Dr John McCulloch

Publications

List by: Type | Date

Jump to: 2016 | 2014 | 2013 | 2012 | 2010 | 2008 | 2007 | 2003 | 2002
Number of items: 18.

2016

McCulloch, J. (2016) 1922: deterritorializing the body: beyond the mind-body dualism in Ramón Gómez de la Serna's El secreto del acueducto. In: Fernández-Medina, N. and Truglio, M. (eds.) Modernism and the Avant-Garde Body in Spain and Italy. Routledge. ISBN 9781138911437 (In Press)

McCulloch, J. (2016) 1947: nomadology, schizoanalysis, and Ramón Gómez de la Serna's el hombre perdido. In: Eduardo, G. and Herrero Senes, J. (eds.) Avant-Garde Cultural Practices in Spain (1914-1936) : The Challenge of Modernity. Series: Avant-garde critical studies (31). Brill: Leiden, pp. 64-80. ISBN 9789004310179 (doi:10.1163/9789004310186_006)

McCulloch, J. (2016) The tale is told. In: Ferreboeuf, R., Noble, F. and Plunkett, T. (eds.) Preservation, Radicalism, and The Avant-Garde Canon. Palgrave Macmillan, pp. 1-8. ISBN 9781137479303 (In Press)

McCulloch, J. (2016) Ideology and Aesthetics in Luis Cernuda's Un rio, un amor (1929). Bulletin of Spanish Studies, (In Press)

2014

McCulloch, J. (2014) Liberation as process: church decline and reformed identity in the western world. Reformed World, 64(2), pp. 128-141.

2013

McCulloch, J. (2013) 'Mi voz se ha perdido en las esquinas del aire y del olvido': Agency, genre, and the loss of voice in Ana María Martínez Sagi’s 'País de la ausencia' (1938–1940). Neophilologus, 97(4), pp. 691-709. (doi:10.1007/s11061-012-9340-2)

McCulloch, J. (2013) The double death of the author: Lorca's Poeta en Nueva York and the (re)territorialization of poetic voice in Francoist Spain. Journal of Iberian and Latin American Studies, 19(1), pp. 31-52. (doi:10.1080/14701847.2013.830375)

2012

McCulloch, J. (2012) Alejandra Pizarnik [1936-1972]. In: Pastor, B. and Davies, L.H. (eds.) A Companion to Latin America Women's Writing. Series: Colección Támesis. Serie A, Monografías (304). Tamesis: Woodbridge, UK. ISBN 9781855662360

McCulloch, J. (2012) Authorial death and resurrection: liminality, genre and poetic selfhood in Elisabeth Mulder’s Sinfonia en rojo (1929). Neophilologus, 96, pp. 1-19. (doi:10.1007/s11061-012-9303-7)

McCulloch, J. (2012) From work to text: peripheral totalities, Ramón Gómez de la Serna's El Alba (1923) and the poetics of renewal. Orbis Litterarum, 67, pp. 1-22.

2010

McCulloch, J. (2010) 'Je vous souhaite d'être follement aimée': the concept of 'amour fou' in Ramón Gómez de la Serna's ¡Rebeca!(1936) and El hombre perdido (1947). Journal of Iberian and Latin American Studies, 16(1), pp. 35-50. (doi:10.1080/14701847.2010.508893)

McCulloch, J. (2010) 'Je vous souhaite d'etre follement aimee': the concept of 'amour fou' in Ramon Gomez de la Serna's ¡Rebeca! and El hombre perdido. Journal of Iberian and Latin American Studies, 16(1), p. 35. (doi:10.1080/14701847.2010.508893)

2008

McCulloch, J. (2008) En busca de Elisabeth Mulder: Sinfonía en rojo (1929) y la, tradición poética espanola. Cifra Nueva: Revista de Crítica e Investigación Literaria Linguística(18), pp. 53-63.

2007

McCulloch, J. (2007) The poetics of abstraction: Antonio Obregón's Efectos navales (1931) and the Spanish surrealist novel. Neophilologus, 92(3), pp. 443-455. (doi:10.1007/s11061-007-9062-z)

McCulloch, J. (2007) The dilemma of modernity: Ramon Gomez de la Serna and the Spanish modernist novel. Peter Lang: New York. ISBN 9780820481838

2003

McCulloch, J. (2003) Ramón Gómez de la Serna's El alba (1923) and the dawning of a new aesthetics. Hispanic Journal, 24(1-2), pp. 117-127.

2002

McCulloch, J. (2002) El Ramon permeable? Parody and influence in Ramon Gomez de la Serna's La mujer de ambar. Hispanofila, 136, pp. 27-39.

McCulloch, J., and Avila, A. (2002) Viaje hacia el interior: el despacho de Ramon Gomez de la Serna. In: Los ismos de Ramon Gomez de la Serna y in apéndice circense. Sociedad Estatal para la Acción Cultural Exterior: Madrid, pp. 355-392. ISBN 8496008053

This list was generated on Sat Apr 30 21:41:06 2016 BST.
Number of items: 18.

Articles

McCulloch, J. (2016) Ideology and Aesthetics in Luis Cernuda's Un rio, un amor (1929). Bulletin of Spanish Studies, (In Press)

McCulloch, J. (2014) Liberation as process: church decline and reformed identity in the western world. Reformed World, 64(2), pp. 128-141.

McCulloch, J. (2013) 'Mi voz se ha perdido en las esquinas del aire y del olvido': Agency, genre, and the loss of voice in Ana María Martínez Sagi’s 'País de la ausencia' (1938–1940). Neophilologus, 97(4), pp. 691-709. (doi:10.1007/s11061-012-9340-2)

McCulloch, J. (2013) The double death of the author: Lorca's Poeta en Nueva York and the (re)territorialization of poetic voice in Francoist Spain. Journal of Iberian and Latin American Studies, 19(1), pp. 31-52. (doi:10.1080/14701847.2013.830375)

McCulloch, J. (2012) Authorial death and resurrection: liminality, genre and poetic selfhood in Elisabeth Mulder’s Sinfonia en rojo (1929). Neophilologus, 96, pp. 1-19. (doi:10.1007/s11061-012-9303-7)

McCulloch, J. (2012) From work to text: peripheral totalities, Ramón Gómez de la Serna's El Alba (1923) and the poetics of renewal. Orbis Litterarum, 67, pp. 1-22.

McCulloch, J. (2010) 'Je vous souhaite d'être follement aimée': the concept of 'amour fou' in Ramón Gómez de la Serna's ¡Rebeca!(1936) and El hombre perdido (1947). Journal of Iberian and Latin American Studies, 16(1), pp. 35-50. (doi:10.1080/14701847.2010.508893)

McCulloch, J. (2010) 'Je vous souhaite d'etre follement aimee': the concept of 'amour fou' in Ramon Gomez de la Serna's ¡Rebeca! and El hombre perdido. Journal of Iberian and Latin American Studies, 16(1), p. 35. (doi:10.1080/14701847.2010.508893)

McCulloch, J. (2008) En busca de Elisabeth Mulder: Sinfonía en rojo (1929) y la, tradición poética espanola. Cifra Nueva: Revista de Crítica e Investigación Literaria Linguística(18), pp. 53-63.

McCulloch, J. (2007) The poetics of abstraction: Antonio Obregón's Efectos navales (1931) and the Spanish surrealist novel. Neophilologus, 92(3), pp. 443-455. (doi:10.1007/s11061-007-9062-z)

McCulloch, J. (2003) Ramón Gómez de la Serna's El alba (1923) and the dawning of a new aesthetics. Hispanic Journal, 24(1-2), pp. 117-127.

McCulloch, J. (2002) El Ramon permeable? Parody and influence in Ramon Gomez de la Serna's La mujer de ambar. Hispanofila, 136, pp. 27-39.

Books

McCulloch, J. (2007) The dilemma of modernity: Ramon Gomez de la Serna and the Spanish modernist novel. Peter Lang: New York. ISBN 9780820481838

Book Sections

McCulloch, J. (2016) 1922: deterritorializing the body: beyond the mind-body dualism in Ramón Gómez de la Serna's El secreto del acueducto. In: Fernández-Medina, N. and Truglio, M. (eds.) Modernism and the Avant-Garde Body in Spain and Italy. Routledge. ISBN 9781138911437 (In Press)

McCulloch, J. (2016) 1947: nomadology, schizoanalysis, and Ramón Gómez de la Serna's el hombre perdido. In: Eduardo, G. and Herrero Senes, J. (eds.) Avant-Garde Cultural Practices in Spain (1914-1936) : The Challenge of Modernity. Series: Avant-garde critical studies (31). Brill: Leiden, pp. 64-80. ISBN 9789004310179 (doi:10.1163/9789004310186_006)

McCulloch, J. (2016) The tale is told. In: Ferreboeuf, R., Noble, F. and Plunkett, T. (eds.) Preservation, Radicalism, and The Avant-Garde Canon. Palgrave Macmillan, pp. 1-8. ISBN 9781137479303 (In Press)

McCulloch, J. (2012) Alejandra Pizarnik [1936-1972]. In: Pastor, B. and Davies, L.H. (eds.) A Companion to Latin America Women's Writing. Series: Colección Támesis. Serie A, Monografías (304). Tamesis: Woodbridge, UK. ISBN 9781855662360

McCulloch, J., and Avila, A. (2002) Viaje hacia el interior: el despacho de Ramon Gomez de la Serna. In: Los ismos de Ramon Gomez de la Serna y in apéndice circense. Sociedad Estatal para la Acción Cultural Exterior: Madrid, pp. 355-392. ISBN 8496008053

This list was generated on Sat Apr 30 21:41:06 2016 BST.