Current issue
Current issue
Volume 59, number 4
Edited by Dimitris Eleftheriotis
articles
ANNE EAKIN MOSS: The permeable screen: Soviet Cinema and the fantasy of no limits
WILLIAM FYSH: ‘The little crystal eye would not blink’: Jean Rouch and the camera eye witness
PANSY DUNCAN: Exploded views: early cinema and the spectacular logic of the explosion
BROOKS HEFNER: ‘Gettin’ on with these furriners’: silent Western epics and American identity
LYDIA PAPADIMITRIOU: Film distribution in Greece: formal and informal networks of circulation since the financial crisis
dossier: Forms of Multilingualism
TIJANA MAMULA: Introduction
ABRAHAM GEIL: Between gesture and physiognomy: ‘universal language’ and the metaphysics of film form in Béla Balázs’s Visible Man
SARAH COOPER: Meshes of muteness: Maya Deren’s languages
KARLA OELER: The sound of pomegranates: poetic cinema as a foreign language
TIJANA MAMULA: Denis Villeneuve, film theorist; or, cinema’s arrival in a multilingual world
reviews
THOMAS SUTHERLAND: Thomas Elsaesser, Film History as Media Archaeology: Tracking Digital Cinema
SARAH ARTT: Jennifer L. Feeley and Sarah Ann Well (eds), Simultaneous Worlds: Global Science Fiction Cinema