherism and the Music Industries: Some Initial Thoughts On a Policy Perspective. In: Thatcherism and Popular Culture Symposium, Turku, Finland, Apr 2015,

Cloonan, M. (2015) You Don’t Get Me I’m (Not) Part of the Union: The British Musicians’ Union and Popular Musicians 1963-1989. In: 18th Biennial IASPM Conference, Campinas, Brazil, 29 Jun - 02 Jul 2015,

Cloonan, M. and Williamson, J. (2015) Workers as Capitalists? Some Reflections on Musicians as Employers. In: Capitalism, Culture and Media, Leeds, England, 7-8 Sep 2015,

2014

Behr, A., Brennan, M. and Cloonan, M. (2014) The Cultural Value of Live Music from the Pub to the Stadium: Getting Beyond the Numbers. Other. University of Edinburgh, University of Glasgow.

Cloonan, M. (2014) Conflict and Consensus: The Musicians' Union and Industrial Relations in the (British) Music Profession. In: Sound Effects: AHRC Network On Subcultures, Popular Music And Social Change, Norwich, England, Apr 2014,

Cloonan, M. (2014) Making Glasgow a city of music: some ruminations on an UNESCO award. In: Barber-Kersovan, A., Kirchberg, V. and Kucher, R. (eds.) Music City: Musikalische Annäherungen an die "kreative Stadt" = Musical Approaches to the "Creative City". Transcript: Bielefeld, pp. 121-138. ISBN 9783837619652

Cloonan, M. (2014) Musicians as workers: putting the UK musicians' union in to context. MusiCultures, 41(1), pp. 10-29.

Cloonan, M. (2014) The Needle and the Damage Done: Some Reflections On Needletime. In: IASPM UK & Ireland Biennial Conference, Cork, Ireland, Sep 2014,

Cloonan, M. (2014) Taking Notes: Mapping And Teaching Popular Music In Higher Education. In: Popular Music Pedagogy Conference, Edinburgh, Scotland, Jan 2014,

Cloonan, M. (2014) You can't not be political: Frith, politics and policy. In: Marshall, L., Laing, D. and Frith, S. (eds.) Popular Music Matters: Essays in honour of Simon Frith. Series: Ashgate popular and folk music series. Ashgate: Farnham, pp. 103-116. ISBN 9781472421791

Cloonan, M. (2014) You Can’t Not Be Political: Simon Frith, Politics And Popular Music Studies. In: Studying Music – An International Conference in Honour of Simon Frith, Edinburgh, Scotland, 10-12 Apr 2014,

Homan, S., Cattermole, J. and Cloonan, M. (2014) Introduction: policy and popular music. Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 14(2), (doi: 10.1558/prbt.v14i2.95)

2013

Cloonan, M. and Brennan, M. (2013) Alien invasions: the British musicians’ union and foreign musicians. Popular Music, 32(2), pp. 277-295. (doi: 10.1017/S0261143013000093)

Cloonan, M. (2013) Live Music as Ideology. In: Situating Popular Musics: IASPM 16th International Conference, Grahamstown, South Africa, 27 Jun - 01 Jul 2011, pp. 77-88. (doi: 10.5429/2225-0301.2011.11)

Cloonan, M. (2013) Managers. In: Dubber, A. (ed.) The 360 Degree Deal. Leanpub: Birmingham.

Cloonan, M. (2013) The Musicians Union: A workers’ Organisation? In: IASPM Canada: Music and Labour, Ontario, Canada, 23-26 May 2013,

Cloonan, M. (2013) Researching Live Music In The UK: Some Findings. In: MARS Music Conference, Seinajoki, Finland, Feb 2013,

Cloonan, M. (2013) Researching the UK's Musicians Union: Some Reflections on Politics and Power. In: Changing The Tune Conference, Strasbourg, France, 7-8 Jun 2013,

Cloonan, M. (2013) A Right Ding Dong: The Death Of Margaret Thatcher And Music Censorship In The Digital Age. In: Researching Music Censorship Conference, Copenhagen, Denmark, 6-8 Jun 2013,

Cloonan, M. (2013) Shedding light on ‘the ban’. Musician, pp. 30-32.

Cloonan, M. (2013) Steering a review: some reflections on a gig. International Journal of Cultural Policy, 19(3), pp. 318-332. (doi: 10.1080/10286632.2013.788163)

Cloonan, M. and Hulstedt, L. (2013) Looking for something new: the provision of popular music studies degrees in the UK. IASPM@Journal: Journal of the International Association for the Study of Popular Music, 3(2), pp. 63-77.

Cloonan, M. and Williamson, J. (2013) Researching the British Musicians’ Union: Bridging Troubled Waters. In: 17th International conference (IASPM), Gijon, Spain, 24-28 Jun 2013,

Cloonan, M. and Williamson, J. (2013) Researching The Musicians Union: Some Initial Findings. In: Musicians’ Union Conference, Manchester, England, Jul 2013,

Frith, S., Brennan, M., Cloonan, M. and Webster, E. (2013) The History of Live Music in Britain Volume 1: 1950-1967. From Dance Hall to the 100 Club. Series: Ashgate popular and folk music series. Ashgate: Farnham. ISBN 9781409422808

Homan, S., Cloonan, M. and Cattermole, J. (2013) Introduction: popular music and policy. International Journal of Cultural Policy, 19(3), pp. 275-280. (doi: 10.1080/10286632.2013.788165)

2012

Williamson, J. and Cloonan, M. (2012) Contextualising the contemporary recording industry. In: Marshall, L. (ed.) The International Recording Industries. Series: Routledge advances in sociology. Routledge: Abingdon, Oxon. ISBN 9780415603454

Cloonan, M. (2012) Selling the experience: the world-views of British concert promoters. Creative Industries Journal, 5(1), pp. 151-170. (doi: 10.1386/cij.5.1-2.151_1)

Cloonan, M. (2012) Britpop and the English Music Tradition: edited by Andy Bennett and Jon Stratton. Popular Music, 31(01), pp. 177-179. (doi: 10.1017/S0261143011000535)[Book Review]

Cloonan, M. (2012) Popular Music And Locality: A Case Study Of Glasgow. In: Nordic Music Week, Stavanger, Norway, Nov 2013,

Cloonan, M. (2012) Researching Live Music In The UK: Some Findings. In: Royal Musical Association Graduate Conference, Hull, England, Jan 2012,

Cloonan, M. (2012) Steering a Review: Some Reflections On a Gig. In: Policy Notes: Popular Music, Industry And The State Conference, Melbourne, Australia, 18-20 Jun 2012,

Cloonan, M. and Hulstedt, L. (2012) Taking Notes: Mapping and Teaching Popular Music in Higher Education. Technical Report. Higher Education Academy, York.

Cloonan, M. and Williamson, J. (2012) Researching The Musicians' Union: Some Initial Thoughts On A Musical Community. In: IASPM UK and Ireland Conference, Manchester, England, Sep 2013,

2011

Cloonan, M. (2011) Popular music policy in the UK. In: Dauncey, H. and Le Guern, P. (eds.) Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Series: Ashgate popular and folk music series. Ashgate: Farnham, UK, pp. 43-58. ISBN 9781409405689

Cloonan, M. (2011) Researching live music: some thoughts on policy implications. International Journal of Cultural Policy, 17(4), pp. 405-420. (doi: 10.1080/10286632.2010.544728)

Cloonan, M. (2011) Researching live music: some thoughts on policy implications. In: Looseley, D. (ed.) Policy and the Popular. Routledge: London, UK, pp. 45-60. ISBN 9780415698078

Cloonan, M. (2011) Live Music as Ideology. In: 16th Biennial Conference of the International Association for the Study of Popular Music (IASPM), Grahamstown, South Africa, Jun 2011,

Cloonan, M. (2011) What Is A Concert Ticket? A Philosophical Enquiry. In: Music and Environment: Place, Context, Conjuncture, Montreal, Canada, 16-19 Jun 2011,

Johnson, B. and Cloonan, M. (2011) Introduction. Popular Music and Society, 34(1), pp. 1-6. (doi: 10.1080/03007766.2011.539801)

Williamson, J. , Cloonan, M. and Frith, S. (2011) Having an impact? Academics, the music industries and the problem of knowledge. International Journal of Cultural Policy, 17(5), pp. 459-474. (doi: 10.1080/10286632.2010.550682)

2010

Cloonan, M. (2010) Promoting Business. In: 14th Annual Conference of the European Business History Association, Glasgow, Scotland, 26-28 Aug 2010,

Cloonan, M. (2010) What Makes Glasgow A City Of Music. In: UNESCO, Politics and Policies, Hamburg, Germany, Nov 2010,

Frith, S., Brennan, M. , Cloonan, M. and Webster, E. (2010) Analysing live music in the UK: findings one year into a three-year research project. IASPM, 1(1),

2009

Cloonan, M. (2009) Review of S.Homan and T.Mitchell (ed) Sounds of Then, Sounds of Now. Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 10(2), pp. 229-231. [Book Review]

Cloonan, M. (2009) Review of S. Hill Blerytirhwng? The Place of Welsh Music. Popular Music, 32(3), pp. 441-443. [Book Review]

Frith, S., Cloonan, M. and Williamson, J. (2009) On music as a creative industry. In: Pratt, A.C. and Jeffcutt, P. (eds.) Creativity, Innovation and the Cultural Economy. Series: Routledge studies in global competition (46). Routledge, pp. 74-89. ISBN 9780415419758

Cloonan, M. (2009) The production of English rock stardom in the 1950s. Popular Music History, 4(3), pp. 271-288.

Cloonan, M. (2009) Bad vibrations. New Humanist, 124(2), pp. 30-32.

Cloonan, M. (2009) A Brief History of Rock, Off The Record, By Wayne Robins. Popular Music, 28(01), pp. 118-120. (doi: 10.1017/S0261143008001657)[Book Review]

Cloonan, M. (2009) Creating Live Music: An Industrial Perspective. In: Creativity, Innovation and Labour in Music Symposium, Open University, 22-23 Jun 2009,

Cloonan, M. (2009) The Hidden Musicians: Music-Making in an English Town. Popular Music and Society, 32(5), pp. 671-673. (doi: 10.1080/03007760902786249)[Book Review]

Cloonan, M. (2009) Live Music And Music Policy: Some Initial Thoughts. In: 15th Biennial Conference of the International Association for the Study of Popular Music (IASPM), Liverpool, England, Jul 2009,

Cloonan, M. (2009) Music and violence: a provisional typology. In: Stahl, G. (ed.) IASPM Rome 2005. International Association for the Study of Popular Music: Montreal, pp. 147-159.

Cloonan, M. (2009) Promoting Pop: A Guide for Regional Development. Technical Report. PASCAL Observatory, Melbourne.

Cloonan, M. (2009) Researching Live Music: Some Initial Thoughts On Policy Implications. In: Popular Cultures Research Network Policy and the Popular Conference, Leeds, England, Jun 2009,

Cloonan, M. (2009) Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, edited by Oliver Julien. Aldershot. Popular Music, 28(03), p. 453. (doi: 10.1017/S0261143009990286)[Book Review]

Cloonan, M. and Williamson, J. (2009) Mapping the music industry in Scotland: building an industry or building an empire. In: Gyde, A. and Stahl, G. (eds.) Practising Popular Music. International Association for the Study of Popular Music: Montreal, pp. 129-138.

Johnson, B. and Cloonan, M. (2009) Dark Side of the Tune: Popular Music and Violence. Series: Ashgate popular and folk music series. Ashgate: Farnham. ISBN 9780754658726

2008

Cloonan, M. (2008) Music, Media, Multiculture, By Dan Lundberg, Krister Malm and Owe Ronström. Popular Music, 27(03), pp. 496-498. (doi: 10.1017/S0261143008262252)[Book Review]

Frith, S. and Cloonan, M. (2008) Introduction. Popular Music, 27(2), pp. 189-191. (doi: 10.1017/S0261143008004005)

Forsyth, A. and Cloonan, M. (2008) Alco-pop? The use of popular music in Glasgow pubs. Popular Music and Society, 31(1), pp. 57-78. (doi: 10.1080/03007760601061902)

Cloonan, M. (2008) What's going on? perceptions of popular music lobbyists in Australia. Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 8(4), pp. 3-24.

Cloonan, M. (2008) A Song for Europe, edited by Ivan Raykoff and Robert Dean Tobin. Popular Music, 27(03), pp. 498-501. (doi: 10.1017/S0261143008272259)[Book Review]

2007

Williamson, J. and Cloonan, M. (2007) Rethinking the music industry. Popular Music, 26(2), pp. 305-322. (doi: 10.1017/S0261143007001262)

Cloonan, M. (2007) Review of Gerry Smyth: Noisy Island and Sean Campbell and Gerry Smyth: Beautiful Day. Popular Music and Society, 20(1), pp. 127-131. [Book Review]

Cloonan, M. (2007) Lessons from down under? Popular music policy and decentralised government in Scotland and Australia. Scottish Music Review, 1(1), pp. 18-42.

Cloonan, M. (2007) Popular Music and the State in the UK: Culture, Trade or Industry? Series: Ashgate popular and folk music series. Ashgate: Aldershot. ISBN 9780754653738

Cloonan, M. (2007) Issues in popular music in Australia: a view from the outside. Music Forum, 13(2), pp. 16-18.

Cloonan, M. (2007) Review of I.Peddie (ed.) The Resisting Music: Popular Music and Social Protest. Popular Music and Society, 30(1), pp. 115-131. (doi: 10.1080/03007760600917989)[Book Review]

2006

Cloonan, M. (2006) Review of D.Walley Teenage Nervous Breakdown: Music and politics in the post-Elvis age. Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 8(1), pp. 85-86. [Book Review]

Drewett, M. and Cloonan, M. (Eds.) (2006) Popular Music Censorship in Africa. Series: Ashgate popular and folk music series. Ashgate: Aldershot. ISBN 9780754652915

Cloonan, M. (2006) Popular music censorship in Africa : an overview. In: Drewett, M. and Cloonan, M. (eds.) Popular Music Censorship in Africa. Series: Ashgate popular and folk music series. Ashgate: Aldershot, pp. 3-21. ISBN 9780754652915

Cloonan, M. and Drewett, M. (2006) Concluding comments on the censorship of popular music in Africa. In: Drewett, M. and Cloonan, M. (eds.) Popular Music Censorship in Africa. Series: Ashgate popular and folk music series. Ashgate: Aldershot, pp. 215-219. ISBN 9780754652915

Cloonan, M. (2006) Early UK Rock Stardom. In: A History Of Stardom Reconsidered Conference, Turku, Finland, Nov 2006,

Korpe, M., Reitov, O. and Cloonan, M. (2006) Music censorship from Plato to the Taliban. In: Brown, S. and Volgsten, U. (eds.) Music and Manipulation: On the Social Uses and Social Control of Music. Berghahn Books: New York, pp. 239-263. ISBN 1845450981

2005

Cloonan, M. (2005) Review of Richard Young (ed.) Critical Studies, 19, Music, Popular Culture, Identities,. Popular Music and Society, 28(5), pp. 693-695. (doi: 10.1080/03007760500142704)[Book Review]

Forsyth, A., Cloonan, M. and Barr, J. (2005) Factors Associated with Alcohol-Related Problems Within Licensed Premises: Report to the Greater Glasgow NHS Board. Project Report. Glasgow NHS Board, Glasgow.

Cloonan, M. (2005) Music and violence: a provisional typology. In: Making Music, Making Meaning: 13th Biennial Conference of the International Association for the Study of Popular Music (IASPM), Rome, Italy, 25-30 July 2005, pp. 147-159.

Cloonan, M. (2005) What is popular music studies? some observations. British Journal of Music Education, 22(1), pp. 77-93. (doi: 10.1017/S026505170400600X)

Cloonan, M., St.Clair, R., Gallacher, J., Crossan, B., Toman, N. and Caldwell, J. (2005) Lone Parents in Further Education Colleges. Project Report. Scottish Executive, Glasgow.

Cloonan, M. (2005) 10 million reasons to be cheerful. Variant, 2(22), p. 7.

Cloonan, M. (2005) Music and Violence: A Provisional Typology: Making Music, Making Meaning. In: 13th Biennial Conference of the International Association for the Study of Popular Music (IASPM), Rome, Italy, Jul 2005,

Cloonan, M. (2005) Putting the politics into pop – and vice versa. Concept, 13(2), pp. 16-18.

2004

Cloonan, M. (2004) T.Bryce and W.Hume (ed.) Scottish Education. Journal of Adult and Continuing Education, 10(1), pp. 84-86. (doi: 10.7227/JACE.10.1.9)[Book Review]

Cloonan, M. (2004) A capital project? 'The New Deal for Musicians' in Scotland. Studies in the Education of Adults, 36(1), pp. 40-56.

Cloonan, M. (2004) Musical responses to September 11th: from conservative patriotism to radicalism. Beitraege zur Popularmusikforschung, 32, pp. 11-32.

Cloonan, M. (2004) Notions of flexibility in UK higher education: core and periphery re-visited? Higher Education Quarterly, 58(2-3), pp. 176-197. (doi: 10.1111/j.1468-2273.2004.00267.x)

Cloonan, M. (2004) What is music censorship? towards an understanding. In: Korpe, M. (ed.) Shoot the Singer!: Music Censorship Today. Zed Books: London, pp. 3-5. ISBN 9781842775042

Cloonan, M., Williamson, J. and Frith, S. (2004) What is music worth? Some reflections on the Scottish experience. Popular Music, 23(2), pp. 205-212.

Cloonan, M. (2004) The Music Industry Doesn’t Exist (And If It Does, It Doesn’t Matter). In: IASPM UK and Ireland Conference, Limerick, Ireland, Jul 2004,

Cloonan, M. (2004) Shake Rattle and Rain: Popular Music Making in Manchester 1955-1995, by C. P. Lee. Hardinge Simpole. Popular Music, 23(1), pp. 93-94. (doi: 10.1017/S0261143004229014)[Book Review]

2003

Cloonan, M. (2003) Review of Mae Shaw 'Heart, Mind and Soul Learning from Song'. Journal of Adult and Continuing Education, 9(2), pp. 187-188. (doi: 10.7227/JACE.9.2.8)[Book Review]

Cloonan, M. (2003) The New Deal for musicians: teaching young pups new tricks? Music Education Research, 5(1), pp. 13-28. (doi: 10.1080/14613800307099)

MacLachlan, K. and Cloonan, M. (2003) Three dimensional change? the relationship between theory, policy and adults' understanding of literacies. Research in Post-Compulsory Education, 8(1), pp. 123-136. (doi: 10.1080/13596740300200144)

Cloonan, M. and Garofalo, R. (Eds.) (2003) Policing Pop. Temple University Press: Philadelphia. ISBN 1566399904

Cloonan, M. (2003) Call that censorship? problems of definition. In: Cloonan, M. and Garofalo, R. (eds.) Policing Pop. Temple University Press: Philadelphia, pp. 13-29. ISBN 1566399904

Cloonan, M. (2003) Censorship. In: Shepherd, J., Horn, D. and Laing, D. (eds.) Continuum Encyclopedia of Popular Music of the World. Continuum: London, pp. 168-172. ISBN 9780826463210

Cloonan, M. (2003) Mixing pop and politics: an encounter with Billy Bragg. Concept, 13(1 & 2), pp. 50-52.

Cloonan, M. (2003) Music: sounds of hate? In: Vidal-Hall, J. (ed.) The A-Z of Free Expression. Index: London, pp. 180-184. ISBN 9780904286991

Cloonan, M. and Williamson, J. (2003) Mapping the music industry in Scotland: building an industry or building an empire? In: 12th Conference of the International Association for the Study of Popular Music (IASPM), Montreal, Canada, 3-7 July 2003, pp. 129-138.

Cloonan, M. (2003) Musical Responses to September 11th. In: 14th Working Conference of the ASPM (Working Group on Studying Popular Music), Barendorf, Germany, Oct 2003,

Cloonan, M. (2003) Sounds English: Transnational Popular Music, by Nabeel Zuberi. Popular Music, 22(01), pp. 109-116. (doi: 10.1017/S0261143003223072)[Book Review]

Williamson, J. , Cloonan, M. and Frith, S. (2003) Mapping the Music Industry in Scotland: A Report. Project Report. Scottish Enterprise.

2002

Symon, P. and Cloonan, M. (2002) Playing away: popular music, policy and devolution in Scotland. Scottish Affairs, 40, pp. 99-122.

Canning, R. and Cloonan, M. (2002) The "home international" comparisons in vocational qualifications. Comparative Education, 38(2), pp. 189-209. (doi: 10.1080/03050060220140575)

Cloonan, M. (2002) Hitting the right note? the New Deal for musicians. Journal of Vocational Education and Training, 54(1), pp. 51-66. (doi: 10.1080/13636820200200187)

Cloonan, M. (2002) Delivering a new deal? Another strange tale of pop and politics. In: Karki, K., Leydon, R. and Terho, H. (eds.) Looking Back, Looking Ahead: Popular Music Studies 20 Years Later: Proceedings of the Eleventh Biannual IASPM Conference July 6-10, 2001, Turku, Finland. IASPM-Norden: Turku, pp. 572-579. ISBN 9519878912

Cloonan, M. (2002) Exclusive! the British press and popular music, the story so far. In: Jones, S. (ed.) Pop Music and the Press. Temple University Press: Philadelphia, pp. 114-133. ISBN 1566399653

Cloonan, M. and Crossan, B. (2002) Lifelong learning and social deprivation: exploring the issues in an area of social deprivation in Scotland. Scottish Educational Review, 34(1), pp. 76-85.

Cloonan, M. and Crossan, B. (2002) Lifelong learning and social deprivation: exploring the issues in areas of social deprivation in Scotland. Scottish Educational Review, 34(1), pp. 76-85.

Cloonan, M. and Johnson, B. (2002) Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression. Popular Music, 21(1), pp. 27-39. (doi: 10.1017/S0261143002002027)

Cloonan, M. and Johnson, B. (2002) No pain no gain? An initial investigation into the use of popular music as a tool of repression. Popular Music, 21(1), pp. 27-39.

Cloonan, M. (2002) We Are Devo(Lved): Popular Music Policy In The New Scotland. In: IASPM UK Conference, Birmingham, England, Jul2002,

Cloonan, M. and Maclachlan, K. (2002) Three Dimensional Change?: The Relationship Between Theory, Policy And Adult’s Understanding Of Literacies Work. In: SCUTREA Conference, Stirling, Scotland, Jul 2002,

Osborne, M. , Brink, B., Cloonan, M., Davies, P., Marks, A., Turner, E. and Williams, J. (2002) Mature Student Recruitment to HE (Scotland). Project Report. Centre for Research in Lifelong Learning.

Osborne, M. , Cloonan, M. and Oberski, I. (2002) European partnerships: exhilaration or exasperation? In: Field, J. (ed.) Promoting European Dimensions in Lifelong Learning. National Institute of Adult Continuing Education: Leicester, pp. 54-65. ISBN 9781862010482

Powney, J., Bryson, C., Cloonan, M. and Wilson, V. (2002) The Appointment, Retention and Promotion of Academic Staff Within Higher Education Institutions. Project Report. Higher Education Funding Council for England, Bristol.

2001

Brink, M., Cloonan, M., Marks, A., Osborne, M. and Turner, E. (2001) Mature Student Recruitment to Higher Education: An Institutional Case Study for the University of Stirling. Other. Institute of Education, University of Stirling, Stirling.

Cloonan, M. and Lynch, P. (2001) Educating for devolution: The Scottish Office voter education campaign, 1999. Journal of Adult and Continuing Education, 7(2), pp. 35-50.

Cloonan, M. and Maclachlan, K. (2001) Market Research of Target Groups Initiative. Other. Cardonald College, Glasgow.

Cloonan, M. and Maclachlan, K. (2001) Talking Literacies: A Community Perspective for The Future. Other. University of Glasgow, Glasgow.

Cloonan, M. and Maclachlan, K. (2001) Widening Access: Evaluating the College Initiative. Other. Cardonald College, Glasgow.

Cloonan, M. (2001) Britain at war: how music was 'restricted' during the Falklands and Gulf Wars. In: 1st World Conference on Music and Censorship. Ikon, pp. 104-109. ISBN 8798816306

Cloonan, M. (2001) Families Here, They Don’t Do Education, They Get Jobs: Men, Women And Lifelong Learning In Govan, Glasgow. In: Centre for Research in Lifelong Learning Conference, Researching Widening Access, Glasgow, Scotland, Jul 2002,

Cloonan, M. (2001) Ice-T: Cop Killer. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Cloonan, M. (2001) Parents music resource center. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Cloonan, M. (2001) Selby. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Cloonan, M. (2001) Sex Pistols. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Cloonan, M. (2001) Top of the pops. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Cloonan, M. (2001) Your pocket guide to sex. In: Jones, D. (ed.) Censorship: A World Encyclopedia. Routledge: London. ISBN 9781579581350

Osborne, M. , Brink, B., Cloonan, M., Davies, P., Marks, A., Turner, E. and Williams, J. (2001) For Me or Not for Me in Scotland? A Report of Mature Student Participation in Higher Education. Project Report. Centre for Research in Lifelong Learning.

Powney, J., Bryson, C. and Cloonan, M. (2001) Recruitment, Retention and Promotion of Academic Staff. Other. Higher Education Funding Council for England.

2000

Cloonan, M. (2000) Labour's new deal for musicians: turning rebellion into money? In: Mitchell, T., Doyle, P. and Johnson, B. (eds.) Changing sounds : new directions and configurations in popular music : IASPM, the International Association for the Study of Popular Music, 10th International Conference 9 to 13 July, 1999, UTS, Sydney, Australia. Faculty of Humanities & Social Sciences, University of Technology: Sydney, pp. 298-304. ISBN 1863653643

Cloonan, M. (2000) The land of opportunity? The policy, provision and oversight of lifelong learning in Scotland. Scottish Journal of Adult and Continuing Education, 6(1), pp. 5-24.

Cloonan, M. (2000) Mixing pop and politics. Politics Review, 9(4), pp. 29-32.

Cloonan, M. (2000) You can't do that: the Beatles, artistic freedom and censorship. In: Inglis, I. (ed.) The Beatles, Popular Music and Society: A Thousand Voices. Macmillan: Basingstoke, pp. 126-149. ISBN 0333732057

Cloonan, M. and Canning, R. (2000) Completion rates of Scottish Vocational Qualification (SVQ) courses: a research study. Scottish Educational Review, 32(1), pp. 55-67.

Cloonan, M. and Crossan, B. (2000) Learning in Govan. Other. University of Glasgow, Glasgow.

Cloonan, M. and Turner, E. (2000) The Past, Present and Future of Further Education in Scotland: A Research Based Guide to the Literature for Practitioners. Other. Centre for Research in Lifelong Learning, University of Stirling, Stirling.

Cloonan, M. and Johnson, B. (2000) No Pain, No Gain? An Initial Enquiry Into The Use Of Popular Music As A Tool Of Repression. In: IASPM (UK) Conference, Surrey, England, Jul 2000,

Osborne, M. , Cloonan, M., Morgan-Klein, B. and Loots, C. (2000) Mix and match? Further and higher education links in post-devolution Scotland. International Journal of Lifelong Education, 19(3), pp. 236-252. (doi: 10.1080/026013700293287)

1999

Canning, R. and Cloonan, M. (1999) Scottish and National Vocational Qualifications: A Preliminary Comparison of Take-Up and Usage Between Scotland and England. Other. University of Stirling, Stirling.

Canning, R. and Cloonan, M. (1999) Scottish Vocational Qualifications: An Analysis of Enrolment and Completion Rates. Other. University of Stirling, Stirling.

Canning, R. and Cloonan, M. (1999) Revitalising 'Work-Based' Education: The Scottish Apprenticeship Framework. Other. Centre for Lifelong Learning, University of Stirling, Stirling.

Cloonan, M. (1999) Innovation in teaching politics in HE: some observations. Journal of Further and Higher Education, 23(2), pp. 173-184. (doi: 10.1080/0309877990230202)

Cloonan, M. (1999) Pop and the Nation-State: towards a theorisation. Popular Music, 18(2), pp. 193-207. (doi: 10.1017/S0261143000009041)

Cloonan, M., Hearinger, A., Matarazzo, B., Murphy, M. and Osborne, M. (1999) The use of cost-benefit analysis in funding continuing education: steering the fifth wheel? International Journal of Lifelong Education, 18(6), pp. 492-504. (doi: 10.1080/026013799293540)

Cloonan, M. (1999) Censorship and Popular Music in the UK. In: IASPM Benelux Branch Conference, National Pop Institute Of The Netherlands, Amsterdam, The Netherland, Oct 1999,

Cloonan, M. (1999) Labour’s New Deal For Musicians. In: 10th IASPM International Conference, Sydney, Australia, Jul 1999,

Cloonan, M. and Canning, R. (1999) Problematising Vocational Education in the UK: The Decline of the Home Internationals. In: 3rd International Conference of the Journal of Vocational Education and Training, Manchester, England, Jul 1999,

Cloonan, M. and Canning, R. (1999) Rethinking the Home Internationals: Vocational Education in the UK. In: Scottish Educational Research Association Conference, Dundee, Scotland, Oct 1999,

Osborne, M. , Gallacher, J. and Cloonan, M. (1999) Researching Lifelong Learning: An Introductory Briefing. Project Report. Centre for Research in Lifelong Learning.

1998

Cloonan, M. (1998) And the banned played on. Observer, 1998, 8 Nov.

Cloonan, M. (1998) Massive attack. Index on Censorship, 27(6), pp. 184-186. (doi: 10.1080/03064229808536487)

Cloonan, M. (1998) Politics and Popular Culture. By John Street. Cambridge: Polity Press, 1997. 212 pp. Popular Music, 17(03), p. 356. (doi: 10.1017/S0261143000008655)[Book Review]

Cloonan, M. (1998) Double talk? AUT Bulletin, 1998, p. 16.

Cloonan, M. (1998) Class acts? Taste and popular music. In: Mitsui, T. (ed.) Popular Music: Intercultural Interpretations. International Association for the Study of Popular Music: International Conference on Popular Music Studies, (9th, Jul 1997, Kanazawa, Japan). Graduate Program in Music, Kanazawa University: Kanazawa, pp. 229-239. ISBN 4998068415

Cloonan, M. (1998) Privacy and media intrusion in a democratic society: Britain and the Calcutt reports. Democratization, 5(2), pp. 62-84.

Cloonan, M. (1998) Rock The Vote: popular culture and politics. Politics, 18(1), pp. 33-38. (doi: 10.1111/1467-9256.00058)

Cloonan, M. and Davies, I. (1998) Improving the possibility of better teaching by investigating the nature of student learning: with reference to procedural understanding in politics in higher education. Teaching in Higher Education, 3(2), pp. 173-183. (doi: 10.1080/1356215980030204)

Cloonan, M. and Lynch, P. (1998) Education, Education, Education: Parties, Voters and the New Scottish Electoral System. In: Political Studies Association, British Territorial Politics Group, Newcastle, England, Dec 1998,

1997

Cloonan, M. (1997) State of the nation: "Englishness", pop, and politics in the mid-1990s. Popular Music and Society, 21(2), pp. 47-70.

Cloonan, M. and Street, J. (1997) Politics and popular music: from policing to packaging. Parliamentary Affairs, 50(2), pp. 223-234.

1996

Cloonan, M. (1996) Banned! : Censorship of Popular Music in Britain, 1967-92. Series: Popular cultural studies, 9. Arena: Aldershot. ISBN 1857422996

Cloonan, M. (1996) The presentations of Lord Howe of Aberavon. Contemporary Politics, 2(4), pp. 7-24.

Cloonan, M. and Lynch, P. (1996) Popular Music and The Nation State: Towards a Theorisation. In: Identities in Transition Conference, Turku, Finland, Aug 1996,

1995

Cloonan, M. (1995) 'I fought the law': popular music and British obscenity law. Popular Music, 14(3), pp. 349-363. (doi: 10.1017/S0261143000007789)

Cloonan, M. (1995) Not taking the rap: NWA get stranded on an island of realism. In: Straw, W. (ed.) Popular Music: Style and Identity / International Association for the Study of Popular Music, Seventh International Conference on Popular Music Studies, Stockton, California, 1993. Centre for Research on Canadian Cultural Industries and Institutions: Montreal, pp. 55-60. ISBN 0771704593

Cloonan, M. (1995) Popular music and censorship in Britain: an overview. Popular Music and Society, 19(3), pp. 75-104.

Cloonan, M. (1995) The Case Study Method: Possibilities And Problems In the Teaching of Politics. In: Political Studies Association (PSA) Conference, York, England, Apr 1995,

Cloonan, M. (1995) What Do they Know of England? Popular Music and Englishness in the Mid-1990s. In: 8th International IASPM Conference, Glasgow, Scotland, Jul 1995,

1994

Cloonan, M. (1994) The British Nation State in Popular Music. In: IASPM UK Conference, Liverpool, England, Mar 1994,

1992

Cloonan, M. (1992) Censorship And Popular Music: An Initial Attempt At Identification. Other. University of Liverpool, Liverpool.

This list was generated on Fri Apr 19 09:23:26 2024 BST.