Current issue

Volume 59, number 3; edited by Jackie Stacey

articles

ANNA BRECKON: Being unlikeable: the failure and optimism of Todd Solondz’s auteurism

GEORGE DERK: Inverting Hollywood from the outside in: the films within Cheryl Dunye’s The Watermelon Woman

ZACHARY PRICE: Exhausting horror: twenty-first-century vampires in Jim Jarmusch’s Only Lovers Left Alive

YANNIS TZIOUMAKIS: Conning all over the world: Latin American variations of an American film genre

research notes

ALFIO LEOTTA: Total Cinema: René Barjavel and the future forms of film

LAUREN DU GRAF: Cinema in the eyes of Simone de Beauvoir

reviews

ALEXANDRA PARKER: Geraldine Pratt and Rose Marie San Juan, Film and Urban Space: Critical Possibilities

COLLEEN MONTGOMERY: Lea Jacobs, Film Rhythm After Sound: Technology, Music and Performance