Latest Issue

JONATHAN FOLTZ: Betraying oneself: Silent Light and the world of emotion

PATSY DUNCAN: Tears, melodrama and ‘heterosensibility’ in Letter from an Unknown Woman

ANAND PANDIAN: Reel time: creativity, temporality and affective expression in South Indian cinema

ALASTAIR PHILLIPS: Fractured landscapes: detection, location, history in Uchida Tomu’s A Fugitive From the Past

HELEN WHEATLEY: Beautiful images in spectacular clarity: spectacular television, ‘landscape porn’ and the question of (tele)visual pleasure

DAVID ARCHIBALD AND MITCHELL MILLER: Introduction

FELICIA CHAN: The international film festival and the making of a national cinema

MIRIAM ROSS: The film festival as producer: Latin American films and Rotterdam’s Hubert Bals Fund

SKADI LOIST: Precarious cultural work: about the organization of (queer) film festivals

DAVID ARCHIBALD AND MITCHELL MILLER: From Rennes to Toronto: anatomy of a boycott

HANNAH MCGILL: Film festivals: a view from the inside

LAURA RASCAROLI: Dimitris Eleftheriotis, Cinematic Journeys: Film and Movement

MARTIN SHINGLER: Amy Lawrence, The Passion of Montgomery Clift

JAMES BENNETT: Christine Cornea, Genre and Performance: Film and Television

PRIYADARSHINI SHANKER: Neepa Majumdar, Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s-1950s

RANJANI MAZUMDAR: Alisa S. Lebow, First Person Jewish (Visible Evidence Series)

UNIVERSITY of GLASGOW