Information Studies Research Students
Current PhD students
| Huda ALMUTAIRI | Critical Success Factors for Implementing Knowledge Management |
| Kenneth ATUMA | Record keeping and accountability in the Nigerian public sector: user perspective |
| Rini AZRINA | Utilising digital resources: investigating Malaysian trainee teachers' knowledge and practice of digital citizenship |
| Christie DOOLEY | Intersection and Intervention at Hospitalfield: where site-specific contemporary art meets historic Scottish landscapes, architecture, and collections |
| Aimee FLETCHER | Autism in Museums: Co-Creation Strategies for Making Museums |
| Thomas HANSON | Remembering ‘The Troubles’: Contextualisation Practices in Archiving of Conflict Photography |
| Caitlin KNOX | Scottish Museums and the Black Lives Matter Movement: A critical analysis into decolonial initiatives and changing museum practice. |
| Yi Ting LIN | Preserving the cultural diversity of Taiwan history with the Coordination in Museum's Digital Archival Systems |
| Giulia MARINOS | Imagining Ancient Egypt in the Age of Empire |
| Miriam MATTHEWS | A Critical Framework for Interactives: Examining the application of digital technology through cultural policy and Glasgow Life in museums and heritage Supervisors: Lorna Hughes, David Stevenson, Queen Margaret University |
| Hye Lim NAM |
Mental Models of the Organisation of Scholarly Information Across the Academy: Disciplinary Similarities and Differences |
| Eleanor O'LEARY |
Valuing the Gaming Community: Preserving MMOs Through Co-Creation |
| Natalia OTTONELLO |
The role of social media in the museum of the future. To what extent can social media shape memory after conflict: can the public now shape historical memory? |
| Bilyana PALANKASOVA | Valuing festivals as incubators of digital creativity |
| Rhonda RATHBURN | Not Participating, Not Included: Towards Inclusive Assessment Practices in the Scottish Library Sector |
| Alison SPENCE | Restoring the materiality and context of digitised archival textile collections in the online environment |
| Erin WALTER |
Reimagining Performance Art Histories: A Curatorial Approach to the Documentation and Archiving of Performance in Glasgow from the mid-1980s to the Contemporary |
| Amber WATTS | Processing Analog Archives Remotely: Augmenting the Practicum Experience for Underserved Students |
Awarded PhDs in Information Studies
Franziska MUCHA (2022) Co-creative events for engagement with digital cultural heritage collections
Cassandra KIST (2022) Crafting museum social media for social inclusion work
Sarah GAMBELL (2022) A sustainable approach to threatened digital cultural heritage
Ahmed ALSHANQITI (2021) Exploring the concept of a digital Waqf library
Adele REDHEAD (2021) Archival memory, authenticity, and community. A comparative study of the archive and Eucharist
Lorna HUGHES (2021) Critical digital heritage: creation, use and re-use of surrogates from memory institutions
Rebecca WHITING (2021) Archives, conflict and power: Iraqi archives displaced to the United States during the Gulf Wars
Zoe BARTLIFF (2021) The application of textual encoding for a data-driven analysis of the medieval Welsh legal tradition, Cyfraith Hywel
Amy CURRIE (2021) Format, materiality and value: an examination of DIY music cassette tapes in archives
Christopher LOUGHNANE (2020) Body, environment, technics: An ethological approach to information
Maribel HIDALGO URBANEJA (2020) Towards a definition of digital narratives in art museums
Christopher CASSELLS (2019) An Auto-analysis of an actant rhizome ontology
Iraklis IOANNIDIS (2019) The other as the essence of existence: a journal of a philosophical passage to altruism
Gerard BRADY (2018) Transhumanism and the transformation of the experience and spectacle in the art of boxing.
Matthew BARR (2017) Learning by accident: what have commercial video games taught the gaming generation
Rosemary SPOONER (2016) Close encounters: international exhibitions and the material culture of the British Empire, c.1880-1940.
Louise BOYD (2016) Art, sex, and institutions: defining, collecting, and displaying Shunga.
Wachiraporn KLUNGTHANABOON (2015) Stakeholder Participation in Metadata Management of University-based Institutional Repositories in Thailand
Delaina SEPKO (2015) Curating Music Curation
Will YOUNG(2014) From hobby to necessity: the practice of genealogy in the Third Reich
Louise CAMERON (2012) Time, truth and accountability in information control and dissemination
Rory CRUTCHFIELD (2012) 'I saw America changed through music': An examination of the American collecting tradition
Paul LIHOMA (2012) The impact of administrative change on record keeping in Malawi
David MACKNET (2012) Decisions to delete: subjectivity in information deletion and retention
Anthony ROSS (2012) Correspondents theory 1800/2000: philosophical reflections upon epistolary technics and praxis in the analogue and digital
Craig GAULD (2010) The fantasy of the corroborative and transformative archive: the authority of archival beginnings
James GIRDWOOD (2010) A hermeneutics of the ontology of time and technology
Hannah LITTLE (2010) Genealogy as theatre of self-identity: a study of genealogy as a cultural practice within Britain since c. 1850
Mat Isa AZMAN (2009) Records management and the accountability of governance
Leonidas KONSTANTELOS (2009) Digital art in digital libraries: a study of user-oriented information retrieval
For more, select PhD dissertations going back to 1986 are now available online through the Glasgow Theses Service of the University of Glasgow Library.
Awarded MPhil by Research in Information Studies
Laura Molloy (2017) Digital curation in UK performing arts contemporary professional practice
Lindsey Short (2011) Shattering the silence: the exclusion of women from the archive
Gerard Brady (2010) The ethical problems associated with the creation of a synthetic consciousness