Screen

Volume 36

Volume 36, number 1 (1995)

Julia Hallam and Margaret Marshment, Framing experience: case studies in the reception of Oranges are Not the Only Fruit

Lynn Spigel, From the dark ages to the golden age: women's memories and TV reruns
Susannah Radstone, Cinema/memory/history

Janet Thumim, 'A live commercial for icing sugar.' Researching the historical audience: gender and broadcast television in the 1950s

Volume 36, number 2 (1995)

Sean Cubitt, On interpretation: Bill Viola's The Passing

Dimitris Eleftheriotis, Video poetics: technology, aesthetics and politics

Janine Marchessault, Reflections on the dispossessed: video and the 'Challenge for Change' experiment

Jose Munoz, The autoethnographic performance: reading Richard Fung's queer hybridity

Volume 36, number 3 (1995)

Martin Shingler, Masquerade or drag? Bette Davis and the ambiguities of gender

Jeffrey A. Brown, 'Putting on the Ritz': masculinity and the young Gary Cooper

Jude Davies, Gender, ethnicity and cultural crisis in Falling Down and Groundhog Day

Dimitris Eleftheriotis, Questioning totalities: constructions of masculinity in the popular Greek cinema of the 1960s

Murray Healy, Were we being served? Homosexual representation in popular British comedy

Volume 36, number 4 (1995)

Ravi Vasudevan, Addressing the spectator of a 'third world' national cinema: the Bombay 'social' film of the 1940s and 1950s

Stephi Donald, Women reading Chinese films: between orientalism and silence

John Fletcher, Primal scenes and the female gothic: Rebecca and Gaslight

Jeffrey Sconce, 'Trashing' the academy: taste, excess and an emerging politics of cinematic style

Ramona Fotiade, The untamed eye: surrealism and film theory