Number of items: 17.
2021
Goode, I.
(2021)
The cultural topography of rural cinema-going in the post-war Highlands and Islands of Scotland.
In: Keller, D. and Habermann, I. (eds.)
Brexit and Beyond: Nation and Identity.
Series: Swiss Papers in English Language and Literature (SPELL) (39).
Narr Francke Attempto: Tübingen, pp. 207-226.
ISBN 9783823384144
2020
Goode, I.
(2020)
The unsatisfactory medium: the transition from mobile cinema to television in the post-war Highlands and Islands.
Northern Scotland, 11(1),
pp. 23-41.
(doi: 10.3366/nor.2020.0203)
Goode, I. , Neely, S. , Brown, C. and Munro, E.
(2020)
The media of modernity: film and new media in the Highlands & Islands 1946-1971: introduction.
Northern Scotland, 11(1),
pp. 1-10.
(doi: 10.3366/nor.2020.0201)
Goode, I.
(2020)
The craft of the rural cinema operator: improvised exhibition and the Highlands and Islands Film Guild, Scotland (1946-71).
In: Mennoti, G. and Crisp, V. (eds.)
Practices of Projection: Histories and Technologies.
Oxford University Press: Oxford, pp. 36-51.
ISBN 9780190934118
(doi: 10.1093/oso/9780190934118.003.0003)
2018
Goode, I.
(2018)
UNESCO, mobile cinema, and rural audiences: exhibition histories and instrumental ideologies of the 1940s.
In: Gennari, D. T., Hipkins, D. and O'Rawe, C. (eds.)
Rural Cinema Exhibition and Audiences in a Global Context.
Palgrave Macmillan: Basingstoke, Hampshire, pp. 219-235.
ISBN 9783319663432
(doi: 10.1007/978-3-319-66344-9_13)
Goode, I.
(2018)
Island geographies, the Second World War film and the Northern Isles of Scotland.
In: Holt, Y., Martin-Jones, D. and Jones, O. (eds.)
Visual Culture in the Northern British Archipelago: Imagining Islands.
Series: British art: histories and interpretations since 1700.
Routledge: London, pp. 51-68.
ISBN 9780815374275
2013
Goode, I.
(2013)
The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland).
In: Aveyard, K. and Moran, A. (eds.)
Watching Films: New Perspectives on Movie-going, Exhibition and Reception.
Intellect: London, UK, pp. 263-278.
ISBN 9781841505114
2011
Goode, I.
(2011)
Cinema in the country: the rural cinema scheme – Orkney (1946-67).
Post Script: Essays in Film and the Humanities, 30(2),
pp. 17-31.
2010
Goode, I.
(2010)
Television documentary, pop stardom and auto/biographical narratives.
In: Inglis, I. (ed.)
Popular Music and Television in Britain.
Series: Ashgate popular and folk music series.
Ashgate: Farnham, UK, pp. 27-40.
ISBN 9780754668640
2009
Goode, I.
(2009)
Locating the family film: the critics, the competition and the archive.
In: Craven, I. (ed.)
Movies on Home Ground: Explorations in Amateur Cinema.
Cambridge Scholars Press: Cambridge, pp. 182-207.
ISBN 1443813443; 9781443813440
2008
Goode, I.
(2008)
Living with fame: Geri and Living with Michael Jackson.
Social Semiotics, 18(2),
pp. 177-190.
(doi: 10.1080/10350330802002234)
2007
Goode, I.
(2007)
CSI: crime scene investigation: quality, the fifth channel and 'America's Finest'.
In: Akass, K. and McCabe, J. (eds.)
Quality TV: Contemporary American Television and Beyond.
Palgrave Macmillan, pp. 118-128.
ISBN 9781845115111
Goode, I.
(2007)
Different trajectories: Europe and Scotland in recent film and television.
Portal: Journal of Multidisciplinary International Studies, 4(2),
Goode, I.
(2007)
Mediating the rural: local hero and the location of Scottish cinema.
In: Fish, R. (ed.)
Cinematic Countrysides.
Manchester University Press, pp. 109-127.
ISBN 9780719072666
2006
Goode, I.
(2006)
The quality of intimacy: revelation and disguise in the dramatic monologue.
Journal of Popular British Film and Television, 3(1),
pp. 107-114.
2003
Goode, I.
(2003)
A pattern of inheritances: Alan Bennett, heritage and British film and television.
Screen, 44(3),
pp. 295-313.
Goode, I.
(2003)
Value and television aesthetics.
Screen, 44(1),
pp. 106-109.
(doi: 10.1093/screen/44.1.106)
This list was generated on Thu Apr 18 09:54:18 2024 BST.
https://orcid.org/0000-0002-4735-4004