Volume 53, number 1
edited by John Caughie
articles
GEORGE KOUVAROS: ‘Time and how to note it down’: the lessons of Pull My Daisy
JONNA EAGLE: A rough ride: strenuous spectatorship and the early cinema of assaults
TIJANA MAMULA: Metaphorically seeing: the place names of Marguerite Duras
FIONA HANDYSIDE: The possibilities of a beach: queerness and François Ozon’s beaches
reviews
ALLAN CAMERON: Karen Beckman, Crash: Cinema and the Politics of Speed and Stasis
MARTIN STOLLERY: Patrick Russell and James Piers Taylor (eds), Shadows of Progress: Documentary Film in Post-War Britain
MONICA PEARL: Roger Hallas, Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image
AMY WEST: Graeme Turner, Ordinary People and the Media: the Demotic Turn (Theory, Culture and Society series)
RICHARD RUSHTON: Boaz Hagin, Death in Classical Hollywood Cinema; Robert B. Pippin, Hollywood Westerns and American Myth: the Importance of Howard Hawks and John Ford for Political Philosophy
SUDHIR MAHADEVAN: Anustup Basu, Bollywood in the Age of New Media: the Geo-Televisual Aesthetic
LARSON POWELL: Jaimey Fisher and Brad Prager (eds), The Collapse of the Conventional: German Film and Politics at the Turn of the Twenty-First Century
JOANNA HEARNE: Corinn Columpar, Unsettling Sights: the Fourth World on Film
AIMEE MOLLAGHAN: Erin Brannigan, Dancefilm: Choreography and the Moving Image