email: Vivien.Williams@glasgow.ac.uk
G12 8QQ Glasgow, Scotland, UK
Williams, V. (2017) Bonnie Prince Charlie, a 'Scottish highland bagpiper', or a French musette player? The Case of a series of eighteenth-century prints. Review of Scottish Culture, 27,
Williams, V. E. (2016) The bagpipe and Romanticism: perceptions of Ossianic 'northernness'. European Romantic Review, 27(4), pp. 459-473. (doi: 10.1080/10509585.2016.1190088)
Williams, V. (2016) The bagpipe. Encyclopedia of Romantic Nationalism in Europe,
Williams, V. (2016) Hunterian Bagpipes. [Website]
Williams, V. (2016) The Oxford edition of the Scots Musical Museum: behind the scenes. Annual Burns Chronicle and Club Directory, 125, pp. 87-91.
Williams, V. (2016) Words as music/music as words: the bagpipe and Kirsty Gunn’s The Big Music (2012). Scottish Literary Review, 8(1), pp. 111-131.
Williams, V. E. (2015) David Sergeant and Fiona Stafford, eds., Burns and Other Poets. BARS Review, 46, [Book Review]
Williams, V. (2014) Review of The Edinburgh Companion for our Scottish Local History. Scottish Local History, 88(1), [Book Review]
Williams, V. (2014) "All the bagpipes in the world are here, and they fill heaven and earth": the bagpipe in the romantic construction of Scottish identity. In: Wiseman, S. (ed.) Assembling Identities. Cambridge Scholars Publishing: Newcastle upon Tyne, pp. 58-70. ISBN 9781443865296
Williams, V. (2014) Review of The Reception of Robert Burns in Europe (ed. Murray Pittock). BARS Review, 44, [Book Review]
Williams, V. (2013) The Scottish bagpipe: political and religious symbolism in English literature and satire. Bottle Imp(13),
Williams, V. and Williams, C. (2007) ACCESS to Great Britain and the english-speaking world. Loffredo Editore: Naples. ISBN 9788875642006
Williams, V. (2017) Bonnie Prince Charlie, a 'Scottish highland bagpiper', or a French musette player? The Case of a series of eighteenth-century prints. Review of Scottish Culture, 27,
Williams, V. E. (2016) The bagpipe and Romanticism: perceptions of Ossianic 'northernness'. European Romantic Review, 27(4), pp. 459-473. (doi: 10.1080/10509585.2016.1190088)
Williams, V. (2016) The bagpipe. Encyclopedia of Romantic Nationalism in Europe,
Williams, V. (2016) The Oxford edition of the Scots Musical Museum: behind the scenes. Annual Burns Chronicle and Club Directory, 125, pp. 87-91.
Williams, V. (2016) Words as music/music as words: the bagpipe and Kirsty Gunn’s The Big Music (2012). Scottish Literary Review, 8(1), pp. 111-131.
Williams, V. (2013) The Scottish bagpipe: political and religious symbolism in English literature and satire. Bottle Imp(13),
Williams, V. and Williams, C. (2007) ACCESS to Great Britain and the english-speaking world. Loffredo Editore: Naples. ISBN 9788875642006
Williams, V. (2014) "All the bagpipes in the world are here, and they fill heaven and earth": the bagpipe in the romantic construction of Scottish identity. In: Wiseman, S. (ed.) Assembling Identities. Cambridge Scholars Publishing: Newcastle upon Tyne, pp. 58-70. ISBN 9781443865296
Williams, V. E. (2015) David Sergeant and Fiona Stafford, eds., Burns and Other Poets. BARS Review, 46, [Book Review]
Williams, V. (2014) Review of The Edinburgh Companion for our Scottish Local History. Scottish Local History, 88(1), [Book Review]
Williams, V. (2014) Review of The Reception of Robert Burns in Europe (ed. Murray Pittock). BARS Review, 44, [Book Review]
Williams, V. (2016) Hunterian Bagpipes. [Website]