Thomas à Kempis: Opera.

Edited by Petrus Danhauser.

Nuremberg:  Caspar Hochfeder, 29 Nov. 1494.
Fol.  π4 a-b8 c-d6 e-f8 g-m8.6 n-o6 p8 q6 r-z A-B8.6.6 C8.   [4], I-CLXXVIII (i.e. CLXXX).   Considerable misnumbering:  XL-XLII all misnumbered “XXXIX”;  XLI repeated;  in addition XV, XXVI, LX, LXXXVI, and CXLII misnumbered X, VI, LXX, LXXXII, and CLII.
ISTC it00352000; GW M46672; Goff T352; BMC II 475 (IB. 8174); Bod-inc T-090; CIBN T-222; BSB-Ink T-195.

GIP number: T10
Shelf-mark: Sp Coll BD15-a.26 (see main library entry for this item)
Provenance: Asher & Co., booksellers, Berlin & London:  sold book to William Euing.
William Euing (1788-1874), insurance broker, Glasgow:  purchased from Asher 4 Dec. 1868 according to Euing’s pencil acquisition note with price code on π1r “4 12 68 Asher be/-”;  Euing’s inventory number “No 3876” in pencil on π1r together with a superseded Euing inventory number “119”.
University of Glasgow:  Euing bequest, 1874.
Binding: Scotland, 19th-century calf, covers blind-tooled to a panel design;  marbled endpapers;  red-edged leaves;  binder’s ticket on verso of front free endpaper “J. Carss & Co. Bookbinders, 31 Argyle Street, Glasgow”;  pencil note by binder on rear free endpaper giving date and price “Oct 20/69 10/6”;  binder’s job number “101/9” in pencil on π1r.   Size:  300 x 205 mm.
Leaf size: 292 x 195 mm.
Annotations: Lengthy annotation on π1r in a 16th-century hand including references to Thomas à Kempis and to the “hostis antiquus”;  occasional “nota” marks and manicules in brown ink and in red;  occasional marginal annotations in a 17th-century hand, including a benediction on n1v;  “No 2.” in ink in an 18th-century hand on π1r and the word “Duplum” in pencil in a 19th-century hand on the same page.
Decoration: Principal initials supplied in red and blue with reserved white, or in red with penwork decoration in brown ink, or in blue with similar penwork decoration;  other initials supplied throughout in red or blue (some with marginal flourishes);  capital strokes and paragraph marks in red throughout.
Imperfections: None.

Penwork initial in Thomas à Kempis: Opera