This course studies the characteristic features of sixteenth- and seventeenth-century Scottish literature in their national as well as international context. By foregrounding non-canonical genres and texts, the course investigates whether we can develop alternative paradigms to those with which we traditionally define 'the Renaissance' in Britain.

1x1hr lecture; 1x1hr seminar per week over 10 weeks as scheduled on MyCampus..

This is one of the Honours courses in Scottish Literature and may not run every year. The options being offered this session are available on MyCampus.

Alternative Renaissances (SCOTLIT4005)

None

The standard assessments for this course are: 

■ Critical assignment (1,500 words) - 20% 

■ Two (2,500 word) Essays - 40% each 

If required, for instance where a disability prevents a student from undertaking a specific method of assessment, the following alternatives are available: 

■ There are no alternatives to the assessments, but flexible deadlines can be offered as reasonable adjustment (Students should follow the usual process for extensions). 

Further reasonable adjustments may be provided where necessary. Students are encouraged to consult with the course convenor.  

This course will provide the opportunity to:

■ develop an advanced awareness of the major authors, themes and cultural as well as politico-religious history of Scottish literature in this period;

■ analyse the rise of new genres and themes in seventeenth-century Scottish literature;

■ apply a knowledge of the comparative dimension of European cultural history of the period to the Scottish texts;

■ discuss at an advanced level the revisionist narratives of 'Renaissance' that are considered throughout the course.

By the end of this course students will be able to:

■ discuss major general distinctions between the literature of the English and European Renaissances and that of Scotland

■ comment on the different cultural emphases that the humanist legacy in Scotland gave to its national literature

■ analyse how the Scottish Renaissance manifested itself in at least one of the three literary kinds discussed (lyric, drama, narrative fiction)

■ illustrate the way in which lyric and narrative poetry as well as dramatic practice in Scotland manifest themselves as similar but different from their English and European counterparts

■ identify the major qualities of selected genres of contemporary Scottish literature as seen from within its own cultural and literary contexts

■ identify and discuss the impact that this material has on definitions of the Scottish 'Renaissance'.