Professor Ian Garwood

  • Professor of Screen Studies (Theatre, Film & Television Studies)

telephone: 01413306868
email: Ian.Garwood@glasgow.ac.uk

R332 Level 3, TFTV Studies, Gilmorehill Halls, Glasgow G12 8QQ

Import to contacts

ORCID iDhttps://orcid.org/0000-0001-6960-5620

Research interests

Office hours: Weds 10-11am & 12-1pm (semester 1), Thurs 10am-12midday (semester 2)

Research Interests

Ian is a leading exponent of academic audiovisual film and television criticism, and his practice and critical reflection has been published in a number of online forums. He has also published widely on issues to do with the soundtrack in film and television, on the sensuous aspects of storytelling in film, on Bollywood, American Independent Cinema and New German Cinema. He is currently combining his interest in the role of supporting actors and characters in film with his exploration of audiovisual research formats. He is also investigating the function of sound in the audiovisual essay and its proximate forms. Ian’s Vimeo page, which contains his audiovisual research, can be found here.

Biography

In 1999, Ian completed his PhD on ‘Popular Music and Characterisation in Narrative Cinema’ at University of Warwick, under the supervision of Professor Richard Dyer. He joined University of Glasgow in 2000, and was made Senior Lecturer in 2014. He is the author of two monographs, ‘The Pop Song in Film’ (2006) and ‘The Sense of Film Narration’ (2013).

Publications

List by: Type | Date

Jump to: 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2016 | 2013 | 2012 | 2010 | 2009 | 2008 | 2006 | 2004 | 2003 | 2002 | 2000
Number of items: 47.

2023

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 and Garwood, Carys (2023) Ghosts - Videographic Essay Voiceover Exercise (video essay). [Film]

2022

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary - Heimat (Mist Opportunities) (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary - Heimat (video essay). [Film]

Zecchi, Barbara and Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary on The Bridge/Bron/Broen. CST Online, 3 Jun.

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620, Gibbs, John, Gills, Libertad, Grizzaffi, Chiara and de Fren, Allison (2022) Curators' Discussion of Audiovisual Essay Collection. [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) Time (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) The place of the pop song in academic audiovisual film and television criticism. NECSUS: European Journal of Media Studies, 11(1), pp. 309-314. (doi: 10.25969/mediarep/18824)

2021

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - The Chair (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - Bron/Broen/The Bridge (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) My Most IMPORTANT And FASCINATING Video (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - Quincy (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620, Miles, Anna and McCarthy, Michael John (2021) Long Take, Pop Song (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Show, Then Tell?: The Relationship between the Videographic and the Verbocentric in the 'Audiovisual Book' Indy Vinyl. [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual archives. Notes on Videographic Criticism, 1(35),

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual Film Criticism and Cosmopolitanism (AKA The Haunting of the Headful Academics) (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual Criticism and Film History (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) The Scholarly Video Essay (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Mr Grant's Echo Chamber (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Fear Window (video essay). [Film]

2020

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) Writing about the scholarly video essay: lessons from [in]Transition's creator statements. Cine-Files, 15,

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) Mr Grant's Dream House (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) SLAP THAT BASS Zoomed (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) From ‘video essay’ to ‘video monograph’? Indy Vinyl as academic book. NECSUS: European Journal of Media Studies, 9(1), pp. 5-29. (doi: 10.25969/mediarep/14306)

2019

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2019) Indy Vinyl: Records in American Independent Cinema: 1987 to 2018. [Website]

Jajdelska, E. et al. (2019) Picture This: A Review of Research Relating to Narrative Processing by Moving Image Versus Language. Frontiers in Psychology, 10, 1161. (doi: 10.3389/fpsyg.2019.01161) (PMID:31297071) (PMCID:PMC6607898)

2018

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2018) The l/song take in "Before Sunrise". NECSUS: European Journal of Media Studies, 2018(Autumn),

2016

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) Vinyl noise and narrative in CD-era indiewood. In: Green, Liz and Kulezic-Wilson, Danijela (eds.) The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. Palgrave Macmillan UK: London, pp. 245-260. ISBN 9781137516794

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) The place of voiceover in academic audiovisual film and television criticism. NECSUS: European Journal of Media Studies,

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) Lost in non-translation? Analysing film voices from a position of linguistic incompetence. Music, Sound, and the Moving Image, 10(2), pp. 189-206. (doi: 10.3828/msmi.2016.10)

2013

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2013) The Sense of Film Narration. Series: Edinburgh Studies in Film. Edinburgh University Press: Edinburgh. ISBN 9780748640720

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2013) Play it again, Butch, Cricket, Chick, Smoke, Happy... the performances of Hoagy Carmichael as a Hollywood bar-room pianist. Movie: A Journal of Film Criticism, 4, pp. 29-39.

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 and Robertson, Iain (2013) How little we know: an essay film about Hoagy Carmichael. [Film]

2012

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2012) Roto-synchresis: relationships between body and voice in rotoshop animation. Animation, 7(1), pp. 39-57. (doi: 10.1177/1746847711428850)

2010

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2010) Review of: Vanessa Theme Ament, The Foley Grail: The Art of Performing Sound for Film, Games, and Animation. Animation, 5(3), pp. 369-374. (doi: 10.1177/1746847710377547)[Book Review]

2009

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2009) Great art on a jukebox: the romantic(ized) voice of Bob Dylan in 'I'm Not There'. Film International, 7(6), pp. 6-22. (doi: 10.1386/fiin.7.6.6)

2008

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2008) Sound and space in the split-screen movie. Refractory: A Journal of Entertainment Media, 14,

2006

Garwood, I. (2006) The songless Bollywood film. South Asian Popular Culture, 4(2), pp. 169-183. (doi: 10.1080/14746680600797210)

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2006) Review of: A. Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s: K.J. Donnelly, The Spectre of Sound: Music in Film and Television: C. Vernallis, Experiencing Music Video: Aesthetics and Cultural Context. Screen, 47(4), pp. 477-482. (doi: 10.1093/screen/hjl039)[Book Review]

Garwood, I. (2006) The pop song in film. In: Gibbs, J. and Pye, D. (eds.) Close Up 1: Filmmakers' Choices/The Pop Song in Film/Reading Buffy. Wallflower Press, pp. 89-166. ISBN 1904764576

Garwood, I. (2006) Shifting pitch: the Bollywood song sequence in the Anglo-American market. In: Eleftheriotis, D. and Needham, G. (eds.) Asian Cinemas: A Reader and Guide. Edinburgh University Press, pp. 346-357. ISBN 0748617779

2004

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2004) Run Lola Run and the Music Video Aesthetic. Media Education Journal, 35, pp. 33-36.

2003

Garwood, I. (2003) Must you remember this? Orchestrating the "standard" pop song in Sleepless in Seattle. In: Dickinson, K. (ed.) Movie Music, the Film Reader. Series: In focus - Routledge film readers. Routledge: London, UK, pp. 109-117. ISBN 9780415281591

2002

Garwood, I. (2002) The autorenfilm in contemporary German cinema. In: Bergfelder, T, Carter, E. and Gokruk, D. (eds.) The German Cinema Book. The British Film Institute, pp. 202-210. ISBN 085170946X

2000

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Andrew Bergman. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 45-46. ISBN 9781903364109

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Harold Becker. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 39-41. ISBN 9781903364093

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Lay-bys and lullabies: the role of rock music in Wim Wenders' road movies. In: Lost Highways: An Illustrated History of Road Movies. Series: Creation Cinema Collection (15). Creation Books: London, pp. 231-240. ISBN 9781871592689

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Robert Benton. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 43-44. ISBN 9781903364109

This list was generated on Sun Jun 15 08:07:22 2025 BST.
Jump to: Articles | Books | Book Sections | Book Reviews | Film | Website
Number of items: 47.

Articles

Zecchi, Barbara and Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary on The Bridge/Bron/Broen. CST Online, 3 Jun.

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) The place of the pop song in academic audiovisual film and television criticism. NECSUS: European Journal of Media Studies, 11(1), pp. 309-314. (doi: 10.25969/mediarep/18824)

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual archives. Notes on Videographic Criticism, 1(35),

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) Writing about the scholarly video essay: lessons from [in]Transition's creator statements. Cine-Files, 15,

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) From ‘video essay’ to ‘video monograph’? Indy Vinyl as academic book. NECSUS: European Journal of Media Studies, 9(1), pp. 5-29. (doi: 10.25969/mediarep/14306)

Jajdelska, E. et al. (2019) Picture This: A Review of Research Relating to Narrative Processing by Moving Image Versus Language. Frontiers in Psychology, 10, 1161. (doi: 10.3389/fpsyg.2019.01161) (PMID:31297071) (PMCID:PMC6607898)

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2018) The l/song take in "Before Sunrise". NECSUS: European Journal of Media Studies, 2018(Autumn),

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) The place of voiceover in academic audiovisual film and television criticism. NECSUS: European Journal of Media Studies,

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) Lost in non-translation? Analysing film voices from a position of linguistic incompetence. Music, Sound, and the Moving Image, 10(2), pp. 189-206. (doi: 10.3828/msmi.2016.10)

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2013) Play it again, Butch, Cricket, Chick, Smoke, Happy... the performances of Hoagy Carmichael as a Hollywood bar-room pianist. Movie: A Journal of Film Criticism, 4, pp. 29-39.

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2012) Roto-synchresis: relationships between body and voice in rotoshop animation. Animation, 7(1), pp. 39-57. (doi: 10.1177/1746847711428850)

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2009) Great art on a jukebox: the romantic(ized) voice of Bob Dylan in 'I'm Not There'. Film International, 7(6), pp. 6-22. (doi: 10.1386/fiin.7.6.6)

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2008) Sound and space in the split-screen movie. Refractory: A Journal of Entertainment Media, 14,

Garwood, I. (2006) The songless Bollywood film. South Asian Popular Culture, 4(2), pp. 169-183. (doi: 10.1080/14746680600797210)

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2004) Run Lola Run and the Music Video Aesthetic. Media Education Journal, 35, pp. 33-36.

Books

Garwood, I. ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2013) The Sense of Film Narration. Series: Edinburgh Studies in Film. Edinburgh University Press: Edinburgh. ISBN 9780748640720

Book Sections

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2016) Vinyl noise and narrative in CD-era indiewood. In: Green, Liz and Kulezic-Wilson, Danijela (eds.) The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. Palgrave Macmillan UK: London, pp. 245-260. ISBN 9781137516794

Garwood, I. (2006) The pop song in film. In: Gibbs, J. and Pye, D. (eds.) Close Up 1: Filmmakers' Choices/The Pop Song in Film/Reading Buffy. Wallflower Press, pp. 89-166. ISBN 1904764576

Garwood, I. (2006) Shifting pitch: the Bollywood song sequence in the Anglo-American market. In: Eleftheriotis, D. and Needham, G. (eds.) Asian Cinemas: A Reader and Guide. Edinburgh University Press, pp. 346-357. ISBN 0748617779

Garwood, I. (2003) Must you remember this? Orchestrating the "standard" pop song in Sleepless in Seattle. In: Dickinson, K. (ed.) Movie Music, the Film Reader. Series: In focus - Routledge film readers. Routledge: London, UK, pp. 109-117. ISBN 9780415281591

Garwood, I. (2002) The autorenfilm in contemporary German cinema. In: Bergfelder, T, Carter, E. and Gokruk, D. (eds.) The German Cinema Book. The British Film Institute, pp. 202-210. ISBN 085170946X

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Andrew Bergman. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 45-46. ISBN 9781903364109

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Harold Becker. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 39-41. ISBN 9781903364093

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Lay-bys and lullabies: the role of rock music in Wim Wenders' road movies. In: Lost Highways: An Illustrated History of Road Movies. Series: Creation Cinema Collection (15). Creation Books: London, pp. 231-240. ISBN 9781871592689

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2000) Robert Benton. In: Allon, Yoram and Patterson, Hannah (eds.) The Wallflower Critical Guide to Contemporary North American Directors. Wallflower Press: London, pp. 43-44. ISBN 9781903364109

Book Reviews

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2010) Review of: Vanessa Theme Ament, The Foley Grail: The Art of Performing Sound for Film, Games, and Animation. Animation, 5(3), pp. 369-374. (doi: 10.1177/1746847710377547)[Book Review]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2006) Review of: A. Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s: K.J. Donnelly, The Spectre of Sound: Music in Film and Television: C. Vernallis, Experiencing Music Video: Aesthetics and Cultural Context. Screen, 47(4), pp. 477-482. (doi: 10.1093/screen/hjl039)[Book Review]

Film

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 and Garwood, Carys (2023) Ghosts - Videographic Essay Voiceover Exercise (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary - Heimat (Mist Opportunities) (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) TV Dictionary - Heimat (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620, Gibbs, John, Gills, Libertad, Grizzaffi, Chiara and de Fren, Allison (2022) Curators' Discussion of Audiovisual Essay Collection. [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2022) Time (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - The Chair (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - Bron/Broen/The Bridge (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) My Most IMPORTANT And FASCINATING Video (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) TV Dictionary - Quincy (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620, Miles, Anna and McCarthy, Michael John (2021) Long Take, Pop Song (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Show, Then Tell?: The Relationship between the Videographic and the Verbocentric in the 'Audiovisual Book' Indy Vinyl. [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual Film Criticism and Cosmopolitanism (AKA The Haunting of the Headful Academics) (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Audiovisual Criticism and Film History (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) The Scholarly Video Essay (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Mr Grant's Echo Chamber (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2021) Fear Window (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) Mr Grant's Dream House (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2020) SLAP THAT BASS Zoomed (video essay). [Film]

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 and Robertson, Iain (2013) How little we know: an essay film about Hoagy Carmichael. [Film]

Website

Garwood, Ian ORCID logoORCID: https://orcid.org/0000-0001-6960-5620 (2019) Indy Vinyl: Records in American Independent Cinema: 1987 to 2018. [Website]

This list was generated on Sun Jun 15 08:07:22 2025 BST.

Grants

  • 2013 – AHRC Collaborative Doctoral Partnership with British Library, to support research based on the personal archive of the film music director, Muir Mathieson
  • 2010 – Carnegie Trust Grant to support research at the Lux experimental film archive, London

Supervision

Ian is particularly interested in supervising projects that involve some form of audiovisual film and television criticism, notwithstanding the particular area of enquiry. In addition, he welcomes applications from students investigating the role of supporting actors or characters, sound in screen media, storytelling processes in the fiction film, American Independent Cinema, Hollywood, German Cinema, or any project that explores the aesthetic details of screen media. He is an experienced supervisor who has guided a number of PhDs to successful completion. In addition, he has supported his supervisees, during their studies and afterwards, in acquiring experience that has allowed them to successfully enter their desired fields of employment.

Ian has supervised successfully completed PhD projects on topics such as:

  • Sound in lo-fi digital cinema
  • The visual music film
  • The aesthetics of ‘badfilm’
  • The diary film
  • Masculinity in the American serial killer film
  • Violence in the Italian filone
  • Innovation in contemporary American sitcoms
  • Alashqar, Akram H A
    The Soundtrack in Palestinian Films: The Aesthetics and Relevance of Using It
  • Goldbach, Mark
    The Past is Ours, Too: Reclaiming Immigrant Traumas in Film and TV
  • Li, Xin
    Characters with mental problems in Western TV series and Chinese audiences
  • Moore, Kachine Alina
    Cinetheurgy
  • Wang, Chenxi
    Exploring the trends and identity construction of Chinese short-form film commentary videos in the film category from the perspective of social media user groups

Teaching

Ian has taught on all levels of Film and Television Studies undergraduate and postgraduate programmes. His specialist option courses have included Multi-Strand Narratives in Film and Television, New German Cinema, Pop Music in Film, Film and Television Sound, Hollywood in the 30s, American Independent Cinema and Audio-Visual Film and Television Criticism. He has made a large contribution to the development and delivery of the Level One courses, ‘Looking, Listening, Reading’ and ‘Key Moments in the Development of Cinema and Television’ and has also designed and convened the Honours production courses. Ian is particularly proactive in exploring interactive modes of teaching and in using technology to support learning. In 2015, his Honours course, Audio-Visual Film and Television Criticism, was put forward by the university for Innovation Technology Excellence category at the inaugural Herald Higher Education Awards.

Additional information

Ian is Learning and Teaching Convener for the School of Culture and Creative Arts and Level One convener for Film and Television Studies.


Dr Ian Garwood

Professor Ian Garwood on Twitter