Macrobius, Aurelius Theodosius: In Somnium Scipionis expositio. Saturnalia.
Venice: [Johannes Rubeus Vercellensis], 29 June 1492.
Fol. a8 b-f6 g6-1+2 h-o6 p4. , II-XXXXIII, , XXXXIIII-LXXXIX leaves (the first blank). ‘The last leaf of quire g is cut away, a complete sheet of print being inserted in place of it outside the quiring.’ - BMC. In this copy the inserted bifolium is wrongly bound as the outer leaves of gathering h.
Woodcut diagrams, and on d3r a woodcut map.
ISTC im00012000; Goff M12; BMC V 417; Bod-inc M-004.
|Shelf-mark:||Sp Coll K.T. f1 (see main library entry for this item)|
|Bound with:||The second of two incunabula bound together. Bound with: Seneca, Lucius Annaeus, Opera philosophica. Venice: Bernardinus de Choris, de Cremona and Simon de Luere, 5 Oct. 1490.|
|Provenance:||Constantin von Tischendorf (1815-1874), biblical scholar: his library of 1,000 or so volumes purchased after his death for the Free Church College Library, Glasgow.
Free Church College Library, Glasgow (later Trinity College Library), founded 1856: see above; pencil shelfmark of Trinity College Library “40 B/5” on †1r of first item in volume.
University of Glasgow: Trinity College Library placed on permanent deposit in University of Glasgow Library in 1974 by the General Assembly of the Church of Scotland.
|Binding:||Germany, 16th-century blind-tooled pigskin over wooden boards; on both covers double fillets form three concentric rectangles; the inner rectangle divided from corner to corner into four triangles and decorated with a lozenge-shaped fleur-de-lys stamp and a stamped scroll (lettering unread); middle rectangle decorated with the same stamps; outer rectangle undecorated; remains of two brass clasps, with catch plates on front board; faint traces of a manuscript title on spine; manuscript title “SENECA” on upper edge of text block; front and rear parchment pastedowns are bifolia from a late medieval manuscript whose Latin text, in two columns, relates to the monastic life. Size: 331 x 225 mm.|
|Leaf size:||323 x 218 mm.|
|Annotations:||Occasional marginal notes in a 16th-century hand.|
|Decoration:||Principal initials supplied in red and blue with reserved white, or in red with reserved white, or in blue alone; other initials supplied in red throughout; some capital strokes, particularly in the printer’s marginal notes, in the chapter headings and in the running headings; occasional underlining in red in the printer’s marginalia.|