Volume 61 number 2

Volume 61 number 2

Edited by Jackie Stacey

View 61-2 abstracts


GEORGINA EVANS: Framing aquatic life
JIE LI: Cinematic guerrillas in Mao’s China
GEOFFREY MAGUIRE: Slow waters: Marco Berger’s Taekwondo and the queer erotics of boredom
ELENI PALIS: Reconsidering race, authorship and film quotation in post-classical cinema
JORDAN SCHONIG: The haecceity effect: on the aesthetics of cinephiliac moments

Dossier: Cinema's Natural Aesthetics

CASSANDRA GUAN AND ADAM O’BRIEN: Introduction: Natural aesthetics: environments and perspectives in contemporary film theory
GERTRUD KOCH: A curious realism: redeeming Kracauer’s film theory through Whitehead’s process philosophy
ANTONIO SOMAINI: ‘The surface becomes a part of the atmosphere’: light as medium in László Moholy-Nagy’s aesthetics of dematerialization
DANIEL MORGAN: Towards a natural history of animated backgrounds
GEORGINA EVANS: Deep time in Cave of Forgotten Dreams
SELMIN KARA: The Anthropocene Project and the archiviolithic imaginary


PATRICK ADAMSON: Steve Neale (ed.), Silent Features: The Development of Silent Feature Films 1914–1934
CHRIS DYMOND: James Leo Cahill, Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé
JONATHAN L. KNAPP: Martine Beugnet, Allan Cameron and Arild Fetveit (eds), Indefinite Visions: Cinema and the Attractions of Uncertainty
HANNA KUBICKA: Martin Shuster, New Television: The Aesthetics and Politics of a Genre
GABRIELLE MCNALLY: Annabelle Honess Roe and Maria Pramaggiore (eds), Vocal Projections: Voices in Documentary
STEFANIE VAN DE PEER: Dan Bashara, Cartoon Vision: UPA Animation and Postwar Aesthetics; David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts