Professor Graham Hair

  • Honorary Research Fellow (School of Engineering)

email: Graham.Hair@glasgow.ac.uk

Glasgow University, School of Engineering, Glasgow G12 8LT, Room 506

Publications

List by: Type | Date

Jump to: 2016 | 2009 | 2008 | 2007 | 2005 | 2004
Number of items: 13.

2016

Bailey, N., South, A., Evans, B. and Hair, G. (2016) A microtonal wind controller building on Yamaha’s technology to facilitate the performance of music based on the “19-EDO” scale. Scottish Music Review, 4(1),

Milligan, K., Bailey, N. and Hair, G. (2016) A new approach to onset detection: towards an empirical grounding of theoretical and speculative ideologies of musical performance. Scottish Music Review, 4(1),

2009

MacRitchie, J., Pullinger, S., Hair, G. and Bailey, N. (2009) Communicating phrasing structure with multi-modal expressive techniques in piano performance. In: 2nd International Conference on Music Communication Science, Sydney, Australia, 3-4 December 2009,

2008

Bailey, N., McGilvray, D. and Hair, G. (2008) Musically significant, automatic localisation of note boundaries for the performance analysis of vocal music. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Bailey, N., McGilvray, D. and Hair, G. (2008) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

Buck, B., Hair, G. and Bailey, N. (2008) One voice or many?: compound melody and auditory streaming. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

2007

Hair, G., Pearson, I., Morrison, A., Bailey, N., McGilvray, D. and Parncutt, R. (2007) The rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1(1),

2005

Hair, G. (2005) Revisiting 'simplicity and richness': postmodernism after 'the new complexity'. Network for Interdisciplinary Studies in Science, Technology, and Music,

Hair, G. (2005) Vocabulary, syntax and rhetoric in Thomas Wilson's "Fourth string quartet". In: Hair, G., Hair, G.M., Mackay, M., Munro, G., Moohan, E. and Cambpell, S. (eds.) "Notis musycall": essays on music and Scottish culture in honour of Kenneth Elliott. The Music Scotica Trust, pp. 331-337. ISBN 095488650X

Hair, G. (2005) What is referential ('motivic') tonality, and how does it differ from functional tonality? Network for Interdisciplinary Studies in Science, Technology, and Music,

2004

Hair, G. (2004) Dramatic narrative and musical narrativity in Gillian Whitehead's "Hotspur". In: Kouvaras, L., Martin, R.L. and Hair, G. (eds.) Loose canons: papers from the National Festival of Women’s Music, Canberra 2001. Southern Voices, pp. 159-171. ISBN 1876463325

Hair, G. (2004) The "Fantasia for solo cello": a close reading, with reference to the sketches and the compositional process. In: Hair, G. (ed.) The music of Thomas Wilson. The Music Scotica Trust, pp. 79-90. ISBN 095282129X

Hair, G. (2004) The interaction of conflicting forces in Keith Humble’s career, musical identity, and compositional process, as reflected in "A little sonata in two parts". In: Hair, G. (ed.) Modernism in Australian music, 1950 – 2000: eight case studies. Southern Voices, pp. 153-173. ISBN 187646335X

This list was generated on Tue Sep 21 23:56:28 2021 BST.
Number of items: 13.

Articles

Bailey, N., South, A., Evans, B. and Hair, G. (2016) A microtonal wind controller building on Yamaha’s technology to facilitate the performance of music based on the “19-EDO” scale. Scottish Music Review, 4(1),

Milligan, K., Bailey, N. and Hair, G. (2016) A new approach to onset detection: towards an empirical grounding of theoretical and speculative ideologies of musical performance. Scottish Music Review, 4(1),

Hair, G., Pearson, I., Morrison, A., Bailey, N., McGilvray, D. and Parncutt, R. (2007) The rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1(1),

Hair, G. (2005) Revisiting 'simplicity and richness': postmodernism after 'the new complexity'. Network for Interdisciplinary Studies in Science, Technology, and Music,

Hair, G. (2005) What is referential ('motivic') tonality, and how does it differ from functional tonality? Network for Interdisciplinary Studies in Science, Technology, and Music,

Book Sections

Bailey, N., McGilvray, D. and Hair, G. (2008) Musically significant, automatic localisation of note boundaries for the performance analysis of vocal music. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Buck, B., Hair, G. and Bailey, N. (2008) One voice or many?: compound melody and auditory streaming. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki: Thessaloniki, Greece.

Hair, G. (2005) Vocabulary, syntax and rhetoric in Thomas Wilson's "Fourth string quartet". In: Hair, G., Hair, G.M., Mackay, M., Munro, G., Moohan, E. and Cambpell, S. (eds.) "Notis musycall": essays on music and Scottish culture in honour of Kenneth Elliott. The Music Scotica Trust, pp. 331-337. ISBN 095488650X

Hair, G. (2004) Dramatic narrative and musical narrativity in Gillian Whitehead's "Hotspur". In: Kouvaras, L., Martin, R.L. and Hair, G. (eds.) Loose canons: papers from the National Festival of Women’s Music, Canberra 2001. Southern Voices, pp. 159-171. ISBN 1876463325

Hair, G. (2004) The "Fantasia for solo cello": a close reading, with reference to the sketches and the compositional process. In: Hair, G. (ed.) The music of Thomas Wilson. The Music Scotica Trust, pp. 79-90. ISBN 095282129X

Hair, G. (2004) The interaction of conflicting forces in Keith Humble’s career, musical identity, and compositional process, as reflected in "A little sonata in two parts". In: Hair, G. (ed.) Modernism in Australian music, 1950 – 2000: eight case studies. Southern Voices, pp. 153-173. ISBN 187646335X

Conference Proceedings

MacRitchie, J., Pullinger, S., Hair, G. and Bailey, N. (2009) Communicating phrasing structure with multi-modal expressive techniques in piano performance. In: 2nd International Conference on Music Communication Science, Sydney, Australia, 3-4 December 2009,

Bailey, N., McGilvray, D. and Hair, G. (2008) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. In: International Computer Music Conference 2008, Belfast, Northern Ireland, 2008,

This list was generated on Tue Sep 21 23:56:28 2021 BST.