Dr Jim Berryman

  • Affiliate (Information Studies)

Biography

Jim Berryman is a researcher based in London. He is an Affiliate in Information Studies, School of Humanities at the University of Glasgow.

Publications

List by: Type | Date

Jump to: 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012
Number of items: 29.

2024

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Arnold Hauser: The Social History of Art and beyond. In: Tunali, Tijen and Winkenweder, Brian (eds.) The Routledge Companion to Marxisms in Art History. Series: Routledge art history and visual studies companions. Routledge. ISBN 9780367650094 (In Press)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Creativity and style in GAN and AI art: Some art-historical reflections. Philosophy and Technology, 37, 61. (doi: 10.1007/s13347-024-00746-8)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Too close to nature: on the representational problems of death masks and life casts. Journal of Aesthetics and Art Criticism, (doi: 10.1093/jaac/kpae009) (Early Online Publication)

2023

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2023) Wollheim on art's historicity: an intersection of theoretical art history and the philosophy of art. British Journal of Aesthetics, (doi: 10.1093/aesthj/ayad024) (Early Online Publication)

2022

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2022) Frederick Antal and the Marxist challenge to art history. History of the Human Sciences, 35(2), pp. 55-76. (doi: 10.1177/09526951211003779)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2022) V. Gordon Childe and Arnold Hauser on the social origins of the artist. Thesis Eleven, 168(1), pp. 21-36. (doi: 10.1177/07255136211053384)

2021

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2021) Bernard Smith and Robert Hughes: A critical dialogue. Journal of Art Historiography, 25,

2020

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2020) Human remains as documents: implications for repatriation. Journal of Documentation, 76(1), pp. 258-270. (doi: 10.1108/JD-04-2019-0060)

2019

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2019) A comparison of the German and Russian literary intelligentsia in Arnold Hauser’s Social History of Art. Studies in East European Thought, 71, pp. 141-155. (doi: 10.1007/s11212-019-09327-4)

2018

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2018) The Blockbuster’s ‘Alibi’: The Exhibition Catalogue and Legitimacy. The Art Association of Australia and New Zealand Conference 2018, Melbourne, Australia, 5-7 December 2018.

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2018) Art as document: on conceptual art and documentation. Journal of Documentation, 74(6), pp. 1149-1161. (doi: 10.1108/JD-01-2018-0010)

2017

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2017) Gombrich’s critique of Hauser’s Social History of Art. History of European Ideas, 43(5), pp. 494-506. (doi: 10.1080/01916599.2017.1373372)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2017) The theme of civilization in Manning Clark’s History of Australia. History Australia, 14(1), pp. 82-98. (doi: 10.1080/14490854.2017.1286706)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 and Stone, Caitlin (2017) Australian national anthologies: A study of poems and poets. Journal of Australian Studies, 41(1), pp. 47-64. (doi: 10.1080/14443058.2016.1272477)

2016

Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Breaking fresh ground: New Impulses in Australian Poetry, an anthology. Queensland Review, 23(2), pp. 246-257. (doi: 10.1017/qre.2016.32)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) The young Menzies: the student and legal notebooks of Robert Menzies. University of Melbourne Collections, 19, pp. 9-15.

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Documenting art: Bernard Smith, academic art history and the role of the curator. In: Anderson, Jaynie, Marshall, Christopher R. and Yip, Andrew (eds.) The Legacies of Bernard Smith : Essays on Australian Art, History and Cultural Politics. Power Publications. ISBN 9780994306432

Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Nationalism, Britishness and the ‘souring’ of Australian national art. Journal of Imperial and Commonwealth History, 44(4), pp. 573-591. (doi: 10.1080/03086534.2016.1210250)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) The colour treatment: a convergence of art and medicine at the Red Cross Russell Lea Nerve Home. Health and History, 18(1), pp. 5-21. (doi: 10.5401/healthhist.18.1.0005)

2015

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2015) Civilisation: a concept and its uses in Australian public discourse. Australian Journal of Politics and History, 61(4), pp. 591-605. (doi: 10.1111/ajph.12121)

2014

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) The rhetoric of the new: The Field and the foundations of an institutional avant-garde in Australia. Journal of Australian Studies, 38(3), pp. 331-344. (doi: 10.1080/14443058.2014.925956)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Bernard Smith's Formalesque and the end of the history of art. Thesis Eleven, 123(1), pp. 3-16. (doi: 10.1177/0725513614543429)

Stone, C. and Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Making personal libraries accessible: the example of the Robert Menzies collection. Australian Library Journal, 63(3), pp. 238-246. (doi: 10.1080/00049670.2014.915499)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Menzies on Tour: Travelling with Robert Menzies, 1950-1959. [Website]

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Visual Arts. [Website]

2013

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) Art and national interest: the diplomatic origins of the "blockbuster exhibition" in Australia. Journal of Australian Studies, 37(2), pp. 159-173. (doi: 10.1080/14443058.2013.781052)

Stone, Caitlin and Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) The Robert Menzies Collection at the University of Melbourne. University of Melbourne Collections, 12, pp. 45-50.

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) The Robert Menzies Collection: A Living Library. [Website]

2012

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2012) Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002. Journal of Art Historiography, 7,

This list was generated on Sun Jun 15 15:18:15 2025 BST.
Jump to: Articles | Book Sections | Conference or Workshop Item | Website
Number of items: 29.

Articles

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Creativity and style in GAN and AI art: Some art-historical reflections. Philosophy and Technology, 37, 61. (doi: 10.1007/s13347-024-00746-8)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Too close to nature: on the representational problems of death masks and life casts. Journal of Aesthetics and Art Criticism, (doi: 10.1093/jaac/kpae009) (Early Online Publication)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2023) Wollheim on art's historicity: an intersection of theoretical art history and the philosophy of art. British Journal of Aesthetics, (doi: 10.1093/aesthj/ayad024) (Early Online Publication)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2022) Frederick Antal and the Marxist challenge to art history. History of the Human Sciences, 35(2), pp. 55-76. (doi: 10.1177/09526951211003779)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2022) V. Gordon Childe and Arnold Hauser on the social origins of the artist. Thesis Eleven, 168(1), pp. 21-36. (doi: 10.1177/07255136211053384)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2021) Bernard Smith and Robert Hughes: A critical dialogue. Journal of Art Historiography, 25,

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2020) Human remains as documents: implications for repatriation. Journal of Documentation, 76(1), pp. 258-270. (doi: 10.1108/JD-04-2019-0060)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2019) A comparison of the German and Russian literary intelligentsia in Arnold Hauser’s Social History of Art. Studies in East European Thought, 71, pp. 141-155. (doi: 10.1007/s11212-019-09327-4)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2018) Art as document: on conceptual art and documentation. Journal of Documentation, 74(6), pp. 1149-1161. (doi: 10.1108/JD-01-2018-0010)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2017) Gombrich’s critique of Hauser’s Social History of Art. History of European Ideas, 43(5), pp. 494-506. (doi: 10.1080/01916599.2017.1373372)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2017) The theme of civilization in Manning Clark’s History of Australia. History Australia, 14(1), pp. 82-98. (doi: 10.1080/14490854.2017.1286706)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 and Stone, Caitlin (2017) Australian national anthologies: A study of poems and poets. Journal of Australian Studies, 41(1), pp. 47-64. (doi: 10.1080/14443058.2016.1272477)

Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Breaking fresh ground: New Impulses in Australian Poetry, an anthology. Queensland Review, 23(2), pp. 246-257. (doi: 10.1017/qre.2016.32)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) The young Menzies: the student and legal notebooks of Robert Menzies. University of Melbourne Collections, 19, pp. 9-15.

Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Nationalism, Britishness and the ‘souring’ of Australian national art. Journal of Imperial and Commonwealth History, 44(4), pp. 573-591. (doi: 10.1080/03086534.2016.1210250)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) The colour treatment: a convergence of art and medicine at the Red Cross Russell Lea Nerve Home. Health and History, 18(1), pp. 5-21. (doi: 10.5401/healthhist.18.1.0005)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2015) Civilisation: a concept and its uses in Australian public discourse. Australian Journal of Politics and History, 61(4), pp. 591-605. (doi: 10.1111/ajph.12121)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) The rhetoric of the new: The Field and the foundations of an institutional avant-garde in Australia. Journal of Australian Studies, 38(3), pp. 331-344. (doi: 10.1080/14443058.2014.925956)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Bernard Smith's Formalesque and the end of the history of art. Thesis Eleven, 123(1), pp. 3-16. (doi: 10.1177/0725513614543429)

Stone, C. and Berryman, J. ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Making personal libraries accessible: the example of the Robert Menzies collection. Australian Library Journal, 63(3), pp. 238-246. (doi: 10.1080/00049670.2014.915499)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) Art and national interest: the diplomatic origins of the "blockbuster exhibition" in Australia. Journal of Australian Studies, 37(2), pp. 159-173. (doi: 10.1080/14443058.2013.781052)

Stone, Caitlin and Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) The Robert Menzies Collection at the University of Melbourne. University of Melbourne Collections, 12, pp. 45-50.

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2012) Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002. Journal of Art Historiography, 7,

Book Sections

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2024) Arnold Hauser: The Social History of Art and beyond. In: Tunali, Tijen and Winkenweder, Brian (eds.) The Routledge Companion to Marxisms in Art History. Series: Routledge art history and visual studies companions. Routledge. ISBN 9780367650094 (In Press)

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2016) Documenting art: Bernard Smith, academic art history and the role of the curator. In: Anderson, Jaynie, Marshall, Christopher R. and Yip, Andrew (eds.) The Legacies of Bernard Smith : Essays on Australian Art, History and Cultural Politics. Power Publications. ISBN 9780994306432

Conference or Workshop Item

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2018) The Blockbuster’s ‘Alibi’: The Exhibition Catalogue and Legitimacy. The Art Association of Australia and New Zealand Conference 2018, Melbourne, Australia, 5-7 December 2018.

Website

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Menzies on Tour: Travelling with Robert Menzies, 1950-1959. [Website]

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2014) Visual Arts. [Website]

Berryman, Jim ORCID logoORCID: https://orcid.org/0000-0001-8999-0837 (2013) The Robert Menzies Collection: A Living Library. [Website]

This list was generated on Sun Jun 15 15:18:15 2025 BST.