Course Catalogue

View Specification Document | Reading List

This course provides a chronological survey of the history of experimental cinema, exploring key historical movements and their relationship to contemporary practice. From early avant-garde movements to amateur film clubs and contemporary artists' films, this course will look at experimental film within national contexts and in relation to national cinemas, but will also reflect on the relative mobility and transnational flow often seen as characterising experimental film work. Key areas of focus will include work emerging from the early European avant-garde, the English structural tradition and the work surrounding the London Filmmakers Co-op, US-based underground filmmaking, including the No Wave movement of the 1970s and 80s, as well as work from contemporary moving image artists from across the globe.

1 x 2hr lecture; 1 x 1hr seminar per week over 10 weeks as scheduled on MyCampus.

Available to all students fulfilling requirements for Honours entry into Film and Television Studies, and by arrangement to visiting students or students of other Honours programmes who qualify under the University's 25% regulation.

None

None

The standard assessments for this course are:

■ Essay (2,000 words) - 50%

■ Practical curation project: either a curated playlist of 6-10 films (including a brief, 500-word intro and short description for each) OR a proposal (2000 words) for a programme of experimental films - 50%

If required, for instance where a disability prevents a student from undertaking a specific method of assessment, the following alternatives are available:

■ There is no alternative to essay, but a flexible deadline can be offered as reasonable adjustments (students should follow the usual process for extensions).

■ There is no alternative to practical curation project, but a flexible deadline can be offered as reasonable adjustments (students should follow the usual process for extensions).

Further reasonable adjustments may be provided where necessary. Students are encouraged to consult with the course convenor.

This course aims to:

■ Introduce students to the key historical movements related to experimental cinema and to consider their relationship to contemporary moving image practice 

■ Develop an understanding of key considerations relating to experimental cinema and artists' moving image practice, including the work's production but also its distribution and preservation 

■ Examine a variety of approaches to the exhibition of experimental cinema and to consider the ways in which the exhibition contexts relate to the overall reception of the work 

By the end of this course students will be able to:

■ Describe key historical movements and figures relevant to the study of experimental film 

■ Apply critical thinking through a range of approaches to experimental film practice 

■ Explain the principles underpinning selected critical approaches to the study of experimental film 

■ Apply selected critical models through analysis and case study of a range of experimental film

■ Implement curatorial skills in the programming of experimental film

■ Critically analyse experimental film practice through writing and oral presentation