William Burns
email - w.burns.1@research.gla.ac.uk
Research title: Threads of Memory: Oral History and Paisley's Thread Mills
Research Summary
William is interested in how stories of the past can be represented in creative writing. He uncovers memories in interviews and explores the intersections of oral history and literary studies. By developing an interdisciplinary methodology, and presenting lived experience in new forms, William aims to widen access to, and engagement with, often marginalised narratives.
His current research focuses on women’s memories of work in Paisley’s historic thread mills, and how these experiences can be represented in creative writing responding to oral history interviews.
Research Interests:
Oral history; Paisley’s Thread Mills; Autoethnography; Contemporary Poetry; Scottish Literature; Postcolonial Literature.
Publications
Poetry:
‘Anchor Mill!’, From Glasgow to Saturn, Spring 2019
Reviews:
‘Nameless Country by A.C. Jacobs’, The Bottle Imp, December 2018
‘HWFG by Chris McQueer’, The Bottle Imp, Forthcoming 2019
‘Biography of an Industrial Town by Alessandro Portelli’, Oral History Review, Forthcoming 2019.
Supervisors
Grants
Grants & Awards
- College of Arts Postgraduate Excellence Bursary, University of Glasgow, 2017-2020: £57,600.
- Collaborative Research Award, University of Glasgow, 2018: £1380.
- Research Support Award, 2017-2018: £450.
- Full studentship covering fees and stipend for the completion of PhD
Conference
- ‘Oral History in Challenging Times’, Oral History Association’s Annual Conference, October 2018, Montreal
- ‘Local Communities: Global World’, Historical Perspectives’ Annual Conference, June 2018, Glasgow
- ‘Ah Wis in the Mill’, Exhibition, McLellan Galleries, Glasgow, 2016
Teaching
- English Literature 2A: Writing and Ideology
Additional Information
Affiliations
- Editor, Kelvingrove Review, 2017-2018
- Conference Convener, Historical Perspectives, 2017-2019
- Member, Centre for Gender History, 2018-
- Member, Textual Editing Lab, 2019-
Organisational Committees
- Theory at Random
- Approaching Autoethnography in the Arts
- Historical Perspectives