Screen

Volume 34

Volume 34, number 1 (1993)

Michael Selig, 'Genre, gender and the discourse of war: the a/historical and Vietnam films'

Constance Balides, 'Scenarios of exposure in everyday life: women in the cinema of attractions'

Felix Thompson, 'Metaphors of space: polarization, dualism and Third World cinema'

Ivone Margulies, 'Delaying the cut: the space of performance in Lightning over Water'

Volume 34, number 2 (1993)

Renee Baert, 'Desiring daughters'

Brenda Longfellow, 'Lesbian phantasy and the Other woman in Ottinger's Johanna d'Arc of Mongolia'

Ellis Hanson, 'Technology, paranoia and the queer voice'

Volume 34, number 3 (1993)

Miriam Hansen, 'Early cinema, late cinema: permutations of the public sphere'

Gertrud Koch, 'Mimesis and Bilderverbot'

Georgina Born, 'Against negation, for a politics of cultural production: Adorno, aesthetics the social'

Richard Collins, 'Public service versus the market ten years on: reflections of Critical Theory and the debate on broadcasting policy in the UK'

Volume 34, number 4 (1993)

Sandy Flitterman-Lewis, Magic and wisdom in two portraits by Agnès Varda: Kung-Fu Master and Jane B. by Agnès V.

Carrie Tarr, Questions of identity in Beur cinema: from Tea in the Harem to Cheb

Ginette VIincendeau: Gerard Depardieu: the axiom of contemporary French cinema

Chris Darke: Rupture, continuity and diversification: Cahiers du cinema in the 1980s

Susan Hayward: State, culture and the cinema: Jack Lang's strategies for the French film industry