Dr Anita Quye

- Lecturer (History of Art)
telephone: 0141 330 7609
email: anita.quye@glasgow.ac.uk
The Centre for Textile Conservation and Technical Art History is based in the Robertson Building, Level 3, Dumbarton Road, Glasgow G11 6AQ, (C2 on the Campus Map)
Office Hour: Email for appointment
Research Interests
- Analytical identification of historical organic natural and synthetic dyes, fibres, pigments and inks.
- Manufacture and commercial application of Turkey red and early synthetic dyes in the 19th century textile industry of Glasgow and its environs.
- Conservation science of historical semi-synthetic fibres, especially cellulose acetate and viscose rayon.
- Effect of dyes and dyeing on the micro- and macro-structure of historical tapestries
- Socio-economic and cultural significance of dyes in pre-19th century traditional costume, including Scottish tartans and Chinese textiles.
- Conservation science of historical textiles, artworks and artefacts, specialising in natural organic dyes and cellulosic man-made plastics
Anita works with both Textile Conservation and Technical Art History. She was previously Principal Conservation Scientist in the Department of Conservation and Analytical Science at the National Museums Scotland. Anita has a wealth of experience working as a conservation scientist within museums and working collaboratively on research projects with institutions worldwide. Her main area of research to date has been in historic textiles and modern materials analysis.
- Lord Kelvin-Adam Smith Scholarship 2012. For a doctoral research student to interpret and recreate industrial experiments and manufacturing processes of dye chemists in late nineteenth century Glasgow. In collaboration with Dr David France (School of Chemistry) and Lesley Richmond (University of Glasgow Archive). Further information.
- Textile Conservation Centre Foundation 2011 (£5,000) Towards a vacuum rotary evaporator for historical coloured materials analysis
- Chancellor’s Fund 2011 (£1,290) Towards a vacuum rotary evaporator for historical coloured materials analysis
- Strategic Allocation Fund (College of Arts) 2011 (£3,250) Portable XRF and FTIR hire for materials analysis of museum, gallery and archive collections. In collaboration with Dr Richard Jones (Archaeology) and Dr Erma Hermens (History of Art)
- Textile Conservation Centre Foundation 2011 (£560) HPLC column for dye analysis
I welcome enquiries in any of my current areas of research, and encourage interest in the development of in-situ micro-analytical techniques for identifying organic materials in historical collections.
- Ari Loughlin, MChem student, University of Glasgow, with Dr David France, School of Chemistry. 'Synthetic Red Dyes in Commercial Production between 1860 and 1900.' Literature survey. Completion April 2012
- Icon intern Dr Margaret Smith. June 2011-June 2012
Forthcoming
'Textile dyeing in late nineteenth century Glasgow: interpreting and recreating the dye chemists’ experiments from lab to manufacture.' Lead supervisor, in collaboration with Dr David France, School of Chemistry, and Lesley Richmond, Director, University of Glasgow Archive.
This doctoral research project is funded by a Lord Kelvin-Adam Smith scholarship, starting 2012-13. For further details on how to apply please click here.
Collaborative PhD research at National Museums Scotland
- David Peggie ‘The development and application of analytical methods for the identification of dyes on historical textiles’, PhD, University of Edinburgh 2006 (part of ‘Monitoring of Damage in Historical Tapestries’, an interdisciplinary project funded by the European Commission Fifth Framework Programme)
- Ester Ferreira ‘Identification of yellow dyes in ancient textiles’, PhD, University of Edinburgh 2002
- Robbie Stewart ‘Analytical studies of the degradation of cellulose nitrate artefacts’, PhD, University of Strathclyde 1997
- Jane Ballany ‘Analytical studies of the degradation of cellulose acetate artefacts’ PhD, University of Strathclyde 1994
- Stephanic Charters ‘Anglo-Saxon and Medieval pottery’, PhD, University of Bristol, 1994
- MPhil Textile Conservation
- MLitt Art History: Making and Meaning: Technical Approaches in Art History
- Conservation science
- Preventive conservation
- Historical organic materials: chemistry, use and scientific analysis (dyes, fibres, plastics)
Network Committees
- Research Network, Centre for Textile Conservation and Technical Art History, University of Glasgow
- 'Tapestry in the Round: interdisciplinary cross-sector research in Textile History'. University of Glasgow, University of York and Glasgow Museums
Qualifications, Fellowships and Professional Memberships
- BSc (Hons) Chemistry
- PhD Forensic Toxicology
- Chartered Chemist CChem
- Member of the Royal Society of Chemistry MRSC
- Associate of the Museum Association AMA
- Fellow of the Royal Scottish Society of Arts (science)
- ICOM-CC (member)
- Icon (member)
- Institute of Art History (member)
External Responsibilities
- FRSSARSC Local Section West of Scotland (committee member)
