Dr Alessia Zinnari
- Lecturer [Italian] (Italian)
email:
Alessia.Zinnari@glasgow.ac.uk
pronouns:
She/her/hers
Biography
I am an interdisciplinary Early Career Academic with specialism in Italian, Comparative Literature, Gender Studies and Visual Culture Studies. I use feminist methodologies to explore the intersections between power, self-representation, the body, and trauma in literature/art. My credentials include a PhD in Comparative Literature completed in 2020, and ten years of experience teaching a wide range of subjects (including Italian, Comparative Literature and Spanish) in HE in the UK. In 2022, I completed two residential fellowships in Italy, one at The British School at Rome and one at the Fondazione Cini in Venice. I have a keen interest in community engagement and social justice through research and art: since 2023, I co-run the participatory arts project CAMERA together with Glasgow-based artist Alex Withey. CAMERA uses trauma-informed and intersectional methodologies to engage community groups in artmaking and self-reflection through photography and writing.
• Comparative Literature
• Critical and Feminist Theory
• Trauma Studies
• Medical Humanities
• Life-writing Studies
• Italian, English and Latin American Literature
• Art History & Visual Culture (especially Surrealism)
Research interests
My research explores how marginalised subjects, and especially women, use art and writing to represent experiences of trauma and illness. I am particularly interested in evaluating how artmaking can not only challenge structures of power, but also imagine possibilities for healing and for a different future. Bringing together feminist thought, medical humanities, critical studies, I examine the interconnections between creativity, memory, and self-narration. My work bridges literary and visual analysis, as well as archival research and participatory arts practice, asking whose stories are preserved, whose are overlooked, and how creative expression can open spaces for individual and collective reflection.
I am currently working on my first monograph loosely based on my PhD work. Divine Madness: Mental Illness and Creative Healing in Leonora Carrington and Alda Merini [working title] examines the relationship between women’s cultural production, mental illness, and gendered violence in the twentieth century through two case studies: British-Mexican artist and writer Leonora Carrington and Italian poet Alda Merini. Drawing together feminist theory, art and literary history, and trauma studies, the book shows how psychiatric institutionalisation and patriarchal authority shaped women’s experiences of breakdown. It argues that creative practice could also become a means of repair: transforming trauma into self-narration, social critique, and a new artistic language. By placing visual art, poetry, autobiography, and archival material in dialogue, Divine Madness offers a new interdisciplinary framework for understanding women’s creative responses to illness.
I have also published several essays on Leonora Carrington and Alda Merini [see publications].
Alongside this, I co-lead CAMERA (Creative Approaches to Memory and Emotions through Research and Art) with artist Alex Withey. Through participatory workshops combining photography, writing, and experimental image-making, CAMERA invites people to explore personal and shared histories and create collective archives. Developed through projects in Glasgow and Mexico City, its feminist and trauma-informed approach places time, trust, and creative exchange at the heart of building connections within communities.
Grants
• June 2025: Royal Society of Edinburgh small grant for archival and field research in Mexico City £5000
• Breakdown of funding for CAMERA:
£850 (SRSF, SMLC) awarded in May 2023
£5,530 (IAA) awarded in September 2023
£1,000 (IDEF) awarded in October 2023
£9,460 (Founders Fund for Creatives) awarded in January 2024
£430 (SRSF, SMLC) awarded in March 2024
£775 (IDEF) awarded in May 2024
Total funding raised to date: £18,045
• January-March 2022: British School at Rome, ‘Rome Award’ for a three-month visiting fellowship in Rome board and lodging + £1350
Project title: Art & Activism: Suzanne Santoro and the 1970s Feminist Avant-garde in Rome
• May-July 2022: Fondazione Cini, ‘Benno Geiger’ Fellowship for a three-month archival research period in the Vittore Branca Centre in Venice board and lodging + €3,100
Project title: Sibilla Aleramo’s Authorial Self and her “vita errabonda” in the Aleramo-Nardi Correspondence
Supervision
I am happy to supervise students on any aspect covered by my research interests. I particularly welcome collaborative or practice-based PhD projects.
- Ewert, Natascha
A Jungian exploration of the Delphic maxim ‘Know Thyself’: Healing the Autobiographical Self through the intersection of poetry, art and tarot - Guidi, Sara
The Soil of Desire Reevaluating second-wave Southern Italian Feminist Practices in the Present - Liu, Yixuan
Base Materialism and the Abject Body in Female Surrealist Artists' Works
Teaching
Since 2014, I have designed, convened and delivered a broad range of courses and assessments at both undergraduate and postgraduate level in UK universities. I am an Associate Fellow of the Higher Education Academy. In 2016, I was nominated for the Teaching Excellence Awards by my students at the University of Strathclyde, in the category ‘Most enthusiastic teacher’. I am now in the process of completing PG-CAP as HEA Fellow. My teaching approach is underpinned by feminist, intersectional and trauma-informed methodologies - I strive for my classes to be inclusive, fun, and a space in which students can challenge themselves and learn new skills without feeling overwhelmed.
September 2019 – present: Lecturer in Italian at the University of Glasgow
- Honours Option: ‘Feminist Encounters in Italy: Sexuality and the Body in 20th Century Women’s Cultural Production’ (designed and delivered by me)
- Course convenor: Italian Level 2 (Culture + Language + Year Abroad)
- Honours Option: ‘Women in Modern Italy’ (Co-taught with Prof Penelope Morris)
- Honours Option: ‘Modern Italian Poetry’ (Co-taught with Dr Eanna O’Ceallachain)
- Junior & Senior Honours Italian Oral Classes
- Honours Translation into Italian
- Beginners Italian Written and Oral classes
- MLitt in Comp Lit: Lecture-seminars ‘Feminism and Trauma’, Reading Workshop and ‘Italian Avant-Garde Feminist Art’, Transnational Constructions of Gender
I also occasionally teach Comparative Literature classes, and in the newly-launched Liberal Arts programme.
I am always keen to teach in new, interdisciplinary programmes across the University.
Additional information
PROFESSIONAL BODIES MEMBERSHIPS & OTHER ROLES
• Trustee of artist-run organisation, gallery and studios Rhubaba (since May 2025)
• Member of the People Justice Network, part of the newly launched Centre for People's Justice, a £4.1million investment by the UKRI Arts and Humanities Research Council. Partners include: the Universities of Glasgow, Sheffield, Swansea, Wrexham, Ulster and the Institute of Advanced Legal Studies London (since September 2025, invited by Prof. Nicole Bausby)
• Core Member of the Glasgow Medical Humanities Network and of the Centre for Comparative Literature and Translation, University of Glasgow
• Member of the Society for Italian Studies (SIS) [EDI Working group]
• Member of the Association for the Study of Modern Italy (ASMI)
• Member of the Centre for Gender History (CGH), University of Glasgow
• Member of the British Comparative Literature Association (BCLA)
• Member of the International Society for the Study of Surrealism (ISSS)
• Member of the Society for Latin American Studies (SLAS)
ARTIST RESIDENCIES [all through selective processes]
• March-April 2026 (4 weeks): Casa Lü Sur, Mexico City (collaborative residency to develop the next stage of CAMERA and exchange knowledge with local art groups using creative practices as activism)
• June 2024 (10 days): Fondazione Cini, Venice (with artist Alex Withey, collaborative residency for the project CAMERA)
• June 2024 (1 week): Cove Park, Scotland (with artist Alex Withey, collaborative residency for the project CAMERA)
• May 2023 (2 weeks): ‘Interdisciplinary Residency’, Hospitalfield, Scotland (with artist Alex Withey, collaborative residency for the project CAMERA)
