Prof Nick Pearce

Jade Gate, Gobi Desert
  • Head of School (History of Art)

telephone: 01413303826
email: Nick.Pearce@glasgow.ac.uk


Research Interests

  • Photography in China, particularly Western photographers and their work in China from the mid-19th to the early 20th century, but also Chinese photographers and how photography was received in China during this period.
  • Collectors and patterns of collecting of Chinese art both in the West and in China, during the 18th, 19th and early 20th centuries. This includes the growth of both private collectors and institutional collecting and the mechanisms that fuelled these activities.
  • Historiography of Chinese art studies in the West from the late-19th through to the first-half of the 20th century.

Late evening on Mount Huang 

For more information about my career path, please see my Research Story.



Jump to: 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2005 | 2003 | 2001
Number of items: 18.

2012

Pearce, N. and Steuber, J., (Eds.) (2012) Original Intentions: Essays on Production, Reproduction and Interpretation in the Arts of China. University Press of Florida. ISBN 9780813039725

Pearce, N. (2012) Mapping the world: reconstructing the Provenance of Verbiest’s map of the world in Glasgow University’s collection. In: Golvers, N. (ed.) Proceedings of the IX Symposium of the F. Verbiest Institut. Leuven University Press. (In Press)

Pearce, N. (2012) A flash in the pan. In: Pearce, N. and Steuber, J. (eds.) Original Intentions: Essays on Production, Reproduction and Interpretation in the Arts of China. University Press of Florida. (In Press)

Pearce, N. (2012) A casualty of war: Laurence Binyon, Raphael Petrucci and Chinese painting. In: Sandrock, K. and Wright, O. (eds.) Locating Italy: East and West in British-Italian Transactions. Rodopi, Amsterdam, The Netherlands. (In Press)

2011

Pearce, N. (2011) In a perfect world: Jade landscape carvings. Orientations, 42 (6). pp. 64-70. ISSN 0030-5448

Pearce, N. (2011) A novel experiment: John Thomson's Illustrations of China and its People and the beginnings of photographic publishing. National Palace Museum Bulletin, 44 . pp. 49-65. ISSN 1011-906X

Pearce, N. (2011) Shanghai 1908: A.W. Bahr and China’s first art exhibition. West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 18 (1). pp. 6-24. ISSN 2153-5531

Pearce, N. (2011) Mapping the world: a copy of Verbiest's Kunyu Quantu in Glasgow University's collection. In: Van Overmeire, D. and Ackerman, P. (eds.) About Books, Maps, Songs and Steles: The Wording and Teaching of the Christian Faith in China. Series: Leuven Chinese studies (21). University of Leuven, Ferdinand Verbiest Institute, Leuven, pp. 51-78. ISBN 9789081436540

2010

Pearce, N. (2010) John Thomson's China: 1868-1872. In: China: Through the Lens of John Thomson, 1868-1872. River Books, Bangkok, pp. 6-9. ISBN 9786167339009

2009

Creasy, H., Metcalf, H., and Pearce, N. (2009) History and conservation of Kunyu Quantu (A map of the whole world) by Ferdinand Verbiest, 1674. In: Colbourne, J. and Snyder, R.F. (eds.) Printed on Paper: The Techniques, History, and Conservation of Printed Media. Arts and Social Sciences Academic Press, Northumbria University, Newcastle, UK, pp. 33-41. ISBN 9780956120632

Pearce, N. (2009) Gorer v Lever: Edgar Gorer and William Hesketh Lever. On-line Catalogue of the Chinese Works of Art in the Lady Lever Art Gallery .

2008

Pearce, N. (2008) More sight than sound: extra-musical qualities of the Qin. Orientations, 39 . pp. 40-46. ISSN 0030-5448

Pearce, N. (2008) Chinese export porcelain to europe: some aspects of design and consumption. The University of Hong Kong Museum Journal, 2 .

2007

Pearce, N. (2007) A life in Peking: the Peabody albums. History of Photography, 31 (3). pp. 276-293. ISSN 0308-7298

2005

Pearce, N. (2005) Collecting, connoisseurship and commerce: an examination of the life and career of Stephen Wootton Bushell (1844-1908). Transactions of the Oriental Ceramic Society, 70 . pp. 17-25. ISSN 0306-0926

Pearce, Nick (2005) Photographs of Peking, China 1861-1908 : an inventory and description of the Yetts collection at the University of Durham ; Through Peking with a camera. Edwin Mellen Press, Lewiston, NY. ISBN 077346090X

2003

Pearce, N. (2003) Images of Guanxiu's Sixteen Luohan in 18th Century China. Apollo, 158 (501). pp. 25-31. ISSN 0003-6536

2001

Pearce, N. (2001) Soldiers, doctors, engineers: Chinese art and British collecting, 1860-1935. Journal of the Scottish Society for Art History, 6 . pp. 45-52. ISSN 1362-248X

This list was generated on Fri May 25 22:48:07 2012 BST.

Catalogue of the Chinese Collections in the Lady Lever Art Gallery

Funded by the Leverhulme Trust. Worked together with Dr Yupin Chung and staff of the National Museums Liverpool over a 3-year project to create an electronic catalogue of the Collection, made available to the public as a web-based resource in 2009.

Chinese Art Research into Provenance

A Provenance Database for Chinese Works of Art at The Burrell Collection. An AHRC-funded project, 2004.

I welcome applications from PhD students in the areas of photography in China, collectors, collecting and collections of Chinese works of art and the historiography of Chinese art studies in the West.

  • Konstanze Knittler, ‘Motivations and Patterns of Collecting: The Collecting of Chinese ceramics in the late 19th and early 20th Centuries in Britain’
  • Jason Steuber, ‘The 1935/6 International Exhibition of Chinese Art: Chinese Art Exhibitions and the Roles of Provenance and Politics’. See Gainesville Magazine, Feb/March 2009, 94-6 (Download here: Steuber article)
  • Yi Wang, 'The Western Impact on Chinese Ceramics Design during the 17-18th Century'
  • Mingyuan Hu, 'From Shanghai to Paris and Back Again: Fou Lei’s Intellectual Development as an Art Critic'
  • Michelle Defreese, 'Unidentified Chinese Export Armorial Porcelain in the V&A Collection' (MPhil)
  • Historiography and Methodology
  • MLitt History of Collecting and Collections

Administration

External Responsibilities

  • Member of the Academic Board for the Journal: ‘Art Market’ (Yishu shichang), Beijing
  • Honorary Curator, The Burrell Collection, Glasgow (1998 -    )