Volume 60, number 2

Volume 60, number 2

Edited by Sarah Street

Download 60-2 abstracts

Articles

HANNAH ANDREWS: Distorted recognition: the pleasures and uses of televisual historical caricature

KEITH M. JOHNSTON and CAROLYN RICKARDS: The spectacle of realism: special effects at Ealing Studios, 1940–45

ALICE LOVEJOY: Celluloid geopolitics: film stock and the war economy, 1939–47

SUSANNA PAASONEN: Striking poses: the fantastic figure of Yul Brynner

ARIEL ROGERS: Screen practices and Hollywood cinema in the 1930s

Dossier: the Chinese film market and Asian cinema

SANGJOON LEE: Introduction

VICTOR FAN: What is a ‘Chinese film market’?

ALEXANDER ZAHLTEN: Doraemon and Your Name in China: the complicated business of mediatized memory in East Asia

STEPHEN TEO: The Chinese film market and the ‘Wolf Warrior 2’ phenomenon

SANGJOON LEE: The South Korean film industry and the Chinese film market

NITIN GOVIL: China, between Bombay cinema and the world

Reviews

MALCOLM COOK: Rayna Denison (ed.), Princess Mononoke: Understanding Studio Ghibli’s Monster Princess; Nichola Dobson, Norman McLaren: Between the Frames; Raz Greenberg, Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator; Susan Smith, Noel Brown and Sam Summers (eds), Toy Story: How Pixar Reinvented the Animated Feature

ESTHER LESLIE: Catherine Russell, Archiveology: Walter Benjamin and Archival Film Practices (A Camera Obscura Book). Durham, NC: Duke University Press, 2018, 280 pp.

FREDERIC BRAYARD: William Brown, Non-Cinema: Global Digital Filmmaking and the Multitude. New York, NY: Bloomsbury Academic, 2018, 296 pp.

HEATHER NORRIS NICHOLSON: John Caughie, Trevor Griffiths and Maria A. Velez-Serna (eds), Early Cinema in Scotland. Edinburgh: Edinburgh University Press, 2018, 260 pp.