Dr Tom Nichols

  • Reader in History of Art (History of Art)

telephone: 01413304139
email: Tom.Nichols@glasgow.ac.uk

Research interests

Head of Subject Area (History of Art)

Research Interests

  • Venetian Renaissance art, especially Tintoretto and Titian
  • Imagery of the poor, sick and outcast in early modern Europe

Biography

Tom was educated at the Universities of York, London (Courtauld Institute) and East Anglia, completing his PhD on Tintoretto’s paintings in 1992. He taught history of art at the University of Aberdeen between 1993 and 2012, before moving to Glasgow in February 2013.

Research Projects

Tom is currently developing a new research project on the sixteenth-century painter Jacopo Bassano and his local and non-local identities. His new book, Renaissance Art In Venice: From Tradition to Individualism is due out in August 2016. Recent publications include Tintoretto: Tradition and Identity (2nd revised and expanded edition, 2015) and an article on early modern depictions of drunks in Past and Present (2014).

Grants

  • Carnegie Trust for the Universities of Scotland, 2012 (£2,200) towards illustrations for Titian and the end of the Venetian Renaissance
  • British Academy Small Research Grant, 2011 (£7,500) towards illustrations for Titian and the end of the Venetian Renaissance
  • Gladys Krieble Delmas Award, 2010 (£2,000) to fund research at the Fondazione Cini (Venice) in relation to Titian and the end of the Venetian Renaissance
  • Arts and Humanities Research Board Research Leave Scheme 2002 (£9,963) to work on The art of poverty: Irony and ideal in sixteenth century beggar imagery
  • British Academy Small Research Grant 2002 (£638). Berlin research visit to work on The art of poverty: Irony and ideal in sixteenth century beggar imagery
  • Carnegie Trust for Scotland, 2002 (£420). Amsterdam research visit to work on The art of poverty: Irony and ideal in sixteenth century beggar imagery
  • British Academy Conference Grant 2002 (£1,602). Picturing Poverty conference organisation

Supervision

Current research students

Sophie Kromholz, The Artwork is Not Present: An Investigation into the Durational Engagement with Temporary Artworks 

Jennifer Vlcek Schurr, The Passional of Abbess Cunigard

Cynthia Williams, Rock Crystal and Glass in the Hamilton Palace Collection

Teaching

Tom teaches at all undergraduate and postgraduate levels, mostly in the area of early modern art (fifteenth to seventeenth centuries).

Additional information

Head of Subject (History of Art)

External Responsibilities

  • Member of Panel C of the Scottish Graduate School for Arts and Humanities (2014-)
  • External Examiner in History of Art, University College Dublin (2013-16)
  • External Examiner, MSc by Research, University of Edinburgh (2010-11)
  • External Assessor for Internal Teaching Review held at the School of Art History, University of St Andrews (2009-10)
  • External Examiner for MPhil theses in History of Art, Christie’s Education, London (University of Glasgow, 2004-9)
  • External Assessor for the Internal Teaching Review held at the School of Art History, University of St. Andrews (2003)
  • External Examiner for PhD theses at the Universities of Warwick, Swansea, St Andrews, Essex and University College, Dublin (2002-12)
  • Elected member of the National Executive Committee of the Association of Art Historians (2000-03)
  • External Examiner at the School of Art History, University of St. Andrews, responsible for undergraduate and postgraduate (taught Mlitt. Courses) in period 1200-1900 (1997-2001)
  • Referee for MIUR (Minestero dell'Istruzione dell'Universita e della Ricerca) evaluating research proposals in Italian Universities
  • Invited participant, respondent, and contributor to ESRC-funded Intoxicants and Intoxication in Historical and Cultural Perspective group (www.intoxesrc.org), 2008-11
  • Member of the international scholarly group Cinquecento plurale (see www.nuovorinascimento.org/cinquecento ), 2007-present
  • Referee for The Leverhulme Trust, International Network Grant, 2009
  • Referee for research grant for Social Sciences and Humanities Research Council of Canada, 2009

Guest Lectures / Conferences

  • Conference Organizer: Society for Renaissance Studies 7th Biennial National Conference (July 2016)
  • Invited paper at The Abnormal Renaissance: Queers, Crips and Rogues in Early Modern Europe, Dahlem Humanties Centre, Freie Universität, Berlin (6-7th June 2016)

  • Invited conference paper:  Food in History, Institute of Historical Research, University of London, 11-12 July 2013: ‘Double vision: The ambivalent imagery of drunkenness in early modern Europe’
  • Invited conference paper: The Reception of Titian in Britain, c. 1769-1887: Artists, Collectors, Critics, 7-8 May 2011: ‘Hazlitt and Titian: Progress, gusto and the pleasure of painting’
  • Invited lecture: University of Warwick, Palazzo Pesaro-Papafava, Venice, November 2010: ‘Titian and the end of the Venetian Renaissance’ Assessor for Christ’s College, University of Cambridge, Junior Research Fellowship competition
  • Invited lectures: Venice, Warwick-Mellon-Newberry Summer School/Workshop Family Values: Locating the Family in the Early Modern Italian Workshop for doctoral and postdoctoral students and young scholars: July 2010 (funded by the Newberry Library, Chicago, and the Centre for the Study of the Renaissance, University of Warwick)
  • Invited conference paper: Intoxicants and Intoxication in Cultural and Historical Perspective, Christ’s College, University of Cambridge, July: ‘Double vision: The ambivalent imagery of drunkenness in early modern Europe’, July 2010
  • Invited public lecture at Aberdeen Art Gallery in conjunction with the arrival of Titian’s Diana and Actaeonon temporary loan, June 2010
  • Invited conference paper: Iconografia della Solidarietà’, Convegno internazionale di studi, Fondazione del Monte, Bologna, May 2009: ‘L’immagine della carità pubblica a Venezia nel Rinascimento: Scuola e Stato’
  • Panel convenor: Family Values: Locating Relatives in the Italian Workshop (with Dr Louise Bourdua), 34th AAH Annual Conference, Tate Britain and Tate Modern, London, April, 2008

Publications

List by: Type | Date

Jump to: 2016 | 2015 | 2014 | 2013 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2002 | 2001 | 2000 | 1999 | 1996 | 1994
Number of items: 44.

2016

Nichols, T. (2016) Giorgione. Burlington Magazine, 158(1359), pp. 472-474.

Nichols, T. (2016) Renaissance Art in Venice: From Tradition to Individualism. Laurence King: London. ISBN 9781780678511

2015

Nichols, T. (2015) Tintoretto: Tradition and Identity. Reaktion Books: London. ISBN 9781780234502

2014

Nichols, T. (2014) Veronese. Burlington Magazine, 156(1339), pp. 682-686.

Nichols, T. (2014) Double vision: the ambivalent imagery of drunkenness in early modern Europe. Past and Present, 222(Sup 9), pp. 146-167.

2013

Nichols, T. (2013) Titian and the End of the Venetian Renaissance. Reaktion Books: London, UK. ISBN 9781780231860

Nichols, T. (2013) Hazlitt and Titian: progress, gusto and the (dis)pleasure of painting. In: Humfrey, P. (ed.) The Reception of Titian in Britain from Reynolds to Ruskin. Brepols: Turnhout, Belgium, pp. 123-133. ISBN 9782503536750

Nichols, T. (2013) The master as monument: Titian and his images. Artibus et Historiae, 67(XXXIV), pp. 219-238.

2011

Nichols, T. (2011) Beggars in Arcadia. [Audio]

Nichols, T. (2011) Albrecht Dürer, underweysung der messung mit dem zirckel und richtscheyt in linien, ebnen un gantzen Corporen and Albrecht Dürer, Clarrissimi pictoris et geometrae de symmetria partium humanorum corporum. In: Beavan, I., Davidson, P. and Stevenson, J. (eds.) The Library and Archive Collections of the University of Aberdeen: An Introduction and Description. Manchester University Press: Manchester, UK. ISBN 9780719087882

Nichols, T. (2011) Art in Renaissance Venice. Oxford Bibliographies Online, (doi:10.1093/OBO/9780195399301-0157)

Nichols, T. (2011) L’immagine della carità pubblica a Venezia nel Rinascimento: Scuola e stato. In: Carboni, M. and Muzzarelli, G. (eds.) L’Iconografia Della Solidarietà: La Mediazione delle Immagini (Secoli xiii-xviii). Editore Marsilio: Venice, Italy, pp. 55-67. ISBN 9788831711654

Nichols, T. (2011) Saint Barnabé guérissant un malade de Véronèse et les images vénitiennes de la pauvreté et de la maladie. In: Hochmann, M. (ed.) Venise et Paris, 1500-1700 : La Peinture Vénitienne de la Renaissance et sa Réception en France: Actes des Colloques de Bordeaux et de Caen (24-25 Février 2006, 6 Mai 2006). Series: Hautes etudes medievales et modernes (100). Droz: Geneva, Switzerland, pp. 63-82. ISBN 9782600013536

Nichols, T. (2011) Titian. Oxford Bibliographies Online, (doi:10.1093/OBO/9780195399301-0128)

2010

Nichols, T. (2010) The Jew in the Art of the Italian Renaissance by Dana E. Katz. Renaissance Studies, 24(3), pp. 449-451. (doi:10.1111/j.1477-4658.2010.00655.x) [Book Review]

Nichols, T. (2010) Renaissance Art: A Beginner's Guide. Series: Oneworld beginner's guides. Oneworld Publications: Oxford, UK. ISBN 9781851687244

2009

Nichols, T. (2009) Review of: Mark Hudson, Titian: The Last Days. Literary Review(371), pp. 30-31. [Book Review]

Nichols, T. (2009) Defining genres: the survival of mythological painting in counter-reformation Venice. In: Brundin, A.S. and Treherne, M. (eds.) Forms of Faith in Sixteenth Century Italy. Series: Catholic Christendom, 1300-1700. Ashgate: Aldershot, UK, pp. 119-148. ISBN 9780754665557

Nichols, T. (2009) False gods: Tintoretto’s mythologies as anti-poesie. In: Jacopo Tintoretto: Actas Del Congreso Internacional Jacopo Tinotretto. Museo Nacional del Prado: Madrid, Spain, pp. 36-44. ISBN 9788484801719

2008

Nichols, T. (2008) Understanding Tintoretto’s prestezza: literary and other approaches to the contested artistic culture of mid-Cinquecento Venice. In: Procaccioli, P. and Hendrix, H. (eds.) Officine Del Nuovo. Sodalizi Fra Letterati, Artisti ed Editori Nella Cultura Italiana Fra Riforma e Controriforma. Series: Cinquecento. Studi (28). Vecchiarelli: Manziana, Italy, pp. 249-262. ISBN 9788882472313

2007

Nichols, T. (2007) Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Ashgate: Aldershot, UK. ISBN 9780754655572

Nichols, T. (2007) Secular charity, sacred poverty: picturing the poor in Renaissance Venice. Art History, 30(2), pp. 139-169. (doi:10.1111/j.1467-8365.2007.00536.x)

Nichols, T. (2007) The Art of Poverty: Irony and Ideal in Sixteenth-Century Beggar Imagery. Manchester University Press: Manchester, UK. ISBN 9780719075827

Nichols, T. (2007) The vagabond image: depictions of false beggars in northern art of the sixteenth century. In: Nichols, T. (ed.) Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Ashgate: Aldershot, UK, 37- 60. ISBN 9780754655572

2006

Nichols, T. (2006) Images of almsgiving and poverty in Venetian art of the sixteenth century. In: Helas, P. and Wolf, G. (eds.) Armut und Armenfürsorge in der Italienischen Stadtkultur Zwischen 13. und 16. Jahrhundert: Bilder,Texte und Soziale Praktiken. Series: Inklusion/Exklusion (2). Peter Lang: Frankfurt, Germany, pp. 349-370. ISBN 9783631558461

2005

Nichols, T. (2005) Paragons of poverty: imagery of the deserving poor in the age of reformation and counter-reformation. In: Damianaki, C., Procaccioli, P. and Romano, A. (eds.) Il Rinascimento Italiano di Fronte alla Riforma: Letteratura e Arte. Series: Cinquecento. studi / Università della Tuscia, dipartimento di storia e culture del testo e del documento (12). Vecchiarelli: Manziana, Italy, pp. 253-269. ISBN 9788882471651

2004

Nichols, T. (2004) 'Art in Venice', 'Titian', 'Tintoretto', 'Veronese'. In: Dewald, J. (ed.) Europe 1450 to 1789: Encyclopedia of the Early Modern World. Charles Scribner's Sons: New York, NY, USA. ISBN 9780684312002

2002

Nichols, T., and Hadley, T. (2002) James, Ruskin and Tintoretto. Henry James Review, 23(3), pp. 294-303.

Nichols, T. (2002) Myths of Venice by David Rosand. Burlington Magazine, 144(1189), pp. 235-236. [Book Review]

2001

Nichols, T. (2001) P. Meilman, ‘Titian and the Altarpiece in Renaissance Venice’. Burlington Magazine, 143(1174), p. 37. [Book Review]

2000

Nichols, T. (2000) Book review: The Aesthetics of Italian Renaissance Art. A Reconsideration of Style. By Hellmut Wohl. British Journal of Aesthetics, 40(4), pp. 500-503. (doi:10.1093/bjaesthetics/40.4.492) [Book Review]

Nichols, T. (2000) Dürer to Veronese.Sixteenth-Century Painting in the National Gallery. Burlington Magazine, CXLII(1171), pp. 636-637. [Book Review]

Nichols, T. (2000) Venetian Colour. Marble, Mosaic, Painting and Glass 1250-1550. Burlington Magazine, 142(1163), p. 113. [Book Review]

Nichols, T. (2000) 'Bonifacio de’Pitati', 'Polidoro da Lanciano', 'Andrea Vicentino', 'Giovanni Antonio Fasolo', 'Bartolomeo Veneto', 'Marcello Fogolino'. In: Turner, J. (ed.) The Encyclopedia of Italian Renaissance and Mannerist Art. Series: Grove encyclopedias of European art. MacMillan: London, UK. ISBN 9780333760949

Nichols, T. (2000) Jacopo Tintoretto. In: Turner, J. (ed.) The Encyclopedia of Italian Renaissance and Mannerist Art. Series: Grove encyclopedias of European art, 2. Grove's Dictionaries/MacMillan: London, UK. ISBN 9781884446023, 9780333760949

Nichols, T. (2000) The cultural dynamics of space in Venetian Renaissance painting. In: Cowan, A. (ed.) Mediterranean Urban Culture 1400-1700. University of Exeter Press: Exeter, UK, pp. 165-196. ISBN 9780859895781

1999

Nichols, T. (1999) Tintoretto: Tradition and Identity. Reaktion: London, UK. ISBN 9781861890436

1996

Nichols, T. (1996) Price, prestezza and production in Jacopo Tintoretto's business strategy. Venezia Cinquecento: Studi di Storia dell'Arte e della Cultura, VI(12), pp. 207-233.

Nichols, T. (1996) Tintoretto, prestezza, and the poligrafi: a study in the literary and visual culture of Cinquecento Venice. Renaissance Studies, 10(1), pp. 72-100. (doi:10.1111/j.1477-4658.1996.tb00004.x)

Nichols, T. (1996) Bonifacio de'Pitati. In: Turner, J. (ed.) The Dictionary of Art. Macmillan: Basingstoke, UK. ISBN 9781884446009

Nichols, T. (1996) Jacopo Tintoretto. In: Turner, J. (ed.) The Dictionary of Art. Macmillan: Basingstoke, UK. ISBN 9781884446009

1994

Nichols, T. (1994) Tintoretto. Venice and Vienna. Burlington Magazine, 136(1096), pp. 478-479.

Nichols, T. (1994) Tintoretto in Venice, 'Nightwaves'. [Audio]

Nichols, T. (1994) Tintoretto's poverty. In: Ames-Lewis, F. (ed.) New Interpretations of Venetian Renaissance Painting. Birkbeck College: London, UK, pp. 99-110. ISBN 9780907904809

This list was generated on Fri Sep 30 15:19:38 2016 BST.
Number of items: 44.

Articles

Nichols, T. (2016) Giorgione. Burlington Magazine, 158(1359), pp. 472-474.

Nichols, T. (2014) Veronese. Burlington Magazine, 156(1339), pp. 682-686.

Nichols, T. (2014) Double vision: the ambivalent imagery of drunkenness in early modern Europe. Past and Present, 222(Sup 9), pp. 146-167.

Nichols, T. (2013) The master as monument: Titian and his images. Artibus et Historiae, 67(XXXIV), pp. 219-238.

Nichols, T. (2011) Art in Renaissance Venice. Oxford Bibliographies Online, (doi:10.1093/OBO/9780195399301-0157)

Nichols, T. (2011) Titian. Oxford Bibliographies Online, (doi:10.1093/OBO/9780195399301-0128)

Nichols, T. (2007) Secular charity, sacred poverty: picturing the poor in Renaissance Venice. Art History, 30(2), pp. 139-169. (doi:10.1111/j.1467-8365.2007.00536.x)

Nichols, T., and Hadley, T. (2002) James, Ruskin and Tintoretto. Henry James Review, 23(3), pp. 294-303.

Nichols, T. (1996) Price, prestezza and production in Jacopo Tintoretto's business strategy. Venezia Cinquecento: Studi di Storia dell'Arte e della Cultura, VI(12), pp. 207-233.

Nichols, T. (1996) Tintoretto, prestezza, and the poligrafi: a study in the literary and visual culture of Cinquecento Venice. Renaissance Studies, 10(1), pp. 72-100. (doi:10.1111/j.1477-4658.1996.tb00004.x)

Nichols, T. (1994) Tintoretto. Venice and Vienna. Burlington Magazine, 136(1096), pp. 478-479.

Books

Nichols, T. (2016) Renaissance Art in Venice: From Tradition to Individualism. Laurence King: London. ISBN 9781780678511

Nichols, T. (2015) Tintoretto: Tradition and Identity. Reaktion Books: London. ISBN 9781780234502

Nichols, T. (2013) Titian and the End of the Venetian Renaissance. Reaktion Books: London, UK. ISBN 9781780231860

Nichols, T. (2010) Renaissance Art: A Beginner's Guide. Series: Oneworld beginner's guides. Oneworld Publications: Oxford, UK. ISBN 9781851687244

Nichols, T. (2007) Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Ashgate: Aldershot, UK. ISBN 9780754655572

Nichols, T. (2007) The Art of Poverty: Irony and Ideal in Sixteenth-Century Beggar Imagery. Manchester University Press: Manchester, UK. ISBN 9780719075827

Nichols, T. (1999) Tintoretto: Tradition and Identity. Reaktion: London, UK. ISBN 9781861890436

Book Sections

Nichols, T. (2013) Hazlitt and Titian: progress, gusto and the (dis)pleasure of painting. In: Humfrey, P. (ed.) The Reception of Titian in Britain from Reynolds to Ruskin. Brepols: Turnhout, Belgium, pp. 123-133. ISBN 9782503536750

Nichols, T. (2011) Albrecht Dürer, underweysung der messung mit dem zirckel und richtscheyt in linien, ebnen un gantzen Corporen and Albrecht Dürer, Clarrissimi pictoris et geometrae de symmetria partium humanorum corporum. In: Beavan, I., Davidson, P. and Stevenson, J. (eds.) The Library and Archive Collections of the University of Aberdeen: An Introduction and Description. Manchester University Press: Manchester, UK. ISBN 9780719087882

Nichols, T. (2011) L’immagine della carità pubblica a Venezia nel Rinascimento: Scuola e stato. In: Carboni, M. and Muzzarelli, G. (eds.) L’Iconografia Della Solidarietà: La Mediazione delle Immagini (Secoli xiii-xviii). Editore Marsilio: Venice, Italy, pp. 55-67. ISBN 9788831711654

Nichols, T. (2011) Saint Barnabé guérissant un malade de Véronèse et les images vénitiennes de la pauvreté et de la maladie. In: Hochmann, M. (ed.) Venise et Paris, 1500-1700 : La Peinture Vénitienne de la Renaissance et sa Réception en France: Actes des Colloques de Bordeaux et de Caen (24-25 Février 2006, 6 Mai 2006). Series: Hautes etudes medievales et modernes (100). Droz: Geneva, Switzerland, pp. 63-82. ISBN 9782600013536

Nichols, T. (2009) Defining genres: the survival of mythological painting in counter-reformation Venice. In: Brundin, A.S. and Treherne, M. (eds.) Forms of Faith in Sixteenth Century Italy. Series: Catholic Christendom, 1300-1700. Ashgate: Aldershot, UK, pp. 119-148. ISBN 9780754665557

Nichols, T. (2009) False gods: Tintoretto’s mythologies as anti-poesie. In: Jacopo Tintoretto: Actas Del Congreso Internacional Jacopo Tinotretto. Museo Nacional del Prado: Madrid, Spain, pp. 36-44. ISBN 9788484801719

Nichols, T. (2008) Understanding Tintoretto’s prestezza: literary and other approaches to the contested artistic culture of mid-Cinquecento Venice. In: Procaccioli, P. and Hendrix, H. (eds.) Officine Del Nuovo. Sodalizi Fra Letterati, Artisti ed Editori Nella Cultura Italiana Fra Riforma e Controriforma. Series: Cinquecento. Studi (28). Vecchiarelli: Manziana, Italy, pp. 249-262. ISBN 9788882472313

Nichols, T. (2007) The vagabond image: depictions of false beggars in northern art of the sixteenth century. In: Nichols, T. (ed.) Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Ashgate: Aldershot, UK, 37- 60. ISBN 9780754655572

Nichols, T. (2006) Images of almsgiving and poverty in Venetian art of the sixteenth century. In: Helas, P. and Wolf, G. (eds.) Armut und Armenfürsorge in der Italienischen Stadtkultur Zwischen 13. und 16. Jahrhundert: Bilder,Texte und Soziale Praktiken. Series: Inklusion/Exklusion (2). Peter Lang: Frankfurt, Germany, pp. 349-370. ISBN 9783631558461

Nichols, T. (2005) Paragons of poverty: imagery of the deserving poor in the age of reformation and counter-reformation. In: Damianaki, C., Procaccioli, P. and Romano, A. (eds.) Il Rinascimento Italiano di Fronte alla Riforma: Letteratura e Arte. Series: Cinquecento. studi / Università della Tuscia, dipartimento di storia e culture del testo e del documento (12). Vecchiarelli: Manziana, Italy, pp. 253-269. ISBN 9788882471651

Nichols, T. (2004) 'Art in Venice', 'Titian', 'Tintoretto', 'Veronese'. In: Dewald, J. (ed.) Europe 1450 to 1789: Encyclopedia of the Early Modern World. Charles Scribner's Sons: New York, NY, USA. ISBN 9780684312002

Nichols, T. (2000) 'Bonifacio de’Pitati', 'Polidoro da Lanciano', 'Andrea Vicentino', 'Giovanni Antonio Fasolo', 'Bartolomeo Veneto', 'Marcello Fogolino'. In: Turner, J. (ed.) The Encyclopedia of Italian Renaissance and Mannerist Art. Series: Grove encyclopedias of European art. MacMillan: London, UK. ISBN 9780333760949

Nichols, T. (2000) Jacopo Tintoretto. In: Turner, J. (ed.) The Encyclopedia of Italian Renaissance and Mannerist Art. Series: Grove encyclopedias of European art, 2. Grove's Dictionaries/MacMillan: London, UK. ISBN 9781884446023, 9780333760949

Nichols, T. (2000) The cultural dynamics of space in Venetian Renaissance painting. In: Cowan, A. (ed.) Mediterranean Urban Culture 1400-1700. University of Exeter Press: Exeter, UK, pp. 165-196. ISBN 9780859895781

Nichols, T. (1996) Bonifacio de'Pitati. In: Turner, J. (ed.) The Dictionary of Art. Macmillan: Basingstoke, UK. ISBN 9781884446009

Nichols, T. (1996) Jacopo Tintoretto. In: Turner, J. (ed.) The Dictionary of Art. Macmillan: Basingstoke, UK. ISBN 9781884446009

Nichols, T. (1994) Tintoretto's poverty. In: Ames-Lewis, F. (ed.) New Interpretations of Venetian Renaissance Painting. Birkbeck College: London, UK, pp. 99-110. ISBN 9780907904809

Book Reviews

Nichols, T. (2010) The Jew in the Art of the Italian Renaissance by Dana E. Katz. Renaissance Studies, 24(3), pp. 449-451. (doi:10.1111/j.1477-4658.2010.00655.x) [Book Review]

Nichols, T. (2009) Review of: Mark Hudson, Titian: The Last Days. Literary Review(371), pp. 30-31. [Book Review]

Nichols, T. (2002) Myths of Venice by David Rosand. Burlington Magazine, 144(1189), pp. 235-236. [Book Review]

Nichols, T. (2001) P. Meilman, ‘Titian and the Altarpiece in Renaissance Venice’. Burlington Magazine, 143(1174), p. 37. [Book Review]

Nichols, T. (2000) Book review: The Aesthetics of Italian Renaissance Art. A Reconsideration of Style. By Hellmut Wohl. British Journal of Aesthetics, 40(4), pp. 500-503. (doi:10.1093/bjaesthetics/40.4.492) [Book Review]

Nichols, T. (2000) Dürer to Veronese.Sixteenth-Century Painting in the National Gallery. Burlington Magazine, CXLII(1171), pp. 636-637. [Book Review]

Nichols, T. (2000) Venetian Colour. Marble, Mosaic, Painting and Glass 1250-1550. Burlington Magazine, 142(1163), p. 113. [Book Review]

Audio

Nichols, T. (2011) Beggars in Arcadia. [Audio]

Nichols, T. (1994) Tintoretto in Venice, 'Nightwaves'. [Audio]

This list was generated on Fri Sep 30 15:19:38 2016 BST.