Volume 24
Volume 24
Volume 24, number 1 (1983)
Reflections on Television
[ISSUE UNAVAILABLE]
Ed Buscombe, 'British broadcasting and international communications: an introduction'
Nicholas Garnham, 'Public service versus the market'
Jill Forbes, 'Everyone needs standards: French television'
Jo Spence, 'An Omnibus dossier'
Volume 24, number 2 (1983)
Racism, Colonialism and the Cinema
[ISSUE UNAVAILABLE]
Robert Stam and Louise Spence, 'Colonialism, racism and representation: an introduction'
Irene Kotlarz, 'The Birth of a Notion'
Julianne Burton, 'The politics of aesthetic distance: Sao Bernardo'
Mick Eaton, 'Another angle on anthropological film'
Volume 24, number 3 (1983)
Teaching Film and TV
[ISSUE UNAVAILABLE]
Bruce Babington, 'Twice a victim: Carrie meets the BFI'
Manuel Alvarado and Bob Ferguson, 'The curriculum, media studies and discursivity'
Tony Pearson, 'Teaching television'
Lez Cook, 'Popular culture and rock music'
Volume 24, number 4-5 (1983)
[ISSUE UNAVAILABLE]
Thomas Elsaesser, 'Lulu and the meter man'
Sam Rhodie, 'Capital and realism in the Italian cinema'
Paul Kerr, 'My name is Joseph H. Lewis'
Janet Staiger, 'Individualism versus collectivism'
Volume 24, number 6 (1983)
Cindy Sherman's Film Stills
[ISSUE UNAVAILABLE]
Steve Neale, 'Masculinity as spectacle'
Homi K. Bhabha, 'The other question: the stereotype and colonial discourse'
John Ellis, 'Channel 4: working notes'
Judith Williamson, 'Images of "women": the photographs of Cindy Sherman'