The principal object of my research is to determine whether we can gain greater insight into Mozart’s tempo markings through an investigation of his own concern with proportion. The main focus of my research is on the finales in Le nozze di Figaro, where the music (lasting uninterrupted for around twenty minutes) is advanced through ten tempo and time signature changes. Through proportional analysis, contemporary treatises and other primary sources, I aim to determine how Mozart intended each section of the Acts II & IV finales, with their own tempo markings and time signatures, to relate to one another.
- Dewar Arts Award, November 2014, towards the cost of tuition fees.
- Music Director and Founder of Opera dei Lumi, a Scottish-based opera company specialising in opera of the Enlightenment.
- Conductor with a number of amateur and student orchestras.
- Music engraver for individual clients and professional publishers such as Edition Wilhelm Hansen, Ricordi, University of York Music Press.