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GLASGOW UNIVERSITY LIBRARY
SPECIAL COLLECTIONS DEPARTMENT

Book of the Month


July 2006

William Lawson

A New Orchard and Garden
with
The Country-Housewifes Garden for Herbs

London: 1648
Sp Coll Ferguson Ah-a.2


Our July choice is a popular Renaissance work on gardening, A new orchard and garden by William Lawson. It was printed together with the first horticultural book written solely for women, The country housewife's garden. Both are full of sensible and practical advice, imbued with Lawson's charming philosophy. For Lawson, working in the orchard and garden was the ideal kind of rest and relaxation: 'For whereas every other pleasure commonly fills some one of our senses, and that only, with delight, this makes all our senses swim in pleasure, and that with infinite variety joyned with no lesse commodity'.


William Lawson (1553/4-1635) was the vicar of Ormesby, a country parish in Yorkshire.  First and foremost a religious man who carried out his clerical duties most diligently, he was obviously also a keen gardener with considerable land. A man of some learning, he evidently read widely on agriculture and gardening, and his two works are also scattered with references to the classics. When he died he willed 'all my latine books & mie English books of contraversie' to his son William, which suggests that he may well have owned a relatively substantial library of books for the period.


illustration from title-page, repeated in the chapter 'of grafting' (page 33)


detail from title-page of 'A new orchard and garden'

A New Orchard and Garden and The Country Housewife's Garden were Lawson's only published works. They were first printed together in 1618* and proved popular enough to warrant further reprints in quick succession. The copy featured here is a later, enlarged edition from 1648, part of A Way to Get Wealth, a compilation of treatises on husbandry and other household matters by Gervase Markham.

Lawson dedicated his work to Sir Henry Belloses (Belasyse), a prominent Yorkshire baronet who was also an orchard enthusiast. In his dedication, Lawson thanks him for the profit he received from his 'learned Discourse of Fruit trees'. However, in the preface following he is at pains to point out that his book is in fact a product of 'my meer and sole experience, without respect to any former-written Treatise'. It is a result of forty eight years experience in working a northern garden. Occasionally in the text he refers to the difficulties of this environment. He advises his fellow northerners, for instance, to 'meddle not with Apricockes nor Peaches, nor scarcely with Quinces, which will not like our cold parts'. This book can therefore be credited with being the first to deal with the northern garden.

Gardening had become a national passion in the Sixteenth Century. Then, as now, it was a recreation that brought peace and contentment, and Eyler suggests that it provided a welcome escape from the trials of a turbulent age. Renaissance interest was certainly sparked by the influence of Protestant refugees from the Continent, while an increase in travel abroad and geographical discovery brought back new plants and ideas. There was a subsequent demand for new knowledge and exchange of information, spurring the production of horticultural manuals such as this. 


detail of knot garden from an overall plan
for the form of a garden (page 13)

Although not published until 1618, Lawson's work is really the product of an Elizabethan life. But it is interesting to note that in its practicality, it is also an example of the age of reason; at this time there was a growing preoccupancy with the workings of nature and science, and a burgeoning interest in subjects such as botany, concentrating on the useful qualities and medical virtues of plants. Such a utilitarian outlook was also to be found in the tenets of Puritanism: good husbandry was keenly pursued, physical toil being regarded as a form of devotion to God. It should be remembered that Lawson was a Protestant preacher, and as Thick points out, his religious convictions were broadly puritan; as he states, he had no time for 'popery and knavery'.


overall title-page of 'A way to get wealth'

The heading preceding the first chapter sums up the aim of Lawson's New Orchard: 'the best, sure and readiest way to make a good orchard and garden'.  He begins with the traits to be sought in a good gardener should the reader be in the position to employ one: he should be honest, and certainly not 'an idle, or lazie lubber'. If lucky enough to have the services of such a paragon, 'God shall crowne the labours of his hands with joyfulnesse, and make the clouds drop fatnesse upon your trees'. For those who have to roll up their own sleeves, however, Lawson has written this book and 'gathered these rules' together.


the cause of hurts in woods (page 42)

The work goes on to deal comprehensively with all aspects of orchard management, covering: the kind of soil required ('blacke, fat, mellow, cleane and well tempered') and how to improve it; the best kind of site and how to protect it with fencing, or even better, 'quickwood, and moates or ditches of water'; how to deal with 'annoyances' such as animals, birds, thieves, disease and the weather (not to mention the evils of a 'carelesse master'); how to plant, space and prune your trees; the different types of fruit trees and bushes and their qualities; and how to gather, store and preserve the fruits of your labours. As Lawson sums up, 'skill and pains, bring fruitful gains'.

Lawson's advice is eminently sensible. His instructions are clear and obviously draw on the considerable personal skills he accrued over his lifetime. However, it is the underlying philosophy of the author and his frequent lyricism and rhetorical eloquence that still makes this book such a pleasure to read today. This is apparent even in the most technical of chapters, where Lawson deals with topics such as raising sets, planting and grafting. A typical example is found in the section on pruning where he emphasises the need for man's intervention by drawing a comparison with an uncultivated wood full of neglected, rotten, and dying trees, as he rails: 'What rottennesse? what hollownes? what dead armes? withered tops? curtalled trunks? what loads of mosses? drouping boughes? & dying branches shall you see everywhere?'

 
instructions on grafting (page 39)


a skrapple of iron for weeding (page 59)



detail of topiary from an overall plan for
the form of a garden (page 13)

But Lawson's sentiments rarely override his practicality. For instance, he devotes a considerable section to the measures required to counteract the 'whole Army of mischiefs' that plague the gardener. He ruefully acknowledges that 'Good things have most enemies' and catalogues a whole host of enemies ranging from deer to moles (they will 'anger you'). He even advises that sparrowhawks are useful against plundering garden birds: although he acknowledges the delight of hearing blackbirds and thrushes singing on a May morning, 'I had rather want their company than my fruit'.

Despite his problem with flying cherry thieves, the overall impression gained from reading the book is that Lawson's ideal garden would be a delight. As well as abundant fruit trees, there would be sweet scented flowers, humming bees (whom, he assures us, do not sting their friends), beautiful ornaments, silver sounding music, broad and long walkways, a maze, and even a bowling alley for exercise.

The satisfied gardener should 'view now with delight the works of your owne hands, your fruit trees of all sorts, loaden with sweet blossomes, and fruit of all tasts, operations and colours: your trees standing in comely order which way soever you look ... Your borders on every side hanging and drooping with Feberries, Raspberries, Barberries, Currents, and the roots of your trees powdred with Strawberries, red, white and green, what a pleasure is this?'

Having gathered in the  harvest, Lawson recommends a period of reflection: 'Now pause with your selfe, and view the end of all your labours in an Orchard: unspeakable pleasure, and infinite commodity'. But although the yield will hopefully be profitable, the means is not all about the end: 'For what is greedy gaine, without delight, but moyling, and turmoyling in slavery? But comfortable delight, with content, is the good of every thing, and the patterne of heaven ... And who can deny but the principall end of an orchard, is the honest delight of one wearied with the works of his lawfull calling?'


the perfect forme of a fruit-tree (page 47)


overall plan for the form of a garden (page 13)

The book is also loved for its woodcut illustrations. In the preface, Lawson explains that no expense was spared in producing these for the 'common good': much 'cost and care' was bestowed by the publisher in having them produced by 'the best Artizan'.

The illustration depicting the 'overall plan for the form of a garden' is a simplified view of a typical late Elizabethan garden. The overall rectangular shape is split into six square sections set over three levels or terraces, negotiated via flights of stairs and intercrossing walkways. Its design demonstrates the Tudors love for symmetry and patterns. A mount ('M') at each corner overlooks the garden and the countryside beyond it, and a fountain plays at one of the walkway crossings. There are two still houses in the top corners ('N'). The individual gardens within gardens are variously landscaped with trees, kitchen gardens, flowerbeds, knots, and topiary (signified by the horse and sword wielding man). A river runs at the top and bottom of the garden. The presence of water nearby is lauded as being both practical (in providing moisture for thirsty trees and in acting as a barrier) and pleasant for sport, for 'you might sit in your mount and angle a peckled trout, sleighty eel or some other daintie fish'. According to Malcolm Thick, this garden would have been considered old-fashioned by the most fashion-conscious gentlemen of the early Seventeenth Century who were more interested in Italian influenced grand 'Renaissance' gardens, preferably laid out by a Continental gardeners. But is should be remembered that Lawson was hearkening back to the 1570s when writing his work, and the gardens he favoured 'had an intimacy never regained once the impact of the high Italian Renaissance and the French grand manner reached England' (Miles Hadfield, quoted by Thick).


separate title-page of 'The Country House-wifes garden'

The second work in Lawson's book, The Country Housewife's Companion, lacks the philosophical discourses of its companion volume. This is perhaps because it was written specifically for women ('my country housewife, not skillful artists'), and its simple tone is therefore pitched at a less learned readership. Nonetheless, it frequently refers to the text of The New Orchard and it seems that the two books were intended to be read and used together.

The book is split into a series of short chapters that offer advice on a number of topics, including the soil and layout of the ideal garden, the properties of various herbs and plants, general rules for gardening, and the husbandry of bees.


detail of the device of the printer John Harrison
(from title-page of 'The Country House-wifes garden')

Lawson suggests that each household should have two gardens: a kitchen garden and a flower garden. He explains that the distinction between the two does not have to be perfect but that 'your garden flowers shall suffer some disgrace if among them you intermingle onions, parsnips,etc.' The division is for both practical and aesthetic reasons: that 'for your kitchen's use must yield daily roots or other herbs and suffer deformity' while 'the herbs of both will not be both alike ready at one time either for gathering or removing'.

The flower (or 'summer') garden could be set out in  in squares and knots. Lawson recommends using a mix of flowers and herbs, mentioning roses, rosemary, lavendar, hyssop, sage, thyme, cowslips, peonies, daisies, clove-gilliflowers, pinks, and lilies. Several illustrations of patterns for knot gardens are provided, but Lawson concedes that for these 'speciall formes in squares'  there are as many devices as 'gardeners braines' and prefers to 'leave every house-wife to herself.'


plans for knots (pages 80-82 [ie 81])


frame for beehives (page 99)

This work also provides detailed information about bee-keeping, covering everything from constructing a hive to extracting honey. This again was based on personal experience, Lawson telling us that he was a 'Bee-master' for many years. He goes against conventional wisdom in preferring a straw hive for his bees over a wooden one, but says that he recommends them for 'nimblenesse, closenesse, warmnesse and drynesse.' He emphasises the tenderness of bees on several occasions, saying, for example, that the 'nesh Bee can neither abide cold or wet'.

Two short pamphlets are appended to the end of Lawson's work: A most profitable new treatise, from approved experience of the art of propagating plants by Simon Harward (pages 109-123) and The husbandmans fruitfull orchard (pages 125-134). Harward's work is an in-depth explanation of the methodology for layering and grafting trees. The last work is a common sense guide to picking, packing, transporting and preserving fruit.

We do not know who originally owned this copy of the book, but the volume does bear intriguing glimpses of its past life. An annotation in an Italic hand at the foot of the main title-page indicates that the book was in Durham and purchased for six shillings at some unspecified point in its history. This inscription is followed by a more obscure annotation - possibly the initials 'J.G.', the initials 'I.G. also being blind stamped on the front board of the binding.


detail of house from an overall plan for the form  of a garden (page 13)


manuscript notes on pruning vines (front flyleaf)

Even more interesting is the evidence that an early reader obviously took the lessons of the book to heart, for written in manuscript on the front flyleaf bound in before the title page is a set of notes on pruning vines. This refers to the first pruning of the vine in November, the second pruning, to be carried out 'about the middle of May', while a 'vigorous vine' will require further pruning in August.
Glasgow University Library acquired the book as part of the collection of John Ferguson, purchased in 1920. Ferguson (1838-1916) was a Professor of Chemistry at Glasgow University from 1874 to 1915. Although his library is justly renowned for its strengths in Alchemy and Chemistry, it also contains many interesting books and manuals on practical topics such as gardening, husbandry and cookery. According to a note in the front pastedown, Ferguson bought this book on 16 February, 1906.

This book will be on display in the Special Collections foyer (on level 12 of Glasgow University Library), along with a small selection of other gardening books, until the end of September 2006.

'To conclude, what joy may you have, that you living to such an age, shall see the blessings of God on your labours while you live, and leave behind you to heirs or successors (for God will make heires) such a work, that many ages after your death, shall record your love to their Country? And the rather, when you consider to what length of time your worke is like to last'.


detail of fruit tree from an overall plan
for the form  of a garden (page 13)


Of related interest:

See also the May 2001 book of the month on The Gardener's Labyrinth by Thomas Hill (London: 1594) Sp Coll Ferguson Ah-e.34

Thomas Hill A most briefe and pleasaunte treatise teachying how to dress, sowe, and set a garden [London: 1563?] Sp Coll Ferguson Af-e.58
Thomas Hill The profitable arte of gardening, now the thirde time set forth London: 1574 Sp Coll Ferguson Al-y.9
Thomas Hill The arte of gardening London: 1608 Sp Coll Ferguson Ah-d.25
Gervase Markham The English husbandman ... The first part contayning the knowledge of husbandly duties ... The second part containing the art of planting, grafting, and gardening London: 1635 Sp Coll Euing Add.1
John Parkinson Paradisi in sole paradisus terrestris. Or a garden of all sorts of pleasant flowers which our English ayre will permit to be noursed up; with a kitchen garden of all manner of herbes, rootes, and fruits, for meate or sause used with us, and an orchard of all sorte of fruitbearing trees and shrubbes fit for our land together with the right orderinge planting and preserving of them and their uses and vertues ... London: 1629 Sp Coll Bh7-d.11;

Alicia M. T. Amherst A history of gardening in England London: 1895 Level 5 Main Lib Agriculture JG4 1895-A

John Considine 'Lawson, William (1553/4-1635)' Oxford Dictionary of National Biography, Oxford University Press: 2004 [http://www.oxforddnb.com/view/article/16210, accessed 27 June 2006]


 

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Julie Gardham July 2006