Victorian
This interdisciplinary cluster brings together experts in periodicals and popular culture; literature, medicine, science and mathematics; and textual editing.
Staff
Publications
2026
Radford, A., Tee, V.-Y. (2026) Extremist Landscapes. Palgrave Macmillan
Eastlake, L. (2026) Empires of desire: Cleopatra in the late-Victorian imagination. Brill
Radford, A. (2026) Mid-Twentieth-Century Women Writers: Country House Fiction from Elizabeth Bowen to Ivy Compton-Burnett. Liverpool University Press
Daskalova, M. (2026) The Nineteenth-Century Asylum Periodical: Britain, America and Beyond. Cambridge University Press
(2026) The Empire of the Ants and Other Stories.
Tattersdill, W. (2026) The Social Dinosaur. Bloomsbury
Sangster, M. (2026) Regulating poetry in the 1800s. Cambridge University Press
Sangster, M. (2026) Affecting retreats and academic follies: the Romantic-period college in poets' spheres. Romantic Textualities: Literature and Print Culture, 1780-1840, 25, pp. 29-49. (doi: 10.5281/zenodo.20015084)
Tattersdill, W. (2026) Wells and periodical literature. Oxford University Press
Eastlake, L. (2026) ‘I am appetite’: meats, sweets and food studies readings of Dracula. Peter Lang
2025
Coyer, M. (2025) ‘By famine, sword, and pestilence’: James Hogg and Cholera in Fraser’s Magazine for Town and Country. Scottish Literary Review, 17, pp. 23-44.
Radford, A. (2025) George Borrow: Northern verse translations from manuscript sources. Translation and Literature, 34, pp. 223-249. (doi: 10.3366/tal.2025.0628)
Kistler, J., Tattersdill, W. (2025) Eclectic collections: un-disciplining the museum. Museum Worlds, 13, pp. 49-62. (doi: 10.3167/armw.2025.130105)
Creasy, M. (2025) VAN MIERLO, WIM. James Joyce and Cultural Genetics: The Joycean Genome. Forum for Modern Language Studies, 61, pp. 354-355.
Halsey, K., Sangster, M., Aitken, B., Baston, K., Branagh-Miscampbell, M., Deans, A., Kennard Imrie, J., Mckeever, G., Smith, J. J. (2025) [S]hut Not Thy Heart, nor Thy Library': realising the potential of historical library borrowing data. Facet Publishing
(2025) George Moore, Confessions of a Young Man.
Radford, A. (2025) The Wandering Fictions of George Borrow: A Literature on the Move, 1840-1940. Edinburgh University Press
Eastlake, L. (2025) The volcano and the vampire: the case for a volcanic gothic. Gothic Studies, 27, pp. 58-77. (doi: 10.3366/gothic.2025.0217)
Small, D. R.J., Eastlake, L. (2025) ‘Our house came alive to shelter us’: happy gothic trauma and magical maturation in Disney’s Encanto. Screen,
Witton, M., Tattersdill, W. (2025) The ‘Spin’ in Spinosaurus: inventing a modern dinosaur superstar. UCL Press
Coyer, M. (2025) Contributions to Fraser's Magazine for Town and Country.
Daskalova, M. (2025) Passing the hours: measuring, recording, and experiencing time through periodical publishing in Victorian asylums. Victorian Periodicals Review, 58, pp. 52-73. (doi: 10.1353/vpr.2025.a969185)
2024
Creasy, M. (2024) Hanging out with ‘Archival Al’: decadent community in neo-Victorian comics. Volupté, 7, pp. 145-165. (doi: 10.25602/GOLD.v.v7i1.1848.g1955)
Creasy, M. (2024) Fifty ways to list your lovers: ‘Ithaca’ and the text-in-progress. Clemson University Press
Tattersdill, W. (2024) Foreword: On the usefulness of what didn’t happen. Bloomsbury
Radford, A. (2024) Mary Butts, Speed the Plough and Other Stories. Literary Encyclopedia, 1.2,
Creasy, M. (2024) Moore, George, Confessions of a Young Man. Literary Encyclopedia, 1.2,
Tattersdill, W. (2024) Towards a counterfactual criticism: alternate history and the study of English literature. Textual Practice, 38, pp. 1277-1294. (doi: 10.1080/0950236X.2023.2243905)
Creasy, M. (2024) Yeats and the Savoy: Irish poetry and French decadence. Edinburgh University Press
Sangster, M. (2024) The A to Z of Regency London 1819. London Journal, (doi: 10.1080/03058034.2024.2332144)
Sangster, M. (2024) Metropolitanism. Oxford University Press
Radford, A. (2024) Afterword. Bloomsbury Academic
Radford, A. (2024) Mary Butts, Death of Felicity Taverner. Literary Encyclopedia, 1.2,
Radford, A. (2024) Mary Butts, Ashe of Rings. Literary Encyclopedia, 1.2,
Creasy, M. (2024) Stéphane Mallarmé. Yellow Nineties 2.0,
Halsey, K., Sangster, M., Aitken, B., Baston, K., Branagh-Miscampbell, M., Macfarlane, I., Smith, J., O'Callaghan Yeoman, C. (2024) Books and Borrowing, 1750-1830: An Analysis of Scottish Borrowers' Registers.
2023
Kirk, T., Sangster, M. (2023) Editors’ introduction. British Library Publishing
Sangster, M. (2023) Fantasy’s weird architectures. British Library Publishing
(2023) Realms of Imagination: Essays from the Wide Worlds of Fantasy.
Kirk, T., Sangster, M., Foss, R., Reed, S., Gosling, S. (2023) Fantasy: Realms of Imagination.
Radford, A. D., Borrow, G. (2023) Lavengro: The Scholar, The Gypsy, The Priest.
Eastlake, L. (2023) Sugar. Victorian Literature and Culture, 51, pp. 515-518. (doi: 10.1017/S1060150323000074)
Sangster, M. (2023) An Introduction to Fantasy. Cambridge University Press
Sangster, M. (2023) Charles Lamb’s canny career choices. Charles Lamb Bulletin, 177, pp. 42-55.
(2023) Decadence and Translation. Modern Philology, 121,
Creasy, M. (2023) Translation in decadence: George Moore’s Confessions of a Young Man. Modern Philology, 121, pp. 12-31.
Radford, A. (2023) Mary Butts, Armed with Madness. Literary Encyclopedia, 1.2,
Creasy, M. (2023) Oxford Handbook of Decadence, ed. by Jane Desmarais and David Weir. Forum for Modern Language Studies, 59, pp. 464-465. (doi: 10.1093/fmls/cqad034)
Sangster, M. (2023) Urban sublimes. Cambridge University Press
Davis, A. B., Sangster, M. (2023) “Load every rift”: power, opposition, and community in Romantic poetry and heavy metal. European Romantic Review, 34, pp. 291-302. (doi: 10.1080/10509585.2023.2205079)
Coyer, M. (2023) Romantic autopsy: literary form and medical reading. Review of English Studies, 74, pp. 183-185. (doi: 10.1093/res/hgac088)
Hobson, S., Radford, A. (2023) Introduction to The Edinburgh Companion to Modernism, Myth and Religion. Edinburgh University Press
Mee, J., Sangster, M. (2023) Introduction. Edinburgh University Press
(2023) Remediating the 1820s.
(2023) The Edinburgh Companion to Modernism, Myth and Religion.
Eastlake, L. (2023) The Sculptural Body in Victorian Literature: Encrypted Sexualities, by Patricia Pulham; pp. x + 226. Edinburgh: Edinburgh University Press, 2020, $110.00, £75.00. Victorian Studies, 65, pp. 333-335. (doi: 10.2979/vic.2023.a911124)
Radford, A. (2023) The modernist grail quest. Edinburgh University Press
(2023) David Bowie and the Legacies of Romanticism.
de Groote, B., Fulford, T., Sangster, M. (2023) Editors' Introduction: De Quincey's Confessions at 200. Coleridge Bulletin, 62,
Sangster, M. (2023) Introduction: David Bowie and Romanticism’s wild mutations. Romantic Circles
Radford, A. (2023) Perspectives on Victorian regional writing. Cambridge University Press
Sangster, M. (2023) Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731–1814 by Sean D. Moore. Eighteenth-Century Studies, 57, pp. 127-129. (doi: 10.1353/ecs.2023.a909462)
Sangster, M. (2023) “I can’t give everything away”: David Bowie and Post-Romantic artistic identity. Romantic Circles
2022
Eastlake, L. (2022) The history of four festive sweets – from familiar favourites to the downright dangerous. Conversation,
Radford, A. (2022) Hard Roads an Cauld Hairst Winds: Li Bai an Du Fu in Scots. By Brian Holton. Pp. 136. Edinburgh: Taproot Press, 2021. Hb. £15.99. Translation and Literature, 31, pp. 388-396.
Tattersdill, W. (2022) Nonhumanoid alien life. Routledge
Porter, D. (2022) Catalogues as instituting genres of the nineteenth-century museum: the two Hunterians. Cambridge University Press
(2022) Institutions of Literature, 1700–1900: The Development of Literary Culture and Production. (doi: 10.1017/9781108909501)
Mee, J., Sangster, M. (2022) Introduction: literature and institutions. Cambridge University Press
Burke, V., Tattersdill, W. (2022) Introduction: Museums in Science Fiction, Science Fiction in Museums. Configurations, 30, pp. 247-256. (doi: 10.1353/con.2022.0016)
Burke, V., Tattersdill, W. (2022) Science fiction worldbuilding in museum displays of extinct life. Configurations, 30, pp. 313-340. (doi: 10.1353/con.2022.0019)
Creasy, M. (2022) Scylla and Charybdis. Cambridge University Press
Eastlake, L. (2022) Are you not entertained?: Hollywood’s golden age was born of the popularity of swords and sandals on the Victorian stage. History Today, 72,
Baston, K., Sangster, M. (2022) 'D -- d Good': Glasgow University Library Books and their Borrowers in the Eighteenth Century and Beyond.
Radford, A. (2022) The Collected Essays of Mary Butts. Review of English Studies, 73, pp. 405-406. (doi: 10.1093/res/hgac022)
Creasy, M. (2022) Arthur Rimbaud (1854-1891) Yellow Nineties 2.0,
Creasy, M. (2022) Introduction: Scottish Cosmopolitanism at the Fin de Siècle. Studies in Scottish Literature, 48, pp. 3-15. (doi: 10.51221/sc.ssl.2022.48.1.2)
Creasy, M. (2022) Paul Verlaine (1844 - 1896) Yellow Nineties 2.0,
Sangster, M. (2022) Plate 2.25: Palace of Placentia. Vetusta Monumenta: Ancient Monuments, a Digital Edition,
Creasy, M. (2022) Some Versions of Pastoral and Related Writings: William Empson. Some Versions of Pastoral and Related Writings. Edited by Seamus Perry. Oxford UP, 2020. xxxii + 453 pp. ISBN: 978-0-19-965966-1. £80. Style, 56, pp. 119-123. (doi: 10.5325/style.56.1-2.0119)
2021
Coyer, M. (2021) James Hogg: Contributions to English, Irish, and American Periodicals, ed. by Adrian Hunter, with Barbara Leonardi. Edinburgh: Edinburgh University Press, 2020. ISBN 9780748695980. hbk/ebook £80. Scottish Literary Review, 13, pp. 135-138.
Eastlake, L. (2021) Playing cute: sensation villainy and the aesthetics of small things in The Woman in White and Lady Audley’s Secret. Journal of Victorian Culture, 26, pp. 568-581. (doi: 10.1093/jvcult/vcab042)
Naish, D., Tattersdill, W. (2021) Art, anatomy, and the stars: Russell and Séguin’s dinosauroid. Canadian Journal of Earth Sciences, 58, pp. 968-979. (doi: 10.1139/cjes-2020-0172)
(2021) British Experimental Women’s Fiction, 1945-1975: Slipping Through the Labels. (doi: 10.1007/978-3-030-72766-6)
Radford, A., Van Hove, H. (2021) Introduction: (re)mapping the post-war British literary landscape. Palgrave Macmillan
Radford, A. (2021) No country for old maids? Housing Ivy Compton-Burnett’s mid-century fiction. Palgrave Macmillan
Sangster, M., Baston, K., Aitken, B. (2021) Reconstructing student reading habits in eighteenth-century Glasgow: enlightenment systems and digital reconfigurations. Eighteenth-Century Studies, 54, pp. 935-955. (doi: 10.1353/ecs.2021.0098)
Creasy, M. (2021) What Baudelaire means to me. Volupté, 4, pp. 86-91. (doi: 10.25602/GOLD.v.v4i1.1510.g1623)
Cervantes, G., Porter, D. (2021) Walking with John Howard: itineracy and romantic reform. Romanticism, 27, pp. 4-15. (doi: 10.3366/rom.2021.0488)
Creasy, M. (2021) Modernism and Non-Translation, edited by Jason Harding and John Nash. Translation and Literature, 30, pp. 104-108. (doi: 10.3366/tal.2021.0451)
Jenkins, A. (2021) Non-normative Euclideans: Victorian literature and the untaught geometer. Palgrave Macmillan
(2021) The Palgrave Handbook of Literature and Mathematics. (doi: 10.1007/978-3-030-55478-1)
Creasy, M. (2021) Edith Nesbit: Five Children and It. The Literary Dictionary Company
Creasy, M. (2021) Edith Nesbit: The Railway Children. The Literary Dictionary Company
Sangster, M. (2021) Living as an Author in the Romantic Period. Palgrave Macmillan
Radford, A., Corelli, M. (2021) Marie Corelli, A Romance of Two Worlds: A Novel.
2020
Dacome, L., Doherty, M. C., Porter, D., Roby, C. (2020) Special Issue: Unruly Objects: Material Entanglements in the Arts and Sciences [guest editor] Nuncius, 35,
Creasy, M., Evangelista, S. (2020) The view from Strasbourg: translational readings of decadence by the Guest Editors. Volupté, 3, pp. ii-x. (doi: 10.25602/GOLD.v.v3i2.1445.g1558)
Dacome, L., Doherty, M. C., Porter, D., Roby, C. (2020) Unruly objects: Material entanglements in the arts and sciences: Introduction. Nuncius, 35, pp. 461-470. (doi: 10.1163/18253911-03503018)
Creasy, M. (2020) Edith Nesbit: The Story of the Treasure Seekers. Literary Encyclopedia, 1.2.,
Creasy, M. (2020) 'Rather a delicate subject’: Verlaine, France and British decadence. Cambridge University Press
Coyer, M. (2020) Reading medicine in Blackwood’s. Edinburgh University Press
Tattersdill, W. (2020) Discovery and the form of Victorian periodicals. Liverpool University Press
Creasy, M. (2020) Review: Stéphane Guégan and André Guyaux, eds, Joris-Karl Huysmans: De Degas à Grünewald (Paris: Gallimard, 2019) Volupté, 3, pp. 140-144. (doi: 10.25602/GOLD.v.v3i1.1411.g1525)
Creasy, M. (2020) La décadence à l'ère numérique: Paul Verlaine et les périodiques victoriens. Revue d’histoire littéraire de la France, 2020, pp. 59-75. (doi: 10.15122/isbn.978-2-406-10071-3.p.0059)
Creasy, M. (2020) Contingency, irony ... textuality: A Portrait of the Artist as a Young Man and textual criticism. Modernist Cultures, 15, pp. 48-68. (doi: 10.3366/mod.2020.0279)
Sangster, M., Baston, K., Aitken, B. (2020) Eighteenth-Century Borrowing from the University of Glasgow.
Sangster, M. (2020) Holism and division in dreams of the metropolis. Journal of the Fantastic in the Arts, 31, pp. 424-448.
Creasy, M. (2020) T.S. Eliot. Year's Work in English Studies, 99, pp. 974-982. (doi: 10.1093/ywes/maaa014)
Sangster, M. (2020) The Romantic Tavern: Literature and Conviviality in the Age of Revolution by Ian Newman. Keats-Shelley Journal, 69, pp. 174-175.
2019
Creasy, M. (2019) 'A Sort of Breviary': Arthur Symons, J.K. Huysmans and British decadence. Cahiers Victoriens et Édouardiens, 2019, (doi: 10.4000/cve.6440)
Jenkins, A. (2019) Victorian nightmares of unbounded knowledge. University of Chicago Press
Sangster, M. (2019) The Social Life of Books: Reading Together in the Eighteenth‐Century Home. By Abigail Williams. New Haven, CT, and London: Yale University Press. 2017. x + 351 p. 57 b. and w. illus. £30 (hb). ISBN 978‐0‐300‐20829‐0. Journal for Eighteenth-Century Studies, 42, pp. 255-256. (doi: 10.1111/1754-0208.12609)
Eastlake, L. (2019) Ancient Rome and Victorian Masculinity. Oxford University Press
Creasy, M. (2019) "The neglected, the unutterable Verlaine": Arthur Symons, the Saturday review and French literature in the 1890s. Victorian Periodicals Review, 52, pp. 103-123. (doi: 10.1353/vpr.2019.0004)
Porter, D. (2019) Catalogues for an entropic collection: losses, gains and disciplinary exhaustion in the Hunterian Museum, Glasgow. BJHS Themes, 4, pp. 215-243. (doi: 10.1017/bjt.2019.15)
Fulford, T., Porter, D. (2019) Introduction: Beddoes and his Bristol Circle. Essays in Romanticism, 26, pp. 105-114. (doi: 10.3828/eir.2019.26.2.3)
Fulford, T., Porter, D. (2019) Special Issue: Beddoes and his Bristol Circle [guest editor] Essays in Romanticism, 26,
Creasy, M. (2019) T.S. Eliot. Year's Work in English Studies, 98, pp. 979-989. (doi: 10.1093/ywes/maz011)
Kistler, J., Tattersdill, W. (2019) What’s your dinosaur? Or, imaginative reconstruction and absolute truth in the museum space. Museum and Society, 17, pp. 377-389. (doi: 10.29311/mas.v17i3.3219)
Creasy, M. (2019) William Empson, The Face of the Buddha. Style, 53, pp. 269-272. (doi: 10.1353/sty.2019.0019)
Creasy, M. (2019) Women Writing Decadence: Eleven Illustrations.
2018
Radford, A. (2018) Steve Pinkerton, Blasphemous Modernism: The 20th-Century Word Made Flesh. Literature and History, 27, pp. 231-233. (doi: 10.1177/0306197318795798k)
Sangster, M. (2018) Conceptions of knowledge in William Hunter's library. Yale University Press
Sangster, M. (2018) The 1820s: Innovation and Diffusion.
Radford, A. (2018) 'Neo-Romanticism' Edinburgh University Press
Radford, A. (2018) 'Elegy' Edinburgh University Press
Sangster, M. (2018) Kevin Gilmartin (ed.), Sociable Places: Locating Culture in Romantic-Period Britain. Review of English Studies, 69, pp. 589-592. (doi: 10.1093/res/hgx121)
Porter, D. (2018) Science, Form, and the Problem of Induction in British Romanticism. Cambridge University Press
Coyer, M. (2018) Medicine and improvement in the Scots Magazine; and Edinburgh Literary Miscellany, 1804-17. Routledge
The Multigraph Collective, (2018) Interacting with Print: Elements of Reading in the Era of Print Saturation. University of Chicago Press
Radford, A. (2018) British fiction 1900-1930. Year's Work in English Studies, 97, pp. 902-914. (doi: 10.1093/ywes/may015)
Porter, D. (2018) Epistemic images and vital nature: Darwin's Botanic Garden as image text book. European Romantic Review, 29, pp. 295-308. (doi: 10.1080/10509585.2018.1465717)
Porter, D. (2018) John Langhorne's Frederic and Pharamond, Or, The Consolations of Human Life (1769) Cambridge University Press
Porter, D. (2018) John Langhorne's Letters to Eleonora (1770-1) Cambridge University Press
Porter, D. (2018) John Langhorne's Solyman and Almena (1762) Cambridge University Press
Porter, D. (2018) John Langhorne's The Effusions of Friendship and Fancy (1763) Cambridge University Press
Porter, D. (2018) John Langhorne's The letters that passed between Theodosius to Constantia; after she had taken the veil (1763) Cambridge University Press
Eastlake, L. (2018) Review of Holly Furneaux, Military Men of Feeling: Masculinity, Emotion and Tactility in the Crimean War (Oxford University Press, 2016) Wilkie Collins Journal,
Creasy, M. (2018) T.S. Eliot. Year's Work in English Studies, 97, pp. 986-995. (doi: 10.1093/ywes/may015)
2017
Radford, A. (2017) Anxieties of mystic influence: Dion Fortune's the winged bull and Aleister Crowley. Routledge
Sangster, M. (2017) Copyright literature and reading communities in eighteenth-century St Andrews. Review of English Studies, 68, pp. 945-967. (doi: 10.1093/res/hgx024)
Creasy, M. (2017) Joyce's Dante: Exile, Memory, and Community, by James Robinson. Translation and Literature, 26, pp. 248-251. (doi: 10.3366/tal.2017.0295)
Tattersdill, W. (2017) Work on the Victorian dinosaur: Histories and prehistories of 19th-century palaeontology. Literature Compass, 14, (doi: 10.1111/lic3.12394)
Jenkins, A. (2017) Mathematics. Routledge
Sangster, M. (2017) Coherence and inclusion in the Life-Writing of Romantic-period London. Life Writing, 14, pp. 141-153. (doi: 10.1080/14484528.2017.1291246)
Eastlake, L. (2017) ‘Antique Fiction’ and the forgotten legacies of Ancient Rome in Wilkie Collins’s Antonina. Classical Receptions Journal, 9, pp. 193-210. (doi: 10.1093/crj/clw007)
Fulford, T., Sangster, M. (2017) Introduction – Southeyan correspondences. Romanticism on the Net, 68-69,
Sangster, M. (2017) Southey versus London: proto-romantic disaffection and dehumanisation in the British metropolis. Romanticism on the Net, 68-69,
Tattersdill, W. (2017) Looking at the issues: science and fiction as genres in the fin de siècle magazine. Textual Practice, 31, pp. 417-431. (doi: 10.1080/0950236X.2016.1249706)
Sangster, M., Mee, J., Buckley, J. (2017) Institutions of Literature, 1700-1900.
Sangster, M. (2017) Accumulating London. Picturing Places,
Radford, A. (2017) British fiction 1900-1930. Year's Work in English Studies, 96, pp. 928-944. (doi: 10.1093/ywes/max016)
Creasy, M. (2017) Joyce's Creative Process and the Construction of Character in Ulysses by Luca Crispi (review) Style, 51, pp. 263-270. (doi: 10.1353/sty.2017.0020)
Sangster, M. (2017) Publishing, Editing, and Reception: Essays in Honor of Donald H. Reiman. Keats-Shelley Review, 31, pp. 100-102. (doi: 10.1080/09524142.2017.1297099)
Eastlake, L. (2017) Review of Molly Youngkin’s British Women Writers and the Reception of Ancient Egypt, 1840-1910 (Palgrave, 2016) English Literature in Transition, 1880-1920, 60, pp. 534-538.
Porter, D. (2017) Specimen poetics: botany, reanimation, and the Romantic collection. Representations, 139, pp. 60-94. (doi: 10.1525/rep.2017.139.1.60)
Creasy, M. (2017) T.S. Eliot. Year's Work in English Studies, 96, pp. 1001-1008. (doi: 10.1093/ywes/max016)
Creasy, M. (2017) The Complete Prose of T. S. Eliot: The Critical Edition: English Lion, 1930–1933 ed. by Jason Harding, Ronald Schuchard, and: Letters of T. S. Eliot Volume 5—1930–1931 ed. by John Haffenden. Style, 51, pp. 559-563. (doi: 10.1353/sty.2017.0042)
(2017) The Occult Imagination in Britain, 1875-1947.
Creasy, M. (2017) The sinister guest: Arthur Symons, villiers de l'Isle-Adam and Post-Victorian decadence. Legenda
Sangster, M. (2017) Transformation and specialization in London and its topography. Journal of Victorian Culture, 22, pp. 317-328. (doi: 10.1080/13555502.2017.1329971)
Postgraduate research students
Refine By
-
{{student.surname}} {{student.forename}}
{{student.surname}} {{student.forename}}
({{student.subject}})
{{student.title}}
Victorian Studies at Glasgow is a lively concentration, with a strong postgraduate community and a cohort of distinguished senior scholars and newly appointed early-career researchers. Research on Victorian literature and culture at Glasgow is strongly interdisciplinary in character, bridging together periodical studies; the intersections of literature, medicine, science and mathematics; popular cultural forms such as the Gothic; and textual scholarship and editorial work.
The interests of staff in Victorian Studies also range widely across the field. Specialisms include literature and science, medical humanities, travel writing, colonial studies, nineteenth-century spiritualism, children’s fiction, eco-criticism and neo-Victorianism. Our research in these areas has been supported by major funding bodies, such as the Arts and Humanities Research Council, the Royal Society of Edinburgh, the Carnegie Trust, the European Research Council, and the British Academy. Recent funded research includes: the AHRC-funded ‘Decadence and Translation’ Network (2018-2020); Scottish Cosmopolitanism at the Fin de Siècle (2020-2021), funded by the Royal Society of Edinburgh and James Hogg’s Contributions to Fraser’s Magazine for Town and Country, 1830-1836 (2020-23), funded by the Carnegie Trust.
Our work involves collaborations with a range of external partners to explore how Victorian culture continues to shape society today, from how we curate our heritage in museums and classrooms, to how we make decisions about our health. Partners include: The Hunterian Museum, The Natural History Museum, Mackintosh at the Willow (National Trust for Scotland), the Royal College of Physicians and Surgeons of Glasgow, and others.