Current issue

Volume 60, number 1

Edited by Alastair Phillips

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Articles

KAY DICKINSON: Re-citation and resuscitation from the archives of Arab Revolution

LORENZO FABBRI: Queer neorealism: Luchino Visconti’s Ossessione and the Cinema conspiracy against fascism

DAVID FRESKO: Montage/mediation/publicity: Far from Vietnam

DIANE LEWIS: From manga to film: gender, precarity and the textual transformation of Air Doll

ALEXANDER ZAHLTEN: The prerogative of confusion: pink film and the eroticization of pain, flux and disorientation

Dossier: Intermediality in Brazilian cinema: the case of Tropicália

LÚCIA NAGIB and STEFAN SOLOMON: Introduction

ALISON BUTLER: Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema

LÚCIA NAGIB: Multimedia identities: an analysis of How Tasty Was My Little Frenchman

ALBERT ELDUQUE: Between film and photography: the bubble of blood in The Family of Disorder

STEFAN SOLOMON: ‘The cloak of technicolor’: intermedial colour in Antônio das Mortes

Research Note

HELEN HUGHES: The story of Atoms at Work

Reviews

LOUIS BAYMAN: Ivo Blom, Reframing Luchino Visconti: Film and Art

JAMES HODGSON: Karl Schoonover and Rosalind Galt, Queer Cinema in the World

DIETMAR KAMMERER: Garrett Stewart, Closed Circuits: Screening Narrative Surveillance

KAREN McNALLY: Veronica Pravadelli, Classic Hollywood: Lifestyles and Film Styles of American Cinema 1930–1960