Dr Eva Moreda Rodriguez

  • Reader (Music)

telephone: 01413302613
email: Eva.MoredaRodriguez@glasgow.ac.uk

School of Culture and Creative, Arts: Subject of Music, 14 University Gardens

Import to contacts

ORCID iDhttps://orcid.org/0000-0003-4512-1992

Research interests

Research interests

  • Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
  • The music of the Franco regime and of the Spanish Republican exile; music and fascism/totalitarianism
  • Singing, (art) song, vocal performance practice, vocality (particularly in the Middle Ages and at the turn of the 20th century)
  • Digital mapping; Digital Musicology
  • The history and practice of music criticism
  • Music and literature, music and text, hybrid genres of writing about music (outside the university, I am a published fiction author in the Galician language)

 

Current projects

I am currently PI on the AHRC Research Network 'Rethinking Early Recordings as Sources of Music and Performance History', which brings together academic and non-academic participants. A handbook on the use and analysis of early recordings for research is in preparation. My own research on the topic has focused mostly in the last few years on early recordings of Spanish zarzuela, with two articles articles published and others in preparation.

In recent years, my research has also become more attuned to practice-led approaches. Apart from my research on zarzuela, I am currently in the early stages of a project focusing in Aquitanian versus (a type of Latin song from the 11th-12th centuries), examining both their cultural ramifications and their performance practices through the idea of corporeality and the singing body. The project is informed by my experience as a singer of medieval repertoires as well as portative organ performer. Key to the project is also a commitment to present these little-known repertoires to contemporary audiences, through recitals and singing workshops.

I started my career as a historian of Spanish music under the Franco regime and in exile, and continue working on the area when time permits. I am passionate about disseminating the music of the Spanish exiles, and have collaborated with a range of performers and cultural institutions to this effect. I also maintain my website Music in Exile (www.musicinexile.wordpress.com).

Publications

List by: Type | Date

Jump to: 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2008
Number of items: 58.

2023

Moreda Rodriguez, E. (2023) Expressive tempo modifications in zarzuela performance: the evidence from early recordings. Acta Musicologica, 95(2), pp. 131-150.

Moreda Rodriguez, E. (2023) Recording zarzuela grande in Spain in the early days of the phonograph and gramophone. In: Machin-Autenrieth, M., El-Shawan Castelo-Branco, S. and Llano, S. (eds.) Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula. University of Illinois Press: Urbana, Chicago and Springfield, pp. 83-99. ISBN 9780252045325

Contreras Zubillaga, I. and Moreda Rodriguez, E. (Eds.) (2023) Spain in Our Ears: International Musical Responses in Support of the Republic During the Spanish Civil War. Routledge. ISBN 9781032502083

Moreda Rodríguez, E. (2023) Exile and memory in post-Franco Spain: Julián Orbón’s Libro de cantares (1987). Twentieth-Century Music, (doi: 10.1017/S1478572222000378) (Early Online Publication)

Moreda Rodríguez, E. and Stanovic, I. (Eds.) (2023) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781032047515

Moreda Rodríguez, E. (2023) From notation to stage to recording in Spanish zarzuela, 1896–1958. In: Moreda Rodríguez, E. and Stanovic, I. (eds.) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY, pp. 185-201. ISBN 9781032047515 (doi: 10.4324/9781003194521-13)

2022

Moreda Rodríguez, E. (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, E. (2022) De la tradición a la hibridación: música y literatura en el sistema literario gallego desde el 2000 al presente. Insula, 912, pp. 39-45.

Moreda Rodriguez, E. (2022) I. Contreras Zubillaga, « Tant que les révolutions ressemblent à cela ». L’avant- garde musicale espagnole sous Franco, 2020. Revue de Musicologie, 108(1), pp. 120-122. [Book Review]

Moreda Rodriguez, E. (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

2021

Zubillaga, I. C. and Moreda Rodriguez, E. (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War and Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Moreda Rodríguez, E. (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, E. A. and Moreda Rodríguez, E. (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodríguez, E. (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodríguez, E. (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, E. (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, R. (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

2020

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

2019

Moreda Rodriguez, E. (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodríguez, E. (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, C. (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, E. (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, N. and Ferreiro Carballo, D. (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

2018

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

2017

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Writing about music in the 21st Century. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodríguez, E. (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodríguez, E. (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, D. and Barlow, H. (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

2016

Moreda Rodriguez, E. (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, E. (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

2015

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

2014

Moreda Rodríguez, E. (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, E. (2014) Hispanic-German music festivals during the Second World War. In: Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

2013

Moreda Rodriguez, E. (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda-Rodríguez, E. (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, P. (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

2012

Moreda Rodriguez, E. (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

2011

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

2008

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

This list was generated on Thu Apr 18 20:48:56 2024 BST.
Jump to: Articles | Books | Book Sections | Book Reviews | Edited Books
Number of items: 58.

Articles

Moreda Rodriguez, E. (2023) Expressive tempo modifications in zarzuela performance: the evidence from early recordings. Acta Musicologica, 95(2), pp. 131-150.

Moreda Rodríguez, E. (2023) Exile and memory in post-Franco Spain: Julián Orbón’s Libro de cantares (1987). Twentieth-Century Music, (doi: 10.1017/S1478572222000378) (Early Online Publication)

Moreda Rodríguez, E. (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, E. (2022) De la tradición a la hibridación: música y literatura en el sistema literario gallego desde el 2000 al presente. Insula, 912, pp. 39-45.

Moreda Rodriguez, E. (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

Zubillaga, I. C. and Moreda Rodriguez, E. (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War and Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodriguez, E. (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

Moreda Rodriguez, E. (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

Books

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Book Sections

Moreda Rodriguez, E. (2023) Recording zarzuela grande in Spain in the early days of the phonograph and gramophone. In: Machin-Autenrieth, M., El-Shawan Castelo-Branco, S. and Llano, S. (eds.) Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula. University of Illinois Press: Urbana, Chicago and Springfield, pp. 83-99. ISBN 9780252045325

Moreda Rodríguez, E. (2023) From notation to stage to recording in Spanish zarzuela, 1896–1958. In: Moreda Rodríguez, E. and Stanovic, I. (eds.) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY, pp. 185-201. ISBN 9781032047515 (doi: 10.4324/9781003194521-13)

Moreda Rodríguez, E. (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, E. A. and Moreda Rodríguez, E. (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, E. (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, R. (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

Moreda Rodríguez, E. (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, C. (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, E. (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, N. and Ferreiro Carballo, D. (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, E. (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Writing about music in the 21st Century. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodríguez, E. (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, D. and Barlow, H. (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

Moreda Rodriguez, E. (2014) Hispanic-German music festivals during the Second World War. In: Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda-Rodríguez, E. (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, P. (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Book Reviews

Moreda Rodriguez, E. (2022) I. Contreras Zubillaga, « Tant que les révolutions ressemblent à cela ». L’avant- garde musicale espagnole sous Franco, 2020. Revue de Musicologie, 108(1), pp. 120-122. [Book Review]

Moreda Rodríguez, E. (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, E. (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

Moreda Rodriguez, E. (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

Moreda Rodríguez, E. (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodriguez, E. (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, E. (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

Moreda Rodríguez, E. (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, E. (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

Edited Books

Contreras Zubillaga, I. and Moreda Rodriguez, E. (Eds.) (2023) Spain in Our Ears: International Musical Responses in Support of the Republic During the Spanish Civil War. Routledge. ISBN 9781032502083

Moreda Rodríguez, E. and Stanovic, I. (Eds.) (2023) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781032047515

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

This list was generated on Thu Apr 18 20:48:56 2024 BST.

Grants

 Current

  • AHRC Research Network funding for the project 'Rethinking Early Recordings as Sources of Music and Performance History' (£40,960). Visit the web of the project here. 

 

Past

  • British Academy-Leverhulme Trust Small Grant for the project 'Recording zarzuela in Spain, 1896-1958: Performance practice, canon(s) and national identity' (£7,547.57)
  • AHRC Leadership Fellowship for the project 'Early recording cultures in Spain (1877-1905). Towards a transnational history', 2018-9 (£175,689). 
  • Carnegie Trust for the Universities Scotland Research Incentive Grant for the project 'Making sense of Spanish music historiography: Josep Valls and Simon Tapia Colman', 2017 (£4,445).
  • Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Rodolfo Halffter and the Franco regime - music, exile and collaboration', 2014 (£920).
  • Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Writing the exiles back into the history of Spanish music: Salvador Bacarisse and Roberto Gerhard’, 2013 (£2440).

In the past I also received smaller grants from the Music & Letters Trust Award, The John Robertson Bequest and The Lilly Library at the University of Indiana.

Supervision

I welcome enquiries from students interested in working on topics that fall within my research expertise:

 

  • Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
  • The music of the Franco regime and of the Spanish Republican exile; music and fascism/totalitarianism
  • Singing, (art) song, vocal performance practice, vocality (particularly in the Middle Ages and at the turn of the 20th century)
  • Digital mapping; Digital Musicology
  • The history and practice of music criticism
  • Music and literature, music and text, hybrid genres of writing about music

 

  • Holdsworth Quinn, Ashley
    The Critical Reception of Russian Music in Scotland 1914 - 1924
  • Kitzman, Daniel Robert
    (un)Sung: An Investigation into the Impacts of the COVID-19 Pandemic on Opera Singers’ Artistic Identities and Creativity
  • Pattie, Ruairidh
    Private and Public: Lieder in Clara Schumann’s circle

Teaching

In 2022/23 I am convening the following courses:

  • Listening through Analysis, level 1, semester 2
  • Musical Techniques Intermediate, level 2/Honours, all year
  • Research Skills and Digital Musicology, Postgraduate, semester 1

Additional information

I am currently Head of Music.

I am also the co-editor of the journal Royal Musical Association Research Chronicle