Screen

Volume 43

Volume 43, number 1 (2002)

INTRODUCTION: Adaptation and the literary film
BELÉN VIDAL VILLASUR: Classic adaptations, modern reinventions: reading the image in the contemporary literary film
ESHA NIYOGI DE: Modern Shakespeares in popular Bombay cinema: translation, subjectivity, and community
CHRISTINE GERAGHTY: Crossing over: performing as a lady and a dame
CATHERINE GRANT: Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist 'free' adaptation
reports and debates
The Crash debate, continued
MARTIN BARKER: Crashing Out
SARA GWENLLIAN JONES: The sex lives of cult television characters
The Boys Don't Cry debate, continued
JENNIFER DEVERE BRODY: Boyz Do Cry: screening history's white lies
reviews
DAVID DESSER: Stephanie Hemelryk Donald, Public Secrets, Public Spaces: Cinema and Civility in China; Jerome Silbergeld, China into Film: Frames of Reference in Contemporary Chinese Cinema.
SCOTT MacKENZIE: Mette Hjort and Ib Bondebjerg (eds), The Danish Directors: Dialogues on a Contemporary National Cinema.

Screen volume 43, number 2 (2002)

RICHARD RUSHTON: Cinema’s double: some reflections on Metz
PRIYA JAIKUMAR: An Act of transition: empire and the making of a national British film industry, 1927
MARK GARRETT COOPER: Narrative spaces
ROSALIND GALT: Italy’s landscapes of loss: historical mourning and the dialectical image in Cinema Paradiso, Mediterraneo and Il Postino.
reports and debates
Screen dossier: European actors in Hollywood
ALASTAIR PHILLIPS: Introduction
DANA POLAN: Methodological reflections on the study of the emigre actor
ALASTAIR PHILLIPS: Changing bodies/changing voices: success and failure in Hollywood in the early sound era
GENEVIÈVE SELLIER: Danielle Darrieux, Michèle Morgan and Micheline Presle in Hollywood: the threat to French identity
SUZY GORDON: First European Psychoanalytic Film Festival
reviews
PHILIP SCHLESINGER: Martin McLoone, Irish Film: the Emergence of a Contemporary Cinema; Duncan Petrie, Screening Scotland
DAVID PASCOE: Sam Rohdie, Promised Lands: Cinema, Geography, Modernism
JACQUELINE MAINGARD: June Givanni (ed.), Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image

Screen volume 43, number 3 (2002)

NEZIH ERDOGAN: Mute bodies, disembodied voices: notes on sound in Turkish popular cinema
NICOLA EVANS: The family changes colour: interracial families in contemporary Hollywood cinema
JULIA MOSZKOWICZ: To infinity and beyond: assessing the technological imperative in computer animation
ROSE MARIE SAN JUAN and GERALDINE PRATT: Virtual cities: film and the urban mapping of virtual space
reports and debates
SCOTT MACKENZIE: Baise-moi, feminist cinemas and the censorship controversy
CATHERINE JOHNSON and RACHEL MOSELEY: Midlands Television Research Group: 1999-2002
reviews
JENNIFER CLARK: Eric Schaefer, 'Bold! Daring! Shocking! True!' A History of Exploitation Films, 1919-1959.
EMMA WILSON: Slavoj Zizek, The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory.
KAREN BOYLE: Martha McCaughey and Neal King (eds), Reel Knockouts: Violent Women in the Movies.
LEE GRIEVESON: Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

Volume 43, number 4 (2002)

JEFFREY SCONCE: Irony, nihilism and new American 'smart' films
AYLISH WOOD: Timespaces in spectacular cinema: crossing the great divide of spectacle versus narrative
JOE MORAN: Childhood, class and memory in the Seven Up films
RACHEL MOSELEY: Glamorous witchcraft: gender and magic in teen film and television
reports and debates
GREG ELMER: The trouble with the Canadian 'body double': runaway productions and foreign location shooting
KAVEH ASKARI and JOSHUA YUMIBE: Cinema as 'Vernacular Modernism' Conference
reviews
ALISON BUTLER: Bill Nichols (ed.), Maya Deren and the American Avant-Garde
DAVID MARTIN-JONES: Laura U. Marks, The Skin of the Film: Intercultural Cinema, Embodiment and the Senses
ARVIND RAJAGOPAL: Charlotte Brunsdon, The Feminist, the Housewife and the Soap Opera
CHRIS HOLMLUND: Ginette Vincendeau, Stars and Stardom in French Cinema