Volume 37
Volume 37
Volume 37, number 1 (1996)
Shelley Stamp Lindsey, Is any girl safe: female spectators at the white slave films
Norman Taylor, Re-presenting the field of restricted cultural production: the nude at the interface
Stephan Schindler, What makes a man a man: the construction of masculinity in F. W. Murnau's The Last Laugh
Krsten Whissel, Racialized spectacle, exchange relations and the Western in Johanna d'Arc of Mongolia
Peter Meech, The lion, the thistle and the saltire: national symbols and corporate identity in Scottish broadcasting
Volume 37, number 2 (1996)
Eric Smoodin: 'This business of America': fan mail, film reception and Meet John Doe
John Gabriel: What do you when minority means you? Falling Down and the construction of 'whiteness'
Sue Harper and Vincent Porter: Moved to tears: weeping in the cinema in postwar Britain
Ben Gove: Framing gay youth
Volume 37, number 3 (1996)
Richard Dyer: 'There's nothing I can do! Nothing!': femininity, seriality and whiteness in The Jewel in the Crown
Chantal Nadeau: BB and the beasts: Brigitte Bardot and the Canadian seal controversy
Deborah Jermyn: Rereading 'the bitches from hell': a feminist appropriation of the female psychopath
Lida Hujic: I hope you're enjoying your party: MTV in wartorn Bosnia
Oscar Quiros: Critical mass of Cuban cinema: art as the vanguard of society
Volume 37, number 4 (1996)
Yosefa Loshitzky: Travelling culture, travelling television
John Welchman: Moving images: on travelling film and video
Chris Holmlund: The eyes of Nelly Kaplan
Roland Tolentino: Inangbayan,the mother-nation, in Lino Brock's Bayan Ko: Kapit sa Patalim and Orapronobis