Dr Jane Goldman

  • Reader in A vant-garde Poetics & Creative Writing (English Literature)

telephone: 5163
email: Jane.Goldman@glasgow.ac.uk

R401 Level 4, English Literature, 5 University Gardens, Glasgow G12 8QH

Import to contacts

ORCID iDhttps://orcid.org/0000-0001-9701-414X

Biography

Dr Jane Goldman is Reader in English Literature (Avant-garde Poetics and Creative Writing).

Poet [https://www.scottishpoetrylibrary.org.uk/poet/jane-goldman/] and literary critic, she is a General Editor of the Cambridge University Press Edition of the Works of Virginia Woolf [https://www.cambridge.org/cr/academic/subjects/literature/series/cambridge-edition-works-virginia-woolf] and author of the poetry collection, SEKXPHRASTIKS (Dostoevsky Wannabe, 2021) [https://www.dostoyevskywannabe.com/originals/sekxphrastiks]. Prior to her appointment at Glasgow, she taught at the University of Dundee and at the University of Edinburgh. She is a member of 12 A Collective of Women Poets [https://jlwilliamspoetry.co.uk/2019/01/07/12-a-collective-of-women-writers/], and the Writers’ Shift, the Fruitmarket Gallery, Edinburgh.

Research interests

  •  Poetry and Poetics
  •  Creative Writing
  •  Research by Creative Practice
  •  Ekphrasis
  •  Modernism and the Avant-Garde
  •  Queer Theory
  •  Virginia Woolf Studies
  •  Textual Editing
  •  Literary Theory
  •  Canine Aesthetics and Animality Studies

 

Research groups

  • Practice Research (Creative Writing)
  • Modernities

Publications

List by: Type | Date

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Number of items: 128.

2024

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Herd, Colin ORCID logoORCID: https://orcid.org/0000-0001-5750-3467, Melville, Nicholas, Sledmere, Maria and Morrison, Iain (2024) NOT JUST A NY QUINCUNX. Mermaid Motel: Glasgow. ISBN 9781915049179

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2024) Into the Orchid House with Virginia Woolf. Virginia Woolf Miscellany(101), pp. 50-54.

Soyinka, B. et al. (2024) Subject Benchmark Statement: Creative Writing. Documentation. QAA.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Williams, J.L., Sledmere, Maria, Tarbuck, Alice, Coxam, A.L., Ayachi, Janette, Bering, Tessa and Shirley, Vik (2024) Pink Witch. Main Point Books: Edinburgh. ISBN 9781739521400

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2024) You're Dead to Me - The Bloomsbury Group [Podcast]. [Audio]

2023

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) WHO IS THIS BASTARD (AND WHY ARE THEY LYING TO ME)? DIASTIC FOR JOHN COYLE. Blackbox Manifold, 30,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Gertrude Stein’s White Wines: performing (off) whiteness, (un)voicing racist language. Modernism/Modernity Print Plus, 7(3), (doi: 10.26597/mod.0259)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Greyfriars Bobby. Scotsman, 20 May.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) 'West Port Garden (August)', 'West Port Garden (October)'; 'Slum Bud Poems (Notes on and from Norah Geddes)'. In: Renton, Jennie and Mankey, Madeleine (eds.) Spaces Open: poems for West Port Garden. Main Point Books: Edinburgh. ISBN 9780992723378

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Catullus, Gaius Valerius (2023) Catullus 64. Main Point Books: Edinburgh. ISBN 9780992723385

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Can Flush count?: Virginia Woolf, animality and numbers. In: Goody, Alex and McCracken, Saskia (eds.) Beastly Modernisms: The Figure of the Animal in Modernist Literature and Culture. Edinburgh University Press: Edinburgh, pp. 38-55. ISBN 9781477498029 (In Press)

2022

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) There’s Lipstick on my Shark’s Tooth and Dog-spent in Winter Hole. Blackbox Manifold, 27,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Signifying Dog: Afterglow’s Afterglow. Women's Studies, 51(8), pp. 876-879. (doi: 10.1080/00497878.2022.2149521)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Pivanti, Mariana, Ramos, Paula P. and Corrêa, Liciane G. (2022) All things Modernism: an interview with Jane Goldman. Palimpsesto, 21(39), pp. 28-71. (doi: 10.12957/palimpsesto.2022.69858)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) JOAN EARDLEY TAKES HER PAINTS TO A CERTAIN PLACE. In: Herd, Colin and Small, Sam (eds.) All Becomes Art: Part Two. Speculative Books: Glasgow. ISBN 9781912917402

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Jane Goldman. In: Morrison, Iain (ed.) Writers' Shift. Fruitmarket: Edinburgh, pp. 62-105. ISBN 9781908612618

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Suddenly Grass. Gutter(25), p. 72.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Jane Goldman in dialogue with 7 poets. In: Kennedy, Ruthie, Herd, Colin and Pearson, Tommy (eds.) Glasgow. Dostoyevsky Wannabe Cities, pp. 183-220. ISBN 9798423762728

2021

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) DOG-SPENT IN WINTER HOLE. In: 'RENT' Four Letter Word. IR11.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) Burning feminism: Virginia Woolf's laboratory of intimacy. In: Högberg, Elsa (ed.) Modernist Intimacies. Edinburgh University Press: Edinburgh, pp. 52-73. ISBN 9781474441834

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) Sekxphrastiks. Dostoyevsky Wannabe. ISBN 9781838015640

2020

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Clarke, Stuart N. (2020) Explanatory notes. In: Clarke, Stuart N. and Bradshaw, David (eds.) Jacob's Room. Series: The Cambridge Edition of the Works of Virginia Woolf. Cambridge University Press: Cambridge, pp. 291-723. ISBN 9780521846745

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) “Messages of Peace”: Bloomsbury’s Peace Terms; or, Working for “ancient woolf ’s peace-time university”. In: Adkins, Peter and Ryan, Derek (eds.) Virginia Woolf, Europe, and Peace: Vol. 2 Aesthetics and Theory. Clemson University Press: Clemson, South Carolina, pp. 11-34. ISBN 9781949979374 (doi: 10.2307/j.ctv14161qj.7)

Davison, Claire, Ryan, Derek and Goldman, Jane A. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2020) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Cross-Channel modernisms and the vicissitudes of a laughing torso: Nina Hamnett, artist, bohemian and writer in London and Paris. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Davison, Claire and Ryan, Derek (2020) Introduction: Cross-Channel (Transmanche) modernisms. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Following Bradshaw and Bishop into Jacob's Room: British and Canadian editing strategies (tunnelling the textual hotspots, minding the gaps). Feminist Modernist Studies, 3(1), pp. 32-50. (doi: 10.1080/24692921.2020.1718977)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Interlude: Mediating. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Why I choose poetry (what’s nation got to do with it? What’s gender got to do with it?): A collective poetry-essay by 21 poets encountered in Scotland (2016–19). Contemporary Women's Writing, 14(2-3), pp. 276-315. (doi: 10.1093/cww/vpaa026)

Woolf, Virginia (2020) Jacob's Room. [Scholarly Editions]

2019

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) Lady Lazarus Has Wheels: poem and note. Sch... : The Journal of the Kurt Schwitters Society(7), pp. 27-29.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) Professor Tom Leonard: poet and scholar—good style. In: Butler, Larry (ed.) Tributes to Tom Leonard. PlaySpace Publications: Edinburgh, pp. 17-18. ISBN 9780957334069

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) TORN FROM VAST SILLY HILLS RUN. In: Hau, Sophia Yadong (ed.) Of Other Spaces: Where Does Gesture Become Event? Sternberg Press. ISBN 9783956793783

2018

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Fruitmarket triptych. In: Morrison, Iain (ed.) Women on the Road. The Fruitmarket: Edinburgh, pp. 23-26. ISBN 9781908612564

Goldman, Jane (2018) what if the majolica plate. In: Morrison, Iain (ed.) Women on the Road. The Fruitmarket Gallery: Edinburgh, p. 5. ISBN 9781908612564

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) ‘I grow more & more poetic’: Virginia Woolf and Prose Poetry. In: Monson, Jane (ed.) British Prose Poetry: the Poems Without Lines. Palgrave: Basingstoke, pp. 91-115. ISBN 9783319778624 (doi: 10.1007/978-3-319-77863-1_6)

Goldman, Jane, Sellers, Susan, Randall, Bryony, Raitt, Suzanne and Blyth, Ian(Eds.) (2018) Orlando: a Biography. [Scholarly Editions]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Bloomsbury and war: case study: Bloomsbury's pacifist aesthetics: Woolf, Keynes, Rodker. In: Ryan, Derek and Ross, Stephen (eds.) The Handbook to the Bloomsbury Group. Bloomsbury Academic: London, pp. 294-308. ISBN 9781350014916

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Queer Woolf: two poems and a preamble. In: Wilson, Nicola and Battershill, Claire (eds.) Virginia Woolf and the World of Books. Clemson University Press: Clemson. ISBN 9781942954569

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Ecce animot. In: Rabaté, Jean-Michel (ed.) After Derrida: Literature, Theory and Criticism in the 21st Century. Series: After series. Cambridge University Press: Cambridge, pp. 161-179. ISBN 9781108444521 (doi: 10.1017/9781108539937.010)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Mothering mothering Sunday: my mother's Mother's Day mothered me. Dundee University Review of the Arts, 6 Apr.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Everything SOLID. In: Boast, Rachel, Ching, Andy and Hamilton, Nathan (eds.) The Caught Habits of Language: An Entertainment for W.S. Graham for Him Having Reached One Hundred. Donut Press: Bristol. ISBN 9780956644589

Berman, Jessica, Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Sellers, Susan, Randall, Bryony ORCID logoORCID: https://orcid.org/0000-0001-5502-1296 and Detloff, Madeleine (2018) Editing Woolf. In: Wilson, Nicola and Battershill, Claire (eds.) Virginia Woolf and the World of Books. Series: Virginia Woolf Selected Papers Series. Clemson University Press, pp. 241-252. ISBN 9781942954569

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Flying Colin Herd. Hix Eros: Poetry Review, 8, pp. 93-94. [Book Review]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Lila Matsumoto. Hix Eros: Poetry Review, 8, pp. 94-95. [Book Review]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) ‘The Queen had come’: orgasm and arrival. In: Högberg, Elsa and Bromley, Amy (eds.) Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence. Edinburgh University Press: Edinburgh, pp. 15-31. ISBN 9781474414609

Goldman, Jane, Susan, Sellers, Randall, Bryony and Whitworth, Michael H.(Eds.) (2018) Night and Day. [Scholarly Editions]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) My mother in winter. ZARF(12),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) severed. Adjacent Pineapple, 4,

2017

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) INFOPO (GONDOLA GONDOLA: WORDS ON WORDS). RAUM, 1(4),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) ‘Her—it—age!’: Virginia Woolf and syllabic intervention— or, ‘Heritage is a Kim Novak word’. In: De Gay, Jane, Breckin, Tom and Reus, Anne (eds.) Virginia Woolf and Heritage. Clemson University Press: Clemson, South Carolina. ISBN 9781942954422

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Horsing and Reading Jacob’s Room with David Bradshaw. Virginia Woolf Bulletin, 54(Suppl.), pp. 29-40.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) In here bent like call of haggis. Front Horse, 1,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Queer Bloomsbury. Woolf Studies Annual, 23, pp. 161-170. [Book Review]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Stafain Island poem number one. Adjacent Pineapple, 1,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) ‘Time Passes’ between ‘Le Temps Passe’ and ‘Time Passes’: translation, secondary rendering, and textual genesis. In: Smith-Di Biasio, A.-M., Davison, C., Lanone, C. and Bernard, C. (eds.) Trans-Woolf. Morlacchi Editore: Perugia.

2016

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) If ma hillbilly. Blackbox Manifold, 17,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Wright, Elizabeth (2016) The Cambridge Woolf. In: Acheson, James (ed.) Virginia Woolf. Series: New casebooks. Palgrave Macmillan. ISBN 9781137430830

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Discovery Woolf: Voyage A. [Audio]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Oor Moby: Möbius. Gutter(15),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Flush: a biography: speaking, reading, andwriting with the companion species. In: Berman, Jessica (ed.) A Companion to Virginia Woolf. Series: Blackwell companions to literature and culture. Wiley Blackwell, pp. 163-176. ISBN 9781118457887

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Discovery Woolf. In: Low, G. and Gunn, K. (eds.) The Voyage Out: An International Anthology of Writing, Art and Science. The Voyage Out Press: Dundee. ISBN 9780995512306

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Greyfriars Bobby. In: Jones, Russell and Askew, Claire (eds.) Umbrellas of Edinburgh: Poetry and Prose Inspired by Scotland's Capital City. Freight Books: Glasgow. ISBN 9781911332107

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) In the gardens, with Johnny Woolstanza. Tender: A Quarterly Journal Made by Women, 7, p. 31.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Legend has it. Tender: A Quarterly Journal Made by Women, 7, pp. 32-33.

2015

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) Virginia Woolf: prophet of ‘pure loss'. Modernism/Modernity, (doi: 10.1353/mod.2015.0040)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) Andrew and the hands. In: Riach, Alan (ed.) The Hunterian Museum Poems: a History of the World in Objects and Poems From the Collection of The Hunterian at the University of Glasgow. Freight Books: Glasgow. ISBN 9781908754783

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) To the Lighthouse's use of language and form. In: Pease, Allison (ed.) The Cambridge Companion to To the Lighthouse. Series: Cambridge companions to literature. Cambridge University Press. ISBN 9781107682313

2014

Woolf, Virginia (2014) Mrs Dalloway. [Scholarly Editions]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2014) Border Thoughts. Series: (Sufficient Place). Leamington Books. ISBN 9780955488573

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Simpson, Katherine, Lee, Hermione and Bragg, Melvyn (2014) In Our Time: Mrs. Dalloway. [Audio]

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2014) 'Second Reading' and 'Much Rejoicing”' (poems from 'An Order of Service'). SCREE,

2013

Randall, B. ORCID logoORCID: https://orcid.org/0000-0001-5502-1296 and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2013) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) 1910-1920: suffragette century (threads and sparks). In: Minow-Pinkney, M. (ed.) Virginia Woolf and December 1910: Studies in Rhetoric and Context. Illuminati Books. ISBN 9780955591815

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Burns Night/Woolf Supper: Birthday Thoughts on Virginia Woolf and Scotland. Series: Annual Virginia Woolf birthday lecture, 14. The Virginia Woolf Society of Great Britain: Southport. ISBN 9780955571749

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Crusoe’s dog(s): Woolf and Derrida (between beast and sovereign). Tour Critique, 2,

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) 'The hush of the Mediterranean lipping the sand': the libertarian and libidinal politics of Virginia Woolf's Mediterranean discourse. In: Viereck, W. (ed.) Proceedings of the IAUPE 2010 Triennial Conference. Peter Lang.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) With you in the Hebrides: Virginia Woolf and Scotland. Series: Bloomsbury heritage, 70. Cecil Woolf: London. ISBN 9781907286339

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Woolf, Defoe, Derrida: interdisciplinary dogs — or the canine aesthetics and (gender) politics of creativity. In: Martin, A. and Holland, K. (eds.) Interdisciplinary/ Multidisciplinary Woolf: Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. Clemson University Digital Press: Clemson, SC. ISBN 9780989082624

2012

Snaith, A.(Ed.) (2012) The Years. [Scholarly Editions]

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2012) Virginia Woolf and the aesthetics of Modernism. In: Joannou, M. (ed.) The Palgrave History of British Women's Writing, 1920-1945. Series: The Palgrave History of British Women's Writing (8). Palgrave Macmillan: Basingstoke, pp. 57-77. ISBN 9780230200791

2011

Hussey, M.(Ed.) (2011) Between the Acts. [Scholarly Editions]

Herbert, M. and Sellers, S.(Eds.) (2011) The Waves. [Scholarly Editions]

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) The dogs that therefore Woolf follows: some canine sources for A Room of One's Own in nature and art. In: Czarnecki, K. and Rohman, C. (eds.) Virginia Woolf and the Natural World: Selected Papers from the Twentieth Annual International Conference on Virginia Woolf. Clemson University Digital Press: Clemson, S.C., pp. 125-132. ISBN 9780983533900

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) "The rankness of English pavements": readings in virtual subjectivity and nation. In: Miralles Pérez, A.J. (ed.) Restless Travellers: Quests for Identity across European and American Time and Space. Cambridge Scholars: Newcastle, UK. ISBN 9781443833066

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) Sister Anguilla [poem]. In: Gunn, K. (ed.) New Writing Dundee. University of Dundee.

2010

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) Who let the dogs out? Samuel Johnson, Thomas Carlyle, Virginia Woolf, and the Little Brown Dog. In: Shahriari, L. and Potts, G.V. (eds.) Virginia Woolf's Bloomsbury. Palgrave. ISBN 9780230517677

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) 'Lady Lazarus has wheels', 'We wore (red)', 'Triptych', 'You would probably prefer Mahler or Gershwin', 'Too bad Aubade', 'In admiration of the Maître' [poems]. International Literary Quarterly. Special Issue: 40 Glasgow Voices(10),

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) New elegy: Lyric experimentalism in the novel from Mrs Dalloway to The Waves. In: Sellers, S. (ed.) The Cambridge Companion to Virginia Woolf. Series: Cambridge companions to literature. Cambridge University Press, pp. 49-69. ISBN 9780521721677

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) Virginia Woolf and modernist aesthetics. In: Humm, M. (ed.) The Edinburgh Companion to Virginia Woolf and the Arts. Edinburgh University Press. ISBN 9780748635528

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) 'When dogs will become men': Melancholia, canine allegories, and Theriocephalous figures in Woolf's urban contact zones. In: Evans, E.F. and Cornish, S.E. (eds.) Woolf and the City : Selected Papers from the Nineteenth Annual Conference on Virginia Woolf. Clemson University Digital Press. ISBN 9780984259830

2009

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Avant-garde. In: Ross, S. (ed.) Modernism and Theory: a Critical Debate. Routledge, pp. 225-236. ISBN 9780415461566

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Desmond MacCarthy, life and letters (1928-35), and Bloomsbury modernism. In: Brooker, P. and Thacker, A. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Vol. I: Britain and Ireland 1880-1955. Oxford University Press: Oxford, UK, pp. 428-451. ISBN 9780199211159

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Had there been an axe handy: Transatlantic modernism, Virgina Woolf and Jean Toomer. European Journal of American Culture. Special issue: New Perspectives on the Modernist Transatlantic, 28(2), pp. 109-123. (doi: 10.1386/ejac.28.2.109_1)

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Simile, Archie Calling: Altaforte!, Watching Sharleen Play (Violin) [poems]. In: Renton, J. (ed.) Textualities. Textualities.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Who is Mr Ramsay? Where is the lighthouse?: The politics of scholarly annotation. In: McNees, E. and Veglahn, S. (eds.) Woolf Editing/Editing Woolf : Selected Papers from the 18th Annual Conference on Virginia Woolf. Clemson University Digital Press, pp. 189-195. ISBN 9780979606694

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Who is Mr. Ramsay? Where is the lighthouse? The politics and pragmatics of scholarly annotation. In: McNees, E. and Veglahn, S. (eds.) Woolf Editing / Editing Woolf: Selected Papers from the Eighteenth Annual Conference on Virginia Woolf. Clemson University Digital Press: Clemson, S.C., USA, pp. 189-195. ISBN 9780979606694

2007

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2007) 'Simile': English Association Fellows' poetry prize competition 2006 (second prize). English Association Newsletter, 184,

Goldman, J. (2007) Ce chien est a moi: Virginia Woolf and the signifying dog. Woolf Studies Annual, pp. 49-86.

Goldman, J. (2007) The feminist criticism of Virginia Woolf. In: Plain, G. and Sellers, S. (eds.) A History of Feminist Literary Criticism. Cambridge University Press: Cambridge, UK. ISBN 9780521852555

Goldman, J. (2007) Modernist studies. In: Snaith, A. (ed.) Palgrave Advances in Virginia Woolf Studies. Series: Palgrave Advances. Palgrave Macmillan: Basingstoke, UK. ISBN 9781403904041

Swarbrick, K. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2007) Flowers of friendship: Gertrude Stein and Georges Hugnet. Papers of Surrealism, 6,

2006

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2006) "Who let the dogs out?”: Statues, suffragettes, and dogs in Woolf’s London. In: Back to Bloomsbury, the 14th Annual International Virginia Woolf Conference Proceedings. Clemson.

Goldman, J. (2006) 1925, London, New York, Paris: metropolitan modernisms - parallax and palimpsest. In: The Edinburgh Companion to Twentieth-Century Literatures in English. Edinburgh University Press, pp. 31-42. ISBN 0748620117

Goldman, J. (2006) The Cambridge Introduction to Virginia Woolf. Series: Cambridge introductions to literature. Cambridge University Press: Cambridge, UK. ISBN 9780521838832

Goldman, J. (2006) Forster and women. In: The Cambridge Companion to E.M. Forster. Cambridge University Press, pp. 120-137. ISBN 0521542529

2005

Childs, P. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2005) The First Year Experience of University English. CCUE News, 19,

2004

Goldman, J. (2004) Modernism, 1910-1945: image to apocalypse. Palgrave MacMillan. ISBN 0333696212

Goldman, J. (2004) West, Nathanael. In: Parini, J. (ed.) The Oxford Encyclopedia of American Literature. Oxford University Press: Oxford, UK. ISBN 9780195156539

2003

Goldman, J. (2003) Nathanael West. In: Parini, J. (ed.) American Writers: A Collection of Literary Biographies. Retrospective Supplement II. James Baldwin to Nathanael West. Charles Scribner's Sons: New York, USA. ISBN 9780684314464

2002

Goldman, J. (2002) The aesthetics of Virginia Woolf. In: Wolfreys, J. (ed.) The Edinburgh Encyclopaedia of Modern Criticism and Theory. Edinburgh University Press: Edinburgh, UK, pp. 680-690. ISBN 9780748613014

Goldman, J. (2002) Virginia Woolf. In: Parini, J. (ed.) British Writers. Retrospective Supplement 1. Charles Scribner's Sons: New York, USA. ISBN 9780684312279

2001

Goldman, J. and Wolfreys, J. (2001) Gay studies / queer theory. In: Wolfreys, J. (ed.) Introducing Literary Theories: A Guide and Glossary. Edinburgh University Press: Edinburgh, UK. ISBN 9780748614837

Berman, J.S. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2001) Virginia Woolf Out of Bounds”: Selected Papers from the Tenth Annual International Conference on Virginia Woolf, University of Maryland Baltimore County, June 7-10, 2000. Pace University Press. ISBN 9780944473559

1999

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Artist and feminist communities of 1910 : post-impressionism, suffrage aesthetics, and intersubjectivity in To the lighthouse. In: McVicker, J. and Davis, L. (eds.) Virginia Woolf & Communities : selected papers from the Eighth Annual Conference on Virginia Woolf, Saint Louis University, Saint Louis, Missouri, June 4-7, 1998. Pace University Press. ISBN 9780944473474

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Introduction, Works on the Wild(e) side-- performing, transgressing, queering. In: Wolfreys, J. (ed.) Literary Theories: a Reader and Guide. Edinburgh University Press, pp. 525-590. ISBN 9780814793602

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Virginia Woolf and post-impressionism: French art, English theory and feminist practice. Miscelanea: A Journal of English and American Studies, 20,

1998

Kolocotroni, V., Goldman, J. and Taxidou, O. (Eds.) (1998) Modernism: An Anthology of Sources and Documents. University of Chicago Press: Chicago, USA. ISBN 9780226450735

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1998) The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual. Cambridge University Press: Cambridge, UK. ISBN 9780521590969

1997

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Ed.) (1997) Virginia Woolf - To the Lighthouse, The Waves. Series: Icon Critical Guides. Icon Books: Duxford. ISBN 1857890000

Kolocotroni, V. ORCID logoORCID: https://orcid.org/0000-0001-9504-6527, Mills, S., Brimstone, L., Polkey, P., Wallace, D., Sandhu, A. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1997) Feminism. In: McGowan, K. (ed.) The Year's Work in Critical and Cultural Theory, vol. 3, 1993. Blackwell: Oxford, UK, pp. 87-130. ISBN 9780631188612

1996

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) Dada goes west: re-reading revolution in The Day of the Locust. Imprimatur: A Journal of Criticism and Theory, 2(1-2), pp. 20-36.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) 'Purple buttons on her bodice': feminist history and iconography in The Waves. Woolf Studies Annual, 2, pp. 3-25.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) Virginia Woolf's three Marys: a collective model for creative women. In: Modeen, M. (ed.) Graces, Fates and Furies. Peacock Printmakers in association with Evergreen State College: Aberdeen. ISBN 9780952360810

Stevenson, R. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) 'But what? Elegy?': Modernist reading and the death of Mrs Ramsay. Yearbook of English Studies, 26, pp. 173-186.

1994

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Tate, T. (1994) Women's Fiction: 1915-1940 [Broadcast]. [Audio]

1993

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1993) 'Miss Lonelyhearts and the party dress': cross-dressing and collage in the satires of Nathanael West. Glasgow Review, 2, pp. 40-54.

1992

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1992) Metaphor and place in To the Lighthouse: some Hebridean connections. In: Gonda, C. (ed.) Tea and Leg-Irons: New Feminist Readings from Scotland. Open Letters: London, UK, pp. 137-155. ISBN 9781857890006

This list was generated on Sat Jun 14 15:45:05 2025 BST.
Number of items: 128.

Articles

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2024) Into the Orchid House with Virginia Woolf. Virginia Woolf Miscellany(101), pp. 50-54.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) WHO IS THIS BASTARD (AND WHY ARE THEY LYING TO ME)? DIASTIC FOR JOHN COYLE. Blackbox Manifold, 30,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Gertrude Stein’s White Wines: performing (off) whiteness, (un)voicing racist language. Modernism/Modernity Print Plus, 7(3), (doi: 10.26597/mod.0259)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Greyfriars Bobby. Scotsman, 20 May.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) There’s Lipstick on my Shark’s Tooth and Dog-spent in Winter Hole. Blackbox Manifold, 27,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Signifying Dog: Afterglow’s Afterglow. Women's Studies, 51(8), pp. 876-879. (doi: 10.1080/00497878.2022.2149521)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Pivanti, Mariana, Ramos, Paula P. and Corrêa, Liciane G. (2022) All things Modernism: an interview with Jane Goldman. Palimpsesto, 21(39), pp. 28-71. (doi: 10.12957/palimpsesto.2022.69858)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Suddenly Grass. Gutter(25), p. 72.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Following Bradshaw and Bishop into Jacob's Room: British and Canadian editing strategies (tunnelling the textual hotspots, minding the gaps). Feminist Modernist Studies, 3(1), pp. 32-50. (doi: 10.1080/24692921.2020.1718977)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Why I choose poetry (what’s nation got to do with it? What’s gender got to do with it?): A collective poetry-essay by 21 poets encountered in Scotland (2016–19). Contemporary Women's Writing, 14(2-3), pp. 276-315. (doi: 10.1093/cww/vpaa026)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) Lady Lazarus Has Wheels: poem and note. Sch... : The Journal of the Kurt Schwitters Society(7), pp. 27-29.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Mothering mothering Sunday: my mother's Mother's Day mothered me. Dundee University Review of the Arts, 6 Apr.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) My mother in winter. ZARF(12),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) severed. Adjacent Pineapple, 4,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) INFOPO (GONDOLA GONDOLA: WORDS ON WORDS). RAUM, 1(4),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Horsing and Reading Jacob’s Room with David Bradshaw. Virginia Woolf Bulletin, 54(Suppl.), pp. 29-40.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) In here bent like call of haggis. Front Horse, 1,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Stafain Island poem number one. Adjacent Pineapple, 1,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) If ma hillbilly. Blackbox Manifold, 17,

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Oor Moby: Möbius. Gutter(15),

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) In the gardens, with Johnny Woolstanza. Tender: A Quarterly Journal Made by Women, 7, p. 31.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Legend has it. Tender: A Quarterly Journal Made by Women, 7, pp. 32-33.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) Virginia Woolf: prophet of ‘pure loss'. Modernism/Modernity, (doi: 10.1353/mod.2015.0040)

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2014) 'Second Reading' and 'Much Rejoicing”' (poems from 'An Order of Service'). SCREE,

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Crusoe’s dog(s): Woolf and Derrida (between beast and sovereign). Tour Critique, 2,

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) 'Lady Lazarus has wheels', 'We wore (red)', 'Triptych', 'You would probably prefer Mahler or Gershwin', 'Too bad Aubade', 'In admiration of the Maître' [poems]. International Literary Quarterly. Special Issue: 40 Glasgow Voices(10),

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Had there been an axe handy: Transatlantic modernism, Virgina Woolf and Jean Toomer. European Journal of American Culture. Special issue: New Perspectives on the Modernist Transatlantic, 28(2), pp. 109-123. (doi: 10.1386/ejac.28.2.109_1)

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2007) 'Simile': English Association Fellows' poetry prize competition 2006 (second prize). English Association Newsletter, 184,

Goldman, J. (2007) Ce chien est a moi: Virginia Woolf and the signifying dog. Woolf Studies Annual, pp. 49-86.

Swarbrick, K. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2007) Flowers of friendship: Gertrude Stein and Georges Hugnet. Papers of Surrealism, 6,

Childs, P. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2005) The First Year Experience of University English. CCUE News, 19,

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Virginia Woolf and post-impressionism: French art, English theory and feminist practice. Miscelanea: A Journal of English and American Studies, 20,

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) Dada goes west: re-reading revolution in The Day of the Locust. Imprimatur: A Journal of Criticism and Theory, 2(1-2), pp. 20-36.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) 'Purple buttons on her bodice': feminist history and iconography in The Waves. Woolf Studies Annual, 2, pp. 3-25.

Stevenson, R. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) 'But what? Elegy?': Modernist reading and the death of Mrs Ramsay. Yearbook of English Studies, 26, pp. 173-186.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1993) 'Miss Lonelyhearts and the party dress': cross-dressing and collage in the satires of Nathanael West. Glasgow Review, 2, pp. 40-54.

Books

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Herd, Colin ORCID logoORCID: https://orcid.org/0000-0001-5750-3467, Melville, Nicholas, Sledmere, Maria and Morrison, Iain (2024) NOT JUST A NY QUINCUNX. Mermaid Motel: Glasgow. ISBN 9781915049179

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Williams, J.L., Sledmere, Maria, Tarbuck, Alice, Coxam, A.L., Ayachi, Janette, Bering, Tessa and Shirley, Vik (2024) Pink Witch. Main Point Books: Edinburgh. ISBN 9781739521400

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Catullus, Gaius Valerius (2023) Catullus 64. Main Point Books: Edinburgh. ISBN 9780992723385

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) Sekxphrastiks. Dostoyevsky Wannabe. ISBN 9781838015640

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2014) Border Thoughts. Series: (Sufficient Place). Leamington Books. ISBN 9780955488573

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Burns Night/Woolf Supper: Birthday Thoughts on Virginia Woolf and Scotland. Series: Annual Virginia Woolf birthday lecture, 14. The Virginia Woolf Society of Great Britain: Southport. ISBN 9780955571749

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) With you in the Hebrides: Virginia Woolf and Scotland. Series: Bloomsbury heritage, 70. Cecil Woolf: London. ISBN 9781907286339

Goldman, J. (2006) The Cambridge Introduction to Virginia Woolf. Series: Cambridge introductions to literature. Cambridge University Press: Cambridge, UK. ISBN 9780521838832

Goldman, J. (2004) Modernism, 1910-1945: image to apocalypse. Palgrave MacMillan. ISBN 0333696212

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1998) The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual. Cambridge University Press: Cambridge, UK. ISBN 9780521590969

Book Sections

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) 'West Port Garden (August)', 'West Port Garden (October)'; 'Slum Bud Poems (Notes on and from Norah Geddes)'. In: Renton, Jennie and Mankey, Madeleine (eds.) Spaces Open: poems for West Port Garden. Main Point Books: Edinburgh. ISBN 9780992723378

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2023) Can Flush count?: Virginia Woolf, animality and numbers. In: Goody, Alex and McCracken, Saskia (eds.) Beastly Modernisms: The Figure of the Animal in Modernist Literature and Culture. Edinburgh University Press: Edinburgh, pp. 38-55. ISBN 9781477498029 (In Press)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) JOAN EARDLEY TAKES HER PAINTS TO A CERTAIN PLACE. In: Herd, Colin and Small, Sam (eds.) All Becomes Art: Part Two. Speculative Books: Glasgow. ISBN 9781912917402

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Jane Goldman. In: Morrison, Iain (ed.) Writers' Shift. Fruitmarket: Edinburgh, pp. 62-105. ISBN 9781908612618

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2022) Jane Goldman in dialogue with 7 poets. In: Kennedy, Ruthie, Herd, Colin and Pearson, Tommy (eds.) Glasgow. Dostoyevsky Wannabe Cities, pp. 183-220. ISBN 9798423762728

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) DOG-SPENT IN WINTER HOLE. In: 'RENT' Four Letter Word. IR11.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2021) Burning feminism: Virginia Woolf's laboratory of intimacy. In: Högberg, Elsa (ed.) Modernist Intimacies. Edinburgh University Press: Edinburgh, pp. 52-73. ISBN 9781474441834

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Clarke, Stuart N. (2020) Explanatory notes. In: Clarke, Stuart N. and Bradshaw, David (eds.) Jacob's Room. Series: The Cambridge Edition of the Works of Virginia Woolf. Cambridge University Press: Cambridge, pp. 291-723. ISBN 9780521846745

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) “Messages of Peace”: Bloomsbury’s Peace Terms; or, Working for “ancient woolf ’s peace-time university”. In: Adkins, Peter and Ryan, Derek (eds.) Virginia Woolf, Europe, and Peace: Vol. 2 Aesthetics and Theory. Clemson University Press: Clemson, South Carolina, pp. 11-34. ISBN 9781949979374 (doi: 10.2307/j.ctv14161qj.7)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Cross-Channel modernisms and the vicissitudes of a laughing torso: Nina Hamnett, artist, bohemian and writer in London and Paris. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Davison, Claire and Ryan, Derek (2020) Introduction: Cross-Channel (Transmanche) modernisms. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2020) Interlude: Mediating. In: Goldman, Jane, Davison, Claire and Ryan, Derek (eds.) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) Professor Tom Leonard: poet and scholar—good style. In: Butler, Larry (ed.) Tributes to Tom Leonard. PlaySpace Publications: Edinburgh, pp. 17-18. ISBN 9780957334069

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2019) TORN FROM VAST SILLY HILLS RUN. In: Hau, Sophia Yadong (ed.) Of Other Spaces: Where Does Gesture Become Event? Sternberg Press. ISBN 9783956793783

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Fruitmarket triptych. In: Morrison, Iain (ed.) Women on the Road. The Fruitmarket: Edinburgh, pp. 23-26. ISBN 9781908612564

Goldman, Jane (2018) what if the majolica plate. In: Morrison, Iain (ed.) Women on the Road. The Fruitmarket Gallery: Edinburgh, p. 5. ISBN 9781908612564

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) ‘I grow more & more poetic’: Virginia Woolf and Prose Poetry. In: Monson, Jane (ed.) British Prose Poetry: the Poems Without Lines. Palgrave: Basingstoke, pp. 91-115. ISBN 9783319778624 (doi: 10.1007/978-3-319-77863-1_6)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Bloomsbury and war: case study: Bloomsbury's pacifist aesthetics: Woolf, Keynes, Rodker. In: Ryan, Derek and Ross, Stephen (eds.) The Handbook to the Bloomsbury Group. Bloomsbury Academic: London, pp. 294-308. ISBN 9781350014916

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Queer Woolf: two poems and a preamble. In: Wilson, Nicola and Battershill, Claire (eds.) Virginia Woolf and the World of Books. Clemson University Press: Clemson. ISBN 9781942954569

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Ecce animot. In: Rabaté, Jean-Michel (ed.) After Derrida: Literature, Theory and Criticism in the 21st Century. Series: After series. Cambridge University Press: Cambridge, pp. 161-179. ISBN 9781108444521 (doi: 10.1017/9781108539937.010)

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Everything SOLID. In: Boast, Rachel, Ching, Andy and Hamilton, Nathan (eds.) The Caught Habits of Language: An Entertainment for W.S. Graham for Him Having Reached One Hundred. Donut Press: Bristol. ISBN 9780956644589

Berman, Jessica, Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Sellers, Susan, Randall, Bryony ORCID logoORCID: https://orcid.org/0000-0001-5502-1296 and Detloff, Madeleine (2018) Editing Woolf. In: Wilson, Nicola and Battershill, Claire (eds.) Virginia Woolf and the World of Books. Series: Virginia Woolf Selected Papers Series. Clemson University Press, pp. 241-252. ISBN 9781942954569

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) ‘The Queen had come’: orgasm and arrival. In: Högberg, Elsa and Bromley, Amy (eds.) Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence. Edinburgh University Press: Edinburgh, pp. 15-31. ISBN 9781474414609

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) ‘Her—it—age!’: Virginia Woolf and syllabic intervention— or, ‘Heritage is a Kim Novak word’. In: De Gay, Jane, Breckin, Tom and Reus, Anne (eds.) Virginia Woolf and Heritage. Clemson University Press: Clemson, South Carolina. ISBN 9781942954422

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) ‘Time Passes’ between ‘Le Temps Passe’ and ‘Time Passes’: translation, secondary rendering, and textual genesis. In: Smith-Di Biasio, A.-M., Davison, C., Lanone, C. and Bernard, C. (eds.) Trans-Woolf. Morlacchi Editore: Perugia.

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Wright, Elizabeth (2016) The Cambridge Woolf. In: Acheson, James (ed.) Virginia Woolf. Series: New casebooks. Palgrave Macmillan. ISBN 9781137430830

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Flush: a biography: speaking, reading, andwriting with the companion species. In: Berman, Jessica (ed.) A Companion to Virginia Woolf. Series: Blackwell companions to literature and culture. Wiley Blackwell, pp. 163-176. ISBN 9781118457887

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Discovery Woolf. In: Low, G. and Gunn, K. (eds.) The Voyage Out: An International Anthology of Writing, Art and Science. The Voyage Out Press: Dundee. ISBN 9780995512306

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Greyfriars Bobby. In: Jones, Russell and Askew, Claire (eds.) Umbrellas of Edinburgh: Poetry and Prose Inspired by Scotland's Capital City. Freight Books: Glasgow. ISBN 9781911332107

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) Andrew and the hands. In: Riach, Alan (ed.) The Hunterian Museum Poems: a History of the World in Objects and Poems From the Collection of The Hunterian at the University of Glasgow. Freight Books: Glasgow. ISBN 9781908754783

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2015) To the Lighthouse's use of language and form. In: Pease, Allison (ed.) The Cambridge Companion to To the Lighthouse. Series: Cambridge companions to literature. Cambridge University Press. ISBN 9781107682313

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) 1910-1920: suffragette century (threads and sparks). In: Minow-Pinkney, M. (ed.) Virginia Woolf and December 1910: Studies in Rhetoric and Context. Illuminati Books. ISBN 9780955591815

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) 'The hush of the Mediterranean lipping the sand': the libertarian and libidinal politics of Virginia Woolf's Mediterranean discourse. In: Viereck, W. (ed.) Proceedings of the IAUPE 2010 Triennial Conference. Peter Lang.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2013) Woolf, Defoe, Derrida: interdisciplinary dogs — or the canine aesthetics and (gender) politics of creativity. In: Martin, A. and Holland, K. (eds.) Interdisciplinary/ Multidisciplinary Woolf: Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. Clemson University Digital Press: Clemson, SC. ISBN 9780989082624

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2012) Virginia Woolf and the aesthetics of Modernism. In: Joannou, M. (ed.) The Palgrave History of British Women's Writing, 1920-1945. Series: The Palgrave History of British Women's Writing (8). Palgrave Macmillan: Basingstoke, pp. 57-77. ISBN 9780230200791

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) The dogs that therefore Woolf follows: some canine sources for A Room of One's Own in nature and art. In: Czarnecki, K. and Rohman, C. (eds.) Virginia Woolf and the Natural World: Selected Papers from the Twentieth Annual International Conference on Virginia Woolf. Clemson University Digital Press: Clemson, S.C., pp. 125-132. ISBN 9780983533900

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) "The rankness of English pavements": readings in virtual subjectivity and nation. In: Miralles Pérez, A.J. (ed.) Restless Travellers: Quests for Identity across European and American Time and Space. Cambridge Scholars: Newcastle, UK. ISBN 9781443833066

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2011) Sister Anguilla [poem]. In: Gunn, K. (ed.) New Writing Dundee. University of Dundee.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) Who let the dogs out? Samuel Johnson, Thomas Carlyle, Virginia Woolf, and the Little Brown Dog. In: Shahriari, L. and Potts, G.V. (eds.) Virginia Woolf's Bloomsbury. Palgrave. ISBN 9780230517677

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) New elegy: Lyric experimentalism in the novel from Mrs Dalloway to The Waves. In: Sellers, S. (ed.) The Cambridge Companion to Virginia Woolf. Series: Cambridge companions to literature. Cambridge University Press, pp. 49-69. ISBN 9780521721677

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) Virginia Woolf and modernist aesthetics. In: Humm, M. (ed.) The Edinburgh Companion to Virginia Woolf and the Arts. Edinburgh University Press. ISBN 9780748635528

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2010) 'When dogs will become men': Melancholia, canine allegories, and Theriocephalous figures in Woolf's urban contact zones. In: Evans, E.F. and Cornish, S.E. (eds.) Woolf and the City : Selected Papers from the Nineteenth Annual Conference on Virginia Woolf. Clemson University Digital Press. ISBN 9780984259830

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Avant-garde. In: Ross, S. (ed.) Modernism and Theory: a Critical Debate. Routledge, pp. 225-236. ISBN 9780415461566

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Desmond MacCarthy, life and letters (1928-35), and Bloomsbury modernism. In: Brooker, P. and Thacker, A. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Vol. I: Britain and Ireland 1880-1955. Oxford University Press: Oxford, UK, pp. 428-451. ISBN 9780199211159

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Simile, Archie Calling: Altaforte!, Watching Sharleen Play (Violin) [poems]. In: Renton, J. (ed.) Textualities. Textualities.

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Who is Mr Ramsay? Where is the lighthouse?: The politics of scholarly annotation. In: McNees, E. and Veglahn, S. (eds.) Woolf Editing/Editing Woolf : Selected Papers from the 18th Annual Conference on Virginia Woolf. Clemson University Digital Press, pp. 189-195. ISBN 9780979606694

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2009) Who is Mr. Ramsay? Where is the lighthouse? The politics and pragmatics of scholarly annotation. In: McNees, E. and Veglahn, S. (eds.) Woolf Editing / Editing Woolf: Selected Papers from the Eighteenth Annual Conference on Virginia Woolf. Clemson University Digital Press: Clemson, S.C., USA, pp. 189-195. ISBN 9780979606694

Goldman, J. (2007) The feminist criticism of Virginia Woolf. In: Plain, G. and Sellers, S. (eds.) A History of Feminist Literary Criticism. Cambridge University Press: Cambridge, UK. ISBN 9780521852555

Goldman, J. (2007) Modernist studies. In: Snaith, A. (ed.) Palgrave Advances in Virginia Woolf Studies. Series: Palgrave Advances. Palgrave Macmillan: Basingstoke, UK. ISBN 9781403904041

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2006) "Who let the dogs out?”: Statues, suffragettes, and dogs in Woolf’s London. In: Back to Bloomsbury, the 14th Annual International Virginia Woolf Conference Proceedings. Clemson.

Goldman, J. (2006) 1925, London, New York, Paris: metropolitan modernisms - parallax and palimpsest. In: The Edinburgh Companion to Twentieth-Century Literatures in English. Edinburgh University Press, pp. 31-42. ISBN 0748620117

Goldman, J. (2006) Forster and women. In: The Cambridge Companion to E.M. Forster. Cambridge University Press, pp. 120-137. ISBN 0521542529

Goldman, J. (2004) West, Nathanael. In: Parini, J. (ed.) The Oxford Encyclopedia of American Literature. Oxford University Press: Oxford, UK. ISBN 9780195156539

Goldman, J. (2003) Nathanael West. In: Parini, J. (ed.) American Writers: A Collection of Literary Biographies. Retrospective Supplement II. James Baldwin to Nathanael West. Charles Scribner's Sons: New York, USA. ISBN 9780684314464

Goldman, J. (2002) The aesthetics of Virginia Woolf. In: Wolfreys, J. (ed.) The Edinburgh Encyclopaedia of Modern Criticism and Theory. Edinburgh University Press: Edinburgh, UK, pp. 680-690. ISBN 9780748613014

Goldman, J. (2002) Virginia Woolf. In: Parini, J. (ed.) British Writers. Retrospective Supplement 1. Charles Scribner's Sons: New York, USA. ISBN 9780684312279

Goldman, J. and Wolfreys, J. (2001) Gay studies / queer theory. In: Wolfreys, J. (ed.) Introducing Literary Theories: A Guide and Glossary. Edinburgh University Press: Edinburgh, UK. ISBN 9780748614837

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Artist and feminist communities of 1910 : post-impressionism, suffrage aesthetics, and intersubjectivity in To the lighthouse. In: McVicker, J. and Davis, L. (eds.) Virginia Woolf & Communities : selected papers from the Eighth Annual Conference on Virginia Woolf, Saint Louis University, Saint Louis, Missouri, June 4-7, 1998. Pace University Press. ISBN 9780944473474

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1999) Introduction, Works on the Wild(e) side-- performing, transgressing, queering. In: Wolfreys, J. (ed.) Literary Theories: a Reader and Guide. Edinburgh University Press, pp. 525-590. ISBN 9780814793602

Kolocotroni, V. ORCID logoORCID: https://orcid.org/0000-0001-9504-6527, Mills, S., Brimstone, L., Polkey, P., Wallace, D., Sandhu, A. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1997) Feminism. In: McGowan, K. (ed.) The Year's Work in Critical and Cultural Theory, vol. 3, 1993. Blackwell: Oxford, UK, pp. 87-130. ISBN 9780631188612

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1996) Virginia Woolf's three Marys: a collective model for creative women. In: Modeen, M. (ed.) Graces, Fates and Furies. Peacock Printmakers in association with Evergreen State College: Aberdeen. ISBN 9780952360810

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (1992) Metaphor and place in To the Lighthouse: some Hebridean connections. In: Gonda, C. (ed.) Tea and Leg-Irons: New Feminist Readings from Scotland. Open Letters: London, UK, pp. 137-155. ISBN 9781857890006

Book Reviews

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Flying Colin Herd. Hix Eros: Poetry Review, 8, pp. 93-94. [Book Review]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2018) Lila Matsumoto. Hix Eros: Poetry Review, 8, pp. 94-95. [Book Review]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2017) Queer Bloomsbury. Woolf Studies Annual, 23, pp. 161-170. [Book Review]

Edited Books

Davison, Claire, Ryan, Derek and Goldman, Jane A. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2020) Cross-Channel Modernisms. Edinburgh University Press: Edinburgh. ISBN 9781474441872

Randall, B. ORCID logoORCID: https://orcid.org/0000-0001-5502-1296 and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2013) Virginia Woolf in Context. Cambridge University Press: Cambridge, UK. ISBN 9781107003613

Berman, J.S. and Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Eds.) (2001) Virginia Woolf Out of Bounds”: Selected Papers from the Tenth Annual International Conference on Virginia Woolf, University of Maryland Baltimore County, June 7-10, 2000. Pace University Press. ISBN 9780944473559

Kolocotroni, V., Goldman, J. and Taxidou, O. (Eds.) (1998) Modernism: An Anthology of Sources and Documents. University of Chicago Press: Chicago, USA. ISBN 9780226450735

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (Ed.) (1997) Virginia Woolf - To the Lighthouse, The Waves. Series: Icon Critical Guides. Icon Books: Duxford. ISBN 1857890000

Scholarly Editions

Woolf, Virginia (2020) Jacob's Room. [Scholarly Editions]

Goldman, Jane, Sellers, Susan, Randall, Bryony, Raitt, Suzanne and Blyth, Ian(Eds.) (2018) Orlando: a Biography. [Scholarly Editions]

Goldman, Jane, Susan, Sellers, Randall, Bryony and Whitworth, Michael H.(Eds.) (2018) Night and Day. [Scholarly Editions]

Woolf, Virginia (2014) Mrs Dalloway. [Scholarly Editions]

Snaith, A.(Ed.) (2012) The Years. [Scholarly Editions]

Hussey, M.(Ed.) (2011) Between the Acts. [Scholarly Editions]

Herbert, M. and Sellers, S.(Eds.) (2011) The Waves. [Scholarly Editions]

Research Reports or Papers

Soyinka, B. et al. (2024) Subject Benchmark Statement: Creative Writing. Documentation. QAA.

Audio

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2024) You're Dead to Me - The Bloomsbury Group [Podcast]. [Audio]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X (2016) Discovery Woolf: Voyage A. [Audio]

Goldman, Jane ORCID logoORCID: https://orcid.org/0000-0001-9701-414X, Simpson, Katherine, Lee, Hermione and Bragg, Melvyn (2014) In Our Time: Mrs. Dalloway. [Audio]

Goldman, J. ORCID logoORCID: https://orcid.org/0000-0001-9701-414X and Tate, T. (1994) Women's Fiction: 1915-1940 [Broadcast]. [Audio]

This list was generated on Sat Jun 14 15:45:05 2025 BST.

Supervision

Additional information

Surreal Jane Goldman © Anja Schiefler 

The Cambridge University Press Edition of the Works of Virginia Woolf
General Editors: Jane Goldman, University of Glasgow, Susan Sellers, University of St Andrews
Current list of published volumes:

http://www.cambridge.org/gb/academic/subjects/literature/series/cambridge-edition-works-virginia-woolf


BBC Radio 4 In Our Time

broadcast on Mrs Dalloway (Thu 3 Jul 2014):

http://www.bbc.co.uk/programmes/b048033q

 

Virginia Woolf in the 21st Century:  

The symposium launch of Cambridge Edition of Woolf at Senate House, London, (2011), with Dame Professor Gillian Beer, Professor Rachel Bowlby, and the author, Ali Smith:

https://www.youtube.com/watch?v=hSYmCe3ic-k

https://www.youtube.com/watch?v=UC5d9dYykT8

https://www.youtube.com/watch?v=rx-jCBIcy4c

https://www.youtube.com/watch?v=m_GKl0edP0A