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Please note that these pages are from our old (pre-2010) website; the presentation of these pages may now appear outdated and may not always comply with current accessibility guidelines. |
| From Delineations of Fonthill and its Abbey by John Rutter (1823) Sp Coll q63 |
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Fonthill Abbey: Plan of the Principal Story. The
dotted lines represent the Ornamented Ceilings, Groining &c. (Plate 2: Drawn by J. Rutter; Engraved by John Cleghorn) |
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Fonthill Abbey: Interior of St. Michael's Gallery, Looking
across the Octagon into King Edward's Gallery. (Plate 7: Drawn by W. Finley; Engraved by D. Wolstenholme Jnr.) |
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Fonthill Abbey: Interior of King Edward's Gallery,
looking across the Octagon into St. Michael's Gallery (Plate 6: drawn by C.F. Pordon; etched by John Cleghorn; engraved by Robt Havell & Son) |
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Fonthill Abbey: Longitudinal Section, Through the Centre of
the Toner Galleries, &c, looking East. (Plate 3: Drawn by C.F. Porden, Arch; Engraved by John Cleghorn) |
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Fonthill Abbey: Section of the Grand Saloon, Vestibules,
Nunneries, &c. Looking East. (Plate 9: Drawn by C.F. Porden, Arch; Engraved by John Cleghorn) |
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Fonthill Abbey: The Grand Drawing Room. (Plate 5: Engraved by J. Cleghorn) |
| From Graphical and literary illustrations of Fonthill Abbey, Wiltshire by John Britton (London: 1823): Sp Coll RF 996 |
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Fonthill Abbey: View of four sides of the Octagon, Looking
S.E. (Plate VII, page 44) |
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Fonthill Abbey: South End of St. Michael's Gallery, Looking
South. (Plate IX, between pages 54 and 55) |
| From Views of Eaton Hall in Cheshire by John Buckler (London: 1826) Sp Coll s4-a.10 |
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Plan of the Principal Story of Eaton
Hall. (Plate 1) |
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Eaton Hall - North East View. (Plate 2) |
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Eaton Hall - Drawing Room. (Plate 13) |
| From The history of the royal residences by William Henry Pyne (London: 1819) Sp Coll f327-9 (all plates here from volume 3: Sp Coll f329) |
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Carlton House: Crimson Drawing Room (Plate between pp.20-21: drawn by C. Wild; engraved by Sutherland) |
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Carlton House: Blue Velvet Room (Plate between pp.44-45: drawn by C. Wild; engraved by D. Havell) |
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Carlton House: Rose Satin Drawing Room (Plate between pp.30-31: drawn by C. Wild; engraved by D. Havell) |
| From The history and antiquities of the Cathedral Church of Salisbury by John Britton (London: 1814): Sp Coll RQ 675 |
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Salisbury Cathedral Church, View From the South Transept,
Looking N.W. (Plate IX: Drawn by Mackenzie; Engraved by H. Le Keux) |
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Salisbury Cathedral Church, Elevation & Section of the end
of the South Transept (Plate X: Drawn by Cattermole; Engraved by J. Le Keux) |
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Salisbury Cathedral Church, View of the Nave looking East (Plate XX: Drawn by Mackenzie; Engraved by H. Le Keux) |
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Salisbury Cathedral Church, Section & Elevation of the
great Transept, Tower & Spire. (Plate XXII: Drawn by Cattermole; Engraved by G. Gladwin) |
| From The history and antiquities of the Cathedral Church of York by John Britton (London: 1814): Sp Coll RQ 675 |
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York Cathedral Church. Section & Elevation of the East End (Plate XXV: Drawn by Mackenzie; Engraved by Turrell) |
| From Specimens of Gothic architecture; selected from various antient edifices in England by Augustus Pugin (London: 1823): Sp Coll RQ 1603 |
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Henry VII.'s Chapel,
Westminster, Part of the North Aile (Plate 53: Title Page, Vol. I) |
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Hampton Court Palace, Arch groining , &c, to 2nd Gateway. (Plate VII (X). Vol. II) |
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Great Hall, Hampton Court Palace, Transversal
Section of the Roof (Plate VIII (A): Vol. II) |
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Niches at Oxford: 1. Merton College; 2. Corpus Christi
College; 3. All Souls College. (Plate XXXIX: Vol. II) |
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From The true principles of pointed or Christian architecture by Augustus Pugin (London: 1841): Sp Coll q58 |
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Metal-Work (Plate III) |
| From Provincial antiquities and picturesque scenery of Scotland (Vol. II) by Sir Walter Scott (London: 1826): Sp Coll BD6-b.9 | |
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Roslin Castle, built in the
cliffs of Roslin Glen. (Plate between pages 128 and 129: Drawn by J.M.W. Turner, R.A.; engraved by W.R. Smith; printed by McQueen & Co. |
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Roslyn Chapel: Interior of the east end. (Plate between pages 206 and 207: Drawn by E. Blore; engraved by H.LE Keux; printed by McQueen & Co.) |
| From the Society of Antiquaries of London: Vetusta monumenta (London: 1747): Sp Coll Hunterian Ay.1.1 |
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The north front of the Gate at Whitehall. (Plate 17) |
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The Tournament of King Henry VIII, February 12, 1510. (Plate 22) |
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The Tournament of King Henry VIII, February 12, 1510. (Plate 25) |
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Double-page of Roman Mosaics (Plate 52) |
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See also: |
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Decorative Arts and Design History Pages last updated: November 2009 |
