Current issue

Volume 59, number 2; edited by Tim Bergfelder

articles

FRANCESCO CASETTI: Why fears matter: cinephobia in early film culture

BOAZ HAGIN: Mother earth and the moving image: the pioneering of Israeli cinema in the work of Margot Klausner

LEONG YEW: Sympathetic collaboration and the made-for-US Philippine exploitation films of the 1950s and 1970s

STEPHEN BABISH: ‘A place in London’s future’: A Clockwork Orange, Thamesmead and the urban dystopia of the modernist large-scale plan

BETTINA HENZLER: Shifting perspectives: the child as mediator in New German Cinema

dossier: Mapping digital practices in Hispanic cinema

BELÉN VIDAL: Introduction

JOSETXO CERDÁN and MIGUEL FERNÁNDEZ LABAYEN: The cartographic imagination in Spanish and Latin American documentaries: technological, social and physical mapping across the Hispanic Atlantic

EVA WOODS PEIRÓ: Subveillant narration, digital tools and videoactivism: Ciutat morta (2013)

DEBORAH SHAW: Serving the master text: rethinking digital paratexts in the social issue film Who is Dayani Cristal?

BELÉN VIDAL: Cinephilic retreats and transient connections in Hispanic cinemas

reviews

FEROZ HASSAN: Jennifer Malkowski, Dying in Full Detail: Mortality and Digital Documentary

DARIO LLINARES: Francesco Casetti, The Lumière Galaxy: 7 Key Words for the Cinema to Come

KYLE MEIKLE: Iain Robert Smith, The Hollywood Meme: Transnational Adaptations in World Cinema.

SARAH NEELY: Jonathan Murray, The New Scottish Cinema