Article

Tassieri, M., Evans, R.M.L., Warren, R.L., Bailey, N.J., and Cooper, J.M. (2012) Microrheology with optical tweezers: data analysis. New Journal of Physics, 14 (11). p. 115032. ISSN 1367-2630 (doi:10.1088/1367-2630/14/11/115032)

Hair, G., Pearson, I., Morrison, A., Bailey, N., McGilvray, D., and Parncutt, R. (2007) The rosegarden codicil: rehearsing music in nineteen-tone equal temperament. Scottish Music Review, 1 (1). ISSN 1755-4934

Book Section

Bailey, N., McGilvray, D., and Hair, G. (2008) Musically significant, automatic localisation of note boundaries for the performance analysis of vocal music. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Buck, B., Hair, G., and Bailey, N. (2008) One voice or many?: compound melody and auditory streaming. In: Cambouropoulos, E., Parncutt, R., Solomos, M., Stefanou, D. and Tsougras, C. (eds.) Proceedings of the Fourth Conference on Interdisciplinary Musicology (CIM08) Thessaloniki, Greece, 2-6 July 2008. Department of Music Studies, Aristotle University of Thessaloniki, Thessaloniki, Greece.

Conference Proceedings

Hall, C., O'Donnell, J., and Bailey, N. (2011) BowScribe: Supporting the violinist's performance model. In: International Symposium on Performance Science (ISPS 2011), August 2011, Toronto.

Buck, B., Bailey, N.J., MacRitchie, J., and Parncutt, R. (2010) Performers' body motion and phrase structure: the role of velocity magnitude. In: 3rd International Conference on Music and Gesture, 5-6 March 2010, McGill University, Montreal, Canada.

Buck, B., MacRitchie, J., and Bailey, N. (2009) Perceptual recognition of embodied musical structure. In: Musical Body Conference, 2009, Institute for Music Research, IMR, University of London, UK.

MacRitchie, J., Buck, B., and Bailey, N. (2009) Gestural communication: linking the multi-modal analysis of performance to perception of musical structure. In: International Sympoium of Performance Science , 15-18 Dec 2009, Auckland, New Zealand.

MacRitchie, J., Buck, B., and Bailey, N. (2009) Visualising musical structure through performance gesture. In: 10th International Society for Music Information Retrieval Conference, 26-30 October 2009, Kobe, Japan.

MacRitchie, J., Pullinger, S., Hair, G., and Bailey, N. (2009) Communicating phrasing structure with multi-modal expressive techniques in piano performance. In: 2nd International Conference on Music Communication Science, 3-4 December 2009, Sydney, Australia.

Pullinger, S., Bailey, N., MacRitchie, J., and McAllister, M. (2009) Computer assisted analysis and display of musical and performance data. In: International Symposium on Performance Science, 15-18 Dec 2009, Auckland, New Zealand.

Bailey, N., McGilvray, D., and Hair, G. (2008) The Rosegarden codicil: rehearsing music in nineteen-tone equal temperament. In: International Computer Music Conference 2008, 2008, Belfast, Northern Ireland.

Pullinger, S., McGilvray, D., and Bailey, N. (2008) Music and gesture file: Performance visualisation, analysis, storage and exchange. In: International Computer Music Conference 2008, 2008, Belfast, Northern Ireland.

Boehm, C, Bailey, N, Cuomo, S, Kerr, P, Short, B, and Tariffi, F (2002) Networking opera: a report on a project in progress. In: Proceedings of the International Computer Music Conference, Gothenburg, Sweden.

Bailey, N (2001) Why free software happens: A survey of motivation in the open software community. In: Circus 2001: New synergiesw in digital creativity conference fro content inegrated research in creative user systems, Glasgow.

Tee, A, Cooper, D, Bailey, N, and McLernon, D (2001) Pattern matching for the tracking of melodic development. In: Proceeding of the VIII Brazilian Symposium on Computer Music, Brazil.